Prominent People | Page 2 | Images of Old Hawaiʻi

October 17, 2026 by Peter T Young Leave a Comment

The Artist and the Architect

The artist, known as ‘Palani’ among his Hawaiian friends, was named a ‘Living Treasure’ for his paintings and murals showing Hawai‘i’s culture; the architect was identified as “the man who changed the face of the Pacific”. They got together in 1956.

Let’s look back …

The artist, Louis Henri Jean Charlot, descended from “sundry exotic ancestors,” was born in Paris. His father, Henri, was a French businessman; Anna, his mother, an artist and a devout Catholic, was the daughter of Louis Goupil, a native of Mexico City.

Also living in Paris was Jean Charlot’s great-uncle, Eugène Goupil, a collector of Mexican works of art. Jean, who began to draw around age two, grew up surrounded by pre-Hispanic antiquities. (Thompson)

In his teens, Charlot had become one of a Catholic group that called itself Gilde Notre-Dame (“Parisian adolescents (who) used to gather in a crypt”) made up of sculptors, stained glass makers, embroiderers and decorators.

“My life in France was on the whole rational, national, obeying this often heard dictum that a Frenchman is a man who ignores geography. There were though, simultaneously, un-French elements at work. Russian, sephardim, Aztec ancestors, warmed my blood to adventure.” (Charlot; Thompson)

After a Mexican trip, in 1928, Charlot and his mother moved to New York where he rented a small apartment on the top floor of 42 Union Square from the artist Morris Kantor. The apartment was unheated, which probably contributed to the death of his mother from pneumonia in January, 1929.

On a brief trip to Mexico in 1931, Charlot met his future wife, Dorothy Zohmah Day. During a visit to Zohmah in Los Angeles in 1933, Charlot met the printer Lynton R Kistler and produced Picture Book, “a repertory of motifs I had used up to then.” Returning to New York, teaching and lecturing occupied much of Charlot’s time.

In May 1939, Jean Charlot and Zohmah Day were married in San Francisco. “It was a long courtship,” commented Charlot. “Eight years. We were always in different places”.

The years from 1941-44 were spent as artist-in-residence at the University of Georgia, Athens, and instructor in art history at the University of California, Berkeley and artist-in-residence at Smith College in Northampton, Massachusetts. (Thompson)

Then he had a chance to come to Hawaiʻi – and he stayed. An invitation to create a fresco at the University of Hawai’i, Manoa, brought Charlot to Honolulu in 1949 where he painted Relation of Man and Nature in Old Hawai’i at Bachman Hall.

He accepted a position as professor of art at the University, and Hawai’i became the Charlot family’s permanent home. Attracted to the culture of the native Hawaiian, just as he had been interested in the folk aspects of the residents of rural France and the indigenous peoples of Mexico, he studied Hawaiian history, customs and religion, and learned the Hawaiian language.

From 1949 to 1979 Charlot created almost six hundred easel paintings, several hundred prints, and thirty-six works of art in public places in fresco, ceramic tile and sculpture. He taught summer sessions at several schools. (Thompson)

The architect, George James ‘Pete’ Wimberly, was born on January 16, 1915 in Ellensburg, Washington. He earned a bachelor’s degree in architecture in 1937 from the University of Washington.

He served as a draftsman/designer in Seattle, Los Angeles and Phoenix, and in 1940 was in a civil service position as “journeyman architect doing naval work at Pearl Harbor.”

“At the end of World War II, there was a great backlog demand for buildings of all sorts. During the four years of war, only essential or defense-oriented projects were allowed.”

“Most of the architects at the time were not hurting because they were all doing defense work, either as private practitioners or as direct employees of the Armed Forces. (W)hen V-J Day was announced, I left the Navy Yard and never went back, except to pick up my pay check.” (Wimberly; WATG)

“I had an agreement with Howard (Loren) Cook (who was working on Tripler Hospital) that I would set up an office and we would split the take, his salary and my fees 50/50.”

“Fortunately, there was a great deal of work out there. Furthermore, I had the fortune to know Gardner Dailey on the mainland. He selected me as the local architect for the remodelling of the Royal Hawaiian Hotel. (1946) … With this prestigious commission, we suddenly had credentials and were able to pick up other worthy jobs.” (Wimberly; WATG)

The artist and the architect got together in the design and construction of Charlot’s ‘dream house.’

It was part of the expansion of KahaIa in the 1950s. Before the expansion, Kahala was used mostly for beach homes along the shore, with another row of houses on the mauka side of Kahala Avenue. Bishop Estate opened up the balance of the area for residential and related development.

In recognition of his work in Hawaiian culture, Bishop Estate gave Charlot one of the first choices of the new lots. He picked the end lot of the three on the little appendix to Kahala Avenue, fronting the Wai‘alae Golf Course, the house sits on a flat lot bordered by the golf course on the north and a canal on the west.

The house was completed in 1958 as a true collaboration between Charlot and Wimberly. Charlot’s art and therefore his dream house had to fit its site. Wimberly also emphasized a ‘sense of place’ in his architecture and went on to build many structures that exuded this appropriateness to the lifestyle and climate of Hawai‘i.

Fitting into Hawai‘i’s lifestyle and climate is demonstrated in its open plan (the master bedroom overlooking the living room, only bedrooms and bathrooms are fully walled in,) blurred definition between the interior and exterior (the built-in dining table that connects to the exterior …

… the two story height glazed sections that connect to the lanai area, and the lanai with the same flooring material as the drawing room), incorporation of native arts (mural, petroglyph tiles), use of native materials (hapu’u) and siting by tradewinds. The house is an intensely personal one, yet a characteristic of Charlot’s art is its emphasis on appropriateness. (NPS)

It had a uniquely artistic flair, incorporating the openness and lanais of island homes with the vertical emphasis of traditional French rural ‘architecture and the brick floors and back courtyards of Mexican houses. (NPS)

Here, Charlot conducted most of his work in this house and more particularly in his 2nd floor studio. This was the final period of Charlot’s life, when he reached the peak of his artistic powers and was able to synthesize the esthetics of Europe, Mexico and Pacific Islands, the places he lived and influenced his art. His career spanned these places. Charlot remained active as an artist and a scholar until his death on March 20, 1979.

Wimberly also went on the great things. He invented a style of resort architecture that was creative, exotic and imaginative. His landmark projects helped define Hawai‘i tourism and created a Hawai‘i-based business designing resorts around the world.

Wimberly “established himself as perhaps the most successful resort architect in the world” and that his “Honolulu-based firm of Wimberly Allison Tong & Goo (also known as WATG) designed many of the Pacific Rim’s pace-setting hotels and is the world’s largest ‘niche’ architecture firm, specializing in the $4-trillion-dollar travel industry.” (Honolulu Weekly) Wimberly died December 30, 1995.

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October 16, 2026 by Peter T Young Leave a Comment

Ka‘iulani

Victoria (named after Queen Victoria) Kaʻiulani Kawekiu I Lunalilo Kalaninuiahilapalapa Cleghorn was born on October 16, 1875, the only child of Princess Miriam Likelike (the sister to King Kalākaua and Queen Liliʻuokalani) and Archibald Scott Cleghorn, a Scottish businessman.

Miriam Kapili Kekāuluohi Likelike was born on January 13, 1851. Unlike her brothers and sister, Princess Likelike’s early years were spent on the Island of Hawaiʻi.

On returning to Honolulu, “Her first course of instruction was at the school of the Sisters of the Sacred Heart, and she finished her education at Kawaiahaʻo Seminary.” (Pacific Commercial Advertiser, February 4, 1887)

Then her musical endeavors began in earnest; encouraged by her siblings she wrote music. With her sister, she led one of the three royal music clubs that held regular friendly competitions to outdo each other in song and poetry.

Like her sister, Princess Likelike sponsored many concerts and musical pageants in and around Honolulu, and played an important role in the development and perpetuation of Hawaiian music by the encouragement and patronage she gave to young musicians and composers. (HMHOF)

On September 22, 1870, Princess Likelike was married to Honolulu businessman Archibald Scott Cleghorn. The wedding was held at Washington Place, the residence of Governor Dominis and Princess Liliʻuokalani.

Cleghorn, born November 15th 1835 in Edinburgh, Scotland, was brought to Hawaii by his parents, Mr and Mrs Thomas Cleghorn by way of New Zealand.

After arriving to Honolulu in 1851, Thomas set up a dry goods store in Chinatown, but within the year, at the age of 54, Thomas suffered a fatal heart attack while on his way home from church. Archibald took over his father’s business and turned it into one of the most successful mercantile chains in the islands. (Kaʻiulani Project)

He first married Elizabeth Pauahi Lapeka and they had three daughters: Rose Kaipuala Cleghorn (married James William Robertson,) Helen Manuʻailehua Cleghorn (married James Boyd) and Annie Pauahi Cleghorn (married James Hay Wodehouse.) (Geer, Fahrni)

Continuing his father’s love of horticulture, Archie also became known as Hawaiʻi’s Father of Parks and served as Oʻahu Parks Commissioner; he was landscaper for ʻIolani Palace.

Archibald is also responsible for the spectacular gardens of the ‘ʻĀinahau estate, where he planted several varieties of plants, shrubs and trees, including Hawaiʻi’s first banyan, which became known as ‘The Kaʻiulani Banyan’. (Fahrni)

In addition he was the lead landscaper for Kapiʻolani Park. Kapiʻolani Park was dedicated on June 11, 1877 and named by King Kalākaua to honor his wife, Queen Kapiʻolani. It was the first public park in the Hawaiian Islands.

Characterized from the beginning as “swamp land in a desert,” Kapiʻolani Park became a park specifically because it wasn’t considered suitable for anything else, and because of its peculiar climate – it’s one of the few places on Oahu where rain almost never falls.

Archibald and Likelike deeded land at Kaʻawaloa to Major James Hay Wodehouse, Her Britannic Majesty’s Commissioner and Consul General for the said Kingdom of the Hawaiian Islands, for a monument in memory of Captain Cook. (Thrum)

Ka‘iulani inherited 10-acres of land in Waikīkī from her godmother, Princess Ruth Keʻelikōlani. Originally called Auaukai, her mother named it ʻĀinahau. The family built a two-story home on the estate.

At first the home was used only as a country estate, but Princess Kaʻiulani’s family loved it so much, it soon became their full-time residence. She spent most of her life there.

At the age of 13, Princess Kaʻiulani sailed to Europe to begin her education abroad; she spent the next eight years studying and traveling in Europe.

At the age of 15, Kaʻiulani was proclaimed Crown Princess of Hawaiʻi by Queen Liliʻuokalani and was a future ruler of Hawaiʻi. (KSBE)

“Princess Kaiulani was a thoughtful young lady, but always frank and candid. She was intensely devoted to the out of doors. It was the same from the time she was a little girl up to a few days before her death.”

“She was a skillful horsewoman. She liked both riding and driving. For driving she had a double rig and a single rig and generally handled the lines herself.”

“As a little girl she was a splendid swimmer and the old natives along the Waikiki beach will willingly tell you how the young alii would always go further out into the breakers than any one else. …”

“The Princess had at Ainahau a tribe of peafowls and everyone of the birds would eat from her hands. She admired them very much, made a study of them.” (PCA, March 13, 1899)

In 1899, Kaʻiulani had gone to Waimea on the Big Island to visit Helen and Eva Parker, daughters of Samuel “Kamuela” Parker (1853–1920,) grandson of John Parker (founder of the Parker Ranch.) (When his grandfather died, in 1868, Samuel (at the age of 15) inherited half the Parker Ranch, with his uncle John Palmer Parker II (1827–1891) inheriting the other half.)

While attending a wedding at the ranch, Princess Kaʻiulani and the girls had gone out riding horseback on Parker Ranch; they encountered a rainstorm. Kaʻiulani became ill; she and her family returned to O‘ahu. Tragically, after a two-month illness, Kaʻiulani died on March 6, 1899 at ʻĀinahau, at age 23.

Ka‘iulani once said, “Well, it has been a strange life, really, and a very romantic one. Still I have been happy. I have seen a great deal and everybody has been most kind to me.” (Independent, November 11, 1897)

October 12, 2026 by Peter T Young Leave a Comment

About the Time of Columbus

The first Europeans to arrive in North America were likely the Norse, traveling west from Greenland, where Erik the Red had founded a settlement around the year 985. In 1001 his son Leif is thought to have explored the northeast coast of what is now Canada and spent at least one winter there.

While Norse sagas suggest that Viking sailors explored the Atlantic coast of North America down as far as the Bahamas, such claims remain unproven. Later, the ruins of some Norse houses dating from that era were discovered at L’Anse-aux-Meadows in northern Newfoundland, thus supporting at least some of the claims the Norse sagas make.

About that same time in the Islands, using stratigraphic archaeology and refinements in radiocarbon dating, studies suggest it was between approximately AD 1000 and 1200 that “Polynesian explorers first made their remarkable voyage from central Eastern Polynesia Islands, across the doldrums and into the North Pacific, to discover Hawai‘i.” (Kirch)

Kamakau noted, in early Hawaiʻi “The parents were masters over their own family group … No man was made chief over another.” Essentially, the extended family was the socio, biological, economic, and political unit.

Kamakau states that there were no chiefs in the earliest period of settlement but that they came “several hundred years afterward … when men became numerous.”

As the population increased and wants and needs increased in variety and complexity (and it became too difficult to satisfy them with finite resources,) the need for chiefly rule became apparent.

As chiefdoms developed, the simple pecking order of titles and status likely evolved into a more complex and stratified structure.

Fast forward to Europe … Christopher Columbus left Spain in August, 1492, sailed directly westward, and in October came upon an outlying island of the West Indies. Although Columbus saw some of the other islands, he never touched the continent of North America.

Columbus (who was looking for a new route to India, China, Japan, and the ‘Spice Islands’ of Indonesia to bring back cargoes of silk and spices (ginger turmeric, and cinnamon)) never saw the mainland United States, but the first explorations of the continental United States were launched from the Spanish possessions that he helped establish.

At about the same time of Christopher Columbus crossing the Atlantic to America exciting stuff was happening here in the Hawaiian Islands.

The political governance and land management system by Aliʻi-ai-moku, was expanding and developing after two centuries since its inception, and there was a wake of progress taking place on our shores.

It was a natural progression, which began with three brothers as the first Aliʻi-ai-moku in the 12th century; Kumuhonua on Oʻahu, Olopana on Hawaiʻi, and Moikeha on Kauai, as grandsons of Maweke. (Yardley)

When they arrived from Tahiti with their new system, their first cousins were already serving as High Chiefs – “Laakona, High Chief of Ewa; Nuakea, Queen Consort of Molokai; Moi, kaula (prophet) of Molokai; and Hinakaimauliawa, High Chiefess of Koolau.” (Beckwith, Yardley)

Then, in the time of Columbus, the new Aliʻi-ai-moku were: Māʻilikūkahi on Oʻahu, Piʻilani on Maui, ʻUmi-a-Līloa on Hawaiʻi and Kukona on Kauai.

Several monumental actions were taking place in Hawaiʻi with a new form of land description, major infrastructure, an adaptive form of agriculture, and peaceful, chivalrous governance.

Māʻilikūkahi is noted for clearly marking and reorganizing land division palena (boundaries) on O‘ahu. Defined palena brought greater productivity to the lands; lessened conflict and was a means of settling disputes of future aliʻi who would be in control of the bounded lands; protected the commoners from the chiefs; and brought (for the most part) peace and prosperity.

According to oral tradition, Piʻilani unified the entire island of Maui, bringing together under one rule the formerly-competing eastern (Hāna) and western (Wailuku) multi-district kingdoms of the Island. Chief Piʻilani (“stairway to heaven”) unified West Maui and ruled in peace and prosperity. His territory included Nā Hono a Pi‘ilani, the six West Maui bays, a place he frequented.

Piʻilani’s prosperity was exemplified by a boom in agriculture and construction of heiau, fishponds, trails and irrigation systems. Famed for his energy and intelligence, Piʻilani constructed the West Maui phase of the noted Alaloa, or long trail (also known as the King’s Highway.)

On the Island of Hawaiʻi, ʻUmi-a-Līloa (ʻUmi) from Waipiʻo, son of Līloa, also started to divide the lands following this similar mauka-makai orientation.

ʻUmi also started a significant new form of agriculture in Kona; archaeologists call the unique method of farming in this area the “Kona Field System.” (These are long, narrow fields that ran along the contours, along the slopes of Mauna Loa and Hualālai; farmers then planted different crops, according to the respective rainfall gradients.)

The Kona Field System was described as “the most monumental work of the ancient Hawaiians.” The challenge of farming in Kona is to produce a flourishing agricultural economy in an area subject to frequent droughts, with no lakes or streams for irrigation.

Kukona (7th aliʻi ʻaimoku (high chief or king) of Kauai), whose name in Hawaiʻi became a symbol of the very highest ideals of chivalry in battle, was born in Kōloa and fought his defining battle at Po’ipū. His year of birth is estimated at around 1405.

Back on the Island of Hawai‘i there was eruption going on … the longest recorded eruption at Kilauea, arguably, was the ʻAilāʻau eruption and lava flow in the 15th century, which may be memorialized in the Pele-Hiʻiaka chant. It was the largest in Hawaiʻi in more than 1,000-years.

The flow was named after ʻAilāʻau – ʻAi means the “one who eats or devours.” Lāʻau means “tree” or a “forest.” ʻAilāʻau was, therefore, the forest eating (destroying) fire-god. Time and again he laid the districts of South Hawaii desolate by the lava he poured out from his fire-pits. (He was the fire god before Pele arrived at Hawaiʻi Island.)

The ʻAilāʻau eruption took place from a vent area just east of Kilauea Iki. The eruption built a broad shield. The eastern part of Kilauea Iki Crater slices through part of the shield, and red cinder and lava flows near the center of the shield can be seen on the northeastern wall of the crater.

The eruption probably lasted about 60 years. Such a long eruption naturally produced a large volume of lava, estimated to be about 5.2 cubic kilometers (1.25 cubic miles) after accounting for the bubbles in the lava. The rate of eruption is about the same as that for other long-lasting eruptions at Kilauea.

This large volume of lava covered a huge area, about 166 square miles (over 106,000-acres) – larger than the Island of Lānai. From the summit of the ʻAilāʻau shield, pāhoehoe lava flowed 25-miles northeastward, making it all the way to the coast.

Lava covered all, or most, of what are now Mauna Loa Estates, Royal Hawaiian Estates, Hawaiian Orchid Island Estates, Fern Forest Vacation Estates, Eden Rock Estates, Crescent Acres, Hawaiian Acres, Orchid Land Estates, ʻAinaloa, Hawaiian Paradise Park and Hawaiian Beaches. (USGS)

October 5, 2026 by Peter T Young Leave a Comment

Palea and the Pinnace

Captain Cook spent the month of December beating around the eastern and southern sides of Hawaiʻi, and finally anchored in Kealakekua Bay January 17, 1779 – having returned to make repairs to a broken mast. (Alexander)

Cook’s reception this time presented a striking contrast to his last. An ominous quiet everywhere prevailed. No one greeted them. A boat being sent ashore to inquire the cause, returned with the information that the king was away, and had left the bay under a strict taboo. (Jarves)

During the king’s absence the chiefs Palea and Kanaʻina kept order among the people. After Cook’s ships had anchored, the chiefs came on board and informed Cook that Kalaniopuʻu would be back in a few days.

Another prominent man, Koa, was apparently the highest officiating priest of the place (in the absence of the high-priest who accompanied Kalaiopuʻu.) (Alexander)

“Being led into the cabin, he approached Captain Cook with great veneration, and threw over his shoulders a piece of red cloth, which he had brought along with him. Then stepping a few paces back, he made an offering of a small pig which he held in his hand, while he pronounced a discourse that lasted for a considerable time.”

“This ceremony was frequently repeated during our stay at Owhyhee, and appeared to us, from many circumstances, to be a sort of religious adoration. Their idols we found always arrayed ill red cloth in the same manner as was done to Captain Cook, and a small pig was their usual offering to the Eatooas.” (King; Cook’s Journal)

“That same afternoon Captain Cook landed and was received by Koa, Palea, and a number of priests, who conducted him to the Heiau (Hikiʻau,) just north of the Nāpoʻopoʻo village and at the foot of the Pali. Here the grand ceremony of acknowledging Cook as an incarnation of Lono, to be worshiped as such, and his installation, so to say, in the Hawaiian Pantheon took place.” (Fornander)

The next day (Friday) the damaged masts and sails and the astronomical instruments were landed at the former camp, and the friendly priests tabued the place as before.

On Saturday afternoon, matters rapidly went from bad to worse.

Some of Palea’s retainers stole a pair of tongs and a chisel from the armorer of the ‘Discovery,’ leaped into their canoe, and paddled with all haste to the shore. Several muskets were fired after them in vain, and a boat was sent in chase.

Palea, who was on board, offered to recover the stolen articles, and followed in another canoe. The thieves reached the shore first, beached their canoe, and fled inland.

Mr Edgar, the officer of the boat, undertook to seize this canoe, which belonged to Palea, who refused to give it up, protesting his innocence of the theft. A scuffle ensued between them, in which Edgar was worsted, when a sailor knocked Palea down by a heavy blow on the head with an oar.

Upon this the whole crowd of natives looking on immediately attacked the unarmed seamen with stones, and forced them to swim off to a rock at some distance.

Palea, however, soon recovered from the blow, dispersed the mob, called back the sailors, and restored the missing articles as far as he could.

The following night the large cutter of the ‘Discovery’ was stolen by Palea’s people, taken two miles north, and broken up for the sake of the iron in it. (Alexander)

“This was the same Palea who from the first had been the constant, kind, and obliging friend of Captain Cook and all the foreigners, and who, only the day before Cook’s death, had saved the crew of the pinnace of the ‘Resolution’ from being stoned to death by the natives, exasperated Palea himself.”

“The boat had been at the brutal and insolent manner in which Palea had been treated by an officer of the ‘Discovery.’”

“It was during the night after the above fracas, the night of the 13th February, that the cutter of the ‘Discovery’ was stolen from her mooring, as King himself admits…”

“… ‘by Palea’s people, very probably in revenge for the blow that had been given him,’ and not by Palea himself. The boat had been taken to Onouli, a couple of miles higher up the coast, and there broken to pieces.” (Fornander)

Captain Cook commanded Kalaniopuʻu, the king of the island, to make search for the boat, and restore it. The king could not restore it, for the natives had already broken it in pieces to obtain the nails, which were to them the articles of the greatest value.

Captain Cook came on shore with armed men to take the king on board, and to keep him there as security till the boat should be restored. (Dibble)

On February 14, 1779, Cook was killed. (The image shows a drawing of Palea by William Ellis.)

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William_Ellis_–_Palea,_a_sub-chief_under_Kalaniopuu-1779

September 28, 2026 by Peter T Young Leave a Comment

Silva’s Stores

Reportedly, the first Portuguese in Hawai’i were sailors that came on the Eleanora in 1790. It is believed the first Portuguese nationals to live in the Hawaiian kingdom sailed through on whalers, as early as 1794, and jumped ship.

The first recorded Portuguese visitor was John Elliot de Castro, who sailed to Hawaiʻi in 1814. During his days in Hawaiʻi he became a retainer of King Kamehameha I, serving as his personal physician and as member of the royal court.

For 50 years after these early visitors arrived, Portuguese sailors came ashore alone or in small groups, jumping ship to enjoy Hawaiian life and turning their backs on the rough life aboard whalers and other vessels.

The reciprocity treaty in 1875 between the Kingdom of Hawaiʻi and the United States opened the US sugar market to Hawaiʻi and greatly increased the demand for workers.

Jacinto Pereira (also known as Jason Perry,) a Portuguese citizen and owner of a dry goods store in Honolulu, suggested in 1876 that Hawaiʻi’s government look for sugar labor from Madeira where farmers were succumbing to a severe economic depression fostered by a blight that decimated vineyards and the wine industry.

São Miguel in the eastern Azores was also chosen as a source of labor. In 1878, the first Portuguese immigrant laborers to Honolulu arrived on the German ship Priscilla. At least one hundred men, women and children arrived to work on the sugar plantations. That year marked the beginning of the mass migration of Portuguese to Hawaiiʻ, which continued until the end of the century.

John Ignacio Silva was born at Ponta Delgada, São Miguel, Azores, Portugal on October 15, 1868, son of Jose Ignacio and Angelica de Jesus (Gomes) Silva.

He reportedly came to the Islands in the early-1880s and began his business career as clerk in store of PA Dias, Kapaʻau, Kohala, 1885-86; clerk, A Enos & Co, Wailuku, Maui, 1887-90; salesman, Gonsalves & Co, on Island of Maui, 1890-93; travelling photographer, Gonsalves and Silva, Honolulu, 1893-94. (Siddall)

He moved to Kauai; the local paper noted, “Copartnership. The undersigned having bought out the general merchandise business of M. Gonsalves, jr., ʻEleʻele, Kauai, will carry on the business under the name of Frias & Silva. Jose De Frias, JI Silva” (Pacific Commercial Advertiser, June 21, 1894) He bought out Frias in 1896; beginning in 1901, he was for many years the postmaster at ʻEleʻele.

He expanded; “JI Silva, the pioneer merchant of ʻEleʻele, has three flourishing establishments, the main, big store being at ʻEleʻele, with branches located at Homestead and at Hanapepe.”

“He formerly had branches at Koloa and Kalihiwai, but on account of the tremendous growth of his ʻEleʻele and other enterprises near home, found that he had not time to properly look after his distant establishments, so closed them up.”

“At ʻEleʻele Mr. Silva carries a very large and complete stock of general merchandise. He has his ‘drummers’ on the road and maintains a very complete auto truck delivery service to great distances.”

“Mr. Silva is general manager of his stores. AM Souza is manager of ʻEleʻele store, John G Abreu of Homestead store, and MR Jardin of the establishment in Hanapepe. Mrs Silva is postmistress at ʻEleʻele, while Mr. Silva is acting postmaster at Homestead.” (The Garden Island, December 22, 1914)

For a short while he was in politics; “Silva knows the political situation of Kauai so well that whatever he says in matters political, will be accepted as final.”

“Silva, while a member of the house of representatives, of the legislature of 1907, was called by his colleagues the ‘red salt’ representative from Kauai. This was due to his presentation to each member of the house of a small bag of red salt, brought from his place at ʻEleʻele.” (The Garden Island, September 8, 1914)

His operation was a success, “A little further on, ’round the corner, we discovered the ʻEleʻele Store, Kauai’s ‘Temple of Fashion,’ the largest private commercial house on Kauai, and which is owned by Hon JI Silva.”

“The nature of the proprietor of this very prosperous looking institution is evidence by the fact that he is the only manager to use the gasoline truck for delivery purposes on the island – having recently purchased a Buick from the Kauai Garage Co.”

“It required but a very short interview with the genial manager to acquaint us with the secret of his success. Up to date window dressing is a feature of this attractive store which enjoys a large patronage from the surrounding community.” (The Garden Island, July 25, 1911)

All seemed to go well; until, “Notice is hereby given that John I. Silva, doing a general merchandise business at ʻEleʻele, Island of Kauai, Territory of Hawaiʻi, under the name of ‘ʻEleʻele Store,’ has this day assigned all of his property – to the undersigned for the benefit of his creditors.”

“All creditors of the above named John I. Silva and all persons having claims against him will present same, duly authenticated and with proper vouchers, if any exist, to the undersigned, at said ʻEleʻele Store, within sixty (60) days from the date thereof, otherwise they will be forever barred. Dated March 17th, 1922. Theo H Davies & Company, Ltd, Assignee for the benefit of the creditors of John I. Silva. (The Garden Island, March 21, 1922)