Images of Old Hawaiʻi

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Presidents’ Day

Only two Americans have been honored with individual federal holidays. The original intent was to recognize them on their birthdays.

Washington’s birthday holiday came about seventy years after his death. Martin Luther King died in 1968; King’s birthday was approved as a federal holiday in 1983, and all 50 states made it a state government holiday by 2000.

George Washington, the country’s first president, was born February 22, 1732 (Gregorian). He served as president from April 30, 1789 to March 4, 1797.

On January 31, 1879, the US House and Senate enacted a law authorizing February 22 as a legal holiday within the District of Columbia.  In 1885, they made February 22 a paid holiday for federal workers.

Washington’s Birthday was celebrated on February 22 from 1879 until 1971.  By 1890, Abraham Lincoln’s birthday was observed as a paid holiday in 10 states (in 1940, 24 states and the District of Columbia observed Lincoln’s Birthday), however it never officially became a federal holiday.

In 1951, a Californian named Harold Stonebridge Fischer formed the President’s Day National Committee with the intention of creating a holiday that would honor the office of the presidency, but no particular president.

He lobbied Congress, proposing March 4, the original Inauguration Day, as the date for “Presidents’ Day,” but the bill to make it happen became stalled in the Senate Judiciary Committee. (American Spectator)

Adopted in 1968 and effective January 1, 1971, Congress passed the Uniform Monday Holiday Act that moved certain federal holidays dates – Washington’s Birthday was moved to the third Monday in February.

There was debate on changing the holiday name to ‘Presidents’ Day’.  An early draft of the enabling bill would have renamed the Washington’s Birthday holiday “Presidents’ Day” to honor both Washington and Lincoln, whose birthday is on February 12 and has never been a national holiday. (American Spectator)

Opponents were not convinced. It had been Illinois Representative Robert McClory – a representative from “the land of Lincoln” – who had attempted in committee to rename “Washington’s Birthday” as “President’s Day.” The bill stalled.

The Wall Street Journal reported: “To win more support, Mr. McClory and his allies dropped the earlier goal of renaming Washington’s Birthday [as] Presidents’ Day, [which] mollified some Virginia lawmakers. He also agreed to sweeten the package by including Columbus Day as a Federal holiday, a goal sought for years by Italian-American groups.”

“It was the collective judgment of the Committee on the Judiciary,” stated Mr. William Moore McCulloch (Ohio) “that this [naming the day “President’s Day”] would be unwise. Certainly, not all Presidents are held in the same high esteem as the Father of our Country.”

“There are many who are not inclined to pay their respects to certain Presidents. Moreover, it is probable that the members of one political party would not relish honoring a President from the other political party whether he was in office, no matter how outstanding history may find his leadership.” (Archives-gov)

President Richard Nixon did not, as a widely circulated Internet story claims, issue a proclamation changing the holiday’s name from Washington’s Birthday to Presidents’ Day. His Executive Order 115 on February 10, 1971, merely announced the new federal holiday calendar, as passed by Congress in 1968.  (Archives-gov)

According to Prologue, the magazine of the National Archives, it was a local department-store promotion that went national when retailers discovered that, mysteriously, generic Presidents clear more inventory than particular ones, even the Father of His Country. Now everybody thinks it’s official, but it’s not. (The New Yorker)

So, while we celebrate “Presidents’ Day.” it really isn’t officially called that (at least at the national legislative level).

The Uniform Monday Holiday Act is still in effect – and it’s officially “Washington’s Birthday.”  (Some States (including Hawai‘i) refer to it as “Presidents’ Day” and it is a State and Federal holiday.)

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Gay Queen Of The Waves

A 2020 Proclamation issued by Governor Ray Cooper of North Carolina states, “Whereas, North Carolina was a pioneer of East Coast surfing;”

“the April 2, 1910 edition of Colliers Weekly includes a letter from Wrightsville Beach resident Burke Haywood Bridgers describing surfing activity in our state as early as 1909;”

“an announcement in the Wilmington Morning Star on June 30, 1910 includes mention of one of the earliest surfboard riding competitions in the mainland United States and direct communications with Alexander Hume Ford”.

However, that claim appears to be suspect, given other publications that predate the 1900s claim.  In the summer of 1888, several newspapers report a girl surfing at Ashbury Park, New Jersey – they refer to her as the “Gay Queen of the Waves.”

“A group of summer loungers on the beach at Ashbury park were watching the extraordinary antics of a dark-eyed bronzed-faced girl in the sea this morning. The object of all this interest and solicitude was beyond the line of breakers and standing on a plank that rose and fell with the swelling waves.”

“Her bathing dress was of some dark material, fitting close to the figure, the skirts reaching scarce to the knee. Her stockings wore of amber hue, adorned with what from the shore seemed to be vines and roses in colored embroidery. She wore no hat or cap.”

“Her hair, bound across the forehead and above the ears by a silver fillet, tumbled down upon her shoulders or streamed out upon the wind in black and shining profusion.  Her tunic was quite sleeveless , and one could scarcely fail to observe the perfect development and grace of her arms.”

“As a wave larger than those which had gone before slowly lifted the plank upon its swelling surface, she poised herself daintily upon the support, her round arms stretched out and her body swaying to and fro in harmony with the motion of the waters.”

“As the wave readied its fullest volume she suddenly, quick as a thought, and with a laugh that rang full into shore, drew herself together, sprang into the air, and, her hands clasped together and clearing her way, plunged into the rolling sea.”

“There was a little cry from timid feminine watchers on the sand, but the smiling face was above water again while they cried, and the daring Triton was upon the plank again in another moment and waiting for a second high roller.”

“So she has been amusing herself and interesting the mob for three mornings. She is as completely at ease in the sea as you or I on land, and the broad plank obeys her slightest touch.”

“When she has had enough of it she will bring the plank into shore, she riding upon the further end and guiding it like a goddess over the erects and through the foam of the biggest breakers.”

“She comes from the Sandwich Islands and is making a tour of the country. Her father is an enormously rich planter. She arrived in the park a week ago with the family of a wealthy New York importer. She is at a fashionable hotel and is one of the most charming dancers at the hotel hops, as well as the most daring swimmer on the Jersey coast.”

“She is well educated and accomplished, and, of course, speaks English perfectly, and with a swell British accent that is the despair of all the dudes.”

“She learned to be mistress of the waves in her childhood at her native home by the sea, where, she modestly says, all the girls learn swimming as a matter of course, quite as much as girls in this country learn tennis and croquet.” (Morning News from Philadelphia Press, August 17, 1888)

Although she is not identified, historian Vincent Dicks has apparently suggested that the young first-ever East Coast surfer was Emma Claudine Spreckels, the only daughter of Hawai‘i sugar baron Claus Spreckels.

Claus Spreckels (1828-1908), a German-born immigrant, made his fortune by starting a brewery and later founding the California Sugar Refinery. When he went to Hawaii in 1876 he managed to secure sole supply of sugar cane and with it much of the West Coast refined sugar market. In 1899 he founded the Spreckels Sugar Company, Inc.

The businessman gave over $25 million to his five grown children but his favorite child was the only daughter, Emma Claudine Spreckels.

He gifted an entire city block in Honolulu to her and an endowment worth almost $2 million. However, in 1893, when Emma eloped with Thomas Watson, many years her senior, she failed to tell her father. (House and Heritage)

Then, Emma “returned to her father all property, bonds, etc., which he had placed in her name. These gifts amounted to nearly $2,000,000, and were, it is said, relinquished by a single stroke of the pen by Mrs. Watson after her marriage.”

“It is reported that Mr. Spreckels was opposed to his daughter’s union with Watson, and that upon his chiding her for her seeming ingratitude in marrying against his wishes, she decided to give up her fortune, and did so, it is understood, upon the advice of her husband.” (Mount Holly News, Jan 12, 1897)

Emma ultimately married three times: after Watson died in 1904 she later married John Ferris (with her father’s blessing) and then Arthur Hutton in 1922.  Emma died on May 2, 1924 at Nuffield England.

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Daguerreotype

Prior to photography, portraits were painted. A first connection to Hawai‘i in this was through the son of Jedidiah Morse (Jedidiah was an abolitionist New England preacher who some consider “the father of American geography” – he compiled and published the first American geography book).

His son Samuel showed enough artistic promise for Jedidiah to send Samuel abroad to study painting after he graduated from Yale University in 1810.

Painting provided Samuel with pocket money to help pay his term bills at Yale. He became one of the small handful of important American painters in his generation, and many famous depictions of notable Americans are his work.

The portrait of Noah Webster at the front of many Webster dictionaries is his, as are the most familiar portraits of Benjamin Silliman, Eli Whitney, and General Lafayette.  (Fisher)

Prior to the departure of the first missionaries to Hawai‘i, a portrait of each of the company had been painted by Samuel Morse; engravings from these paintings of the four native “helpers” were later published as fund-raisers for the Sandwich Islands Mission and thereby offer a glimpse of the “Owhyhean Youths” on the eve of their Grand Experiment.  (Bell)

The portrait of Noah Webster at the front of many Webster dictionaries is his, as are the most familiar portraits of Benjamin Silliman, Eli Whitney, and General Lafayette.  (Fisher)

Morse showed great promise as a painter, but he offered Americans grand paintings with historical themes, when all his paying patrons really wanted were portraits of themselves.  Eventually Morse accepted many portrait commissions, but even they did not bring the steady income he needed to support himself and his family.

Oh, one more thing about Samuel Morse, while he did not invent the telegraph, he made key improvements to its design, and his work would transform communications worldwide. First invented in 1774, the telegraph was a bulky and impractical machine that was designed to transmit over twenty-six electrical wires. Morse reduced that unwieldy bundle of wires into a single one.

Along with the single-wire telegraph, Morse developed his “Morse” code. He would refine it to employ a short signal (the dot) and a long one (the dash) in combinations to spell out messages.

Morse the artist also became known as “the Father of American photography.” He was one of the first in the US to experiment with a camera, and he trained many of the nation’s earliest photographers.  (Fisher)

While doing art and developing code, Morse was also deeply involved in trying to make a go of his newfound vocation as a daguerreotypist. Morse enthusiastically embraced this new technology and became one of the first to practice photography in America.  (LOC)

Daguerreotype was the first successful form of photography; it was named for Louis-Jacques-Mandé Daguerre of France, who invented the technique in collaboration with Nicéphore Niépce in the 1830s.

Daguerre and Niépce found that if a copper plate coated with silver iodide was exposed to light in a camera, then fumed with mercury vapour and fixed (made permanent) by a solution of common salt, a permanent image would be formed. (Britannica)

The daguerreian era in Hawai’i began in the summer of 1845 when Theophilus Metcalf, an engineer and French scholar living in Honolulu, advertised that he was prepared to ‘take likenesses by the daguerreotype’.

The first surviving portraits, however, were made in January 1847, when an artist who called himself Senor Lebleu arrived from Peru and set up a studio.

Daguerreians continued to arrive and practice their art until approximately 1860. During this period there were almost a dozen artists working in the islands, for periods varying from one month to several years.

The most prolific Hawai‘i daguerreian whose work can be fairly well documented was Hugo Stangenwald (1829–99). He operated a studio in Honolulu from 1853 to 1858.

Dr. Hugo Stangenwald, the “student revolutionist, Austrian émigré, able practicing physician, and recognized early-day daguerreotype artist,” left Austria in March 1845. After living in California, he arrived in Honolulu in 1853. He married the former Mary Dimond in 1854. (HABS)

He opened a shop in late-1854 in a one-story frame structure on the site of the present Stangenwald building. His advertisement was well-known: “To send to them that precious boon, And have your picture taken soon, And quick their weeping eyes they’ll wipe To smile upon your daguerreotype.” (HABS)

His competitor for a year and a half (from 1855 to 1856) was Benajah Jay Antrim. Antrim left a memoir that, in a somewhat rambling and self-promoting fashion, recorded his success in the art in the Hawaiian Islands. (Davis & Forbes)

Before heading West, Antrim was a professional maker of mathematical instruments in Philadelphia, Pennsylvania.  In the 1830s he apprenticed under Edmund Draper. (Complete Surveyor)

Antrim was one of the forty men of the Camargo Company who went to California via Mexico on January 1849, after the successful termination of the War with Mexico.  From 1852 to 1854 Antrim was noted in Sierra County, California.

From 1855 to 1856 he operated in Honolulu, Hawaii.  He operated under his own name, B. Jay Antrim, as well as Role Lane Gallery (based on its location on Rose Lane) and Excelsior Gallery.  (Polynesian, Nov 17, 1855)

He ran an advertisement noting, “Prices Reduced at the Excelsior Gallery, located on Rose Lane, east side of King-street opposite the Bethel Church. Thankful for past favors, the undersigned takes this method of soliciting for a limited time, the patronage of the citizens and visitors of Honolulu …”

“… assuring them that strict application has been made to every new feature of the Art, calculated to finish first class Portraits, Miniatures, and Views for all who may desire them, by the latest and most satisfactory mode of operating in the United States.”

“Gallery open from 8 AM to 4 PM.  Cloudy weather no detriment.  Call and examine the specimens of Rose Lane Gallery.  B Jay Antrim” (Polynesian, Dec 22, 1855)

Then Antrim announced a change in his business, “To the Citizens of Honolulu. This is to inform the citizens Honolulu, that Mr. Benson, will continue the Daguerrean Art on Rose Lane, after April 14th, 1856.  We would return our sincere thanks to our patrons, and recommend Mr. B, as worthy of their patronage.  B. Jay Antrim” (Polynesian, April 5 & 12, 1856)

Antrim went back to California and set up shop there; he advertised, “Three Pictures for $3.00! B. Jay Antrim & Co would respectfully intimate to the residents of North San Juan and vicinity their intention of closing their Photographic operations in this town in a short time.”

“Hence all persons who may be desirous of securing a cheap and elegant picture for transmission to their friends in the Atlantic States, will see the necessity of an early visit to their Gallery, adjoining the Sierra Nevada Hotel. They have just completed the necessary arrangements for taking the new style of Canvas Pictures!”

“These Pictures possess a soft and elegant tone, and can be mailed with little additional postage. North San Juan, Oct. 1.” (Hydraulic Press, Oct 16, 1858)

The newspaper reported, “Mr. Antrim, the Ambrotypist, is now prepared to take portraits on canvas, having so far perfected his invention that he is willing to make it public. These pictures have an exquisite softness of color, a fine, clear relief, and are protected from the injurious effects of moisture by a trans parent varnish of the artist’s own invention.”

“They can be rolled up as easily as velvet, and forwarded in letters a great distance without detriment. They can be taken as large as life – this is no fiction – and are as free from any blinding lustre as ordinary engravings.”

“Mr. Antrim is a man of great ingenuity. He has devoted much time and money to the perfection of this new style of sun-portraits, and offers them at such a low price that it is an object to every person to patronize him. His invention is destined to be talked about and to become popular.”  (Hydraulic Press, Oct 2, 1958)

(Ambrotype images are taken upon fine plate glass, over which is placed a corresponding glass,—the two being cemented together, so that the picture is just as permanent as the glass on which it is taken.  They are far superior, in many respects, to the best Daguerreotypes.) (Pioneer American Photographers)

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Merry or Merrie?

Today, we typically reference King David Kalakaua as the ‘Merrie Monarch;’ and most also say it was his nickname used by those outside of Hawai‘i.  Most suggest it was inspired by the king’s love of music, parties and fine food and drinks.  Yet, it is not clear why we spell ‘Merry’ that way.

It is probably coincidental, but about the same time Kalakaua was ruling in the Islands, there were numerous articles written about King Charles II, who had been ruling about 200-years earlier in England.  Charles was also referred to as the “Merry Monarch of England,” or simply, the “Merry Monarch.”

Charles II (born May 29, 1630, London—died February 6, 1685, London) was king of Great Britain and Ireland (1660–85).  He was restored to the throne after years of exile during the Puritan Commonwealth.

The years of his reign are known in English history as the Restoration period. His political adaptability and his knowledge of men enabled him to steer his country through the convolutions of the struggle between Anglicans, Catholics, and Dissenters that marked much of his reign. (Britannica)

“Charles Stuart the 2nd of England who lived an “eventful life” with “wild orgies” in “his depraved and dissolute court” was referred to in England as the “merry monarch.” (It was sometimes spelled ‘merrie monarch.’)

He was described as “a man of great and varied talents, a heartless libertine, sunk in vice and debauchery, and soddened with lust”.  (The Chelmsford Chronicle (Chelmsford Essex, England, January 13, 1860)

It is not clear if Charles II was referred to as the Merry Monarch during his reign; Hawai‘i’s King Kalakaua was also referred to as a Merry Monarch.  However, the first reference of such appears to be in news accounts of his death. (He died January 20, 1891.)

Several, primarily Mid-Western, newspapers on the continent ran identical stories with the heading that stated “He Was a Merry Monarch” The lead line of the story was “King David of Hawaii is dead.”  (January 29, 1891)

Later, the Honolulu Advertiser, in writing about the King in an October 23, 1901 article, noted, “when the merry monarch came to the throne a new nobility was created”.

In reference to Kalakaua, though, we call him ‘Merrie’, as noted above and below, it was not always so.

Early newspaper references to a Kalakaua nickname were all, effectively, using ‘Merry.’

In 1903, the Pacific Commercial Advertiser (PCA) referenced, “King Kalakaua, the merry monarch.”  The next year, he was again referred to as ‘the merry monarch.’

Later, in 1904, the PCA reported on the christening of the infant son of Prince and Princess Kawananakoa where the paper stated, “the name of the ‘Merry Monarch of Hawaii’ was revived, for the young Prince will bear the name of David Kalakaua II.”

Later, the Honolulu Advertiser referred to Kalakaua as the “Merry Monarch of the Paradise of the Pacific.”  Kuykendall’s 3rd and final volume, describing the “Kalakaua Dynasty,” says that it “covers the colorful reign of King Kalakaua, the Merry Monarch.”

Even the festival that bears the nickname is not clear, nor consistent, with the spelling …

The first hula festival (held in 1964) that bore Kalakaua’s nickname was called the ‘Merry Monarch Festival’.  In anticipation of the event, the Hawaii Tribune Herald referred to “the first Merry Monarch Festival to be held in Hilo next April.”

Newspaper reports note that, “A purpose of the Merry Monarch Festival, a special project of the Hawaii Island Chamber of Commerce, is to develop an attraction that will draw visitors here during tourism’s slack period of the year.” (Hawaii Tribune Herald, March 31, 1964)

A later Hawaii Tribune Herald story (September 29, 1963) noted, “A Merry Monarch Festival designed to bring back for a brief period the colorful years if King Kalakaua will be held in Hilo next April, it was announced today by George Naope, promotor of activities for the County.”

In announcing that the Hawaii Island Chamber of Commerce had agreed to sponsor the “Merry Monarch Festival,” chairman Gene Wilhelm said, “the Merry Monarch Festival, named for Hawaii’s King Kalakaua, who reigned from 1874 to 1891, is planned for an annual event during the first week following Easter.” (Hawaii Tribune Herald, January 10, 1964)

in the early years, in addition to an annual parade and hula, there were a variety of other programs associated with the festival.

Men competed in a Kalakaua look-alike contest; quarter- and semi-finals of a sideburns-mustache contest at Mooheau Park.  (If he was married, the festival gave a gift certificate to “The Most Understanding Wife” (Hawaii Tribune Herald)

A couple of athletic competitions also took place. Single riders and relay teams competed in the Merry Monarch Festival Bicycle Pete Beamer Derby and rode bicycles from the Kamehameha Statue in Kohala, headed through Waimea, along the Hamakua Coast and ended up at Kalakaua Park in Hilo.  The winner of the 85-mile race received a trophy and $25.

Reminiscent of the old days of Hawai‘i when relays of the swiftest runners carried fresh fish to the chiefs, the festival had a 4-mile relay race through Hilo (starting and finishing at Mo‘oheau Park).  The relay runners used mullet as ‘batons.’

Another of the early festival activities was a Treasure Hunt.  Hunters were to dig up a buried box containing a Kalakaua medallion, redeemable for a cash prize, that was buried in a secret location.

“Samuel Clemens Moke, King Kalakaua’s emissary who pays daily visits to the Tribune Herald” provided cryptic clues on the treasure’s location.  These were published in the Hawai‘i Tribune Herald.

In reporting on its 50th anniversary, The Hawaii Tribune Herald noted that, “Andres Baclig, the county bandmaster in 1964, composed a number called the ‘Merry Monarch Festival March.’”

“The song, which was received with much acclaim, was presented at the Mooheau Bandstand on April 2, 1964, and it was a spirited number, featuring ‘lots of trombones and baritones.’”

In a report on planning for the 5th annual festival in the Honolulu Advertiser (December 24, 1967), it was reported that, “The largest planning committee ever set up for a Hilo Merry Monarch Festival is at work on the fifth annual festival”.

The ‘Merry’ name was used at least until 1969.

However, the 1977 program for the festival was a bit ambidextrous. The program was titled ‘Merrie Monarch Festival,’ but text on its initial pages, noted, “Hilo’s Merry Monarch Festival is named for Kalakaua who was Hawaii’s Merry Monarch.”

In 1971, the first competitive Merrie Monarch contest took place at the Hilo Civic Auditorium.  In 1979 the festival moved to the Edith Kanaka‘ole Tennis Stadium, where it has been held ever since.

In the late-1970s, newspaper reporting noted that performing at Hulihee Palace was the ‘Merry Monarchs Hawaiian Glee Club,’ “the foremost all male Hawaiian language singing group in the Islands (December 12, 1977).  A similar concert to celebrate the birthday of “Hawaii’s Merry Monarch, Kalakaua” was held that year at the Waikiki Shell.

Today, the King and Festival are referred to as the ‘Merrie Monarch.’  It is not clear when and why the nickname or the festival name changed from ‘Merry’ to ‘Merrie’.  However, the festival remains the premier hula competition.

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Arrival in Waimea, Kauai

We always recall that Captain James Cook died at Kealakekua Bay on the Big Island, but often overlook that the first reported contact by the white man in the islands occurred in Waimea, Kauai.

Hawaiian lives changed with sudden and lasting impact when in 1778, Cook and his crew arrived.  Western contact changed the course of history for Hawai‘i.

Cook named the archipelago the Sandwich Islands in honor of his patron, the First Lord of the Admiralty, the Earl of Sandwich.

At the time of Cook’s arrival (1778-1779), the Hawaiian Islands were divided into four kingdoms: (1) the island of Hawaiʻi under the rule of Kalaniʻōpuʻu, who also had possession of the Hāna district of east Maui; (2) Maui (except the Hāna district,) Molokai, Lānaʻi and Kahoʻolawe, ruled by Kahekili; (3) Oʻahu, under the rule of Kahahana; and at (4) Kauai and Niʻihau, Kamakahelei was ruler.

Cook’s crew first sighted the Hawaiian Islands in the dawn hours of January 18, 1778.  His two ships, the HMS Resolution and the HMS Discovery, were kept at bay by the weather until the next day when they approached Kauai’s southeast coast.

On the afternoon of January 19, native Hawaiians in canoes paddled out to meet Cook’s ships, and so began Hawai‘i’s contact with Westerners.  The first Hawaiians to greet Cook were from the Kōloa south shore.

The Hawaiians traded fish and sweet potatoes for pieces of iron and brass that were lowered down from Cook’s ships to the Hawaiians’ canoes.

Cook continued to sail along the coast searching for a suitable anchorage.  His two ships remained offshore, but a few Hawaiians were allowed to come on board on the morning of January 20, before Cook continued on in search of a safe harbor.

On the afternoon of January 20, 1778, Cook anchored his ships near the mouth of the Waimea River on Kauai’s southwestern shore.

As they stepped ashore for the first time, Cook and his men were greeted by hundreds of Hawaiians who offered gifts of pua‘a (pigs), and mai‘a (bananas) and kapa (tapa) barkcloth.

Cook went ashore at Waimea three times the next day, walking inland to where he saw Hawaiian hale (houses), heiau (places of worship) and agricultural sites.

At the time, the region was thriving with many thatched homes as well as lo‘i kalo (taro patches) and various other food crops such as niu (coconuts) and ‘ulu (breadfruit).

After trading for provisions, gathering water and readying for sail, Cook left the island and continued his search of the “Northwest Passage,” an elusive (because it was non-existent) route from the Pacific Ocean to the Atlantic Ocean.

After the West Coast, Alaska and Bering Strait exploration, on October 24, 1778 the two ships headed back to the islands; they sighted Maui on November 26 and circled the Island of Hawaiʻi.

On January 17, 1779, Cook sailed into Kealakekua Bay on the island of Hawai‘i.  After a month’s stay, Cook got under sail again to resume his exploration of the Northern Pacific.

Shortly after leaving Hawaiʻi Island, the foremast of the Resolution broke and the ships returned to Kealakekua Bay for repairs.

On February 14, 1779, at Kealakekua Bay, some Hawaiians took one of Cook’s small boats. He attempted to take hostage the King of Hawaiʻi, Kalaniʻōpuʻu. The Hawaiians prevented this and Cook and some of his men were killed. Clerke took over the expedition and they left.

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