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August 4, 2019 by Peter T Young 2 Comments

Haleuluhe

Kauikeaouli, Kamehameha III, stepped into the position of King at age 10 (in 1825,) upon the death of his brother Liholiho.

Boki, governor of the island of O‘ahu, built a Honolulu royal residence called ‘Haleuluhe’ (fern house) for the young King at ‘Pelekane’ (Britannia … i.e. Beretania) in the vicinity of the site of the present St. Andrew’s (Episcopal) Cathedral.

The Rev. Charles S. Stewart, who returned to Hawaii in 1829 as Chaplain of the US ship-of-war “Vincennes,” provides a good description of this palace. His October 15, 1829 description of Haleuluhe Palace is most complete:

“The king’s establishment, but lately erected, is quite in the outskirts of the town – having the open plain towards Punchbowl Hill immediately in the rear.

“On entering it (the main entrance of the palace grounds was closed by a large white gate,) we found ourselves in a spacious yard of some acres …”

“… enclosed on all sides by a well-constructed and high fence, and furnished with two other gates similar to that through which we had passed-one, on another street, in the direction of the residences of most of the chiefs in the neighborhood of the chapel and mission houses, and the other, inland towards the hill and valleys.”

“Everything within, appeared exceedingly neat. On the side of the square at which we entered and near the gate, there are three or four good sized houses, but not differing, externally, from most of the better kind of native dwellings. These, we were informed, are the dining and sleeping rooms, offices, etc., of the king and his household.

“At a considerable distance, on the opposite side, stands the palace – a fine lofty building of thatch, some hundred or more feet in length, fifty or sixty broad, and forty or more high …”

“… beautifully finished and ornamented at the corners, from the ground to the peak, and along the ridge of the roof, with a rich edging of fern leaves (uluhe fern: Dicranopteris linearis, also known as false staghorn fern]”.

“It is enclosed by a handsome and substantial palisade fence, with two gates-one large, in front, and a smaller at the side and a pebbled area within.”

“All the timbers in sight, the numerous posts, rafters, and centre pillars, are of a fine substantial size, and of a dark hard wood, hewn with the nicest regularity. The lashing of sinnit [sennit], made of the fibres of the cocoanut bleached white, are put on with such neatness, and wrought into so beautiful a pattern, at close and regular intervals …”

“… as to give to the posts and rafters the appearance of being divided into natural sections by them; and to produce, by the whiteness and nice workmanship of the braid, in contrast with the colors of the wood, an effect striking and highly ornamental.”

“But that, which most attracted my admiration in the building, is an improvement – a device of native ingenuity – of which I was told, we then saw the first specimen, and which gives to the interior a finish, as beautiful as appropriate, to such an edifice.”

“It is a lining between the timbers and the thatch, screening entirely from sight, the grass of which the external covers is composed; and, which always gives an air of rudeness, and a barnyard look, even to the handsomest and best finished of their former establishments.”

“The manufacture is from a small, round mountain vine, of a rich chestnut color (some say the stem of the uluhe fern) – tied horizontally, stem upon stem, as closely as possible, in the manner, and probably in imitation, of the painted window blinds of split bamboo, brought from the East Indies, once much in fashion and still occasionally seen in the United States.”

“The whole of the inside, from the floor to the peak of the roof – a height of at least forty feet – is covered with this, seemingly in one piece; imparting by the beauty of its color and entire effect, an air of richness to the room, not dissimilar to that of the tapestry, and arras hangings of more polished audience chambers.”

“The floor also is a novelty, and an experiment here: consisting – in place of the ground strewn with rushes or grass, as a foundation for the mats, as was formerly the case – of a pavement of stone and mortar, spread with a cement of lime, having all the smoothness and hardness of marble.”

“Upon this, beautifully variegated mats of Tauai (island of Kauai) were spread – forming a carpet as delightful, and appropriate to the climate, as could have been selected.”

“Large windows on either side, and the folding doors of glass at each end, are hung with draperies of crimson damask; besides which, and the mats on the floors, the furniture consists of handsome pier tables, and large mirrors; of a line of glass chandeliers suspended through the centre … and of portraits in oil of the late king and queen, taken in London, placed at the upper end, in carved frames richly gilt.”

“In the middle of the room, about sixty feet in front, or two thirds the length of the apartment, the young monarch was seated, in an armchair, spread with a splendid cloak of yellow feathers.”

“His dress was the Windsor uniform, of the first rank, with epaulettes of gold – the present of George IV – and an undress of white, with silk stockings and pumps.”

“On a sofa, immediately on his right, were Ka‘ahumanu, the regent, and the two ex-queens, Kīna’u – at present the wife of General Kekūanaō‘a and Kekauruohe (Kekauluohi).“ (Information here is from ‘Palace and Forts of the Hawaiian Kingdom.’)

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Filed Under: Ali'i / Chiefs / Governance, Buildings Tagged With: Kamehameha III, Boki, Beretania, Haleuluhe, Hawaii, Honolulu, Kauikeaouli

August 2, 2019 by Peter T Young Leave a Comment

Hōlualoa Royal Center

In the centuries prior to 1778, seven large and densely-populated Royal Centers were located along the shoreline between Kailua and Hōnaunau on the Island of Hawai‘i.

The compounds were areas selected by the ali‘i for their residences; ali‘i often moved between several residences throughout the year. The Royal Centers were selected for their abundance of resources and recreation opportunities, with good surfing and canoe-landing sites being favored.

Chiefly residences are known to have changed over time and an ali‘i would expand or modify a residential complex to meet his or her needs and desires.

Traditional histories record the lands at Hōlualoa as a chiefly residence and Royal Center.

Three major occupation sequences have been identified based on the association with various ali’i: AD 1300 (Keolonāhihi), AD 1600 (Keakamahana and Keākealaniwahine) and AD 1780 (Kamehameha I) – it appears very likely that the Hōlualoa Royal Center grew and changed over time.

Hōlualoa offered a wealth of agricultural products from the Kona Field system, offshore marine resources and the surf site off Kamoa Point in Hōlualoa Bay.

The Hōlualoa Royal Center was split into two archaeological complexes, Kamoa Point/Keolonāhihi Complex and Keākealaniwahine Residential Complex.

The Hōlualoa Royal Center contained a total of several heiau structures that were constructed and dedicated for a range of religious functions that are representative of Hawaiian cultural traditions and practices.

The functions of these heiau include surfing (Hale ‘A‘ama), warrior training (Kanekaheilani Heiau), medicine and healing (Hualani Heiau), fertility (Mo‘ipe Heiau) and preparation of ali‘i for burial (Burial Heiau and Haleokekupa).

Oral traditions suggest that the Hōlualoa Royal Center was constructed as early as A.D. 1300 by the Chiefess Keolonāhihi and her husband, Aka.

Keolonāhihi was either the daughter or niece of Pā‘ao. Pā‘ao brought the Kū religion, along with a highly stratified social system, to Hawai‘i from Tahiti, circa AD 1300.

These sites included the women’s features (Keolonāhihi Heiau, Hale Pe‘a and Palama), the sports heiau (Kanekaheilani) and the grandstand at Kamoa Point to view the surfing and canoeing events in Hōlualoa Bay.

Keākealaniwahine’s Residence, the 16-acre mauka parcel with its 28 recorded archaeological sites – this complex contains many religious sites, including three heiau.

Much of the site’s history relates to the occupation of the Royal Center by Chiefess Keakamahana and her daughter, Chiefess Keākealaniwahine, in the 17th Century. These two women were the highest-ranking Ali‘i of their dynastic line and generation – traditional histories suggest they expanded the compound mauka.

The residence of Keakamahana and Keākealaniwahine is believed to be the large walled enclosure on the mauka side of Ali‘i Drive.

Later, Kamehameha lived with his mother Kekuiapoiwa II and his guardians, Keaka and Luluka, at Pu‘u in Hōlualoa during the rule of Kalani‘ōpu’u.

At Hōlualoa, Kamehameha learned to excel in board and canoe surfing (circa 1760s to early 1770s.) “Lyman’s” at Hōlualoa Bay remains a popular surf spot, today.

Later, Kalani‘ōpu’u took Kamehameha to Ka‘u and there is no evidence that Kamehameha maintained a residence at Hōlualoa during his reign.

Kamehameha used the Keolonāhihi complex for religious purposes; after his rise to power, he stored his war god, Kūkaʻilimoku, at Hale O Kaili in the Hōlualoa Royal Center.

While I was at DLNR, we submitted nomination (and received) designation of the Hōlualoa Historic District and expanded the site through the purchase of an adjoining property.

In addition, we were involved in discussions that ultimately led to the BLNR approval of a Curator Agreement for the Keolonāhihi Complex with the Betty Kanuha Foundation.

The Hōlualoa Royal Center was one of the important Points of Interest in the Royal Footsteps Along the Kona Coast Scenic Byway Corridor Management Plan that we prepared.

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Holualoa_Bay-Looking_At_Keolohahihi-1890
Holualoa_Bay-Looking_At_Keolohahihi-1890
Holualoa_Bay-Across_to_Keolonahihi
Holualoa_Bay-Across_to_Keolonahihi
Holualoa Royal Center
Coastal frontage at Keohonahihi (Andy Bohlander)
Coastal frontage at Keohonahihi (Andy Bohlander)
Clearing of invasive kiawe trees at Keolonahihi (Andy Bohlander)
Clearing of invasive kiawe trees at Keolonahihi (Andy Bohlander)
Ruins of perimeter wall at Hōlualoa Royal Center
Ruins of perimeter wall at Hōlualoa Royal Center
Holualoa-Keolonahihi-coastal wall formation
Holualoa-Keolonahihi-coastal wall formation
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Keolonahihi_Complex-site_layout-1780
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Keolonahihi_Complex-site_layout-1890
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Keakealaniwahine_Complex-site_layout
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Holualoa_Royal_Center-Kekahuna_Map-Bishop_Museum
Holualoa-Historic-District-location-map
Holualoa-Historic-District-location-map

Filed Under: Ali'i / Chiefs / Governance, Hawaiian Traditions, Place Names Tagged With: Keakealaniwahine, Holualoa, Keolonahihi, Keakamahana, Kalaniopuu, Kamehameha, Hawaii, Royal Center, Kona Field System, DLNR

August 1, 2019 by Peter T Young Leave a Comment

Honorary Member of the Mission

In 1840, a land dispute between Mr. Richard Charlton, the first British ambassador to Hawaiʻi, and the Kingdom of Hawaiʻi would spark the infamous “Paulet episode” which led to the forced cession of the Hawaiian Islands to Britain in 1843. (KSBE)

“Admiral Thomas, immediately on hearing of the usurpation by his inferior officer, without waiting for instructions from his government, hastened to the Islands, resolved to atone for the indignity done to the king and his people as effectually and speedily as possible.”

“The king was at once, in the most formal and honorable manner, reinstated in his authority. This was on the 31st of July, 1843. The king and chiefs then repaired to the great Stone Church to offer thanks for the gracious interposition of Providence.”

“The deportment of Admiral Thomas toward all parties, while at the Islands, was honorable to his character, and he has ever since been gratefully remembered.” (Anderson)

“The restoration of the Hawaiian Monarchy in July 1843 – ending the five-months-long illegal seizure and occupation by the Englishman, Lord George Paulet – created the chief, and indeed the only, notable site in Kulaokahu‘a.” (Greer)

It was later (1850) named Thomas Square.

“The king made a short address, stating that according to the hope expressed by him when he ceded the Islands, ‘the life of the land’ had been restored to him…”

“… that now they – the people of his Islands – should look to him, and his rule over them should be exercised according to the constitution and laws.”

“This address was followed by the interpretation of Admiral Thomas’s declaration; after which John Ii delivered an animated address suited to the joyful occasion.”

“He referred to the gloom which had shrouded the nation, and the despondency which had brooded over many minds; these were now dispelled; joyful hope had sprung up, making every thing around bright and smiling.”

“He referred to the auspicious event of the restoration as of the Lord, who had been mindful of the nation in its low estate, and as demanding from all grateful thanks and praise.”

“The whole deportment of Admiral Thomas while at the Isl. ands, towards the king and his people, and the mission, was of the most courteous and honorable character …”

“…and his example, counsels, and influence will long be gratefully remembered. Law and order were restored, the nation has been inspired with new courage, and all measures for its improvement have received a fresh impulse.” (ABCFM, Report 1844)

“Hawaii’s sovereignty had been restored.” (Greer)

“‘Her Majesty’s Government, we learn in a letter from the Earl of Aberdeen, ‘viewed with the highest approbation, the whole of his proceedings at the Sandwich Islands, as marked by a great propriety and an admirable judgment throughout …’”

“‘… and as calculated to raise the character of British authorities for justice, moderation, and courtesy of demeanor, in the estimation of the natives of those remote countries, and of the world.’” (Polynesian, August 3, 1850)

“Richard (Darton) Thomas was born at Saltash, county of Cornwall. … This officer entered the navy the 26th of May, 1790, on board the Cumberland 74, Captain John M. Brule, and sailed in the course of the same year with a squadron under Rear Admiral Cornish, for the West Indies”. (Polynesian, August 3, 1850)

“The King too, Kamehameha III, moved by gratitude, intimated a wish that the Rear Admiral would sit for his portrait in full uniform, that His Majesty ‘might have and preserve in his palace the likeness of a British officer who …’”

“‘… in restoring to him his kingdom, dared to act on his own sense of right, counting upon the approval of his magnanimous, Queen, in which he was not disappointed.’” (Polynesian, August 3, 1850)

“No nobler men ever touched those Islands, than some of the officers of the American and English navies.” (Richard Armstrong)

“(Armstrong’s) home ‘Stone House’ was named after the English residence of Admiral Thomas, of the British Navy, who restored the national flag which his subordinate, Lord George Paulet, had, in his absence, hauled down, taking possession of the Islands in the name of the Queen.”

“Lord George was compelled by the Admiral to restore the flag and salute it with his own guns. The day was thereafter kept as a national holiday, and the name of Admiral Thomas is held in grateful remembrance.” (Richard Armstrong)

“(T)he Rear Admiral (Richard Thomas) received the thanks of the Government of the United States for his conduct relative to the American residents in the Sandwich Islands; and that he was elected an ‘honorary member of the American Board of Commissioners for Foreign Missions.’” (Polynesian, August 3, 1850)

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Admiral-Richard-Darton-Thomas

Filed Under: Ali'i / Chiefs / Governance, Missionaries / Churches / Religious Buildings, Prominent People Tagged With: Ka La Hoihoi Ea, Thomas Square, Admiral Thomas, Sovereignty, American Board of Commissioners for Foreign Missions, Hawaii

July 30, 2019 by Peter T Young 1 Comment

Thomas Square

On January 22, 1850, the King’s Privy Council addressed “Another suggestion to set apart a day for marking out the boundaries of the square on the Plains of Waikiki to be called by the name of Admiral Thomas was also approved of by vote.” (Privy Council Minutes, January 22, 1850)

Then, on the anniversary of sovereignty restoration that year, “At sunrise a gun was fired, His Majesty’s large standard was hoisted at the Palace, the Hawaiian ensign on the Fort, on the Hill, and on all Hawaiian vessels.”

“At eight o’clock all the Foreign Consuls displayed their flags. The foreign vessels in port hoisted their ensigns, and some of them were beautifully decorated with flags, private signal, pendants, &c.”

“Amongst them all, was conspicuous HBM’s schooner Cockatrice, being dressed out with great taste, and having the Hawaiian ensign flying from the fore, during the day.”

“The merchant’s offices, warehouses, stores, and shops were more generally closed, than during any preceding anniversary.”

“It being generally known that it had been the King’s intention, had health permitted, to have ridden out in state, to the plain, and there given the name of Thomas Square, to the exact spot on which the gallant admiral of that name, restored his Flag, numerous parties on horseback, during the day, visited the spot.” (Polynesian, August 3, 1850)

“The restoration of the Hawaiian Monarchy in July 1843 – ending the five-months-long illegal seizure and occupation by the Englishman, Lord George Paulet – created the chief, and indeed the only, notable site in Kulaokahu‘a.”

“The exact locale – the future Thomas Square – leaped into history with, literally, a bang. On the morning of July 31, two pavilions decorated with greens and a flagstaff stood on the plain east of town.”

“On the street line to the west, tents from warships in port punctuated their arid surroundings. A thick mat of rushes paved the line of march. Thousands waited for the ceremonies of the day.”

“At 9:30, Rear Admiral Richard Thomas of the British navy called on the King to sign official documents. A half hour later, several companies of English sailors and marines were drawn up on a line facing the sea, with an artillery corps on their right.”

“Admiral Thomas and his staff arrived in the King’s state carriage, while the Monarch himself came on horseback, accompanied by the household troops. The artillery honored His Majesty with a 21-gun salute.”

“At a given signal, the British flag officer bowed his colors; the British flag was then lowered and the Hawaiian flag raised amid salvos, first from Thomas’s HMS Carysfort, then from English and American warships, merchantmen and whalers, and finally from the Honolulu fort and the Punchbowl battery.”

“A great cheer arose as the wind caught the folds of the Hawaiian flag. Admiral Thomas read a long declaration, after which marines, sailors, and artillery passed in a review witnessed by Commodore Lawrence Kearney and officers of the USS Constellation. Hawaii’s sovereignty had been restored.” (Greer)

Later, the Kingdom was looking for ways to replenish a budget shortfall. “In its search for additional funds, the official eye rested on Kulaokahu‘a, also called the Waikiki Plain or just The Plain.”

“This unpalatable stretch of real estate sprawled between the American mission and Makiki Stream. An area which an overheated promoter might have referred to as one of sweeping vistas, Kulaokahu‘a was best known for dust storms and impressive nothingness.”

“It was so empty that after Punahou School opened in July 1842, mothers upstairs in the mission house could see children leave that institution and begin their trek across the barren waste. Trees shunned the place; only straggling livestock inhabited it.” (Greer)

The government proposed to raise funds by selling lots in Kualokahu‘a and placed an advertisement in the Polynesian, “Building Lots – The Minister of the Interior is prepared to sell or lease Building Lots between Honolulu and Waikiki, on application being made according to law. [Nov. 14,1846]”

“In advance of this announcement, the government had built three roads with arched stone bridges. The former were extensions of King, Young, and Beretania Streets; the bridges spanned Makiki Stream. At about the same time certain lots were surveyed and numbered”.

“These preliminary sales hardly constituted a stampede. At this rate, great civilizations might have waxed and withered away ere the Waikiki Plain became a blooming, peopled suburb.” (Greer)

“Hoping to project a more urban image of The Plain, government decreed that after May 4, 1850 no horses, cattle, or other animals could run at large there. The creatures thus addressed could not decipher this message, and more than 30 years later agents were being appointed to take up strays.”

“As 1853 ended, the lots were ‘not in demand,’ a phrase repeated by Bishop in April 1855. Apparently Kulaokahu‘a’s desert environment transmitted dry rot to land values there.”

“Bishop wrote in 1856 that he had sold his two lots at auction for $25 each. Kulaokahu‘a plots were in mid-1858 almost worthless, only two or three of all sold having been improved.”

“In the early 1850s, some ceremonies celebrated the Restoration, but the practice faded away. As a recreational mecca, the dusty waste of the Square had the pull of a sauna in the Sahara. The Pacific Commercial Advertiser in 1864 called for a public park.”

“The unfenced and unimproved Thomas Square could have been made into an ornament of the city and a lever to raise property values around it. But this decorative hoist did not materialize. Nine years later, some small prospect of a park appeared.” (Greer)

“Honolulu now had a paper park in a paper subdivision.”

“But events move slowly in this Kingdom, except in the way of contracting debt, and for a long time Thomas Square was only a name.”

“In 1882 the Legislature appropriated a small sum of money for the improvement of Thomas Square, and every session since then money, in scant supply, has been voted for the same object.” (Pacific Commercial Advertiser, April 7, 1887)

“Very fortunately the control of Thomas Square was given to the Hon. A. S. Cleghorn, whose knowledge of landscape gardening is only equalled by his desire to beautify all public parks and grounds about Honolulu.”

“In the sixties little or no attention was paid to it, and it was soon overgrown with weeds. About 1875 I took charge and had the Square laid out and piped for water, and also had a band stand erected.” (Cleghorn; Thrum 1909)

“The Banyans now growing there are from ‘Ainahau,’ while most of the other trees are from the Government Nursery. There were crotans planted round the band stand and also in clusters about the grounds.” (Cleghorn; Thrum 1909)

“The square of seven acres had been laid out to scale in circles and half circles by the Hon. Robt. Stirling, and Mr. Cleghorn worked upon these plans.”

“Walks were laid out; valuable trees, flowering shrubs and flowers were planted, and an untiring supervision was given to the work, until today Thomas Square, at a trifling expenditure of money, is one of the most agreeable places of public resort to be found anywhere in the world compressed into the same limited space on a dead level.”

“But this did not suffice. Mr. Cleghorn, when the grounds had been sufficiently improved, went around among his friends in the city and raised sufficient money to build a grand stand for the band and provide seats for several hundred people in the grounds.”

“The grand stand was erected by Mr. F. Wilhelm, and is in every respect an improvement upon that in Emma Square. It is about double the size of the latter, and has a ceiling and sounding board.”

“There are thirty-four seats on the ground, ten of which are iron, recently imported from England. The remainder are of wood and were made to order here. They are fixtures.”

“The seats were placed in position yesterday. Hon. Mr. Cleghorn personally superintended the distribution of the seats, which afford shade during the day and an opportunity of enjoying the music by night. As a convenient and agreeable resort for all classes of citizens Thomas Square will be found unrivalled.”

“A wide path, close to the outer fence on its four sides is being opened, so that pedestrians may enjoy the luxury of an agree able promenade instead of walking along the dusty road.”

“The Royal Hawaiian Band, as already stated, plays at Thomas Square for the first time this evening. We bespeak a large and enthusiastic attendance.”

“Only one word of warning: do not touch plant or flower. These are grown for public gratification and should be held sacred. Let persons in charge of children remember this.” (Pacific Commercial Advertiser, April 7, 1887)

In 1925, a Joint Resolution of the legislative session set aside Thomas Square as a public park and placed it under the management of the Park Board of the City and County of Honolulu. It remains this today. It was recently refurbished by the City and a statue of Kamehameha III erected.

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Kulaokahua_Lots-Lawa-Reg1100-1885
Kulaokahua_Lots-Lawa-Reg1100-1885
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Kulaokahua_GoogleEarth
No._2._View_of_Honolulu._From_the_Catholic_church._(c._1854)-Honolulu_to_Waikiki
No._2._View_of_Honolulu._From_the_Catholic_church._(c._1854)-Honolulu_to_Waikiki
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West of Thomas Square-Reg1998-1901
No._2._View_of_Honolulu._From_the_Catholic_church._(c._1854)-Honolulu_to_Waikiki-Detail
No._2._View_of_Honolulu._From_the_Catholic_church._(c._1854)-Honolulu_to_Waikiki-Detail
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Kulaokahua-early-1840s-Reg0814-Metcalf
Kawaiahao Church in 1885-Look towards Diamond Head
Kawaiahao Church in 1885-Look towards Diamond Head
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Kulaokahua-early-1840s-Reg0284-Metcalf
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Thomas Square-StarAdv
Thomas Square-Historic Hawaii Foundation
Thomas Square-Historic Hawaii Foundation
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king-kamehameha-iii-statue
1843 (July) - May 1845 Early version of the present flag
1843 (July) – May 1845 Early version of the present flag

Filed Under: Economy, General, Ali'i / Chiefs / Governance, Place Names, Prominent People Tagged With: Thomas Square, Admiral Thomas, Sovereignty, Hawaii, Ka La Hoihoi Ea, Paulet

July 22, 2019 by Peter T Young Leave a Comment

Ruggles’ Quilt

“The making of tapa was a time-consuming and labor intensive process. The outer bark was stripped away and the inner bark was soaked in water to make it soft.”

“Artistically carved round wooden mallets were used to pound the strips of the inner bark into meshed fiber to form sheets of various sizes, thicknesses, and textures. Then, the tapa was colored by native dyes and decorated with block prints.”

“New England missionaries arrived in 1820 and taught high-ranking Hawaiian women to make American-style patchwork quilts. On April 3, 1820, seven young New England missionary women held the first ‘Sewing Circle’ aboard the brig Thaddeus.” (Cao and Park)

“The high-ranking Hawaiian women were Kalakua, mother of King Liholiho, her sister Namahana, and two wives of Chief Kalanimoku. The missionary wives were Lucy Thurston, Lucia Holman, Sybil Bingham, Nancy Ruggles, Mercy Whitney, Jerusha Chamberlin, and Elisha Loomis.”

“The missionaries supplied the scissors and furnished the native women with calico patchwork to sew. Sewing calico piecework was new to the ranked Hawaiian women, but the geometric and symmetrical patterns associated with quilting were not.”

“The Hawaiian women were taught both types of quilt making. The pieced variety technique was used to make geometric repeated blocks, and the appliqué style used the ‘snowflakes’ method.” (Cao and Park)

Lucy Thurston, the wife of one of the first missionaries, recorded in her journal (1882): “Monday morning, April 3rd [1820], the first sewing circle was formed that the sun ever looked down upon in his Hawaiian realm.”

“Kalakua, queen-dowager was directress. She requested all the seven white ladies to take seats with them on mats, on the deck of the Thaddeus. Mrs. Holman and Mrs. Ruggles were executive officers to ply the scissors and prepare the work. … The four native women of distinction were furnished with calico patchwork to sew-a new employment to them.” (Thurston)

“For the first few years the missionary wives spent a great deal of time sewing for the upper class Hawaiians.”

“These ladies preferred to spend their time instructing the Hawaiians in spiritual matters and when regular supplies of fabric and patterns arrived from the mainland, the missionary wives began teaching Hawaiians to sew”.

“According to Wild, the missionaries’ instructional program included other domestic arts in addition to sewing lessons, and both sexes were welcomed into the domestic arts classes.”

“Leftover scraps of fabrics from the lessons were used to teach patchwork quilting. As they began learning to quilt, Hawaiian women incorporated traditional and familiar kapa designs into their quilts.”

“As part of the assimilation and acculturation processes, western fabric, fashions and quiltmaking were integrated into Hawaiian material culture. As this happened, the making of kapa began to decline, and by the end of the nineteenth century, kapa production waned.”

“To the Hawaiian seamstresses, it probably seemed illogical to cut new materials into small pieces only to be sewn together to make a patchwork quilt.”

“It was quite natural, therefore, that the Hawaiian women would move toward individual designs as they were accustomed to producing original designs with their own kapa beater and wood-blocks from which they made kapa designs of their own.”

“It is not known exactly when, or even how the appliquéd Hawaiian quilt evolved. What is most striking about the Hawaiian quilt is the appliqué technique in which a large sheet of fabric is folded, cut into a design, then stitched onto a contrasting background, followed by contour quilting around the motif.”

“Both in technique and style, Hawaiian appliqué reminds us of paper snowflakes made by schoolchildren, a contemporary remnant of cut paper work that was popular in the northeastern United States during the early decades of the nineteenth century.” (Arthur)

In addition, 9-year-old Huldah, daughter of missionary Samuel Ruggles made her own patchwork quilt, it is featured in the image. It was recently on display at Hawaiian Mission Houses. It is made from scraps; images of other clothing are also included in the album (from which Huldah Ruggles used scraps to finish her quilt).

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Huldah Ruggles Quilt-HMH
Huldah Ruggles Quilt-HMH
Huldah Ruggles Quilt-HMH
Huldah Ruggles Quilt-HMH
Huldah Ruggles Quilt-HMH
Huldah Ruggles Quilt-HMH
Huldah Ruggles Quilt-HMH and Garment-Huldah Ruggles used scarps of material for quilt
Huldah Ruggles Quilt-HMH and Garment-Huldah Ruggles used scarps of material for quilt
Huldah Ruggles Quilt-HMH
Huldah Ruggles Quilt-HMH
Garment-Huldah Ruggles used scarps of material for quilt
Garment-Huldah Ruggles used scarps of material for quilt
Garment-Huldah Ruggles used scarps of material for quilt
Garment-Huldah Ruggles used scarps of material for quilt
IMG_7970

Filed Under: Economy, General, Ali'i / Chiefs / Governance, Missionaries / Churches / Religious Buildings, Hawaiian Traditions Tagged With: Nancy Ruggles, Huldah Ruggles, Quilt, Hawaii, Samuel Ruggles

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Images of Old Hawaiʻi

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