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September 11, 2026 by Peter T Young 1 Comment

Aloha Tower

Coral doesn’t grow in freshwater.  So, where a stream enters a coastal area, there is typically no coral growth at that point – and, as the freshwater runs out into the ocean, a coral-less channel is created.

In its natural state, thanks to Nuʻuanu Stream, Honolulu Harbor originally was a deep embayment formed by the outflow of Nuʻuanu Stream creating an opening in the shallow coral reef along the south shore of Oʻahu.

Honolulu Harbor (it was earlier known as Kuloloia) was entered by the first foreigner, Captain William Brown of the English ship Butterworth, in 1794.

They called the harbor “Fair Haven” which may be a rough translation of the Hawaiian name Honolulu (it was also sometimes called Brown’s Harbor.)  The name Honolulu (meaning “sheltered bay” – with numerous variations in spelling) soon came into use.

Boats either anchored off-shore, or they were pulled into the harbor (this was done with canoes; or, it meant men and/or oxen pulled them in.)  It might take eight double canoes with 16-20 men each, working in the pre-dawn calm when winds and currents were slow.

A few years after, in 1825, the first pier in the harbor was improvised by sinking a ship’s hull near the present Pier 12 site.  As Honolulu developed and grew, lots of changes happened, including along its waterfront.  What is now known as Queen Street used to be the water’s edge.

Between 1857 and 1870, the coral block walls of the dismantled Fort edged and filled about 22-acres of reef and tideland, forming the “Esplanade” or “Ainahou,” between Fort and Merchant Streets.

In 1904, the area around South Street from King to Queen Streets was filled in. The Hawaiʻi Department of Public Works reported that “considerable filling (was) required” for the extension of Queen Street, from South Street to Ward Avenue, which would “greatly relieve the district of Kewalo in the wet season.”

With the opening of the Panama Canal in 1914 and anticipated increased trans-Pacific shipping, government and business planned to further enlarge Honolulu Harbor by dredging Kalihi Channel and Kapālama Basin.

Even in today’s high-tech environment with tools and toys with satellite support, the simple illumination from a known point continues to serve as a navigational aid, as well as warn mariners of hazardous areas.

Carl W Winstedt and the National Construction Company began construction on the Aloha Tower in 1924. The project took a year and a half to complete.

Aloha Tower was reportedly competed in late-May 1926 and opened to the public on September 11, 1926; at 10 stories and 184-feet, 2-inches tall it was the tallest building in the Territory (and remained such for the next forty years.) (LRB)

It has 4 clocks, each face 12 feet in diameter (by far the biggest clock in the Territory of Hawai‘i and one of the largest in the United States at the time) and facing different directions, were made of bronze and weighed 7 tons each.

“Large public clocks first appeared in the 1840s and 1850s. In 1842, James Hunnewell presented Kawaiahaʻo Church with the large church clock on the gallery wall below the new organ.”

The public clock served the functional purpose of telling passers-by the time.  But it also served as a village landmark, a reference point, and a symbol of civic pride. Indeed, public clocks were something of a status symbol for a community, a sign that a town had reached a certain level of prosperity, that there was action there.

If a ship or person was too far away to read the clock, two other means of time synchronization were provided. A time ball was lowered to the bottom of the forty-foot mast atop the tower each day at noon, and the blast of a siren was sounded at 7 am, noon and 4 pm.

Aloha Tower was built as a control tower for the Honolulu harbormaster and a lighthouse as part of a modern freight and passenger terminal at piers 8, 9 and 10. 

In addition, it provided offices for the harbor master, pilots and customs officials.  The eleventh floor of the tower served as a lookout for the harbor pilots, with balconies on all four sides.

In the day (pre-1959 trans-Pacific jetliner service,) the method of travel to Hawai‘i was by ship.  Aloha Tower welcomed cruise passengers/visitors to the islands.

When the attack on Pearl Harbor came on December 7, 1941, Coast Guardsmen took up defensive positions around Aloha Tower and protected it from being occupied.

The Aloha Tower received little damage during the bombing of Pearl Harbor, but shortly thereafter, it was camouflaged with brown and green paint, and its light was extinguished for the remainder of the war.

Pre- and during WW II, the tower had been secretly a control facility for military convoy shipping for the Pacific Theater of Operations.

The military took control of the facility and painted it camouflage to minimize detection. (In 1947, the green camouflage paint was sandblasted from the tower and the brilliant white paint replaced.)

By the late 1960s, tall buildings were crowding the tower, and the Coast Guard decided to discontinue the beacon atop the Aloha Tower and install one on a 220-foot television tower.

This navigational aid served until 1975, when the present Honolulu Harbor Light was established on a metal pole at the end of Pier 2.

Owned by the State of Hawai’i, the Aloha Tower was renovated in 1994, at no cost to taxpayers, by the developer of the adjacent Aloha Tower Marketplace. There have been subsequent recent renovations.

© 2026 Hoʻokuleana LLC

Aloha_Tower-Honolulu_Harbor-Postcard-aerial-1935
19990624 CTY Construction of the Aloha Tower between 1924 and Sept. 1926 when the Aloha Tower was dedicated. COPY PHOTO BY DENNIS ODA FROM THE STATE ARCHIVES ON JUNE 23, 1999.
Honolulu_Harbor-Aerial-December 25, 1927
Honolulu_Harbor_Aerial-1928
Aloha_Tower-1935
USS_Honolulu_1939
Aloha Tower 1946, camaflaged. Press release photo.
aloha tower camouflaged
Aloha_Tower,_Honolulu,_1959
Aloha Tower Marker Under Tower
Old-Boat-Days
Matson_Boat_Day

Filed Under: Buildings, Sailing, Shipping & Shipwrecks Tagged With: Hawaii, Honolulu, Downtown Honolulu, Honolulu Harbor, Aloha Tower, Carl Winstedt, National Construction

July 11, 2026 by Peter T Young 2 Comments

War Memorial Municipal Auditorium

“Dedicated to All the Sons and Daughters of Hawai‘i Who Served Their Country in Time of War and in Special Tribute to those Who Gave Their Lives in Order That Freedom and Justice Might Prevail Throughout the World”

Apparently, so said the plaque outside what was initially referred to as the War Memorial Municipal Auditorium; its name was changed a few times.

And, the plaque is now missing – and apparently, so is the memory and original intent of the complex as a War Memorial.

Let’s look back …

In 1955, the Territorial Legislature passed Act 145 authorizing $3-million in bonds for the City and County to construct a War Memorial Municipal Auditorium. Then Congress stepped in to approve the State’s bond proposal.

By then, the idea was for the auditorium to honor those from Hawai‘i who served and sacrificed in WWII and Korea.

The house bill (HB 900) noted, “a municipal auditorium in the City and County of Honolulu would be a proper and fitting memorial to the said veterans (of WWII and Korea) and further would enhance the general welfare of the people of the city of Honolulu.”

Petitions and Bills were discussed seeking authorization for the “board of supervisors of the city and county of Honolulu to issue bonds in the sum of $3 million …”

“… for the purpose of land acquisition, plans, construction, equipping, and furnishing a war memorial municipal auditorium in the city and county of Honolulu.” Congressional Record, Volume 101, page 1143, June 9, 1955)

“HB 7755. A bill to enable the Legislature of the Territory of Hawaii to authorize the city and county of Honolulu, a municipal corporation, to Issue general obligation bonds; to the Committee on Interior and Insular Affairs.” (Congressional Record, Volume 101, page 807, July 30, 1955)

“404. Also, petition of the city and county clerk. Honolulu, T. H., requesting the enactment of legislation appropriating $3-million for land acquisition, plans, construction, equipping, and furnishing war memorial municipal auditorium in the city and county of Honolulu; to the Committee on Interior and Insular Affairs.” (Congressional Record, Volume 102, page 32, January 5, 1956)

Finally, on July 11, 1956, the Senate and House of Representatives of the US Congress enacted Public Law 694 and approving the bond in the Territory’s Act 145, giving the City and County of Honolulu the authority to move forward.  The site was the former ‘Old Plantation’ of the Ward Estate.

Initial legislation referred to the facility as the War Memorial Municipal Auditorium; on September 24, 1963, the City Council adopted a resolution naming the complex the ‘Honolulu International Center; then, on January 14, 1976, the City Council renamed the center as the ‘Neal S Blaisdell Memorial Center.’

Finally, on September 12, 1964 the Center was dedicated by Mayor Blaisdell; apparently, a memorial plaque noted the dedication of the facility as a war memorial (apparently, with the language noted at the top, here.)

However, over the years, the memorial plaque has been lost and the Neal S Blaisdell Center’s intended purpose as a war memorial has been forgotten.

Through persistence of Tanya Harrison and other volunteers at the Neal S Blaisdell Center War Memorial Project, Honolulu’s war memorial is no longer forgotten.

On March 11, 2015, the Honolulu City Council adopted Resolution 15-44, stating, “the City is currently considering long-range plans for the redevelopment of the fifty year-old Neal S Blaisdell Center complex …”

“… as such plans are discussed, the public should be reminded of the Neal S. Blaisdell Center’s heritage as a war memorial and its original purpose to honor Hawaii’s fallen heroes”. They sought rededication of the Blaisdell Center as a War Memorial.

The Honolulu City Council also noted, “all of the counties of the State of Hawai‘i honor and remember Hawai‘i’s war dead and war veterans in living memorials …”

“… such as the Waikiki War Memorial Natatorium, Kauai War Memorial Convention Hall, Kauai Veterans Memorial Hospital, Maui’s War Memorial Stadium Complex and Hilo’s Kalākaua Park War Memorial Pond”.

On November 10, 2015, there was a rededication the Neal S. Blaisdell Center as a war memorial. Subsequently, a new memorial plaque was installed as a permanent marker to educate the public of the Center’s war memorial designation and the significance of the facility as a living memorial.

© 2026 Hoʻokuleana LLC

Filed Under: Buildings, Economy Tagged With: Hawaii, Honolulu, Oahu, Victoria Ward, Blaisdell Center, Honolulu International Center, Old Plantation, War Memorial Municipal Auditorium

March 20, 2026 by Peter T Young 3 Comments

Arterials

Land transportation was one of the areas most affected by the post WWII and Statehood building booms. While O‘ahu’s population dramatically increased, automobile ownership rose at an even greater pace.

In 1938 automobile registration stood at 43,785. In 1945 the number of automobiles on island had grown to 52,527; a dozen years later, in 1957, automobile registration stood at 159,227, a 329.8 percent increase since 1945.

This tremendous influx of automobiles resulted in myriad needs having to be addressed, ranging from the reduction of traffic congestion to improved parking, and enhanced traffic safety measures.

The Territory undertook two other major highway projects, the mauka and makai arterials, to divert traffic off downtown streets. (HHS)

“‘A super highway through Honolulu, 120 feet wide and running mauka of the business district from Kalihi to Kaimuki … would be invaluable in solving Honolulu’s pressing traffic problem,’ engineer John Rush told the City Council in 1939.”

“It wasn’t until after World War II and a sudden increase in complaints about congestion that city officials got serious about the plan, proposing to spend $30 million over 15 years to build a six-lane expressway in 11-stages that would extend from Old Wai‘alae Road to Middle Street, about seven miles.” (Leidemann)

“Bids were opened on the first contract on the Mauka Arterial, Honolulu’s first expressway, which will eventually extend from King and Middle Streets to Kapahulu. By a series of grade separation structures, this seven-mile, six-lane, divided highway will carry crosstown commuters over all intersecting streams of north-south traffic.” (Public Works Annual Report, 1952)

From 1952 to 1962, Honolulu officials kept adding to the Mauka Arterial, described as the first road in the state “tailored to the flight patterns of people.”

A companion Makai Arterial that would have run past Waikiki, down Ala Moana and along an elevated roadway near the Honolulu waterfront never materialized as planned. (DOT)

The three ‘Ewa-bound lanes, extending one mile between Old Wai‘alae Road and Alexander Street, were opened to traffic November 9, 1953. (HHS)

When the first leg opened in 1953, it was hailed “as the highest standards of highway construction yet seen in the islands. Over-and underpasses keep cross-traffic to a minimum. A six-foot fence on both sides bars pedestrians and pets,” according to news reports. (DOT)

The Kaimuki-bound lanes along the same stretch were opened and the highway was formally dedicated on January 5, 1954. (HHS)

Construction forced the condemnation of more than 500 homes and the moving of several thousand people, tearing old neighborhoods apart. In Kaimuki, for instance, that meant razing the entire block of homes between Harding and Pahoa Avenues for the below street-level freeway.

“More blemishes are disappearing from the face of Honolulu as workmen tear down ancient, termite-ridden buildings and prepare to heal the wounds with construction of another segment of the ultra-modern Lunalilo Freeway,” said one 1959 editorial. (Honolulu Advertiser; DOT)

The second segment of the Lunalilo Freeway between Alexander and Alapaʻi was started in 1954, with progress reaching Keʻeaumoku Street by December 1955. By 1959 work had commenced on the interchange between the Lunalilo and Pali highways, which was the first three level grade separation structures to be constructed in Hawaii. (DOT)

The Lunalilo Highway project was expanded to become the H-1, a 28 mile roadway running from Palailai at Campbell Industrial Park to Ainakoa Avenue, with the Lunalilo Highway being the section running through Honolulu. (DOT)

The eight lane makai arterial, named Nimitz Highway, opened to traffic in November 1952, ten years after construction had commenced at the Pearl Harbor gate. (HHS)

“The last projects were nearing completion on the Makai Arterial. This limited access highway will ease travel between Pearl Harbor and Honolulu and between the airport and harbor and the Waikiki hotel district.” (Public Works Annual Report, 1952)

In 1952 transportation officials estimated it would take ten years to build, with costs running $2 million a year, with about one third of the budget dedicated for land acquisition.

It was the most expensive construction project up to that time in Hawai‘i, with much of the moneys devoted to land acquisition, as an estimated 1,600 families required relocation. To recoup some of the costs and to not increase Honolulu’s problematic housing shortage, the dwellings on the condemned lands were auctioned off.

In addition, the 1945 Territorial Legislature enacted a liquid fuel tax in order to generate the funds necessary to match the federal funds available for the highway’s construction. This tax was increased to five cents a gallon in 1955 to help offset Hawaii’s match for the increasing federal dollars coming to the islands for highway construction.

The advent of statehood led to an expansion of the Lunalilo Freeway into the H-1 Interstate Highway. The Federal-Aid Highway Act of 1956 established the Interstate Highway System; however, Hawaii was excluded from this source of funding as it bordered no other state.

To remedy this, a section of the Federal-Aid to Highways Act of 1959 required that a study be undertaken to consider the eligibility of Hawaii and Alaska for interstate highway funding.

As a result of the study, the Hawaii Omnibus Act, which President Eisenhower signed into law on July 12, 1960, removed the language in the Federal-Aid Highway Act which limited the interstate system to the continental US.

It also authorized three interstate highways for Hawaii, H-1, H-2 and H-3 to address national defense concerns, an allowed interstate highway justification which resulted from a 1957 amendment to the original act. (DOT)

An interesting remnant of apparently changed alignment (and probable interconnection of the Mauka and Makai Arterials) is a stub out to nowhere at the on/off ramps at Kapiʻolani Boulevard to H-1. (Lots of information here is from DOT, HHS and Leidemann.)

© 2026 Hoʻokuleana LLC

Filed Under: Economy, General Tagged With: Honolulu, Oahu, Mauka Arterial, Makai Arterial, Hawaii

January 22, 2026 by Peter T Young 1 Comment

Central Fire Station

No organized fire protection system existed in Honolulu until November 6, 1850, when the city’s first volunteer fire brigade was formed.

On December 27, 1850, King Kamehameha III established by ordinance in the Privy Council creating the Honolulu Volunteer Fire Department; the 1851 legislature enacted the ordinance into law.

In August 1851, a second-hand fire engine was purchased through public subscription and became the property of Engine Company No. 1.

Within ten years, the city had four engine companies, including No. 4, which was composed exclusively of Hawaiians. Kings Kamehameha III, Kamehameha IV, Kamehameha V and Kalakaua were all active members of this company. (NPS)

In 1870, the tallest structure in Honolulu was the bell tower of Central Fire Station, then-located on Union Street. Spotters would sit in the tower, ready to sound the alarm. (HawaiiHistory)

In 1897, Central Fire Station was relocated to its present site at Beretania and Fort Streets, a consolidation of Engine Companies 1 and 2.

“The city of Honolulu is protected from fire by a very efficient department. The central fire station is not only an ornament to the city, but contains all the necessary conveniences for its intended purpose.”

The 2½-story blue stone Central Fire Station was one of three stations at the time; the others were the 2-story wooden Makiki Station and the 2-story brick Palama Station.

There were 200 3-way standing and 50-ground hydrants distributed throughout the City. Plans were underway for a fire alarm telegraph system with 65-alarm boxes. (Report of the Governor of the Territory of Hawaii; to the Secretary of the Interior, 1901)

The Central Fire Station soon became outmoded. The Romanesque Revival rock structure was replaced in 1934 by a Dickey designed Moderne/Art Deco two-story reinforced concrete building (Kohn M Young was the engineer.) It previously served as headquarters for the Honolulu Fire Department.

The building is five bays wide and dominated by the three middle bays with their one-and-one-half story Art Deco aluminum doorways which were constructed by the California Artistic Metal and Wire Company of San Francisco.

Above the doors are aluminum panels with linear designs with an octagon in the middle containing the letter HFD. Above each panel is a set of four windows.

The end bays each contain a first story window and a set of three second story windows. All second story windows are jalousies, and the first floor windows are tinted plate glass.

A decorative belt course bands the top of this flat roofed building. This banding employs the octagonal HFD motif of the door panels. An abbreviated tower of approximately thirty feet rises from the roof at the rear of the right bay. This tower has a pair of long rectangular louvers running its height.

In 1949, a one-story hollow tile addition was erected at the rear to provide additional office space. The Ewa (northwest) side of the building features a balcony with geometric deco decoration. Behind the balcony is a set of three windows with rectangular pillars between them. (NPS)

© 2026 Hoʻokuleana LLC

 

Filed Under: General, Buildings, Economy Tagged With: Hawaii, Honolulu, Oahu, Downtown Honolulu, Honolulu Fire Department, Central Fire Station

July 2, 2025 by Peter T Young Leave a Comment

Makiki Christian Church

At age 29, Reverend Takie Okumura of Japan set sail for Hawaiʻi in 1894. He was initially appointed to serve as minister of the Japanese Christian Church, the predecessor to today’s Nuʻuanu Congregational Church.

Okumura left there and began his work in the section of Honolulu centering about Makiki district in November, 1902.  The work commenced in a little shed on Kīnaʻu Street near a Japanese camp and without a single church member.  (The Friend, November 1930)

Within a year, the shed became too small and a cottage across the street was rented which would accommodate about eighty people.  By his untiring effort, Okumura was able to organize the Makiki Church with 24-members on April 8, 1904.  The church continued to grow and was moved to the present building on the corner of King and Pensacola Streets in 1906.  (The Friend, November 1930)

In early-1910, the Makiki Japanese Church (later known as the Makiki Christian Church) introduced the custom of one English sermon per month.  The Church acquired property near McKinley High School (at the corner of Pensacola and Elm.)  Then, in the 1930, a new, enlarged church was contemplated and then constructed.   It was modeled after a Japanese Castle.

The “Makiki Castle” was the inspiration of the Reverend Okumura.  Okumura asked Hego Fuchino to design the church.

Born and educated in Japan, Fuchino immigrated to Hawaiʻi at age 17 or 18 and worked his way through ʻIolani School and the University of Hawaiʻi. He worked as a land surveyor and engineer in Honolulu while he taught himself architecture, and became one of the first Japanese architects in Hawaiʻi.

One of Fuchino’s earliest works was the Kuakini Hospital, which he designed in 1919. He designed the Izumo Taisha Mission; commercial buildings; movie theaters such as the Haleiwa Theater; residences and apartments; and schools such as the Hawaiian Mission Academy.

Inspired by the early-Edo period Himeji Castle in Japan, the church is the only Christian church in the United States to be modeled after a sixteenth-century Japanese castle.

The Makiki Christian Church is a five-story redwood building whose main tower rises ninety feet above street level.  A three- story parish hall and Sunday school, built four years after the tower, extends out from the tower to give the building a T- shaped floor plan.

“The castle-like edifice with its stone wall and high tower is after the style of the castle built by Oda Nobuuaga, famous Shogun, in 1577 at Omi. A number of years before that the feudal lord of Yaniato, Matsunaga, built a castle with a high tower and called his tower “Tenshukaku,” “ten” meaning heaven; “shu” lord; and “kaku,” lower or the place to worship the Lord of Heaven.”  (The Friend, November 1930)

Rather than a building associated with war, Okumura indicated that the castle was a place of defense, meant to provide protection and peace, and that the earliest known building erected in Japan for Christian worship was Tamon Castle.

To the pastor, this design symbolized refuge, security and grandeur.  Finally convinced it was not warlike, the congregation raised funds to build the tower, lobby and chapel in 1931.  (Hibbard)

At the time of construction, China and Japan were at war; however, as a gesture of goodwill to show that animosity between the two nations did not extend to Hawaiʻi, Okumura specified that all building materials were to be purchased from City Mill, owned by KA Chung.  (HHF)

Later, the castle became “A Place To Protect The Country” but it is true that the tower originated as “A Place To Worship God.”  The Makiki Church erects its new edifice with its tower indicating the thought of the Psalmist who sang “Jehovah is my fortress—my high tower.”  (The Friend, November 1930)

In November 1932 the tower was completed and in 1936 the Parish Hall was added to the church.

The churchyard is entered from the Elm Street side through a munekado (a gable-roofed gate supported by two pillars). The building’s entrance is fourteen feet high with a pair of massive solid wooden doors.

A large vestibule, thirty feet in height, runs parallel to the sanctuary and provides access to the church and the parish hall wing. The interior includes acid-stained concrete floors, columns with elbow brackets, and 164 ceiling panels depicting fruits, flowers, and vegetables painted by Yunosuke Ogura.

Before he died in 1951, Okumura also established the Okumura Boys and Girls Home, which provided young men and women affordable housing; he started the first Japanese-language school and the first AJA baseball league.

Makiki Christian Church is listed on the Hawaii Register of Historic Places (No. 80-14-9719, dated September 30, 1988;) it is one of the most photographed churches in the Islands.

© 2025 Hoʻokuleana LLC

 

Filed Under: Missionaries / Churches / Religious Buildings Tagged With: Makiki Christian Church, Takie Okumura, Hawaii, Honolulu, Oahu, Hego Fuchino, Makiki

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