Images of Old Hawaiʻi

by Peter T Young Leave a Comment

Gay Queen Of The Waves

A 2020 Proclamation issued by Governor Ray Cooper of North Carolina states, “Whereas, North Carolina was a pioneer of East Coast surfing;”

“the April 2, 1910 edition of Colliers Weekly includes a letter from Wrightsville Beach resident Burke Haywood Bridgers describing surfing activity in our state as early as 1909;”

“an announcement in the Wilmington Morning Star on June 30, 1910 includes mention of one of the earliest surfboard riding competitions in the mainland United States and direct communications with Alexander Hume Ford”.

However, that claim appears to be suspect, given other publications that predate the 1900s claim.  In the summer of 1888, several newspapers report a girl surfing at Ashbury Park, New Jersey – they refer to her as the “Gay Queen of the Waves.”

“A group of summer loungers on the beach at Ashbury park were watching the extraordinary antics of a dark-eyed bronzed-faced girl in the sea this morning. The object of all this interest and solicitude was beyond the line of breakers and standing on a plank that rose and fell with the swelling waves.”

“Her bathing dress was of some dark material, fitting close to the figure, the skirts reaching scarce to the knee. Her stockings wore of amber hue, adorned with what from the shore seemed to be vines and roses in colored embroidery. She wore no hat or cap.”

“Her hair, bound across the forehead and above the ears by a silver fillet, tumbled down upon her shoulders or streamed out upon the wind in black and shining profusion.  Her tunic was quite sleeveless , and one could scarcely fail to observe the perfect development and grace of her arms.”

“As a wave larger than those which had gone before slowly lifted the plank upon its swelling surface, she poised herself daintily upon the support, her round arms stretched out and her body swaying to and fro in harmony with the motion of the waters.”

“As the wave readied its fullest volume she suddenly, quick as a thought, and with a laugh that rang full into shore, drew herself together, sprang into the air, and, her hands clasped together and clearing her way, plunged into the rolling sea.”

“There was a little cry from timid feminine watchers on the sand, but the smiling face was above water again while they cried, and the daring Triton was upon the plank again in another moment and waiting for a second high roller.”

“So she has been amusing herself and interesting the mob for three mornings. She is as completely at ease in the sea as you or I on land, and the broad plank obeys her slightest touch.”

“When she has had enough of it she will bring the plank into shore, she riding upon the further end and guiding it like a goddess over the erects and through the foam of the biggest breakers.”

“She comes from the Sandwich Islands and is making a tour of the country. Her father is an enormously rich planter. She arrived in the park a week ago with the family of a wealthy New York importer. She is at a fashionable hotel and is one of the most charming dancers at the hotel hops, as well as the most daring swimmer on the Jersey coast.”

“She is well educated and accomplished, and, of course, speaks English perfectly, and with a swell British accent that is the despair of all the dudes.”

“She learned to be mistress of the waves in her childhood at her native home by the sea, where, she modestly says, all the girls learn swimming as a matter of course, quite as much as girls in this country learn tennis and croquet.” (Morning News from Philadelphia Press, August 17, 1888)

Although she is not identified, historian Vincent Dicks has apparently suggested that the young first-ever East Coast surfer was Emma Claudine Spreckels, the only daughter of Hawai‘i sugar baron Claus Spreckels.

Claus Spreckels (1828-1908), a German-born immigrant, made his fortune by starting a brewery and later founding the California Sugar Refinery. When he went to Hawaii in 1876 he managed to secure sole supply of sugar cane and with it much of the West Coast refined sugar market. In 1899 he founded the Spreckels Sugar Company, Inc.

The businessman gave over $25 million to his five grown children but his favorite child was the only daughter, Emma Claudine Spreckels.

He gifted an entire city block in Honolulu to her and an endowment worth almost $2 million. However, in 1893, when Emma eloped with Thomas Watson, many years her senior, she failed to tell her father. (House and Heritage)

Then, Emma “returned to her father all property, bonds, etc., which he had placed in her name. These gifts amounted to nearly $2,000,000, and were, it is said, relinquished by a single stroke of the pen by Mrs. Watson after her marriage.”

“It is reported that Mr. Spreckels was opposed to his daughter’s union with Watson, and that upon his chiding her for her seeming ingratitude in marrying against his wishes, she decided to give up her fortune, and did so, it is understood, upon the advice of her husband.” (Mount Holly News, Jan 12, 1897)

Emma ultimately married three times: after Watson died in 1904 she later married John Ferris (with her father’s blessing) and then Arthur Hutton in 1922.  Emma died on May 2, 1924 at Nuffield England.

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by Peter T Young 1 Comment

Kaneʻaki Heiau

The ahupuaʻa of Mākaha, between Waiʻanae Ahupuaʻa to the southeast and Keaʻau Ahupua‘a to the northwest, extends from the coastline to the Waiʻanae Range

Earliest accounts describe Mākaha as a good-sized inland settlement and a smaller coastal settlement.  These accounts correlate well with a sketch drawn by Hiram Bingham in 1826 depicting only six houses along the Mākaha coastline.

Green describes Mākaha’s coastal settlement as “…restricted to a hamlet in a small grove of coconut trees on the Keaʻau side of the valley, some other scattered houses, a few coconut trees along the beach, and a brackish water pool that served as a fish pond, at the mouth of the Mākaha Stream.” (Cultural Surveys)

This stream supported traditional wetland agriculture – kalo (taro) – in pre-contact and early historic periods

Supporting this, Māhele documents note Mākaha’s primary settlement was inland where waters from Mākaha Stream could support lo‘i and kula plantings. Although there is evidence for settlement along the shore, for the most part, this was limited to scattered, isolated residents.

One of the best preserved heiau on Oʻahu is situated inland in Mākaha Valley.

It was originally built possibly as a Lono class agricultural heiau, probably around AD 1545. Unlike many other ancient religious sites, it remained intact after the Hawaiian religion was overthrown. (Apo)

Mākaha Stream, a focal point of the ahupuaʻa, gave life to the valley in both ancient and modern times. After six reconstruction phases, Kaneʻaki Heiau was transformed into the present day Luakini class structure. This final phase, imply direct reference to a paramount chief having commissioned and participated in the event, since only he/she could build such a heiau.  (WaiʻanaeHawaiianStudies)

Excavation data suggests that Kaneʻaki Heiau was in major operation for centuries, beginning in AD 1545. The last phase of construction occurred during Kamehameha’s campaign to unite the islands (1795-1810.)  (WaiʻanaeHawaiianStudies)

When the kapu system was overthrown, Kaneʻaki Heiau, unlike many other ancient religious sites, remained intact. In time, two restoration projects (one from 1969-70 and the other from 1996-97) were completed in order to retain the physical, spiritual and historical aspects of Kaneʻaki Heiau. (WaiʻanaeHawaiianStudies)

Nearby is a huge stone, “Pohaku O Kāne” (Stone of Kāne). This is one of the forms of the god Kāne, the uppermost of the four major gods, was worshipped by the many ʻohana that lived that ahupua’a. In modern times, it has come to be regarded as the guardian over the heiau and is still venerated by some people.  (WaiʻanaeHawaiianStudies)

Earlier restoration was completed in 1970.  A terrace and platform temple was first constructed on this site about 1545. It underwent six alterations, becoming ever larger and more sophisticated. (NPS)

Tradition says that in 1795 Kamehameha ordered that Kaneʻaki be transformed into a war heiau to insure his final conquest of Kauaʻi (Kaʻena Point, nearby, points directly at that island).  (NPS)

Supposedly those who started restoring the temple in the 1940s used Puʻukohola Heiau (at Kohala on the Big Island) as a model for the placement of the houses and idols. (NPS)

Bishop Museum staff supervised the restoration. There is a low terrace from which observers watched the ceremonies, the large hale mana for the priests on the upper platform alongside the smaller hale pahu, with an altar on pole legs between them.  (NPS)

Behind the altar is the god figure flanked by two prayer towers. These structures were reconstructed on the basis of postholes found in the stone platform.  (NPS)

Waiʻanae School Hawaii Studies Program suggests the following General Protocol Guidelines.

Kaneʻaki Heiau remains a significant place of culture to this very day. Therefore, it is very important to establish guidelines that will ensure the preservation of this sacred site, and to protect those that come to visit.  (WaiʻanaeHawaiianStudies)

  • Your approach to Kaneʻaki Heiau should be very respectful and treated as though you are in the house of god. You may be greeted and briefed by members of Hui Mālama O Kaneʻaki. Then you may proceed to the heiau trail. 
  • Unnecessary noise should be avoided or limited to the lower areas (parking/lawn area).Only guides may speak. 
  • Absolutely no entry allowed onto the main platforms. 
  • You must remain on the trail established by guides. Let your eyes and ears do the touching and not your hands. 
  • The following list of hoʻokupu are considered acceptable offerings: Maiʻa (Hawaiian banana), Awa, Niu, Kumu, Wauke, ʻOhe, Kalo, Ipu or Lua Ki. These offerings should be made in their natural state and not “prepared.” But no hoʻokupu, other than the personal mana you share with us today, is better than inferior offering.  (WaiʻanaeHawaiianStudies)

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by Peter T Young Leave a Comment

Ni‘ihau Lei Pūpū

Privately-owned by the Robinsons, with strict limited access, Ni‘ihau is the island that is least known and visited, and as such has the most intrigue (and thus referred to as the Forbidden Isle.)

In 1863, King Kamehameha IV put Ni‘ihau up for sale.  A purchase price of $10,000 was agreed to with buyers James and Francis Sinclair.  But Kamehameha IV died on November 30 before the closing, so Royal Patent No. 2944 shows his brother, Kamehameha V, completed the transaction in 1864.  Ownership was subsequently passed down through the family.

The 70-square-mile island (about half the size of Lāna‘i and twice as large as Kaho‘olawe) is the smallest inhabited island in Hawai‘i with 84 residents (mostly Native Hawaiian) and 35 houses (DBEDT & Census.)

The island lacks basic municipal infrastructure.  There are no paved roads (walking, horseback or bicycle are the only transportation options on Ni‘ihau.)  No water and wastewater systems.  No stores.  No restaurants.  No doctors.  No police.  No fire department.  (Ni‘ihau Cultural Heritage Foundation)

“‘Ni‘ihau shells’ means seashells harvested from the island of Ni‘ihau, its waters, or its beaches. [N]o person shall offer, display, expose for sale, or solicit for sale any product or jewelry item fabricated, processed, or manufactured with seashells …”

“… that is described, labeled, or identified using the term ‘Ni‘ihau’ or ‘Niihau’, either alone or in conjunction with other words, or in a trade or brand name …”

“… unless: (1) One hundred per cent of all shells in the product or jewelry item are Ni‘ihau shells; and (2) The product or jewelry item is fabricated, processed, or manufactured entirely within this State.”  (Hawai‘i Revised Statutes, §486-118.5)

Pu‘uwai village, on the western (leeward) side of the island, is the population center of Ni‘ihau.  On this side of the island are the main beaches where Ni‘ihau shells are collected that make the famous and collectible Ni‘ihau lei pūpū.

The origin of the Ni‘ihau shell lei is lost in antiquity, but it is clear that at the time of Captain James Cook first contact in 1778, shell lei were in existence.

A Ni‘ihau shell lei is in the British Museum and was most likely collected by Cook during one of his several visits to the island of Ni‘ihau.

Although ‘shell ornaments’ described by early visitors were primarily made of seashells, some were also made of land shells which were once common throughout the Islands. In the mid-1800s, hula dancers were described as wearing necklaces of shells as well as flower garlands and feather ornamentation.

There are three different shells primarily used to make Ni‘ihau shell lei: kahelelani, momi and laiki. The color of the shells range from bright pink to pale yellow, and can have various types of markings on them.

Fabricating shell lei was not limited to Ni‘ihau, but it was there that this Hawaiian art flourished, most likely due to the abundance of shells available on the island’s beaches and the scarcity of flowers because of the arid climate.

In 1887, Queen Kapi‘olani had a formal portrait taken in New York on her way to attend Queen Victoria’s Jubilee. In the portrait, she wore a multi-strand lei of ivory-colored Ni‘ihau shells which complemented her formal Victorian dress.

Queen Emma, who showed more appreciation of Hawaiian crafts than any other of the Hawaiian royalty, also wore Ni‘ihau shell lei for formal portraits as well as when she was presented to Her Britannic Majesty.

It should be noted that during this time the shell lei was adapted to Victorian jewelry styles which included adding a clasp, thus elevating the traditional lei to the status of a piece of fine jewelry which was worn with the most elegant Western dress.

It is also interesting to note that later, particularly during the early- and mid-1900s, shell lei were more commonly reserved for occasions when Hawaiian attire was worn.

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by Peter T Young Leave a Comment

Poʻo Kanaka

Traditional translations of poʻo kanaka suggest it means “human head;” however, in this case, it has a regional translation and is used to describe a flower, the pansy (folks thought the flower looked like a man’s head.)

It was also the name given to a man’s home.

He is said to have been the first to introduce the pansy flower in Hawaiʻi and he planted pansies around his house.  (Kimura)

Puapoʻo-kanaka (“The flower-that-looks-like-a-man”) eventually became the favorite of Waimea cowboys, who wore entire leis of pansies strung round their flopping vaquero hats.  (Korn)

The house stood within a level clearing at a spot called Puʻukapu, along the trail leading to the more upland forested area up Mauna Kea known as Manaiole, what we call Mānā, today.

The house, built in the 1830s, was made of rubble-and-mortar construction.  Rocks were formed into walls and plastered over with putty lime mortar (the lime obtained from ground coral.)  Rubble ruins remain of the house site, today.

The home was described as an Irish stone cottage.

It’s not clear what the man’s real name was – some suggest it was initially William Wallace.  An Irishman, he came to Hawaiʻi aboard a whaling ship that landed at Kawaihae (about 1834.)  He left the ship and went up the hill to Waimea, where he settled – there, he took the name Jack Purdy.  (Kimura)

Some suggest Purdy, along with fellow Waimea resident John Palmer Parker, can be considered the first cowboys in Hawaiʻi.  They started out as bullock hunters, selling their salt beef, hides and tallow.

In the early-1830s, trade in sandalwood slowed down as island forests became depleted.  At about the same time, whaling ships hunting in the north Pacific began wintering in Hawaiian waters.

Ships provisioning in Hawaiʻi ports provided a market for salt beef, in addition to hides and tallow.  With the economic push of providing provisions to the whaling fleets, ranching became a commercial enterprise that grew in the islands.

Parker took a more business-like approach and took advantage of the opportunities of the day and established the Parker Ranch in the fledgling livestock industry.  Purdy was a rowdy, living the rugged life, typical of his peers in the early American West.  (Bergin)

A real or tall tale of his exploits (written in 1857) tells how Jack Purdy, mighty bullock hunter and expert guide, together with his employer and hunting companion, Mr. Julius Brenchley, succeeded without firearms – in fact not even equipped with their usual lassos – in capturing a ferocious wild bull and in killing the beast when he failed to extricate himself from a mudhole; and then celebrated their victory with a deserved steak dinner fresh off the carcass.  (Korn)

In 1832, Purdy married into Hawaiian royal lineage when he took Keawe-maʻu-hili (daughter to Kewae-a-heulu and Kaʻakau) as his bride.  Several of his children from that and his second marriage were respected cowboys.   (Bergin)

His grandson, Ikua Purdy, made headlines and national fame, when he won the World’s Steer Roping Championship in Cheyenne, Wyoming – roping, throwing and tying the steer in 56 seconds (on a borrowed horse.)  Ikua had worked at Parker Ranch, he later moved to Maui to ʻUlupalakua Ranch (he died there in 1945.)

Jack Purdy (William Wallace Jack Harry Hale Purdy) died on June 22, 1886, at the age of 86; he is buried near his home, Poʻo Kanaka.

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by Peter T Young Leave a Comment

Amusements

The following is a portion of a letter from William Richards to Charles Wilkes, commander of the United States Exploring Expedition, dated March 15, 1841 in Lahaina.  The letter responds to questions raised by Wilkes.  It comes from editors Marshall Sahlins and Dorothy Barrere.

Richards arrived in Honolulu in April 1823 in the second company of American missionaries and was stationed soon thereafter in Lahaina, home of many of the chiefs. He remained in Lahaina throughout most of his missionary career.

His knowledge of Hawaiian is known to have been excellent—he is responsible for many translations of biblical and other works into Hawaiian—and as the letter to Wilkes documents, he was friend to the famous Hoapili and other chiefs.

In 1838, Richards left the mission to become political counselor to the Monarchy. In 1842 with T. Ha‘alilio he undertook a mission to America and Europe to negotiate recognition of Hawaii’s independence. Richards was commissioned Minister of Public Instruction in 1846. He died in Honolulu in November 1847. All of the following is from that letter:

Their amusements were pretty numerous, and many of them of an athletic kind, though not requiring the severest trials of strength.

A favorite amusement of the chiefs was sliding down hill on a long narrow slead, upon which they prostratrated themselves, and then having the slead ballanced on the edge of a very steep hill they started it with the foot and were precipitated down the hill with immense velocity often to a distance of half or even a whole mile.

Thus they went from the top of Diamond Hill far out upon the plane of Honolulu, and at other places to a much greater distance.

Rolling a smooth round stone was another favorite amusement and one which tended to strengthen the arms more than any other with which I have been acquainted.

On ground where the descent was scarcely perceptable I have seen the stone rolled a hundred and thirty rods.

Throwing the spear and various other exercises with it was also an amusement as well as a military exercise. With this weapon they were very expert.

Playing on the surf board has always been and continues to be a very favorite amusement. As you have doubtless seen this, I need not describe the process.

The dance was an amusement which was practiced perhaps to a greater extent than any other. There was a great variety of dances. Some of them consisted mainly in the recital of songs accompanied with much action as was calculated to give them force. Other seemed to consist mainly in action.

Sometimes a single girl was the actress, again, a large number united. Their motions were anything but graceful. Their motions were regulated by music, which consisted of a kind of drumming on various hollow vessels, as calabashes, tubs, and a kind of drum made by drawing a piece of shark skin over a short piece of a hollow log. . . .

Every variety of song was rehearsed and acted on these occasions, from the most sentimental to the most lascivious, and the action always echoed to the sense.

Sometimes a single voice rehearsed the song—sometimes a number chanted in unison.

The first summer I spent in Lahaina scarcely a night passed in which I did not hear the noise of these assemblies, and they were uniformly scenes of lewdness and vice.

But the most numerous class of all their amusements was their games of chance.

Of these they were specially fond. These games were peculiar to themselves. The one most practiced by the chiefs was that of placing several bunches of kapas in a row, and then one man took a stone and hid it under one of the tapas. His antagonist guessed the place of the stone, and the one who was oftenest right won the game.

They never played at games of chance without a wager, nor indeed at any game of skill. The wager seemed to constitute the charm of most of their amusements. It was an accompanyment of their down hill slides – their play in the surf – their plays with the spear their rolling the stone – their flying the kite &c. . . .

They gambled away their property of every kind – their clothes – their food – the crops upon their land – the lands themselves – their wives – their husbands – their daughters, and even the very bones of their arms and legs.

At present cards is a common amusement and it is accompanied with its usual evils.

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