Peter T Young

January 15, 2020 by Peter T Young 1 Comment

Look for the Mamo Hidden Under a Rock

Hawaiʻi’s capitol – the “Square Building” on Beretania, although it’s actually 360-feet x 270-feet – is full of symbolism.

In the words of Governor John A Burns, “The open sea, the open sky, the open doorway, open arms and open hearts – these are the symbols of our Hawaiian heritage … there are no doors at the grand entrances … there is no roof or dome to separate its vast inner court from the heavens … We welcome you! E Komo Mai! Come In! The house is yours!”

The perimeter pool represents the ocean surrounding the islands; the 40-concrete columns are shaped like coconut trees; the conical House and Senate chambers infer the volcanic origins of the Islands; and the open, airy central ground floor suggests the Islands’ open society and acceptance of our natural and cultural environment.

In 1959, an advisory committee was formed. They selected the Honolulu firm of Belt, Lemmon & Lo and the San Francisco firm of John Carl Warnecke & Associates to design the new state capitol.

Their design was approved by the Legislature in 1961; construction commenced in November 1965. The building opened on March 16, 1969, replacing the former statehouse, ʻIolani Palace.

A notable capitol feature central on the ground floor is the tiled mosaic “Aquarius.” The tile work is based on a painting of the same name by Tadashi Sato; the mosaic is circular (36-feet in diameter.)

Sato, the eldest of six children of Japanese immigrants who came to work on Maui’s pineapple plantations, was born (1923) and raised on Maui and attended King Kamehameha III School and graduated from Lahainaluna.

He perfected his artistic skills over the next several decades, studying in Japan and New York and eventually became recognized as a member of the abstract expressionist movement and known for his abstract and semi-abstract paintings, mosaics and murals.

He is described as “an artist with a tranquil spirit, at peace with his place in the world, who eloquently used his brush to speak about what is most true and enduring in that world”. (Maui Council)

Tadashi Sato was an artist of international stature whose work has hung in places such as New York’s Museum of Modern Art, the Guggenheim and Whitney, and the Willard Gallery. Aquarius is still arguably his most famous work of art.

A lot of Sato’s work goes back to recollections of the reflection of sky, submerged rocks and sparkling colors in the tide pools and coastline where he fished near Nakalele Point in West Maui. (Keiko Sato, his sister)

Standing on the upper floors of the capitol, looking down on the Aquarius mosaic, gives a view much like what Sato saw from the coastal cliffs of West Maui looking down on the shoreline and tidepools below.

In 1965, Sato was honored by President Lyndon Johnson at the White House Festival of Arts, alongside Georgia O’Keeffe, Jackson Pollock and other American artists. In 1984, he was named a Living Treasure of Hawai’i by the Honpa Hongwanji Mission of Hawaiʻi.

Exposure to the elements in the open air of the capitol took its toll on the mosaic. It has been replaced twice since its initial installation.

In 1988, the mosaic was replaced because it was subject to ponding water and it lacked accommodation for expansion and contraction. These factors lead to cracking, heaving and failure of the tiles and mortar bed. (SFCA)

Again, in 2005, a new set of the approximate 600,000-tiles replaced the former and a new system of drains, expansion joints, mortar bed and thicker tiles increased the mosaic’s durability and improved it significantly. (SFCA)

Coincidental, but symbolic of the diversity of cultures in Hawaiʻi, in this most recent replacement/repair, a crew of six (Hawaiian, Filipino and Portuguese (from Hawaiʻi,) and German, Polish and Italian (from abroad)) set the new tiles in place.

Fifty-seven different colors of various shades of blue, green and white tiles make up the Aquarius mosaic.

However, it was at this time a new color was added; the Italian added a single red tile to the mosaic.

Several sources incorrectly suggest the tile is representative of the artist’s signature. These folks also note you should search the mosaic for the single red tile.

However, as noted in the title of this piece, and continuing the symbolism at the capitol, folks at the State Foundation on Culture and the Arts feel Sato would prefer you look for the Mamo hidden under a rock. (The Mamo is the Hawaiian Sergeant reef fish.)

Today is opening day of the legislature. Take the time to look at Tadashi Sato’s design … and see what you can find. (Tadashi Sato died in 2005.)

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State Capitol. Mosaic by Tadashi Sato. From The Top-The view from the top of the Capitol. Star-Bulletin photo by Warren R. Roll on March 19, 1970. Ran on Thursday, March 19, 1970.

January 14, 2020 by Peter T Young Leave a Comment

Honolulu Rapid Transit (HRT)

Nuʻuanu Valley was the first of the valleys to undergo residential development because it was convenient to the town (when most people walked from town up into the valley.)

In 1888, the animal-powered tramcar service of Hawaiian Tramways ran track from downtown to Waikīkī. In 1900, the Tramways was taken over by the Honolulu Rapid Transit & Land Co (HRT.)

HRT initially operated electrically powered streetcars on tracks through Honolulu streets. Power came from overhead wires. Its “land” component included investments into the construction and operation of the Honolulu Aquarium (now the Waikīkī Aquarium), a popular attraction at the end of the Waikiki streetcar line.

In addition to service to the core Honolulu communities, HRT expanded to serve other opportunities. In the fall of 1901, a line was also sent up into central Mānoa.

The new Mānoa trolley opened the valley to development and rushed it into the expansive new century. In particular, it would help to sell a very new hilltop subdivision, “College Hills,” and also expand an unplanned little “village” along the only other road, East Mānoa. (Bouslog)

The rolling stock consisted of ten 10-bench cars; fifteen 8-bench cars; two closed cars; eight convertible cars and ten trailers. (Electrical Review 1902)

For the line work, wooden poles thirty feet long were used and placed about 100-feet apart. The necessary span wires are so placed to allow the trolley wire, which was 4/0 copper wire, about twenty-feet above the track. (Electrical Review)

“The company operates on twenty miles of trackage, which is continually being extended to anticipate the demands of traffic. The overhead trolley system is in vogue, with power supplied from a modern generating plant operated by oil fuel.”

“The entire equipment conforms to the latest offered by modern invention, providing for safety, durability and comfort.” (Overland Monthly, 1909)

“The company’s service extends to Waikiki beach, the famous and popular resort of the Hawaiian and tourist, and where the aquarium, the property of the company, is one of the great objects of attraction.”

“Kapiolani Park, the Bishop Museum, the Kahauki Military Post, the Royal Mausoleum, Oahu College and the Manoa and Nuuanu valleys are reached by the lines of this company.” (Overland Monthly, 1909)

Bus service was inaugurated by HRT in 1915, initially using locally built bodies and later buses from the Mainland (acquired in 1928.) Trolley buses operated on a number of HRT routes from January 1938 to the spring of 1958. Electric street cars, first used by HRT on August 31, 1901, were withdrawn early in the morning of July 1, 1941. (Schmitt)

“At two o’clock on the afternoon of June 31, 1941, car 47 left the HRT carhouse. Number 47’s run that day was unusual. To begin with, it was an old open car, one of those originally built about 1908. In addition, the car sported one of the largest leis ever made, which circled it completely.”

“At the controller was George Bell, son of Jack Bell who ran HRT’s first car in 1901. The car ran over the remaining rail line all afternoon and evening … The end finally came at 1:30 a.m. on July 1, 1941.” (Hawaiian Tramways)

The streetcars were replaced completely by buses (first gasoline and later diesel buses.)

Entrepreneur Harry Weinberg from Baltimore began investing in HRT in 1954 and methodically proceeded to take over HRT in 1960. After Weinberg took control of HRT he went on to continue investing in real estate and other corporations.

The confluence of several milestone developments up to mid-1960s became the precursors of an unfolding drama that culminated in a battle of titanic proportions that led to the transfer of the company from private hands to public ownership by the City & County of Honolulu. (Papacostas – ASCE)

First came the establishment of the Public Utilities Commission (PUC) in 1913; HRT started to spin off non-utility properties and operations to a subsidiary (Honolulu Ltd) to avoid regulatory oversight.

Then, in April 1937, the US Supreme Court validated the 1935 National Labor Relations Act that strengthened to role of labor (or trade) unions. The thirds came from the US Congress in the form of “The Urban Mass Transportation Act of 1964,” which provided funding for urban mass transit systems. (Papacostas – ASCE)

Through this provision, Frank F. Fasi, who was first elected mayor of the City & County of Honolulu in 1969 and who was destined to become the longest-serving person in that capacity initiated definite moves toward the ultimate take-over of HRT. (Papacostas – ASCE)

Bernard W. Stern states in his book on Rutledge Unionism, “as early as 1970 the Federal Department of Transportation, in response to an inquiry, advised Honolulu Mayor Frank Fasi that Honolulu was eligible to receive two-thirds of the acquisition costs of HRT, Wahiawa Transport, and Leeward Bus Company.”

The “Wahiawa” and “Leeward” companies were suburban lines, the first also being run under majority ownership by Weinberg. (Papacostas – ASCE)

The company suspended all service after December 31, 1970, because of a labor dispute, and was succeeded a few months later by MTL, Inc. (a new management company established by the City and known as Mass Transit Lines (MTL.) (Schmitt)

As a consequence of court decisions, the March 22, 1973 issue of the Honolulu Advertiser declared that finally “Weinberg, City agree to quick takeover of site.” (Papacostas – ASCE)

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King at Fort Streets
Park your auto safely at home use the street car service.
Park your auto safely at home use the street car service.

January 13, 2020 by Peter T Young Leave a Comment

Tea Party

The mission compound at Kawaiaha‘o was always a bustling place. There were many duties to attend to by the mission women: cooking cleaning teaching, entertaining guests and visitors, and raising their own children to name just a few.

These many domestic labors were hard on the mission women, so many of them hired for wages, Native Hawaiians to aid them in this domestic work. This interface between Native Hawaiians and Missionaries, and the women in particular was a major one, as it occurred on a daily basis, and occurred within the 1821 Mission House. (Mission Houses)

Then, they invited the leading chiefs to a tea …

“On Tuesday of last week (December 11, 1827,) Mrs. Bingham & Mrs. Richards, undertook to make a ‘tea party’ to bring all the chiefs in the place & the members of the mission family together to join in a friendly & social cup of tea, to shew Christian kindness & civility to our Sandwich Island neighbors and to promote kind feelings among the chiefs themselves now assembled from the different Islands.”

“The two sisters with their native domestics spent most of today in preparing biscuit, cakes &c. & making such arrangements as seemed to them desirable.”

“We sent out our billets in due form in the morning to the king & Ka‘ahumanu, and all the chiefs of the first & second rank and to some others connected with them by marriage. As soon as Kaahumanu received her invitation she sent over a supply of good white sugar for the occasion.”

Those in attendance included, Ka‘ahumanu, Kalākua, Pi‘ia, Kauikeaouli (Kamehameha III,) Nahienaena, Kuakini, Naihe, Kapi‘olani, Hoapili, Kaikioewa, Keaweamahi, Kapule, Kaiu, Kekāuluohi, Kīna’u, Kekauōnohi, La‘anui, Keli‘iahonui, Kana‘ina, Leleiōhoku and Kamanele.

“But look, for a few moments, at the present group: twenty-one chiefs of the Sandwich islands mingling in friendly, courteous and Christian conversation with seven of the mission family, whom you have employed among them. Contemplate their former and their present habits, their former and their present hopes. They have laid aside their vices and excesses, and their love of noise and war.”

“(T)o this interesting group we should have been happy to have introduced you, or any of our Christian friends; and I doubt not you would have been highly gratified with the interview. …”

“Listen, and you will not only hear the expressions of gratitude to us and to God for the privileges they now enjoy, but you will hear these old warriors lamenting that their former kings, their fathers, and their companions in arms, had been slain in battle, or carried off by the hand of time, before the blessed gospel of Christ had been proclaimed on these benighted shores.”

“Your heart would have glowed with devout gratitude to God for the evidence that, while our simple food was passing round the social circle for their present gratification, the minds of some of these children of pagans enjoyed a feast of better things; and your thoughts, no doubt, like ours, would have glanced at a happier meeting of the friends of God in the world of glory.”

“When our thanks were returned at the close of our humble repast, though you might not have been familiar with the language, you would have lifted up your heart in thank-fulness for what had already appeared as the fruits of your efforts here, and for the prospect of still greater things than these.” (Bingham, December 15, 1827)

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January 12, 2020 by Peter T Young 1 Comment

Kāhi Hāli‘a Aloha

Unlike western burials in caskets (where the body is stretched out in the prone position,) native Hawaiians were typically buried wrapped in tapa in the flex position (the legs were drawn taut until the knees touched the chest (Malo.))

In addition to actual burials in and under the earth or land, Hawaiians also used burial caves, disposal pits and caverns to hide the bones of the dead (Kamakau.) The funerals take place in the night, to avoid observation and to maintain secrecy.

There are several special secret burial hiding places for the high chiefs, including the caves in ‘Iao Valley, Maui and Pali Kapu O Keōua, Kealakekua Bay, Hawai‘i.

Many ancient Hawaiians were buried in the beach and sand dunes, in unmarked graves.

Waikīkī has a centuries-old Hawaiian heritage, inhabited by Native Hawaiians for some 2,000-years. Waikīkī was the preferred playground and royal residence of generations of ancestors. (Kāhi Hāli‘a Aloha plaque)

As a result of ongoing excavation and construction in modern Waikīkī, the bones of long-deceased Hawaiians come to light. Lineal descendants worked with governmental agencies to find ways to dignify and honor the final remains of those who preceded them. (Kāhi Hāli‘a Aloha plaque)

A Memorial was proposed and designed by the lineal descendants to accommodate Hawaiian ancestral remains – Kāhi Hāli‘a Aloha (“The Place of Loving Remembrance.”)

Keawe Keohokālole designed the memorial; his lineage includes High Chiefess Ane Keohokālole, biological mother of King Kalākaua and Queen Lili‘uokalani.

The Memorial is the first of its kind to offer permanent and dignified protection to generations of Hawaiian ancestral remains unearthed and/or repatriated from museum collections across the nation.

The burial monument, situated at the corner of Kalakaua and Kapahulu Avenues (fronting the Honolulu Zoo,) now contains about 200 iwi kūpuna (skeletal ancestral remains.) Currently, the remains fill only the west-facing side of the eight-sided memorial.

Approximately 50 sets of skeletal remains, said to be more than 100 years old, were discovered during a Board of Water Supply project along Kalākaua Avenue. In addition, there are 150 skeletal remains that were unearthed during earlier Waikīkī projects (these had been stored for years at Bishop Museum.)

At the time of the blessing, A. Van Horn Diamond, speaking on behalf of the families, said, “This is the affirmation of what happens when families assume their responsibility and the community provides support for it to take place.”

When I was Deputy Managing Director for Hawai‘i County, I remember Lily Kong, a respected Kona kūpuna, had recommended a similar type of arrangement (a burial memorial for the relocation of inadvertent burials) in each of Kona’s ahupua‘a.

(According to State law, inadvertently discovered (finding a burial that was not previously known,) burial remains are to be protected in place (if not immediately threatened with damage from natural or man-made causes.) Final disposition of remains is determined in consultation with DLNR-SHPD and native Hawaiian descendants of the families.)

State rules (HAR §13-300-2) define lineal and cultural descendants:
“Lineal descendant” means with respect to Native Hawaiian skeletal remains, a claimant who has established to the satisfaction of the council, direct or collateral genealogical connections to certain Native Hawaiian skeletal remains …”

“… or with respect to non Native Hawaiian skeletal remains, a claimant who has established to the satisfaction of the department, direct or collateral genealogical connections to certain non Native Hawaiian skeletal remains.

“Cultural descendant” means with respect to non Native Hawaiian skeletal remains, a claimant recognized by the department as being the same ethnicity, or with respect to Native Hawaiian skeletal remains, a claimant recognized by the council after establishing genealogical connections to Native Hawaiian ancestors who once resided or are buried or both, in the same ahupua`a or district in which certain Native Hawaiian skeletal remains are located or originated from.

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SONY DSC

January 11, 2020 by Peter T Young 3 Comments

Leina a Kaʻuhane – Ka Lae O Kaʻena

Here was where the spirits of the dead could be reunited with their ancestors. The path of the spirits of dead kinsmen always led westward; so as to return to the land of their ancestors.

On every island there existed a prominent bluff pointing westward, bearing the name: “leap of the spirit” (leina-a-ka-uhane). The name marked the jumping-off place where the soul of the dead was believed to depart beyond the land of the living.

Kaʻena or Kaʻena Point (‘the heat’) is the westernmost tip of land on the island of Oʻahu. The point can be reached on foot from both the East (via Oʻahu’s North Shore / Mokuleʻia) and Southeast (via Waiʻanae Coast;) you cannot drive around the point.

When an individual lay on the deathbed, his soul left the body and wandered about; if all earthly obligations had been fulfilled, the soul continued wandering, otherwise it was returned to the body. In its continued wandering it then approached Leina a Kaʻuhane. (DLNR)

“I send you with this a sketch of the west end of the Island of Oahu, showing the position of the Leina-Kauhane as related to that portion of the island. From this you will see that it is on the land near the shore line, about three-quarters of a mile from the western end of the Island of Oahu, known as Ka Lae-o-Kaena, or Kaena Point.”

“The Leina-Kauhane is a large rock on a level plain, overlooking the sea with its sandy shore. On passing it the other day in the steam-cars, I was surprised to see a couple of little straw huts leaning against it.”

“I presume they must have been erected by Japanese fisherman, for it is difficult to believe that any native Hawaiian would think of spending a night there where the spirits are supposed to pass. JE Emerson” (Journal of the Polynesian Society, 1902)

The volcano that created the Waiʻanae Mountain Range last erupted over 3-million years ago. On the narrow western point, the hard volcanic rock shows the mark of millennia of pounding waves – the carved sea cliﬀs of Mokuleʻia that rise above Kaʻena.

Dunes such as these were once found on most of the main Hawaiian Islands, and on them developed ecosystems unique in the world. The intense sunlight, low rainfall, strong winds and salt spray created a challenging environment at Kaʻena. It is the site of one of the last intact dune ecosystems in the main Hawaiian Islands.

Unfortunately, these dunes and the native species that live on them have almost entirely been lost to 1000-years of change (since the humans first came to the Islands.)

The Kaʻena ahupuaʻa was probably the poorest ahupuaʻa in terms of arable land resources on Oʻahu. It is likely that Kaʻena was devoted exclusively to sweet potato, except for about 20 taro patches, terraced with rock facings, on the slopes below Uluhulu Gulch (irrigated from a spring on the hillside west of the gulch.) (Handy, DLNR)

Although very poor in terms of land, Kaʻena faced out onto very rich deep sea fishing grounds. Family groups fished along the shore for sustenance, and Chamberlain, in his journals written between 1822-1849, noted one such group, “… we passed Nenelea, a settlement of fishermen and a convenient place for hauling up their canoes …” (DLNR)

The abundance of fishing koʻa attests to the rich fishing off the coastline: Ponuahua, “a fishing shrine near the point, though it is not known which group of rocks was so designated” and Alauiki fishing shrine, “a group of stones near the edge of the water”. (DLNR)

In modern times (1983,) the State of Hawaiʻi designated Kaʻena Point as a Natural Area Reserve to protect nesting Laysan Albatrosses and wedge-tailed Shearwaters, Hawaiian monk seals and the fragile native strand vegetation that has been restored there.

The reserve provides refuge and a nesting area for the Laysan albatross, and is a potential nesting site for the green sea turtle and Hawaiian monk seal. During the winter breeding season, humpback whales will frequent the waters surrounding the point.

Nearly six feet of sand were lost due to vehicular erosion in less than ﬁve years. In response, motor-vehicles are now prohibited within the Reserve to help the dune ecosystem recover.

Because dogs and rats have killed nesting seabirds, a nearly ½-mile long, 6½-foot high predator-proof fence was constructed following an existing roadbed and encloses the tip of the Kaʻena Point peninsula, a total of 59-acres. Three unlocked double-door gates allow access by people.

After the fence was constructed, project personnel began to remove predatory animals from the reserve by using traps for larger animals and a combination of bait boxes and traps for rodents.

One of the last few remaining and easily-accessible wilderness areas on Oʻahu, Kaʻena Point is also part of the State Park system.

As part of the State Park, the Kaʻena Point Trail follows an old railroad bed and former dirt road that ran around the point. The trail leads to Kaʻena Point Natural Area Reserve.

From the Waiʻanae side, the trailhead is at the end of the paved road in the Keawaʻula Section of Kaʻena Point State Park and follows the dirt roadway for 2.4 miles to Kaʻena Point Natural Area Reserve. From the Mokuleʻia side, the trailhead is at the end of the paved road and follows the dirt roadway for 2.5 miles.

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