Images of Old Hawaiʻi

by Peter T Young Leave a Comment

Sea Bathing

Even the most rudimentary plumbing was unknown before Captain Cook’s arrival. The ancient Hawaiians depended on streams and springs for their water supply, sometimes carrying calabashes of water great distances over rugged terrain. They bathed in streams, mountain pools, ʻauwai (irrigation ditches,) shore pools and the sea.  (Schmitt)

In the late-19th Century, Waikīkī’s shoreline was mostly a day-use beach; overnight accommodations were scarce.  Visitors, usually residents of Honolulu, would arrive via horse-drawn carriage, on horseback or in a canoe.  (White)

“The most popular resort of the people of Oʻahu is the famous Waikīkī … Waikīkī is the seaside and pleasure-resort of the island. … There are a number of private residences, picturesque-looking bungalows and cottages, but all airy, comfortable, and close to the murmuring sea. A beautiful grove of towering coconut-trees adds to the tropical charm of the place.”  (Musick, 1898)

“The sea bathing is simply perfection. The water is never chilly; and yet it is most healthful and invigorating. The bottom is of nice smooth sand, always warm and pleasant to the feet. There is no fear of undertow or of any finny monsters. Not only is it pleasant to bathe here during the day, but moonlight bathing is indulged in. … It is a novelty, worth seeing, if not worth trying.  (Whitney, 1895)

Just as “sea bathing” were gaining popularity on the American and European continents, private bathhouses, like the Long Branch Baths, Ilaniwai Baths and Wright’s Villa, began to appear in Waikīkī.  (White)

“Bath-houses that equal those in Long Branch (New Jersey) are found here, and sea-bathing in January is as pleasant as in July. There is no clearer water, no finer beach, no smoother bottom in any of the many famous watering-places than are found at Waikīkī.”  (Musick, 1898)

Bathhouses served customers with bathing suits and towel rentals, dressing rooms and each access to the beach. Initially, bathhouses served only day-use recreation of visitors, but eventually some of them began to offer overnight rooms.

One of the first of these bathhouses was the “Long Branch Baths,” named after a popular New Jersey resort. This long wooden shed was built near the edge of ‘Āpuakēhau Stream by James Dodd in 1881 at the former residence of Kākuhihewa.  (CulturalSurveys)

“There are now forty two dressing rooms for gentlemen and eighteen boudoirs for ladies. To these accommodations will be added a bathing platform 100-feet along the beach by 80-feet wide and a trapeze and spring board attached. There will also be a restaurant and when the whole is finished we may expect to have occasionally to report aquatic feats of considerable magnitude.”    (Hawaiian Gazette, May 28, 1889)

At that time, the Waikīkī beach area in Ulukou and Kahaloa was dotted with small cottages and some bathing houses. These “bathing houses,” placed strategically near the beach, were places where people could change into their bathing suits, rent towels, and walk directly into the ocean.  (CulturalSurveys)

“At “Long Branch Baths” the bather may find deep water and at a temperature which will surprise him, permitting a two or more, hours enjoyment in plunging and bathing in the pure waters. Here sun and sand baths may be indulged in.”  (Godfrey, 1898)

Dodd, who also ran a livery station, also offered round trip ‘omnibus’ mule-drawn bus service from Honolulu to Waikīkī, which included the use of the Long Branch.

Another attraction was a 200-foot long marine toboggan, where “for a nickel, riders could climb a ladder to the top of the run, mount a ‘star oval board’, zip down the chute and ricochet across the water …, skipping along like a flat pebble.” This toboggan was built on the west side of the bathhouse in 1889 by Jim Sherwood, a later owner of the Long Branch Bathhouse.

“The toboggan itself is a wooden frame with a turn up end upon which the bather reclines and the pleasure is in the swiftness of motion over the chute.  When the bather reaches the water his toboggan skips on the surface for some distance from fifty to one hundred feet in proportion to the momentum acquired in the descent and then he has to swim ashore and propel his toboggan to a landing.”  (Hawaiian Gazette, May 28, 1889)

During the 1870s and 1880s, Honolulu residents in growing numbers went out to enjoy the sea bathing at Waikīkī.  Local writers spoke of it as the Long Branch, Newport, Brighton or Trouville of Hawaiʻi.  (Kuykendall)

In 1875 or earlier, Allen Herbert proprietor of the Hawaiian Hotel in Honolulu, “provided a cottage at the sea-shore at Waikīkī … where guests can go and spend the day, or merely enjoy a morning or evening bath in the ocean.”

Apparently this was only a beach house and not a hotel for overnight accommodation of guests; it is uncertain how long the arrangement continued.  (Kuykendall)

The first hotels in Waikīkī were bathhouses, such as the Long Branch Baths, began to offer rooms for overnight stays in the 1880s.  The first beachside hotel, the Park Beach, was a converted home which offered 10 rooms, each equipped with a bath and telephone.

As time passed, more found their way into the district, at first as visitors to enjoy the beach and the sea bathing, and then as residents, especially when access was made easier by the construction of a road (sometime in the 1860s.)

Toward the end of that decade an omnibus began running to Waikīkī, providing the only public transportation to that resort until the tramcar line reached there at the beginning of 1889. (Kuykendall)

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by Peter T Young Leave a Comment

Mōʻiliʻili Skeletons

This story raised more questions than answers.  It related to a Honolulu Advertiser story published on April 24, 1926.  It asks, “What mysteries will the skeletons of Mōʻiliʻili reveal …?”

In part, it notes theories by historian WD Alexander, who suggests, “it is nearly certain that there were two distinct periods of emigration to these Islands.”

“The first settler must have arrived in the very ancient times, as the discovery of human bones under ancient coral beds and lava flows.  Judge Fornander estimates that these Islands were inhabited as early as 500 BC.”

At Mōʻiliʻili, the paper notes that, “Skeletons that may be thirty centuries old, have just been uncovered from the encompassing layers of brown sand, still in a remarkable sate of preservation, the skulls intact, not a tooth missing.”

“And some of the skeletons are reported by the discoverers to have been found in a standing position. Above the sand is a top soil from a score to 50 feet in depth. Below, in the sand strata, 15 feet below the top soil, the skeletons were found a few days ago.”

We know that during the island’s formative stage, the sea level was more than 25 feet higher than its present level.  This is estimated to have happened during the Sangamon Interglacial Stage (the Pleistocene Epoch). In Hawai‘i, folks refer to this as the Waimanalo High Sea Stand around the island about 120,000 years ago.

This period of sea level elevation is responsible for the deposit of fossil reef limestone (and, thus, some sand) in southern coastal Oʻahu, including up to the region we now know as Mōʻiliʻili.

The weathering and erosion of Oahu’s dormant volcanoes, the Waianae and Koʻolau, paired with the rise and retrieval of the sea level resulted in the formation of “interbedded marine and terrestrial deposits”.

So, sand in Mōʻiliʻili is not unexpected.  But the news report adds a peculiarity … “How does it happen that this sand is different from any other sand found on Oahu, unlike the Waianae sand or the sands from the beaches?”

“How does it happen that this sand  is similar to the standard Ottawa sand, and one of the best known to builders? From this sand bank ton upon ton is being excavated and transported to the city of Honolulu and is being incorporated in some of the great new structures rising all over under the impetus of the new building activity”?

Back to the skeletons … “Those who have seen these skulls are intrigued by the belief that they do not resemble the usual type of Hawaiian skull, in that their contour is practically perfect, suggesting a pure Aryan origin. No marble figure of the Greek has a more perfect head that that found in the Mōʻiliʻili sand strata.”

“Some. Hawaiians, threading back into the ancient and misty past, and clinging to the thought that the Hawaiians came out of the ‘place of the dawn,’ or the rising sun, believe in the possibility of a migration from the western continental hemispheres, possibly Aztec, possibly Inca Origin …”

“… and with this trend of thought presented it is easy to build up an ethnological mosaic that would hark back to the area of the continent of Atlantis, [peopled] by those of the farther east, and after all, clinging still to that trend, the origin could be traced to the shadow of the pyramids.”

“The startling fact was revealed that one has was found whose sightless eye orifices faced, apparently, to the east, toward the rising sun, the ‘Kahiki’ of the Hawaiians, their ‘place of dawn’ …”

“… for even the Hawaiians, in their legends and their ancient chants handed down, generation to generation by the bards, ‘word-of-mouth-narratives’ expressed a theory of having come from ‘out of the dawn – the east.’”

Having said that, the Star Bulletin came out with a following statement from the Bishop museum where they reported, that while “Members of the staff have not examined the skeletons …”

“In the absence of definitive proofs of extreme age, scientists of the Bishop Museum are not inclined to ascribe special importance to the finding of several skeletons at the Mōʻiliʻili quarry”.

“‘As far as the location of the burials is concerned,’ says Dr Herbert E Gregory, director of the Bishop Museum, ‘they do not indicate any great lapse of time.  They are not found at any great depth.’” (SB, April 27, 1926)

No further reporting was found in the old newspapers about the Mōʻiliʻili skeletons; however, it seems questions remain (a burning one for relates to why the burials were in ‘a standing position’).

(A prior post on the Mōʻiliʻili Karst noted the eroded limestone caves under Mōʻiliʻili: https://imagesofoldhawaii.com/moiliili-karst-moiliili-water-cave/)

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by Peter T Young Leave a Comment

Inter-Island Hula Contest

David and Lydia Bray sought to reinsert hula into everyday public life.  A group of influential Hawaiians – a princess, a famed hula dancer, and a composer – gathered at a Honolulu home in 1919 to judge a private hula performance.

The Brays, a young Hawaiian couple who were dancers themselves, had staged this unofficial “hula trial.”  They sought to address the question, Was hula truly vulgar and vile? All we know is that girls from the ages of eight to fourteen presented their hula repertoire before the panel.

At the end of the presentation, the judges conferred and delivered a “not guilty” verdict. The hula was clean; its practitioners should not fear performing before Hawaiian and American audiences. (Imada)

For many Hawaiian women, hula presented a dream ticket out of Hawai‘i, promising fame, glamour, and middle-class status difficult for them to achieve in the plantation and service industries. Hula dancers could earn between fifty and one hundred dollars a week, compared with four to ten dollars a week in the pineapple canneries.

Talent recruiters from the US continent took advantage of the ample labor pool in the islands. Orchestra leaders, Hollywood film studios, and American nightclubs periodically scouted for dancers in Hawai‘i, where women often faced stiff competition for coveted hula contracts. (Imada)

Then, in 1938, sponsored by Hollywood’s Metro-Goldwyn-Mayer Studios (MGM) and the Hawai‘i-based Consolidated Amusement Company, the “Inter-Island Hula Contest” sought to crown a “hula queen.”

In the “greatest hula contest ever staged in the Islands,” nearly five hundred young Hawaiian women competed for the title for more than a month, going through several rounds of competition. Each hoped to win the grand prize: a trip to Hollywood and a chance at stardom in the United States.

On almost every island, audiences followed the competition with great enthusiasm, buying tickets for preliminary rounds held at movie theaters and rooting for their favorites.

On Friday nights on O‘ahu, local people attended elimination rounds at the Hawai‘i Theater and indicated by applause their choices of finalists. (Imada)

In September 1938 five finalists from five different islands gathered in Honolulu for a “Hula-Nui Nite” (Big Hula Nite).  Finalists were Keahi Bright, Oahu; Rita Lum Ho, Maui; Dorothy K Dudoit, Molokai; Ethel Moniz, Hawaii and Kealoha Holt, Kauai.  In an overflowing theater, a board of judges crowned the contestant from Kauai, Alice Kealoha Pauole Holt, “Hula Queen.”

Holt was born on February 10, 1919 into a life of modest means with a lineage directly tied to the royal families of Hawai‘i. Her introduction to the world of movies came by way of MGM, who sponsored the event, and sent her to Hollywood to play the part of the native dancer in the movie Honolulu with Robert Young and Eleanor Powell.  (IMDb)

Holt subsequently passed her MGM screen test in Hollywood and spent three months there, touring as an “ambassador of good will” and dancing in the American stage and film productions of Honolulu.

Holt may have been MGM Studio’s only official “Hula Queen,” but she was only one of a generation of Hawaiian women who began leaving Hawai‘i in the 1930s for the US continent. (Imada)

“Hollywood knew Hawaii’s brightest and best hula dancer, Kealoha Holt, for a brief few months, before the young lady suffered pangs of homesickness and returned to the islands.” (SB, Sep 30, 1939)

American nightclubs and showrooms packaged hula as middlebrow American entertainment, and hula dancers joined circuits that routed them between Hawai‘i and Manhattan. Hula became the ticket out of Hawai‘i for many women, promising fame and glamour in the United States. (Imada)

“And now, the newest crop of hula dancers, singers and musicians are in New York .… Most of the girls, in long letters home, write of their longing for Hawaii. Some, like Kealoha Holt, just pack up and return.”

“Their jobs pay from $75 to top prices of $100 a week. They put on three shows a night, six nights a week. They usually live at the hotel where they work, or in apartments adjoining night clubs where they are featured. … They pick up pin money making recordings, if they sing; posing for advertising, teaching the hula to patrons.”

“Today, with Hawaii’s good will emissaries stationed in strategic centers such as San Francisco, New Orleans, Chicago and New York, synthetic shimmies of yesterday are giving way to real Hawaiian hulas.”

“These singing and dancing islanders who invade mainland night spots provide splendid advertising for Hawaii.  They take with them the charm and grace of an island paradise where two thirds of America longs to visit. They are fresh and blood representatives of a South Seas island lure of which escapists dream.”  (MacDonald, SB, Sep 30, 1939)

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by Peter T Young Leave a Comment

Kohala Field System

Throughout the younger islands of the Hawaiian archipelago, dryland agricultural field systems constituted a significant component of the late prehistoric subsistence economy.
 
The field systems produced large quantities of food to support local farmers and residents, as well as local and district-level chiefly elites.
 
It is generally thought that the dryland agricultural systems had spread to their maximum extent, nearly reaching the edge of productive lands.
 
Kohala supported a large and well-developed field system, covering over 15,000-acres with a dense network of field walls and paved trails.  It is one of the largest archaeological sites in Polynesia.
 
In the Kohala area, Hawaiian farmers found, farmed and intensified production on lands that were poised between being too wet and too dry.
 
The distribution of intensive rain-fed agricultural systems was constrained on its lower end by conditions that were too arid to support intensive agriculture reliably, while at their upper margin many millennia of leaching had depleted soil fertility to a point where intensive rain-fed agriculture was infeasible.
 
In essence, Hawaiians were farming the rock in intensive dryland agricultural systems; their field systems extended to the wettest point that still supplied nutrients via basalt weathering.
 
When the field system is plotted against the rainfall map it falls within the 30-70-in rainfall band.
 
Archaeological evidence of intensive cultivation of sweet potato and other dryland crops is extensive, including walls, terraces, mounds and other features.
 
The fields throughout the Kohala system were oriented parallel to the elevation contours and the walls (and perhaps kō (sugar cane) planted on them) would have functioned as windbreaks from the trade winds which sweep down the slopes of the Kohala mountains.
 
Configured in this way, the walls would also have reduced evapotranspiration and – with heavy mulching – retained essential moisture for the crops.  This alignment of fields also conserved water by retaining and dispersing surface run-off and inhibited wind erosion and soil creep.
 
The main development of the Kohala field system took place AD 1450-1800.  By the late-1600s the lateral expansion of the field system had been reached, and by AD 1800 the system was highly intensified.
 
The process of intensification involved shortened fallow periods, and agricultural plots divided into successively smaller units.
 
The archaeological map of the Kohala field system depicts over 5,400-segments of rock alignments and walls with a total length of nearly 500-miles.
 
The fields begin near the north tip of the island very close to the coast.  The western margin extends southward at an increasing distance from the coast, with the eastern margin at a higher elevation and also an increasing distance from the coast.
 
From north to south the field system is more than 12-miles in length.  At its maximum, it is more than 2.5-miles in width.
 
Scientists speculate that this farming did not just support the local population, but was also used by Kamehameha to feed the thousands of warriors under his command in his conquest of uniting the islands under a single rule in the late-1700s.
 
Based on experimental plantings, if only half of the Kohala Field System was in production in one year, it could be producing between 20,000 to 120,000-tons of sweet potato in one crop.
 
The system was abandoned shortly after European contact in the early- or mid-19th century.
 
The image shows remnants of the Kohala Field System walls in present pastureland.  A special thanks to Peter Vitousek, former Hawai‘i resident and now Professor at Stanford, for background information and images. 
 
 
 

by Peter T Young 1 Comment

Keauhou Heiau Restoration

Kamehameha Investment (formerly acting as a for-profit arm of Kamehameha Schools) restored heiau on its Keauhou Resort area.

As background, formalized worship, offerings and/or sacrifice by chiefs took place in temples, or heiau.

These structures were typically stone-walled enclosures having several houses and open-air temples with terraces, extensive stone platforms, and numerous carved idols in which ruling chiefs paid homage to the major Hawaiian gods.

There were several types of heiau: including agricultural, economy-related, healing or the large sacrificial war temples.

Erecting heiau was the prerogative and responsibility of the Ali‘i, for only they could command the necessary resources to build them, to maintain the priests and to secure the sacrifices that were required for the rituals.

Though temple worship was primarily an affair of the royalty, the whole land depended upon the effectiveness of these rituals.

I don’t mean any disrespect here, and remember we are talking about heiau that are hundreds of years old. Over the years they aged and disassembled. Prior to restoration, to some, they were just a pile of rocks. The restoration has now allowed people to see the heiau as they once were.

Three significant heiau have been restored at Keauhou: Hāpaiali‘i Heiau, Ke‘ekū Heiau and Mākole‘ā Heiau. Using modern-day technology coupled with ancient techniques, restoration of the heiau using the Hawaiian art of uhau humu pōhaku (dry stack masonry) have rebuilt the massive stone platforms.

Hāpaiali‘i Heiau

Information suggests that Hāpaiali‘i Heiau was built by Ma‘a, a kahuna of Maui, who later left for Kaua‘i.

The period of Ma‘a was said to be later than that of Pa‘ao. Carbon dating indicates the heiau was built on a smooth Pāhoehoe lava flow sometime between 1411 and 1465. The heiau was for prayers only.

Ke‘ekū Heiau

Ke‘ekū Heiau is an imposing, heavy-walled enclosure surrounded on the west, north, and east by the ocean at high tide.

Tradition indicates that, after building it, Lonoikamakahiki attacked Kamalalawalu, king of Maui, who had invaded Hawai‘i, and that after defeating Kamalalawalu, Lonoikamakahiki offered him as a sacrifice at Ke‘ekū.

The spirits of his grieving dogs, Kauakahi‘oka‘oka and Kapapako, are said to continue to guard this site. Outside the entrance to the heiau and towards the southwest are a number of petroglyphs on the pāhoehoe. One of them is said to represent Kamalalawalu.

During restoration, it was discovered that the heiau also served as a solar calendar. On the winter solstice, from a spot directly behind the temple’s center stone, the sun sets directly off the southwest corner of the heiau; at the vernal equinox, the sun sets directly along the centerline of the temple and at summer solstice, it sets off the northwest corner.

Mākole‘ā Heiau

Mākole‘ā Heiau (also known as Ke‘ekūpua‘a,) is located 600 feet from the ocean, on the same tidal flat as Hāpaiali‘i Heiau and Ke‘ekū Heiau.

The backwater nearly encircles Ke‘ekū Heiau at high tide does not quite reach Mākole‘ā. Tradition indicates that the heiau had been built (or consecrated) by Lonoikamakahiki and that it was used for prayers in general.

Historic Hawai‘i Foundation awarded Preservation Honor Awards for these efforts.

I applaud Kamehameha Investment for these restorations. While ruins of a heiau are impressive, I really think people today can get a far better appreciation of what heiau are, after they have been restored.

The photo notes the before and after of the restoration of Hāpaiali‘i Heiau (photos primarily from Keauhou Resort.)

(In 2013, Kamehameha Schools began consolidating operations, bringing the day-to-day land management activities of Kamehameha Investment Corporation under the school’s auspices.)

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