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April 18, 2026 by Peter T Young Leave a Comment

The 5th Gate

The cornerstone for ‘Iolani Palace was laid on December 31, 1879 with full Masonic rites. Construction was completed in 1882; in December of that year King Kalākaua and Queen Kapi‘olani took up residence in their new home.

The first floor consists of the public reception areas – the Grand Hall, State Dining Room, Blue Room and the Throne Room.

The second floor consists of the private suites – the King’s and Queen’s suites, Music Room, King’s Library, and the Imprisonment Room, where Queen Lili‘uokalani was held under house arrest for eight months in 1895, following a counter-revolution by royalists seeking to restore the Queen to power after the overthrow of 1893.

The Palace area was originally enclosed by an eight-foot high coral block wall with wooden gates. In 1887, work was requested to alter the Mauka, Makai and Richards Street Gateways of the wall surrounding the Royal Palace would be curved at the respective gates with double iron door (similar to the Likelike gate.)

Also intended were 2-story wooden guardhouses on each side of the four main gates. However, those were not built (the contract to construct them was cancelled in July 1887).

Then, Robert Wilcox and other revolutionaries broke into the grounds, set themselves up in the Palace Bungalow, and using the walls surrounding the grounds fired at approaching loyal troops.

After this, it was felt that the Palace no longer served as a bastion against invasion, and a decision was made to tear down the wall surrounding the grounds. In 1889, it was lowered to 3’6″. In 1892, it was topped with the present painted iron fence.

“Early this morning a gang of prisoners commenced to take down the Palace wall. Up to one o’clock this afternoon they had it down from the front gate on King Street to the corner of King and Richards Streets.”

“It is being taken down to within three feet six inches of the ground. The King suggested that an iron fence take its place, and that will be done. It is understood that the government has already sent for designs of ornamental fencing, and as soon as a design is selected the fence will be ordered. There is no doubt that the taking down of the wall will be a great improvement.” (Daily Bulletin, August 9, 1889)

Removal of this wall was met with great approval. In prior years newspapers had often recommended that the prison-like stone wall be removed. In tearing down the wall it was also felt that the grounds, being opened to public view, would be improved and would become the most beautiful in the city. (Fairfax)

New gate arrangements were made, as well. The gates before this time had been flush with the wall, but as part of the improvements, curved walls were built, recessing the gateways into the grounds. (Fairfax)

The four principal gates each display the Coat of Arms of the Hawaiian Kingdom, and have a distinctive name and purpose:
• Kauikeaouli – was named in honor of King Kamehameha III and used for ceremonial occasions (fronting King Street)
• Kīna’u – was named after the mother of Kings Kamehameha IV and Kamehameha V and used by tradesmen (fronting Richards Street)
• Hakaleleponi – was named for Queen Kalama, consort of Kamehameha III and used by servants and retainers of the royal household (mauka – facing Capitol)
• Likelike – was given the name of Princess Likelike, sister to King Kalakaua and Queen Lili‘uokalani and reserved for private use by the royal family (facing State Library)

But those are not the only gates onto the Palace grounds – a smaller 5th gate is located on the mauka-Ewa wall (fronting on Palace Walk, just mauka of the Barracks. While other gates had general ‘assignments’ of who would enter, the 5th gate was initially made for a single person.

“On my accession to the throne my husband (John Owen Dominis) had been made prince consort, and after my brother’s burial I had proposed to him that he should move to the palace …”

“… but in his feeble health he dreaded the long stairs there, which he would be obliged to climb, so I proposed to have the bungalow put in repair, and that the entire house should be placed at his service.”

“With this proposition he was much pleased, and hopefully looked forward to the time when, recovering from his illness, he would be able to take possession of his new home.”

“He asked that there might be a small gate opened near the bungalow, so that he might easily come and go without being obliged to go through the form of offering to the sentry the password required for entrance by the front gate.”

“His wish was immediately granted, and instructions given to the Minister of the Interior to that effect. The bungalow was handsomely fitted up, and all things were made ready for his occupation; but owing to his continued and increasing ill-health he never moved into it.” (Lili‘uokalani) (There is another gate at the corner of King and Richards.)

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Filed Under: Ali'i / Chiefs / Governance, Buildings Tagged With: Hakaleleponi, Hawaii, Liliuokalani, Kalakaua, Iolani Palace, Kauikeaouli, Likelike, John Dominis, Kinau

June 27, 2025 by Peter T Young Leave a Comment

The Spirit of Liliʻuokalani

Her Majesty Lydia Liliu Loloku Walania Wewehi Kamakaehaa Kapaakea, Our beloved Queen Liliʻuokalani

Ua hānau ‘ia ma ka lā ‘elua o Kepakemapa, makahiki ‘umikumamāwalukanakolukumamāwalu
Poni ‘ia Ka Mō‘ī Wahine O Hawai‘i ma ka lā iwakāluakumamāiwa o Ianuari, makahiki ‘umikumamāwalukanaiwakumamākahi
Ua moe kau a ho‘oilo ma ka lā ‘umikumamākahi o Nowemapa, makahiki ‘umikumamāiwa‘umikumamāhiku
Ola mau ka Mō‘ī Wahine aloha ma nā pu‘uwai ‘onipa‘a o kāna po‘e aloha!

Born September 2, 1838
Invested as Queen Monarch of Hawaii on January 29, 1891
Entered into eternal sleep on November 11, 1917
Our Queen lives forever in the steadfast hearts of her cherished people!
(Plaque at The Spirit of Liliʻuokalani)

In 1975, the Hawai‘i State Legislature in Act 173: found “that the state capitol should exemplify and symbolize the character and spirit of Hawaiʻi, its past, its present and its future.

It further found, “that the representation of the monarchy in the state capital will bring to the people of the State, and our many visitors, increased awareness, and a permanent reminder of the people who played important roles in the development of Hawaiʻi”.

As such, “The Spirit of Liliuokalani (is) to be placed for permanent display at the state capitol.” (Legislature)

‘The Spirit of Liliuokalani,’ as the statue is known, is a 6-foot sculpture by artist Marianna Pineda. It was dedicated April 10, 1982, after being cast in Boston and shipped to Hawaiʻi. A similar, smaller (4-foot) statue stands in the courtyard of the Queen Liliʻuokalani Children’s Center in Kalihi.

“The statue is a visual reminder of the trust she (Liliʻuokalani) left and reminds us (of) the work we have to do with Hawaiʻi’s orphans and destitute children.” (Claire Asam, Star Bulletin)

The statue presents the queen simultaneously as a sovereign, staunch nationalist and composer.

In her left hand, she holds three significant documents that represent her accomplishments to multiple constituents: the sheet music for “Aloha ‘Oe”; a page of the 1893 Hawai‘i constitution; and the Kumulipo, the ancient creation chant that she translated into English during her imprisonment in 1895. (Imada)

The Queen’s statue is between the State Capitol and ʻIolani Palace. By being in that particular site, the Queen is not “simply keeping an eye on the Legislature”, but she walks amongst the people. (Manalo-Camp)

She walks free from her imprisonment at ʻIolani Palace, facing Washington Place and her presence on the site of the last major anti-annexation protest site affirms the ties between the people who loved their land and loved their Queen. (Manalo-Camp)

(Marianna Pineda (1925–1996) was an American realist sculptor who was born in Evanston, Illinois. She was married to the sculptor, Harold Tovish.)

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JohnBennett-Great Grandfather Samuel Nowlein with the deposed Queen at Washington Place
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Filed Under: Ali'i / Chiefs / Governance Tagged With: Statue, Hawaii, Liliuokalani, Queen Liliuokalani, Iolani Palace, Capitol

March 1, 2025 by Peter T Young 1 Comment

Royal Hawaiian Band

The “King’s Band” had its beginning in 1836, it continues today; founded by King Kamehameha III, it became a staple of daily life by performing for state occasions, funerals and marching in parades.

The band accompanied reigning monarchs on frequent trips to the neighbor islands and brought their music to remote destinations of the kingdom such as Kalaupapa on the island of Molokai.

In 1848, Band members signed contracts to serve, noting they “agree to serve under the orders of William Merseburgh, the captain appointed by His Majesty … (and) to meet from time to time for the purpose of practicing and improvement in instrumental music.”

“We agree to play for the king and for the other officers of the government whenever called on by our captain for such reasonable compensation as he shall award, not less than one dollar nor more than three dollars per man for any time not to exceed one day.”  (Hawaiian Star, September 22, 1906)

In the 1880s, the Royal Hawaiian Band played concerts twice a week in Queen Emma Square.  “One of our pleasant diversions was to go to and hear Captain Berger’s band play at Emma Square every Saturday afternoon.  … we all went and sat in the carriage just outside the park.  There was usually a crowd there, as it was very popular.”  (Sutherland Journal)

When the Provisional Government under Sanford B Dole in the wake of the Overthrow demanded a loyalty oath of all employees, the musicians of the Royal Hawaiian Band, renamed Government Band, refused to do so, an act of courage celebrated in Ellen Prendergast’s “Mele ‘ai  pohaku” (The Stone Eating Song,) also known as “Kaulana nā pua” (“Famous are the Flowers (Children.”)  (RoyalHawaiianBand)

The bandmembers then organized into the “Pana Lāhui Hawaiʻi”, “The Hawaiian National Band”, which under the leadership of José Liborno went to the United States to drum up support for the Queen and for Hawaiʻi’s continuing independence. (RoyalHawaiianBand)

One notable bandmaster was Heinrich (Henri or Henry) Berger.  He came from Prussia at the request of Kamehameha V, who asked Emperor Wilhelm I to send a conductor.  On June 3, 1872, Berger arrived in Honolulu on board the steamer “Mohongo” and one week later conducted his first public concerts.

It took him just two months to receive this accolade from the “Pacific Commercial Advertiser”: “The Band, under the able direction of Mr. Berger, has resumed the practice initiated two years ago by the band of the Austrian frigate Donau…”

“The neighborhood of Emma Square looked quite lively for an hour or so on Thursday afternoon where lots of people in carriages and on foot had assembled to hear the really fine sounds of the ‘Hawaiian Military Band.’”

“As was remarked by one of the Honolulu delegation in the Assembly when the appropriation for the support of the military was under discussion: ‘The band is by far the best part of the army.’”  (Atlantic Times)

After four years, Berger returned to Germany, had himself released from his duties in the Prussian military and then came back to Hawaiʻi for good. He gave 32,000 concerts, composed 250 Hawaiian songs, some of which are still being sung around the world, and 1,000 other tunes.

He wrote down indigenous hymns that had until then only been passed on orally. And on Sundays, taking turns with his friend, Queen Liliʻuokalani; he played the organ in Kawaiahaʻo Church. Lili’uokalani was a formidable composer in her own right. Her song, “Aloha ‘Oe” (Farewell to Thee), became world-famous. Berger had arranged it for her.

During the Second Wilcox Rebellion of 1895, Berger had to find new, mostly non-Hawaiian musicians.  He was commanded by the now Republic of Hawaiʻi to give concerts in order to soothe the agitated mood of the citizenry.

As the twentieth century rolled around, things began to normalize, at least on the surface. The Band regained its former royal name and would perpetuate cherished traditions close to the hearts not only of many Hawaiians but of a good number of locals and visitors alike. (RoyalHawaiianBand)

The Royal Hawaiian Band was a cornerstone of the monarch and the essence of music of Hawaiʻi’s monarchy and continues the tradition of keeping Hawaiian marches and band arrangements alive by including several of these compositions among its repertoire.  (AssociationOfHawaiianCivicClubs)

During its long history, band leaders included an escaped American slave, a Portuguese, a New Zealander, a Prussian and a German from Weimar.  (SI-edu)

Today, the Royal Hawaiian Band is an agency of the City and County of Honolulu and is the only full-time municipal band in the United States.  The Band is made up of 40 full-time positions and functions as a concert band, a marching band and a glee club ensemble.

The band performs and marches in over 300 concerts and parades each year including: city, state and military functions; schools, community centers, shopping malls, retirement communities, graduations and private events. Weekly public performances are held on Fridays at ʻIolani Palace and Sundays at the Kapiʻolani Park Bandstand.

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Filed Under: General, Economy, Ali'i / Chiefs / Governance Tagged With: Kamehameha III, Kaulana Na Pua, Royal Hawaiian Band, Kapiolani Park, King's Band, Berger, Emma Square, Hawaii, Iolani Palace

February 19, 2025 by Peter T Young Leave a Comment

Go For Broke

On January 28, 1943, the US War Department called for volunteers for a new combat team.  The mainland quota was 3,000 and the Hawaiʻi quota was 1,500.

But wait, we are getting a little ahead of the story.  Let’s look back.

On December 7, 1941, Japan’s attack on Pearl Harbor forced the US into World War II.  On the day of the bombing and for six weeks after, the Nisei (Hawaiʻi born, 2nd generation Japanese in Hawaiʻi) and other cadets in the University of Hawaiʻi’s ROTC were made part of the Hawaiʻi Territorial Guard and assisted in guarding vital facilities on the island of Oahu.  They served as part of the armed forces defense of the islands for a 7-week period.

However, on January 19, 1942, the Army discharged all the Japanese Americans in the ROTC – and changed their draft status to 4C … “enemy alien.”  Wanting to serve, one hundred and seventy students petitioned the military governor: “Hawaiʻi is our home; the United States our country. We know but one loyalty and that is to the Stars and Stripes. We wish to do our part as loyal Americans in every way possible, and we hereby offer ourselves for whatever service you may see fit to use us.”  (hawaii-edu)

A year later, the War Department announced that it was forming an all-Nisei combat team – the call for volunteers for the 442nd Regimental Combat Team was made.  The Territory of Hawaiʻi raised a total of 10,000-volunteers and so its quota was increased to 2,900 while the mainland quota was lowered proportionately to 1,500.  

The 442nd Regimental Combat Team was activated on February 1, 1943 at Camp Shelby Mississippi; the Honolulu Chamber of Commerce held a Farewell Ceremony for Hawaiʻi 442nd soldiers on March 28, 1943, at ʻIolani Palace.  By April 1943, the recruits arrived for training at Camp Shelby, Mississippi.

The Hawaiʻi-born Nisei, also known as “Buddhaheads,” made up about two-thirds of the regiment. The remaining third were Nisei from the mainland (they came from the Pacific coast, the Rocky Mountain states, the midwest and the eastern seaboard.)  Immediately, the two factions fought with each other (because of different perspectives based on where they grew up.)  (goforbroke-org)

At the time, Japanese in the US were placed in internment camps; more than 110,000-people of Japanese ancestry (including 60-percent who were American citizens) were forcibly “relocated” from their homes, businesses and farms in the western states (about 1,000 were interned in Hawaiʻi.)

Back at the training camp, the Buddhaheads thought the mainlander Nisei were sullen and snobby, and not confident and friendly. Soon misunderstandings turned into fistfights.  In fact, that was how mainlanders got the name “Katonk.” (They say it was the sound their heads made when they hit the floor.)

The Katonks were fairer skinned, and spoke perfect English. The Buddhaheads were darker skinned and spoke Pidgin – a mixture of Hawaiian, Japanese, Portuguese, Chinese and broken English.  (goforbroke-org)

Money was another big divider between the groups. The Buddhaheads gambled heavily and spent freely using the cash sent by their generous parents who still worked in Hawaiʻi. They thought the Katonks were cheap. They didn’t realize that the Katonks sent most of their meager Army pay to their families imprisoned in the camps.  (goforbroke-org)

The friction between the two groups was so bad that the military high command considered disbanding the 442nd. They thought the men could never fight overseas as a unit. The Army decided to send a group of Buddhaheads to visit the internment camps in Arkansas (the men thought Camp Jerome and Camp Rowher were little towns with Japanese families.)

But when the trucks rolled past the barbed wire fence, past the guard towers armed with machine guns pointed at the camp residents, past the rough barracks where whole families crowded in small compartments with no privacy – suddenly the Buddhaheads understood. Word of the camps spread quickly, and the Buddhaheads gained a whole new respect for the Katonks. Immediately the men in the 442nd became united – “like a clenched fist.”

From May 1943 through February 1944, the men trained for combat; they excelled at maneuvers and learned to operate as a team. In March, Chief of Staff General George Marshall inspected the regiment. Following their training, on April 22, 1944, the 442d packed up and were bound for Italy.

The motto of the 442nd Regimental Combat Team was “Go For Broke.” (It’s a gambling term that means risking everything on one great effort to win big.)

The soldiers of the 442nd needed to win big … they did.

The 442nd Regimental Combat Team was the most decorated unit for its size and length of service in the entire history of the US Military.

In total, about 14,000-men served.  Members of this unit earned over 18,000-individual decorations including 9,486 Purple Hearts and 5,200 Bronze Stars. The Combat Team earned five Presidential Citations, the only military unit ever to claim that achievement.

General of the Army George C Marshall praised the team saying, “there were superb: the men of the 100/442d … showed rare courage and tremendous fighting spirit … everybody wanted them.” General Mark W. Clark (Fifth Army) said, “these are some the best … fighters in the US Army. If you have more, send them over.”  (army-mil)

President Franklin D. Roosevelt wrote, “a combat team … of loyal American citizens of Japanese descent has my full approval, (and) will add to the … 5,000 … already serving in the … (100th Infantry Battalion, and Military Intelligence Service) … Americanism is not … a matter of race or ancestry. A good American is one who is loyal to this country and to our creed of liberty and democracy.”

The 442d may be best known for its rescue of the Lost Texas Battalion of the 36th Infantry Division, in the forests of the Vosges Mountains in northeastern France, near Biffontaine and Bruyeres on October 30, 1944.

The 442nd and the 141st Texas Regiment were both part of the 36th Division under the command of Major General John Dahlquist. They were fighting in Eastern France, near the German border.  The 141st Texas Regiment advanced four miles beyond friendly forces – the Germans surrounded them.  More than 200 Texans were stranded on a ridge, they were low on food, water and ammo.

Isolated for six days, the Texans had beaten back five enemy assaults. Deaths and casualties mounted.  During the six days, the 442nd fought to rescue the Lost Battalion.  After 34 days of almost non-stop combat – liberating Bruyeres and Biffontaine, rescuing the 211 Texans, and nine more days of driving the Germans through the forest – the 442nd’s total casualties were 216 men dead and more than 856 wounded.

As part of the Allies’ Southern Group of Armies, the 100/442d fought in eight campaigns and made two beachhead assaults in Italy and France, captured a submarine and opened the gates of Dachau concentration camp.

It is ironic that this team liberated Dachau, because some of these Japanese Americans were detained in American camps before being drafted into service, and still had family in those US camps. Nisei were denied their property, freedom to move, live in their own homes, work, and learn in the western US.  (army-mil)

The 442nd Regimental Combat Team included the 522nd Field Artillery Battalion, 232nd Combat Engineer Company, 206th Army Ground Force Band, Antitank Company, Cannon Company, Service Company, medical detachment, headquarters companies, and two infantry battalions. The 1st Infantry Battalion remained on the mainland to train new recruits. The 2nd and 3rd Battalions would join the legendary 100th Battalion, which was already fighting in Italy.

The 442nd Regimental Combat Team was actually composed of two distinct units: the 442nd Regimental Combat Team and the 100th Infantry Battalion.  These two units were formed independently at different times and do not share a common lineage.  The 100th Battalion would eventually become the 442nd’s 1st battalion in June 1944.  (the442-org)

Some quotes about the members of the 442:
“You not only fought the enemy … you fought prejudice and won.” President Harry S Truman

“Never in military history did an army know as much about the enemy prior to actual engagement” General Douglas MacArthur, Supreme Commander, Pacific Theater

“My fellow Americans, we gather here today to right a grave wrong … now let me sign HR 442.” President Ronald Reagan, Civil Liberties Act of 1988

“The Nisei saved countless lives and shortened the war by two years.”  Charles A Willoughby, General MacArthur’s Intelligence Officer

Soldiers wear a wide assortment of insignia, ribbons, medals, badges, tabs and patches.  The distinctive unit insignia for the 442d Infantry Regiment, Organized Reserves Corps (Hawaiʻi) was originally approved on May 22, 1952. It was amended to withdraw “Organized Reserves Corps” from the designation on June 30, 1959.  (Pentagon-mil)

The 442d’s insignia is blue and white, the colors for the Infantry. The taro leaf, from the coat of arms of the 100th Infantry Battalion, is identified with Hawaiʻi, and the Mississippi River steam boat symbolizes the place of activation of the 442d Infantry Regiment (Camp Shelby, Mississippi.)  (Pentagon-mil). (Lots of information here from 442-org, goforbroke-org and army-mil.)

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Filed Under: Military, Prominent People Tagged With: Iolani Palace, 442 Regimental Combat Team, Army, Nisei, Buddahead, Katonk, Camp Shelby, Hawaii, Oahu, Japanese

February 12, 2025 by Peter T Young Leave a Comment

Keliʻiponi

Although Kalākaua had been elected and serving as King since 1874, upon returning from a trip around the world, in 1883, it was determined that Hawaiʻi’s King should also be properly crowned.

“ʻIolani Palace, the new building of that name, had been completed the previous year, and a large pavilion had been erected immediately in front of it for the celebration of the coronation. This was exclusively for the accommodation of the royal family …”

“… but there was adjacent thereto a sort of amphitheatre, capable of holding ten thousand persons, intended for the occupation of the people.” (Liliʻuokalani)

The design of the pavilion and amphitheater was entrusted to Messrs. Buchman and Rupprecht, two artists who had recently arrived in the Islands. The whole thing was considered the “finest specimen of this kind of work that has ever been produced in Honolulu.” (HABS)

“On Monday, 12th February, the imposing ceremony of the Coronation of their Majesties the King and Queen of the Hawaiian Islands took place at ʻIolani Palace.”

“Like a mechanical transformation scene to take place at an appointed minute, so did the sun burst forth as the clock struck twelve, and immediately after their Majesties had been crowned.” (Pacific Commercial Advertiser, February 17, 1883)

“Prince Kawānanakoa presented the Crowns; the President of the Legislative Assembly then took the King’s Crown and raised It up before the people and placed it in the hands of the Chancellor, saying: ‘I present this Crown to the rightful King of these Islands, approved by Acts of the Legislative Assembly in the Legislature of the Kingdom assembled of the years 1880 and 1882.’”

“The Chancellor then placed it in the King’s hands, saying this Crown of pure gold to adorn the high station wherein thou hast been placed. The King then raised up the Crown and placed it upon his head.”

“The Chancellor then took the second Crown and placed it in the King’s hands, who rose and placed it upon the Queen’s head who reverently bowed her head on receiving it, the King saying” ‘I place this Crown upon your head, to share the honors of my throne.’”

“His Majesty wore the white uniform of the Guards, with a white helmet, and plume of white, red, and blue. He wore the Grand Cordon, Star and Collar of the Order of Kamehameha I; the Star of the Imperial Order of the Chrysanthemum of Japan; the Star of the Order Michael and St. George of England; the Star of the Order of Conception of Portugal and the Star of the Order of Hawaiʻi.”

“The sword of State placed in the King’s hands as the ensign of Justice and Mercy, is an exact counterpart of that of England. It has a straight blade, of fine Damascus steel inlaid in gold with the Hawaiian coat of arms surmounted by the crown and bearing the motto of the realm.“

“A Coronation Pavilion (Keliʻiponi) for King Kalākaua had been constructed for the ceremonies; the pavilion was surrounded by a spacious Amphitheatre for the accommodation of the spectators of the ceremony. The outer walls were adorned with the armorial bearings of Spain, Portugal, Belgium, Great Britain, France, Peru, Hawaiʻi, Chile, Japan, China, Norway and Sweden.”

“In addition to the 4,000 people that were comfortably seated within the Amphitheatre and on the platform, there were crowds of spectators extending to the Palace gates on either side, principally Hawaiians.”

On the outside of the octagonal Pavilion, each of the eight uprights supporting the roof are ornamented with shields emblazoned on them, representing Russia, Netherlands, United States, Hawaii, Germany, Austria, Italy and Holland. (Pacific Commercial Advertiser, February 17, 1883)

“The dome of the building … was ornamented on each of the eight sides with colored shields displaying the coats-of-arms of one of each of the eight great nations of the world, America occupying the central position, Great Britain to right of centre, Germany to left of centre, the others on the panelled fronts prepared on the remaining five sides.”

“Flags of the different nations surmounted the shields the whole being surrounded with wreaths and circles of the native leaves.” (Hawaiian Gazette, February 14, 1883)

The Pavilion (approximately 25-feet in diameter) was about 50-feet from the stairway to the Palace and was connected to it by a platform; on the interior, each of the eight sides bore the name of one of the respective Kings of Hawaiʻi, from Kamehameha I to Kalākaua, painted in gold letters. (HABS)

“(O)n the veranda of the palace on the one side were seated the officers of the vessels of war in the port, and on the other persons of rank or position who had not been otherwise assigned to stations.” (Liliʻuokalani)

Following the coronation festivities, “The Pavilion in which His Majesty was crowned has been moved to the west side of the Palace, and now stands as a permanent ornament to the grounds.” (Pacific Commercial Advertiser, April 21, 1883)

Three years later, in November 1886, Kalākaua threw another large celebration in honor of his fiftieth birthday, and the Jubilee activities included the usual lūʻau, hula and a grand ball. The Royal Hawaiian Band played from the pavilion. (HABS)

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Filed Under: Ali'i / Chiefs / Governance, Buildings Tagged With: Kalakaua, Iolani Palace, Bandstand, Coronation Pavilion, Oahu

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Hoʻokuleana LLC

Hoʻokuleana LLC is a Planning and Consulting firm assisting property owners with Land Use Planning efforts, including Environmental Review, Entitlement Process, Permitting, Community Outreach, etc. We are uniquely positioned to assist you in a variety of needs.

Info@Hookuleana.com

Copyright © 2012-2024 Peter T Young, Hoʻokuleana LLC

 

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