Images of Old Hawaiʻi

by Peter T Young Leave a Comment

“Nothing can touch it”

“‘When we first went to Napili,’ said Mrs Kep Aluli, ‘it was an isolated beach with one cottage on it.  We loved it.’” Star Bulletin, Jan 14, 1970.

In 1956, Kep Aluli and Yoshio Ogami were successful bidders for two of the thirteen “choice Napili beach lots” [they bought lots 7 & 8] “at “Napili beach in the Kaanapali section of Lahaina”. These were through an auction of Territory of Hawai‘i properties.  (Advertiser, July 2, 1956)

Shortly thereafter, it was reported that “Kep Aluli, Honolulu builder, is planning a hotel at Napili Beach”. The land acquired from the Territory plus an acquisition of adjoining property “gives the developers a two-acre, beach-frontage hotel site and another acre a hundred feet away for tennis courts and beach facilities.”

“Describing the location, Aluli said, ‘Nothing can touch it.’” (Star Bulletin, Sept 11, 1956)

Aluli and Ogami built the Mauian Hotel on this property and shortly thereafter the Napali Kai and Hale Napli (and later others) sprang up.

“An entirely new resort complex has developed around Napili Bay, pioneered by Honolulu’s Kep Aluli and Canadian investors.” Honolulu Advertiser, Feb 15, 1966)

“Beyond Kaanapali, in that heart of Lahaina around Napili Bay, the new era already seems to have arrived.” “If the muscle and brain of the new Lahaina are at Kaanapali, its heart is more easily found at Napili”. (Honolulu Advertiser, July 17, 1964)

Kep Aluli was my parents’ classmate at Punahou. Others in the extended Aluli family were classmates with me and my siblings. When we were kids, we used to visit different neighbor islands during the summer; the visits to the Alulis at Napili were a special treat.

(During an extended Punahou alumni celebration, some of our classmates went to Maui and stayed at the Mauian at Napili – I wonder if the arrangers and others knew of the generations of connection the place has back to Punahou (with Kep’s nephew being one of our classmates.))

Napili, meaning the joinings or the pili grass, is on the West end of Maui. This area is referred to as Hono a Pi‘ilani (the Bays of Piʻilani (aka Honoapiʻilani,); from South to North, six of the identified bays are Honokōwai (bay drawing fresh water), Honokeana (cave bay), Honokahua (sites bay,) Honolua (two bays), Honokōhau (bay drawing dew) and Hononana (animated bay).

Sweet potatoes were reportedly grown between Honokōhau and Kahakuloa, presumably on lower kula lands; Kahana Ahupua’a was known as a place of salt gathering for the people of Lahaina.

Coastal marine foraging and fishing were combined with more upland agricultural pursuits. People would have moved between the coast and the upland agricultural fields, using the full range of resources available within their ahupua‘a. Semi-permanent and permanent habitation probably occurred in both coastal and upland settings.

Whaling (centered at Lahaina Town) was the first commercial enterprise in West Maui, but it had more or less collapsed by the 1860s. Commercial sugar cane production was the next large business venture in West Maui, starting as early as 1863, and it was focused between Ka‘anapali and Lahaina.

In the later 19th century, lands in West Maui became part of the Campbell Estate. This was also the time that the Honolua Ranch was first established. Cattle ranching began then and was continued by Henry Perrine Baldwin, who acquired the lands from the Campbell Estate in 1890.

In addition to ranching, other early commercial activities included coffee farming. David T. Fleming became manager of Honolua Ranch. Fleming was well-versed in pineapple production from the Hai‘ku area and gradually began shifting the ranch’s initiative to pineapple production.

The Honolua Ranch/Baldwin Packers complex shifted from Honolua to Honokahua in 1915, and a pineapple cannery was constructed. A major commercial pineapple industry emerged in West Maui during the 1920s.

The plantation communities of Honokahua and Napili emerged and developed as the Honolua Ranch/Baldwin Packers pineapple operations grew. The population of the Lahaina area increased with the successful economic operations of the pineapple plantation.

Baldwin Packers merged with Maui Pineapple Company in 1962 to form Maui Land and Pineapple Company, Inc. After this time, much of the Honolua Ranch lands were converted for resort development.  Kep Aluli expanded that into Napili.  (Lots of information here is from Scientific Consultant Services.)

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by Peter T Young Leave a Comment

“O Ulumāheihei wale no, ia ia oloko, ia ia owaho”

“O Ulumāheihei wale no, ia ia oloko, ia ia owaho” – “Ulumāheihei knows everything inside and outside” was the saying, alluding to matters that came up at the court of the chiefs and elsewhere.

When Kamehameha I was king, Ulumāheihei was a trusted advisor. In the time of Kamehameha II he had suppressed Kekuaokalani in a rebellion after Liholiho broke the ʻai noa (free eating) kapu; he commanded the forces against a rebellion by Prince George Kaumualiʻi on Kauaʻi.  Ulumāheihei became noted as a war leader for his victory over the rebels.

Ulumāheihei was a learned man skilled in debate and in the history of the old chiefs and the way in which they had governed. He belonged to the priesthood of Nahulu and was an expert in priestly knowledge. He had been taught astronomy and all the ancient lore.  It was at the court of Ulumāheihei that the chiefs first took up the arts of reading and writing.  (Kamakau)

He was born around 1776 (the year of America’s Declaration of Independence.)  At the time, the leading chiefs under Kamehameha were Keʻeaumoku (the father of Kaʻahumanu,) Kameʻeiamoku, Keaweaheulu and Kamanawa.  (Bingham)

Ulumāheihei’s  father High Chief Kameʻeiamoku was one of the “royal twins” who helped Kamehameha I come to power – the twins are on the Islands’ coat of arms – Kameʻeiamoku is on the right (bearing a kahili,) his brother, Kamanawa is on the left, holding a spear.

In his younger years Ulumāheihei was something of an athlete, tall and robust with strong arms, light clear skin, a large high nose, eyes dark against his cheeks, his body well built, altogether a handsome man in those days.  (Kamakau)

After the conquest of Oʻahu by Kamehameha I, in 1795, he gave Moanalua, Kapunahou and other lands to Kameʻeiamoku, who had aided him in all his wars.  (Alexander)

Kameʻeiamoku died at Lāhainā in 1802, and his lands descended to his son, who afterwards became governor of Maui. Ulumāheihei’s first marriage was to Chiefess Kalilikauoha (daughter of King Kahekili of Maui Island.)  Liliha his daughter/hānai was born in 1802 or 1803.

Ulumāheihei later earned the name Hoapili (“close companion; a friend.’)

Hoapili resided several years at Punahou near the spring, from 1804 to 1811.   Hoapili gave Punahou to his daughter/hānai Liliha, who married Governor Boki.  In December, 1829, just before starting Boki’s fatal sandal-wood expedition, the Punahou land was given to Rev. Hiram Bingham, with the approval of the Queen-Regent, Kaahumanu.  (Alexander)

Testimony before the Land Commission notes, “The above land was given by Boki to Mr. Bingham, then a member of the above named Mission and the grant was afterwards confirmed by Kaʻahumanu.“  “This land was given to Mr. Bingham for the Sandwich Island Mission by Gov. Boki in 1829… From that time to these the SI Mission have been the only Possessors and Konohikis of the Land.”  (It was considered to be a gift from Kaʻahumanu, Kuhina Nui or Queen Regent at that time.)

By 1815, Kamehameha had established succession with two sons, and entrusted Ulumāheihei (Hoapili) with the care of their mother, Queen Keōpūolani. This made Ulumāheihei stepfather to Princess Nāhiʻenaʻena.   (Ulumāheihei (Hoapili) was spouse to Kalilikauoha, Keōpūolani and Kalākua.)

Like his father, he was a devoted and trusted advisor and chief under Kamehameha.  Hoapili was with Kamehameha when he died on May 8, 1819 at Kamakahonu at Kailua-Kona.

“Kamehameha was a planner, so he talked to Hoapili and Hoʻolulu (brothers) about where his iwi (bones) should be hidden,” noting Kamehameha wanted his bones protected from desecration not only from rival chiefs, but from westerners who were sailing into the islands and sacking sacred sites. (Bill Maiʻoho, Mauna Ala Kahu (caretaker,) Star-Bulletin)

Hoapili had accepted the word of God because of Keōpūolani.    After her marriage with Hoapili she became a steadfast Christian.  (Kamakau) To Kalanimōku and Hoapili (her husbands) she said, “You two must accept God, obey Him, pray to Him, and become good men. I want you to become fathers to my children.”

Hoapili welcomed the missionaries to the island and gave them land for churches and enclosed yards for their houses without taking any payment. Such generosity was common to all the chiefs and to the king as well; a tract of a hundred acres was sometimes given.  (Kamakau)  (Prior to the Māhele, title didn’t pass when land was given:title was later affirmed by the Land Commission.)

While Kamehameha was still alive he allowed Keōpūolani to have other husbands, after she gave birth to his children; Kalanimōku and Hoapili were her other husbands.  In February 1823, Keōpūolani renounced the practice of multiple spouses for royalty, and made Hoapili her only husband.

In May 1823, he and Keōpūolani moved to Maui and resided in Lāhainā; they asked for books and a chaplain so they could continue their studies. Hoapili served as Royal Governor of Maui from May 1823.

She became very weak and Rev. William Ellis baptized her by the name of Harriet Keōpūolani. Before the end of the day she was dead. Thus the highest tabu chiefess became the first Hawaiian convert.  (Kamakau)

In September, the king was summoned to Maui where the queen mother, Keōpūolani, lay dying. At her death, September 16, 1823, in Lāhainā, the chiefs and people began to wail and carry on as usual, but Hoapili forbade the custom of death companions and boisterous expressions of grief, saying, “She forbade it and gave herself to God.”  (Kamakau)

After the death of Keōpūolani, her husband, Hoapili, was the leading representative of the Christian faith.

Later Kaʻahumanu and Kalanimōku and their households followed suit.  (Kamakau)  On October 19, 1823 Hoapili married Kalākua who became known as “Hoapili-wahine.”

In 1823, Kalākua Kaheiheimālie (ke Aliʻi Hoapili wahine, wife of Governor Hoapili) offered the American missionaries a tract of land on the slopes surrounding Puʻu Paʻupaʻu for the creation of a school.  Betsey Stockton founded a school for makaʻāinana (common people) including the women and children.  The site of the school is now Lahainaluna School.

Another good work for which Hoapili is celebrated was the building of the stone church at Waineʻe. The cornerstone was laid on September 14, 1828, for this ‘first stone meeting-house built at the Islands’; it was dedicated on March 4, 1832 and served as the church for Hawaiian royalty during the time when Lāhainā was effectively the Kingdom’s capital, from the 1820s through the mid-1840s (it was destroyed by fire in 1894.)  In addition, he erected the Lāhainā fort to guard the village against rioting from the whalers off foreign ships and from law breakers.  (Kamakau)

Hoapili is also credited with improving the King’s Highway (portions also called Hoapili Trail, initially built during the reign of Pi‘ilani;) it once circumnavigated the whole island.  Hoapili commissioned road gangs for the work. The Rev. Henry Cheever noted that these road gangs were largely composed of prisoners who had been convicted of adultery; Cheever called it “the road that sin built.”  (Samson)

On January 2, 1840, Ulumāheihei (Hoapili) died in the stone house at Waineʻe.  The image shows a drawing of Hoapili by CC Armstrong.

Click here for more on Hoapili: https://imagesofoldhawaii.com/wp-content/uploads/Hoapili.pdf

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by Peter T Young 1 Comment

Pōhakuloa

“E ku a mu mu.” (Be still! It is a god!)

“In ancient time women when they were to become Mothers made a pageant of love and ambition to this stone (Pōhakuloa) giving a Mohai (offering) laying before this God a fish called Hilu and emblem of gentleness, graceful, and good disposition in the child.”

“The fish Hilu was accompanied with the leaves of the Lama (a very large wood used in building houses for the Gods), and Emblem of wisdom, ambition and brightness for the child, Lamalama a torch (a beacon of light.)” (Montano – Galioto)

Pukui says it’s a “Large stone believed to bless expectant mothers and endow children with strength and wisdom.”  “The Pōhakuloa stone … was worshipped by Hawaiian women who prayed for their children to have wisdom and strength.”  (Aluli & McGregor)

About 1830, Queen Ka‘ahumanu ordered that a wall should be built from Punchbowl past Punahou to keep cattle from the inland residential areas. The stone wall also marked a path across Makiki that was first called Stonewall Street (it’s now known as Wilder Avenue.)

The Queen wished to form a gateway at Punahou School through this wall, and wanted two large stones on each side of the gate.

The stone would not move at first, so a kahuna was consulted.  The kahuna suggested that a lūʻau, or feast, be prepared with certain foods. After the lūʻau, the stone was moved easily to its new spot.

“My father had great difficulty in persuading them to move a large stone, which they revered as a Kupua, or local deity.  This was to be placed at one side of the upper gate as a part of the wall. It was considered very dangerous to move a Kupua, and disaster was almost sure to follow.”

“The workmen believed that the rock would remain stationary and refuse to be up-rooted, but it was displaced without any calamity and dragged by a team of oxen to the gate.”  (Rice, The Friend, March 1924)

“The stone was to be transported from the northeastern slope of Round Top (near the former home of Mrs. FM Swanzy). Its sacred nature required that ‘So sacred was Pōhakuloa that none but the king himself could sanction its removal and for that ceremony even the presence of the king was necessary, stripling though he was.'” (Damon, The Friend, March 1924).

“The big rock was exhumed from its bed (on the west side of the road leading to Manoa Valley, opposite the old “Cow Pen”) and rolled upon a framework of ship’s spars. The young King (Kamehameha III) then seated himself upon the apex of the rock, and gave the word of command …”

“… when rock, King and all were lifted upon the shoulders of the hulumanus – numerous as ants tugging at a kernel of corn – and carried down to its place.”  (Damon, The Friend, March 1924)

Pōhakuloa was shaped like a “mammoth taro leaf.”  Originally nine feet in length, the rock stood seven feet above ground and two below.

“(T)he huge lava boulder that stood guard at the Punahou gate. A monumental pyramid it seemed, towering upward in grim majesty, – probably ten feet.”

“A challenge it was to enterprising boys, with an instinct to decorate scenery with their initials, to climb its dizzy heights and leave their sculptured letters on the only “Walhalla” within reach.”  (Weaver, The Friend, March 1924)

“This rock was a curiosity about twelve feet high, and weighing several tons, and of the shape of a mammoth kalo. Often have I climbed to its top and eaten my lunch from my tin-pail thereon, and to my childish imagination it seemed as high as a church-tower.”  (Judd, The Friend, March 1924)

In 1854-59, Pōhakuloa, too large to move, was broken into pieces because it stood in the way of a road widening project.  A remainder of Pōhakuloa still stands at Punahou’s front gate.

“The other part of the stone … was given to a Japanese consul living at the corner of Beretania and Makiki streets. Kapiʻolani Maternity Home was later built at this site and some believe that the mana (divine power) of this pōhaku was a factor in its siting.”  (Aluli & McGregor)

Reportedly, there is another significant stone at Punahou, called Keapopo.  The story suggests it and Pōhakuloa would call to each other: “You come over here,” “No, you come here.”  (Manoa Heritage)

The image shows a remnant of the once larger Pōhakuloa at the Punahou School entrance (the plaque states “Punahou School Founded 1841”.)

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by Peter T Young 1 Comment

Punahou – It Had More Than One Campus

Kapunahou, the site of the present Punahou School campus, was given to Kameʻeiamoku by Kamehameha, after the Battle of Nuʻuanu.  The land transferred to his son Hoapili, who resided there from 1804 to 1811. Hoapili passed the property to his daughter Kuini Liliha.

Sworn testimony before the Land Commission in 1849, and that body’s ultimate decision, noted that the “land was given by Governor Boki about the year 1829 to Hiram Bingham for the use of the Sandwich Islands Mission.”

The decision was made over the objection from Liliha; however Hoapili confirmed the gift. It was considered to be a gift from Kaʻahumanu, Kuhina Nui or Queen Regent at that time.

In Hiram Bingham’s time, the main part of the Kapunahou property was planted with sugarcane by his wife Sybil, with the aid of the female church-members.

Bingham’s idea was to make Kapunahou the parsonage, and to support his family from the profits of this cane field, selling the cane to the sugar mills, one of which was in Honolulu.

The other mill was in Mānoa Valley, owned by an Englishman; but he also made rum, and Queen Kaʻahumanu’s consistent hostility to rum caused his failure, and also the failure of sugar-cane culture at Punahou.  (Punahou Catalogue, 1866)

Founded in 1841, Punahou School (originally called Oʻahu College) was built at Kapunahou to provide a quality education for the children of Congregational missionaries, allowing them to stay in Hawaiʻi with their families, instead of being sent away to school.  The first class had 15 students.

The land area of Kapunahou was significantly larger than the present school campus size.

While many see Punahou today as the college preparatory school in lower Mānoa, over the years, the school, though based at Kapunahou, also had campuses and activities elsewhere.

All students who entered the Boarding department were required to take part in the manual labor of the institution, under the direction of the faculty, not to exceed an average of two hours for each day.  (Punahou Catalogue, 1899)

“We had a dairy, the Punahou dairy, over on the other side of Rocky Hill. That was all pasture. We had beautiful, delicious milk, all the milk you wanted. The cows roamed from there clear over to the stone wall on Manoa hill. There were a few gates and those gates caused me trouble because the bulls wanted to get out or some boys would leave a bar down … Occasionally, just often enough to keep me alert, there would be a bull wandering around across the road and down the hill onto Alexander Field or just where I wanted to go.”  (Shaw, Punahou)

By vote of the trustees, the standard of the school was raised, and the course of study included a thorough drill in elementary algebra, Latin, colloquial and written French, and a careful study of the poems of Longfellow, Whittier, Lowell, Holmes, Bryant and Emerson. There is also regular instruction in freehand drawing and vocal music through the year. Lectures were given with experiments, designed to serve as an introduction to the study of physical science. A brief course in physiology and hygiene was given by the president of the College.  (Punahou Catalogue, 1899)

In 1881, at the fortieth anniversary celebration of the school, a public appeal was made to provide for a professorship of natural science and of new buildings.   President William L Jones in his speech expressed the need for Punahou to meet the changing times.

He said: “The missionaries when they landed here were all cultivated gentlemen, trained in the colleges of the United States, and they were unwilling that their children would suffer from their self exile into this country. … A change has been coming over the aims of college education lately; people desire less Latin and Greek and more Natural Science, more Astronomy, more Chemistry, more modern language … We have to teach Chemistry without laboratory, Astronomy without a telescope, Natural History only from books. More men and machinery is what we want.”  (Soong)

The appeal was so successful that the trustees moved to purchase the Reverend Richard Armstrong premises at the head of Richards Street (at 91 Beretania Street adjoining Washington Place) from the Roman Catholic mission for the Punahou Preparatory School (the property had previously been used by the growing St Louis High school.)

On September 19, 1883, the Punahou Preparatory School was opened for the full term at the Armstrong Home … Three of the trustees were present at the opening exercises, together with many parents of the pupils, of whom there were 85 present, with a prospect of a larger attendance … It is the design of the trustees to have no pupils at Punahou proper, except such as are qualified to proceed with the regular academic course.  (The Friend, October 4, 1883)

By the 1898-1899 school year, there were 247 students in grades 1-8 in the Punahou Preparatory School campus downtown.  Later, in 1902, the Preparatory School was moved to the Kapunahou campus, where it occupied Charles R Bishop Hall.

Near the turn of the last century, the Punahou Board of Trustees decided to subdivide some of the land above Rocky Hill – they called their subdivision “College Hills;” at that time the trolley service was extended into Mānoa, which increased interest in this area.

The College Hills subdivision, the largest subdivision of the time (nearly 100 acres of land separated into parcels of from 10,000- to 20,000-square feet,) opened above Punahou and became a major residential area.

Then, in January 1925, Punahou bought the Honolulu Military Academy property – it had about 90-acres of land and a half-dozen buildings on the back side of Diamond Head.  (The Honolulu Military Academy was originally founded by Col LG Blackman, in 1911.)

It served as the “Punahou Farm” to carry on the school’s work and courses in agriculture.  “We were picked up and taken to the Punahou Farm School, which was also the boarding school for boys. The girls boarded at Castle Hall on campus.”  (Kneubuhl, Punahou)  The farm school was in Kaimuki between 18th and 22nd Avenues.

In addition to offices and living quarters, the Farm School supplied Punahou with most of its food supplies.  The compound included a big pasture for milk cows, a large vegetable garden, pigs, chickens, beehives, and sorghum and alfalfa fields that provided feed for the cows. Hired hands who tended the farm pasteurized the milk in a small dairy, bottled the honey and crated the eggs.  (Kneubuhl, Punahou)

The Punahou dairy herd was cared for by the students as part of their course of studies – the boys boarded there.  However, disciplinary troubles, enrollment concerns (not enough boys signing up for agricultural classes) and financial deficits led to its closure in 1929.

By the mid-1930s, the property was generally idle except for some faculty housing.  In 1939, Punahou sold the property to the government as a site for a public school (it’s now the site of Kaimuki Middle School.)

In addition to these, there belonged in former times, as an appurtenance to the land known as Kapunahou, a valuable tract of salt-ponds, on the sea-side to the eastward of Honolulu Harbor, called Kukuluāeʻo, and including an area of seventy-seven acres (this was just mauka of what is now Kewalo Basin.)  (Punahou Catalogue, 1866)

It’s not clear how/when the makai land “detached” from the other Punahou School pieces, but it did and was given to the ABCFM (for the pastor of Kawaiaha‘o Church.)

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by Peter T Young Leave a Comment

Dave Guard, Bob Shane and Nick Reynolds

Donald David Guard (October 19, 1934 – March 22, 1991) was born in San Francisco and grew up in Hawai‘i.  Robert Castle Shane (Schoen) (February 1, 1934 – January 26, 2020) was born in Hilo.  Nicholas Wells Reynolds on July 27, 1933 – October 1, 2008) was born in San Diego.

Upon completion of his final year of high school in 1952 at Menlo School, a private prep school in Menlo Park, California, Guard attended nearby Stanford University (graduating in 1957 with a degree in economics).

Shane was born to Margaret (Schaufelberger) and Arthur Castle Schoen, who owned a wholesale business, and whose German family had settled in Hawaii. (Shane was a phonetic spelling of Schoen, adopted by Bob in 1957.)

Shane and Guard were Punahou classmates; they began performing at parties, in the school glee club and school variety shows.

Reynolds was the son of a US Navy Captain; Nick grew up in nearby Coronado, California where he graduated from high school in 1951.

Planning a career in hotel management, Reynolds attended San Diego State College and the University of Arizona. He transferred to Menlo Business College where he met Shane and Guard (from Stanford).

They began performing together at fraternity parties and local beer gardens as Dave Guard and the Calypsonians, sometimes as a trio or occasionally with other friends. At the time, calypso music was extremely popular, and the group played songs like “Jamaica Farwell” and “Come Back, Liza” that Harry Belafonte, the reigning king of calypso, had made popular.

In 1956 Shane graduated and moved back to Hawai‘i to work in his family’s sporting goods business. During that time, he worked up a solo act and got a regular gig at the Pearl City Tavern in Honolulu.

Shane says. “I was billed as Hawaii’s Elvis Presley in 1956, which was the same year he got really popular. It was a great idea because they didn’t have much television in Hawaii yet, so you could do whatever you wanted.”

“I had sideburns and I wore a bright sport coat and stuff like that. And I’ll never forget when I met Elvis in ’63, just briefly, and I told him that’s how I got my start. And he said, ‘What did you want to do that for?’ That’s exactly the way he said it. That’s the only thing I ever said to him.” (Simmons)

While Shane was in Hawai‘i, Reynolds and Guard continued to perform in the Bay Area. They joined up with Menlo College student Joe Gannon and singer Barbara Bogue.

They refashioned themselves as the Kingston Quartet (they maintained their link to calypso music by naming themselves after the capital of Jamaica) and tried to get jobs at various local nightspots; but, they had little success.

The struggling quartet crossed paths with publicist and talent agent Frank Werber, who liked them but felt that Gannon’s bass playing wasn’t good enough. When he suggested he might sign them on if they got rid of Gannon, Bogue said she would leave the group if Gannon was kicked out – so they did, and then she did.

Guard and Reynolds called Bob Shane in Hawai‘i, who was finding life in the family sporting goods business uninspiring. And although he was doing pretty well as a solo performer, he really missed singing in harmony. In March 1957 he came back to California to join the now-renamed Kingston Trio under the management of Frank Werber. (Simmons)

Their close-cropped hair and matching (usually striped) shirts projected a wholesome college-boy image, appealing to television sponsors and to baby boomers reaching their teens.

Most of the songs were led by Shane, whose baritone voice and accomplished guitar accompaniment were essential to the group’s acoustic sound. (Guardian)

In the summer of 1957, comedian Phyllis Diller was forced at the last minute to cancel a weeklong booking at the Purple Onion nightclub, a leading night spot in San Francisco.

Werber, who had an office above the venue, saw this as a perfect opportunity for the new act he had just signed to get some much needed stage experience. He persuaded the Purple Onion to give the slot to his group, the Kingston Trio.

Guard then sent out postcards to 500 people that all three of them knew at Stanford and Menlo, inviting them to a week’s worth of shows at the Purple Onion. The result was a series of sold-out shows. (Eder)

The Kingston Trio was asked to stay on for another week, and then another, and then another. Eventually, their one-week trial booking stretched from June until December.

The group followed the Purple Onion engagement with a national tour that took them to Mr. Kelly’s in Chicago and the Village Vanguard in New York, all of them successful appearances. (Eder)

During that time, word about the Trio’s powerful singing and hilarious stage patter made its way down south to Los Angeles. Various music industry figures, and the occasional movie star, made the trek north to San Francisco to check out what the fuss was all about. Voyle Gilmore, a producer at Capitol records, liked what he heard and signed them to a contract.

In February 1958 the Kingston Trio recorded their first album. (Simmons)  With it, they achieved chart success with the murder ballad Tom Dooley. (The song is based on the true story of Tom Dula, hanged in Statesville, NC in 1868 for the murder of Laura Foster.)  Their rendition reached No 1 in the US singles charts and No 5 in the UK, earning them a Grammy. (Guardian)

On a commercial level, from 1957 until 1963, the Kingston Trio was the most vital and popular folk group in the world, and folk music was sufficiently popular as to make that a significant statement. (Eder)

The Kingston Trio was one of the most critically and commercially successful acts in the American music industry and opened the door for later artists like Bob Dylan and Peter, Paul & Mary. (Menlo College)

Equally important, the original trio,  in tandem with other, similar early acts such as the Limeliters, spearheaded a boom in the popularity of folk music that suddenly made it important to millions of listeners who’d previously ignored it.  (Eder)

In 1959 they performed at both the Newport jazz and folk festivals and recorded four albums, all of which were in Billboard’s Top 10 at the same time.  (Guardian)

The trio made the cover of Life magazine on August 3, 1959, and were voted the Best Group of the Year for 1959 in the pages of both Billboard and Cashbox magazines, the twin recording industry bibles; they also won two Grammy Awards.

By the early-60s, there were lots of Kingston Trio imitators running around: the Highwaymen (from Wesleyan University); Bud & Travis; the Journeymen; the Halifax Three from Canada; and, on the “big-band” folk side, the New Christy Minstrels under Randy Sparks, the Serendipity Singers from the University of Colorado, and the Big 3 (with Cass Elliot) and, later, the Shilos.

For the next few years, the Kingston Trio toured relentlessly, playing on college campuses and in nightclubs across the country.  (Simmons)

The pressure of touring and Guard’s and Shane’s different personalities led to conflict between the two men, and Guard left the group in 1961, to be replaced by John Stewart.  (After leaving the Trio, Guard founded a quartet called the Whiskeyhill Singers.)

Within a few years the American folk music scene had changed, displaying a more political edge, and the Beatles became the new favorites of American teens.

From 1958 to 1964, the Kingston Trio played thousands of shows and had released 19 albums, five of which made it to the top spot on the Billboard charts.  The Beach Boys’ song Sloop John B came from the trio.

The Kingston Trio brought the urban folk revival into the mainstream of American popular culture and made Martin guitars and long-necked banjos must-have items for musicians everywhere. (Simmons)

The trio continued to release albums and enjoy success but Shane failed to change their musical direction to reflect new trends, and they disbanded in 1967. (Guardian)

After a couple of years playing solo, Shane leased and later bought the trio name from the other two members to form the New Kingston Trio, playing past hits and contemporary songs, but without the earlier success.

The reunion gig of the three original members in 1981 was broadcast by PBS in 1982 but plans for further reunions were cancelled when Guard died in 1991. Shane continued to front various lineups of the Kingston Trio until 2004 (when he died). (Guardian)

This era was later recalled and satirized in Christopher Guest’s comedy film A Mighty Wind, in which the Kingston Trio and other collegiate-type folk groups of the period were parodied in the guise of “the Folksmen.” (Eder) There have subsequently been different members in the Kingston Trio – and, it started with a couple guys from Punahou and their friend.

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