Waikiki | Images of Old Hawaiʻi

October 15, 2026 by Peter T Young 1 Comment

Objets d’art

Honolulu’s first neon sign flickered to life on February 19, 1929, with the opening of Gump’s Waikiki an antiques and home furnishing store. (Honolulu) The third oldest structure in Waikiki, Gump’s was one of the first retail shops in Waikiki.

S & G Gump was founded in San Francisco in 1861 as a mirror and frame shop by Solomon Gump and his brother, Gustav. It later sold mouldings, gilded cornices and European artwork to those recently made wealthy from the California Gold Rush.

With the beginning of a new century, the Gump brothers handed over the reins to Solomon’s son, Alfred Livingston Gump. Soon thereafter, the San Francisco earthquake of 1906 forced AL, as he was known, to rebuild and restock the store.

He looked to the Far East for new inspiration, sending buyers to Japan and China to find exotic rugs, porcelain, silks, bronzes and jade. Among the most prized acquisitions, a Ch’ing Dynasty gilded wood Buddha, still gazes serenely over the first floor of Gump’s. It remains the largest of its kind outside of a museum.

By the 1920s, San Francisco was roaring right along with the rest. Gump’s and The City had become intertwined – the store synonymous with San Francisco in its elegance, worldly style and maverick spirit. (Gumps)

Back in the Islands, as tourism began to develop in the 1920s and 30s, people saw commercial possibilities for Waikiki. One of the most endearing was the Honolulu branch of S&G Gump Company of San Francisco.

Asian design elements were beginning to influence architecture in Hawai‘i, and the merging of these motifs and Western forms became visible in the Gump Building, as well as the Alexander & Baldwin Building on Bishop Street in Downtown Honolulu and the Honolulu Museum of Art.

In 1927, Hawai’i architect Hart Wood was commissioned to design this new outpost perfectly located between the Far East and the West.

The store opened in 1929, across the street from the recently completed Royal Hawaiian Hotel, to cater to the affluent traveler and Honolulu elite. It carried an aura of class and provided products from around the world to Hawai’i’s doorstep, presenting tourists and residents with an ornately appointed atmosphere filled with ancient and modern objet d’art. (Oahu Publications)

In Mr. Wood’s work there is a notable lack of the garishness, over-ornamentation and ‘weirdness’ too often loosely associated with Oriental architecture. His roofs curve, it is true, but only slightly; colored tiles are used, but in a restrained manner.

“The insertion of a grill of plaster in a plain stucco wall, the design and size being in walls are of stucco, quite plain, the roofs of tile, the whole effect one of substantial simplicity. The only difference lies in the details of ornamentation, mostly about the doors and windows.”

“One of the more noticeable of these decorative details is found in the designs of iron grill work, leaded windows, balcony railings and like places. Chinese designs are geometrical, mostly coordinated squares keeping with the medium, offers one of the most charming forms of decoration imaginable.”

“The introduction of color by the use of tiles is interesting also, not only in tiling for the roof, but inset in the walls as decoration. Where wood is used, natural teak is preferred, and the pillars are simply slender round columns with a characteristic cross bar treatment at the top.”

“An outstanding example of such a building is the branch shop at Waikiki of the S & G Gump Company of San Francisco. It is of two story, concrete construction of pleasing design.”

“The walls are of white stucco, the gutters, leaders and leader heads are of antique copper verde, and the plaster grills as mentioned before, it proves a particularly effective way to use this form of decoration.”

“Gateway openings in the walls are of quaint and unusual design, one of them being a ‘moon gate’ which is shown in one of the illustrations. The circle motif appears again in one of the slightly curving roof of imperial blue tiles.”

“This brilliant blue is a favorite roof color in China and one that blends well with the blue of the sub-tropical sky. No other colors than this blue, jade and white appeal in the building, except the dark teakwood pillars of the entrance and railings of the several balconies.”

“A white plaster wall incloses three courtyards, and these walls are pierced by windows of the shop. All the windows show the geometrical design in the shape of the panes or in grills. Balcony railings are also geometrical.” (The Architect & Engineer, October 1929)

Back then, it was a two-story white building standing virtually alone on Kalākaua Avenue. It is an example of the architecture of Hawai‘i’s pre-War territorial period, 1898-1941, when the sugar and pineapple industries were operating at full tilt.

A number of distinctive buildings were constructed during those years, adapting features of Asian, Mediterranean or European styles that suited Hawai‘i’s tropical climate, including large openings to catch the trade winds, wide eaves and often a double-pitched hipped roof.

The first commercial perfume successfully made in Hawaiʻi from local island flowers (pikake, pink plumeria and fern lei – each sold in hand-carved wooden bottles) was introduced in January 1935 at the Gump’s store in Waikiki. (Schmitt)

If the Gump family had a vision of the potential for shopping along Kalākaua Avenue, they were decades ahead of their time. Even in the 1950s and early 1960s, Kalākaua Avenue was not a center of high-end retail sales.

February 24, 1951 Gump’s announced it will close its Waikiki store after 25 years of business in Honolulu. The store was closed to settle the estate of AL Gump.

It was not until the 1980s, with the arrival of waves of visitors from Japan, that a significant number of other high-end shops, comparable to Gump’s, sprang up in Waikīkī.

In fact, the Gump building in Waikīkī was converted into a McDonald’s restaurant (in the 1970s or 1980s.) With the boom that began in the late-1980s, it was sold in 1991 to a corporate affiliate of high-end retailer Louis Vuitton Malletier of Paris, refurbished and, in 1992, rededicated to retail. (Kelley)

June 2, 2026 by Peter T Young Leave a Comment

Invasion of Waikiki

“From the Waikiki Inn to the Seaside Hotel the beach and all available space back of it was occupied by spectators. … There were hundreds of tourists hailing from the four corners of the earth and representatives of almost every race on the globe in the crowd.” (Hawaiian Gazette, February 25, 1913)

This was Hawaiʻi’s first pageant, part of the 1913 Mid-Winter Carnival, commemorating the conquering of Oʻahu by Hawaiʻi’s first King.

“Plunging across sunlit billows and riding swiftly upon the crest of the reef-combed rollers of Waikiki Bay yesterday, a fleet of war canoes brought the conquering army of Kamehameha the Great to Oahu, the first scene in the first historical pageant ever staged in the territory.” (Hawaiian Gazette, February 25, 1913)

“Kamehameha and his warriors were late landing. It was at first intended that the canoes bearing the brown soldiers should reach the beach between the Outrigger club grounds and the Moana hotel at o’clock, but one delay after another came up …”

“… the greatest of which was the tardy arrival of, the Pacific Mail steamer Mongolia, aboard of which were 134 passengers who had come all the way from San Francisco on purpose to witness the pageant.” (Star-Bulletin, February 21, 1913)

“In all there were in the flotilla about forty canoes, big and little, and as they paddled away in the gloom of the early morning each canoe was loaded to the guards.”

Palenapa, of the Honolulu police force, portrayed Kamehameha. Seventy Kamehameha Schools boys, a large delegation from the Kamehameha Aquatic club and several other organizations took part.

“Not a phase of the old conflict had been forgotten and as many of the features that made the flotilla of Kamehameha the Great unique had been placed aboard the canoes as could be got together in the short time allowed the manager of the pageant.”

“There were the tabu sticks, carried by the Puloulou, or custodian of the sacred things, there were the feathered tufts or the kahilis, sign of royalty, there: were the pauas or bows, and the puas or arrows, the deadly little poisoned darts”. (Star Bulletin, February 21, 1913)

“Probably over seven thousand people were at Waikiki to see the spectacle.”

“It is to be regretted that there were no grandstand accommodations and I am afraid that many or our visitors did not Vet a very good view of the picturesque ceremonies carried on. I hoe that if anything of the kind is attempted again, arrangements will be for more seating.” (Chillingworth, Star-Bulletin, February 21, 1913)

“All credit to John H. Wise, chairman of the regatta committee, and his lieutenants for making the affair the undoubted success it was despite the manifold difficulties with which they found themselves confronted at every stage of the preparations.”

“All credit to Director (Charles) Chillingworth, who stood behind his assistants, directing the work, fitting the multiplicity of detail into beautiful, harmonious whole.”

“Immediately after the ceremony of landing most of the crowd returned to town, though a large number gathered on the beach around the army of natives and were awarded by witnessing the hula dance.” (Star Bulletin, February 21, 1913)

Carnival events in 1913 included the Landing of Kamehameha, special productions at the Opera House, Horse Races, Military Parade, Floral Parade, Hawaiian luau and other events around town. Publicity on the mainland is credited for bringing in more than 2,000 tourists for the activities.

April 12, 2026 by Peter T Young Leave a Comment

Three Rivers

The Allegheny, Monongahela, and Ohio Rivers have a unique confluence in Pittsburgh. The Allegheny River from upstate New York ends here, as does the Monongahela from the mountains of West Virginia.

The Allegheny River is a young river formed from the last Ice Age some 10,000 years ago, and its waters tend to be faster and colder than those of the slower moving Monongahela, an ancient, wider river from a million years ago.

The Ohio River begins here; the name Ohio comes from the Iroquois word oyo. The Ohio River, called the beautiful river (la belle riviere) by French explorers, was the start of the watery road west for countless immigrants and settlers in the nineteenth century.

The Ohio drains westward into the Mississippi a thousand miles away, and then travels southward to reach New Orleans and the Gulf of Mexico [America]. (RiversOfSteel)

Wait … This isn’t about those three rivers, this is about the flows from the Makiki, Mānoa, and Pālolo valleys, what are named the Pi‘inaio, ‘Āpuakēhau, and Kuekaunahi.

Three main valleys Makiki, Mānoa, and Pālolo are mauka of Waikīkī and through them their respective streams (and springs in Mānoa (Punahou and Kānewai)) watered the marshland below.

As they entered the flat Waikīkī Plain (and merge and separate,) the names of the streams changed; the Mānoa became the Kālia and the Pālolo became the Pāhoa (they joined near Hamohamo (now an area mauka of the Kapahulu Library.))

While at the upper elevations, the streams have the ahupuaʻa names, at lower elevations, after merging/dividing, they have different names, as they enter the ocean, Pi‘inaio, ‘Āpuakēhau and Kuekaunahi.

The Pi‘inaio (Makiki) entered the sea at Kālia (near what is now Fort DeRussy as a wide delta (kahawai.))

The ‘Āpuakēhau (Mānoa and Kālia,) also called the Muliwai o Kawehewehe (“the stream that opens the way” on some maps,) emptied in the ocean at Helumoa (between the Royal Hawaiian and Moana Hotels.)

The Kuekaunahi (Pālolo) once emptied into the sea at Hamohamo (near the intersection of ‘Ōhua and Kalākaua Avenues.) The land between these three streams was called Waikolu, meaning “three waters.”

The early Hawaiian settlers, who arrived around 1000 AD, gradually transformed the marsh into hundreds of taro fields, fish ponds and gardens. Waikīkī was once one of the most productive agricultural areas in old Hawai‘i.

Beginning in the 1400s, a vast system of irrigated taro fields and fish ponds were constructed. This field system took advantage of streams descending from Makiki, Mānoa and Pālolo valleys which also provided ample fresh water for the Hawaiians living in the ahupua‘a.

By the time of the arrival of Europeans in the Hawaiian Islands during the late eighteenth century, Waikīkī had long been a center of population and political power on O‘ahu.

Following the Great Māhele in 1848, many of the fishponds and irrigated and dry-land agricultural plots were continued to be farmed, however at a greatly reduced scale (due to manpower limitations.)

In the 1860s and 1870s, former Asian sugar plantation workers (Japanese and Chinese) replaced the taro and farmed more than 500-acres of wetlands in rice fields, also raising fish and ducks in the ponds.

By 1892, Waikīkī had about 550-acres planted in rice, representing almost 12% of the total 4,700-acres planted in rice on O‘ahu.

Nearly 85% of present Waikīkī (most of the land west of the present Lewers Street or mauka of Kalākaua) were in wetland agriculture or aquaculture.

However, drainage problems started to develop in Waikīkī from the late nineteenth century because of urbanization, when roads were built and expanded in the area (thereby blocking runoff) and when a drainage system for land from Punchbowl to Makiki diverted surface water to Waikīkī.

During the first decade of the 20th century, the US War Department acquired more than 70-acres in the Kālia portion of Waikīkī for the establishment of a military reservation called Fort DeRussy.

The Army started filling in the fishponds which covered most of the Fort – pumping fill from the ocean continuously for nearly a year in order to build up an area on which permanent structures could be built. Thus the Army began the transformation of Waikīkī from wetlands to solid ground.

In accordance with the law, a reclamation project was proposed and conducted under the pretext of doing sanitation. This project aimed to dig a canal (Ala Wai Canal of today) in the center of Waikiki and reclaim all these swamps by earth and sand dug out from the construction of the canal.

During the 1920s, the Waikīkī landscape would be transformed when the construction of the Ala Wai Drainage Canal, begun in 1921 and completed in 1928, resulted in the draining and filling in of the remaining ponds and irrigated fields of Waikīkī.

Soon after, in 1928, the construction of the Royal Hawaiian Hotel was completed (joining the Moana Hotel (1901,) marking the beginning of Waikīkī as a world-class tourist attraction.

March 6, 2026 by Peter T Young Leave a Comment

March 6, 1899

“It has been a strange life, really, and a very romantic one.”

On October 16, 1875, a child was born to Princess Miriam Likelike (the youngest sister of King Kalākaua) and Archibald Cleghorn. The child, the only direct descendant of the Kalākaua dynasty, was named Victoria Kawekiu Kaʻiulani Lunalilo Kalaninui Ahilapalapa.

On March 9, 1891, Princess Victoria Kaʻiulani Cleghorn was duly appointed and proclaimed heir apparent to the Hawaiian throne.

Kaʻiulani inherited 10-acres of land in Waikīkī from her godmother, Princess Ruth Keʻelikōlani. Originally called Auaukai, Princess Likelike (Kaʻiulani’s mother) named it ʻĀinahau; Princess Kaʻiulani spent most of her life there.

The stream that flowed through ʻĀinahau and emptied into the ocean between the Moana and Royal Hawaiian Hotels (where the present Outrigger Hotel is located,) was called ʻApuakehau (the middle of three rivers that used to run through Waikīkī.)

The family built a two-story home on the estate. At first the home was used only as a country estate, but Princess Kaʻiulani’s family loved it so much, it soon became their full time residence.

Sadly, Kaʻiulani died, March 6, 1899.

The New York Times obituary (March 18, 1899) read, “Princess Kaʻiulani died March 6 of inflammatory rheumatism contracted several weeks ago while of a visit to the Island of Hawaii.”

“The funeral of the Princess will occur on Sunday, March 12, from the old native church (Kawaiahaʻo,) and will be under the direction for the Government. The ceremonies will be on a scale befitting the rank of the young Princess.”

“The body is lying in state at ʻĀinahau, the Princess’s old home. Thousands of persons, both native and white, have gone out to the place, and the whole town is in mourning. Flags on the Government buildings are at half mast, as are those on the residences of the foreign Consuls.”

Kaʻiulani had gone to the Waimea on the Big Island to visit Helen and Eva Parker, daughters of Samuel “Kamuela” Parker (1853–1920,) grandson of John Parker (founder of the Parker Ranch.) (When his grandfather died, in 1868, Samuel (at the age of 15) inherited half the Parker Ranch, with his uncle John Palmer Parker II (1827–1891) inheriting the other half.)

While attending a wedding at the ranch, Princess Kaʻiulani and the girls had gone out riding horseback on Parker Ranch; they encountered a rainstorm. Kaʻiulani became ill; she and her family returned to O‘ahu.

Tragically, after a two-month illness, Kaʻiulani died at ʻĀinahau, at age 23.

Kaʻiulani became a friend of author Robert Louis Stevenson. He had come to Hawaiʻi due to ill health. In his writings, Robert Louis Stevenson endearingly recalled that Princess Victoria Kaʻiulani was “…more beautiful than the fairest flower.”

He was a frequent guest and used to read passages of poetry to the young Princess under the banyan tree. Reportedly, the first banyan tree in Hawaiʻi was planted on the grounds of ʻĀinahau.

As many as fifty peacocks, favorites of the young Princess, were allowed to roam freely on the grounds.

Prior to her departure to study abroad, Stevenson wrote a farewell poem to the princess in her autograph book:

“Forth from her land to mine she goes,
The Island maid, the Island rose;
Light of heart and bright of face:
The daughter of a double race.

Her islands here, in Southern sun,
Shall mourn their Kaʻiulani gone,
And I, in her dear banyan shade,
Look vainly for my little maid.

But our Scots islands far away
Shall glitter with unwonted day,
And cast for once their tempests by
To smile in Kaʻiulani’s eye.”

A notation in Stevenson’s poem book further noted, “Written in April in the April of her age; and at Waikīkī, within easy walk of Kaʻiulani’s banyan!”

“When she comes to my land and her father’s, and the rain beats upon the window (as I fear it will,) let her look at this page; it will be like a weed gathered and pressed at home; and she will remember her own islands, and the shadow of the mighty tree …”

“… and she will hear the peacocks screaming in the dusk and the wind blowing in the palms; and she will think of her father sitting there alone.”

It is said that the night Kaʻiulani died, her peacocks screamed so loud that people could hear them miles away and knew that she had died.

January 5, 2026 by Peter T Young Leave a Comment

Tree-named Hotels

Edward Payson Irwin was born in DeWitt, Iowa, May 7, 1875; he graduated from the University of Kansas in 1897. After enlisting and serving in the US Army during the Spanish-American War, he came to Hawai‘i in 1906 to be a reporter for the Bulletin. (HSA)

“Irwin was an accomplished newsman who acted as a gadfly over many years against the establishment and its press and against the fiscal ‘extravagance’ of the government. Progressive in politics and social issues.” (Guide to newspapers of Hawaiʻi, 1834-2000, Chapin)

Irwin served as City Editor and later Editor for the Advertiser. He later founded and was editor for the Weekly Times (also called the Honolulu Times). (Hawai‘i Sate Archives) He worked at other publications.

Irwin developed an interest in Waikīkī. Historically, Waikīkī encompassed fishponds, taro lo‘i, coconut groves and a reef-protected beach that accommodated Hawaiian canoes.

Waikīkī shifted from agricultural to residential uses, with private residences for the Hawaiian royalty and the well-to-do. Near the turn of the 20th century, some of these homes were converted into small hotels and eventually into world-class resorts.

Robert Lewers (whose firm Lewers & Cooke supplied much of the lumber for O‘ahu homes) built a two-story wooden frame bungalow with an open veranda overlooking a coconut grove in 1883.

In 1907, Irwin leased the Lewers’ house and converted the structure into a small hotel called the Hau Tree, in honor of the many trees that shaded the beachside lawn. (Halekulani)

Irwin had another tree-named hotel; this time in central O‘ahu.

“Wahiawa is 25 miles from town by rail. It is the original pineapple district founded by a colony of American agriculturists in 1899. It is a small village surrounded by pineapple fields, and being of an elevation of 1000 feet offers to pleasure-seekers and those seeking the cool atmosphere, recreation and rest.” (Aloha Guide, 1915)

It “also (has) several stores, markets, shops, laundry, etc., and two pineapple canneries. Now that the mails come twice a day by rail instead of twice a week by stage from Pearl City, as was the case formerly, a number of Honolulu people have built country houses.” (Paradise of the Pacific, Oct/Nov 1905)

Mr and Mrs Henry C Brown converted their Wahiawa home into the “Malukukui, their home-hotel among the pineapples at Wahiawa.” (Hawaiian Gazette, September 29, 1909)

“(I)ll health sent them to seek a quiet country life. They settled in Wahiawa, the largest pineapple country in the world, where they bought several acres of ground and built their home, evolving from it a small country inn in which they are now able to accommodate some fifty guests.”

“Every room has a fine view either over the restful pineapple fields or down the deep ravine on the edge of which the house is built. In the distance can be seen magnificent mountain ranges and glimpses of the Pacific ten miles distant.” (The Craftsman, 1909)

Then, in 1911, Trent Trust Co placed advertisements offering the Malukukui and its 10-acres of land for sale or lease. This was followed by, “The lease giving EP Irwin the control of the Wahiawa country resort formerly the Malukukui Hotel was signed yesterday by the trustees of the Atherton estate and the new proprietor took possession at once.”

“Numerous expensive additions and repairs about the place have been already planned and will be immediately executed increasing the capacity of the hotel and making it cosier and nearer the standards of the comfort in city hostelries.”

“An automobile will meet the trains at Wahiawa from the hotel and in its off moments act as a link between the Hau tree Irwins Waikiki Hotel and his new Wahiawa enterprise.” (Hawaiian Gazette, March 7, 1911)

“The Kukui Tree, formerly known as Malukukui, at Wahiawa, is now open and ready to receive guests. Extensive Improvement are under way and will soon be completed. No place in Hawaii is as suitable to spend a week end at as the Kukui Tree.”

“Run up today or tomorrow and stay over Sunday and see if this is not true. If you try it once, The Kukui Tree will become a habit with you. The table is excellent, as are the accommodations. Inquiries may be made of EP Irwin, at the Hau Tree, phone 1389.” (Hawaiian Star, March 24, 1911)

“The necessity for a place such as Mr Irwin has reopened exists and he deserves all the patronage his enterprise should bring him. As managers of the Hau Tree at Waikiki, Mr and Mrs Irwin have demonstrated the fact that they know how. (Hawaiian Gazette, March 24, 1911)

However, “The Kukui Tree would pay big in the hands of anyone who could get a liquor license, or who would run a blind pig. … EP Irwin has decided to close the Kukui Tree, at Wahiawa. …”

“The place has not been paying. Mr. Irwin will devote all his attention now to his Waikiki place, the well known Hau Tree.” (Hawaiian Star, July 17, 1911)

However, Irwin’s Waikīkī enterprise also faltered, his lease expired, and the landowners ran an ad for new tenants. (Halekulani)

“Despite its location and modest rent, the business they took over was little better than a boarding house. There were three guests the day they moved into their 40-guest capacity hotel.” (From “Hali‘a Aloha o Halekulani”; Halekulani)

Nearby, the J Atherton Gilman family bought 3-acres and built a two-story house from a man named Hall. La Vancha Maria Chapin Gray rented the Gilman house in 1912 and converted it into a boarding house and named it Gray’s-by-the-Beach. The sandy area fronting it was soon referred to as Gray’s Beach.

In 1917, Clifford and Juliet Kimball acquired the Hau Tree Inn near Gray’s Beach and, in the late 1920s, they decided to expand and bought the Gilman property, including Gray’s-by-the-Sea and an adjacent parcel belonging to Arthur Brown.

When their expansion project was completed, the Kimballs had acquired over five acres of prime Waikīkī beachfront for their resort, which they named Halekūlani, or “house befitting heaven.”