Kamehameha Statue | Images of Old Hawaiʻi

June 11, 2018 by Peter T Young Leave a Comment

La Ho‘o-mana‘o O Kamehameha I

Kamehameha Day was first proclaimed by Kamehameha V as a day to honor his grandfather, Kamehameha I, and was first celebrated on December 11, 1871 (Kamehameha V’s birthday.) It later changed to June 11.

“The celebration of Kamehameha Day on June 11 came about in the following way.”

“On December 11, 1871, the birthday of Kamehameha V who was at that time ruling king, a public celebration was held with horse-riding and other sports.”

“It was agreed to make this celebration an annual event, but because of the uncertain weather in December to change the date to June.”

“Kamehameha V died soon after, and the holiday remained as a ‘Day in Commemoration of Kamehameha I,’ (La Ho‘o-mana‘o o Kamehameha I.)” (Kamakau)

So, while linked to Kamehameha V’s birth date, it boils down to having a celebration when the weather is better (6-months from King Kamehameha V’s birthday.) The date does not have any direct connection to Kamehameha I.

The 1896 legislature of the Republic of Hawaiʻi declared it a national holiday.

“Kamehameha Day was generally observed by the people. Elaborate preparations were made for the celebration of the day, with sumptuous feasts and sports, and every effort was brought to bear in order to insure the success of the occasion.”

“It might well be said that, in the language of the poet, its observance was usually attended with:
‘The boast of heraldry, the pomp of power,
And all that beaut’, all that wealth e’er gave.’”

“The celebration itself was characterized by a cheerful spirit and good-fellowshlp. ‘Aloha,’ the watchword that opened every heart and brightened every soul, was greeted on every side, and hospitality, unalloyed and unbounded, was displayed at every door. There was no distinction in race, color or creed.” (John C Lane, Mayor, 1916)

In 1939, Hawaiʻi Revised Statutes under the Territorial Legislature of Hawai‘i created the King Kamehameha Celebration Commission – that law remains in effect, today.

State law notes: §8-5 King Kamehameha celebration commission … “The commission shall have charge of all arrangements for the celebration each year generally observed throughout Hawai‘i Nei on June 11, to commemorate the memory of the great Polynesian Hawaiian warrior and statesman King Kamehameha I, who united the Hawaiian Islands into the Kingdom of Hawai‘i”. In 1978 the legislature renamed this holiday King Kamehameha I Day.

Almost from its first observance this day was celebrated chiefly by horse races in Kapi‘olani Park; but the races eventually gave way to today’s parades of floats and pāʻū riders.

On February 14, 1883, the Kamehameha statue was unveiled at Aliʻiōlani Hale during the coronation ceremonies for King Kalākaua.

The stance of the statue, with spear in left hand and right outstretched with open palm, showed the “successful warrior inviting the people … to accept the peace and order he had secured.”

At the request of the monument committee, statue designer Thomas R Gould modified the features to make the king seem about 45-years old. The intent was a bronze statue of ‘heroic size’ (about eight-and-a-half-feet tall.)

‘Boston Evening Transcript’ of September 28, 1878, noted “It has been thought fitting that Boston, which first sent Christian teachers and ships of commerce to the Islands, should have the honor of furnishing this commemorative monument.”

While Gould was a Bostonian, he was studying in Italy, where he designed the statue; ultimately, the statue was cast in bronze in Paris.

It was shipped on August 21, 1880, by the bark ‘GF Haendel,’ and was expected about mid-December. On February 22, 1881, came word that the Haendel had gone down November 15, 1880, off the Falkland Islands. All the cargo had been lost.

About the time it was lost, King Kalākaua was on a royal tour of the island of Hawai‘i. He made a speech in front of the Kohala Post Office.

There, the King was reminded the Kamehameha Statue was destined for Honolulu, yet Kohala, the birthplace of Kamehameha, was overlooked as a place for his statue. Kohala residents then raised funds and a replica was ordered.

It turns out, however, that the original statue had been recovered and was in fair condition. The right hand was broken off near the wrist, the spear was broken and the feather cape had a hole in it. It was taken to a shed at Aliʻiolani Hale to be repaired.

Meanwhile, on January 31, 1883, the replica ordered by Kohala arrived. On February 14, 1883, the replica statue was unveiled at Aliʻiolani Hale during the coronation ceremonies for King Kalākaua.

As for the original statue (which had been repaired,) it was dedicated on May 8, 1883 (the anniversary of Kamehameha’s death) and is in Kapaʻau, North Kohala outside Kohala’s community/senior center.

There are now four different statues of similar design of Kamehameha:
• The first replica stands prominently in front of Aliʻiolani Hale in Honolulu
• The initial (repaired) casting of the statue is at Kapaʻau, North Kohala
• Another replica is in US Capitol’s visitor center in Washington DC
• Another statue is at the Wailoa River State Recreation Area in Hilo

The customary draping of the Kamehameha Statue with lei dates back to 1901. As far as the parade goes, in 1903, the Territory of Hawaiʻi, Chamber of Commerce and Merchants’ Association created the Hawaiʻi Promotion Committee (forerunner to the Hawaiʻi Visitors and Convention Bureau.) Supported by a legislative appropriation, it was mandated to provide better publicity to encourage tourism to Hawaiʻi.

The early years of the Territorial era saw the creation of a series of public celebrations. Beginning with the Mid-Pacific Carnival in 1904, a series of multiethnic public celebrations and parades were created to attract tourists and showcase Hawaiʻi’s multi-ethnic culture.

The Mid-Pacific Carnival, held in February as a celebration in honor of Washington’s birthday, had spectacular and historic pageants and military parades featured. During the winter season, the Mid-Pacific Carnival was at ʻAʻala Park in downtown Honolulu. Circus acts, sideshows and hula dancers entertained the public.

The carnival had an annual Floral Parade. By the early-1900s, the automobile made its appearance and soon reduced the need and use of horses. Then, a group of women made a society to keep the culture going and Pāʻū clubs were formed.

The Hawaiian Star, February 22, 1906, headlined the “Floral Parade a Great Success.” “It was a great day for Honolulu. The Promotion Committee’s inauguration of what is intended to be an annual event in celebration of Washington’s birthday, could have asked no better day, no greater success …”

“… no more wide spread interest in all classes of the population, no greater enthusiasm among those who participated In the parade, and no more unique, striking, or picturesque a feature to individualize the celebration in Honolulu, and make it separate, and apart from the pageant of other places than the Pa-u riders.”

“The Pa-u riders, of course, were the magnet and center of attraction. This revival of an old custom, picturesque and under the conditions that gave rise to it, strikingly useful, was a happy thought of the Promotion Committee.”

“It appealed to dormant but when aroused, pleasing associations, among the older residents, especially the Hawaiians. It appealed to the love of oddity and the striking costume in the younger generation.” (The Hawaiian Star, February 22, 1906)

In 1916, Mid-Pacific Carnival merged into the Kamehameha Day Parade.

Next time you are at the original or replicas of the Kamehameha Statue, look closely at Kamehameha’s sash; there is an error in the arrangement of the sash. Traditionally, a sash is worn by first draping the sash over the left shoulder to where it falls between the knees.

Then the remaining length is wrapped around the waist and over the front flap of the sash to around the back, fed behind the part over the shoulder, and the remaining hangs down in the back (at knee length.) (San Nicolas) After that, you put the cape on over it all.

“In the statue the cordon passes from the pendent end up behind the portion used as a waist-band, over the left shoulder, outside the cloak, instead of returning down the back to form the belt as it should have done with the end tucked in to tighten the band, it leaves this belt as an independent member and passes down over the cloak to trail on the ground!” (Brigham)

“The final arrangement must be based on esthetic rather than historical grounds. In fact, the decorated end of the sash drags on the ground behind the figure. The other end has had to be supplemented with a fictitious terminal band to be presentable in front.”

“If you look closely, the final arrangement is impossible without two sashes: a long one from malo front over the shoulder and down to the ground, and a short, separate belt.” (Later noted by Charlot.)

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June 10, 2018 by Peter T Young Leave a Comment

Kamehameha Takes A Walk

“The subject of interest which engrossed attention this week, was the question of the location of the second statue of Kamehameha the Conqueror, which we were officially (or rather Royally) informed is designed for Kohala, and very rightly so, as this was his birth-place.”

“At the request of the Governess, who has recently been paying us a visit, a committee was selected to decide upon the site upon which the statue shall be erected upon its arrival.”

“This committee, consisting of twenty-four members, met on the 22d, at the Court-house, in Kapaau, to discuss the question of location. Among the members were the following foreigners: Messrs. Vida, Woods. Chapin, Kenton, Holmes, Atkins, Smith, Sheldon, Ewart, and others who did not put in an appearance.”

“The native members consisted of the Police Magistrate, who acted as chairman, native lawyers, and sugar planters. Various locations were suggested and their claims and advantages warmly advocated.”

“Among others, the respected birth-place of the grand old King, near Kohala Plantation, called Halaula; Hapuu, near Halawa. where he was raised, and his favorite dwelling place, on the bluff near which he stood and marshalled the fleet of war canoes for the expedition which resulted in the final conquest of Maui; and Niulii, at the Eastern end of the District.”

“It was finally decided by an almost unanimous vote, that the statue shall be placed at a point nearly central of the District, on an elevation in the land of Ainakea, near the Government road, and almost equidistant from the Star Mill and that of Kohala Plantation.”

“If placed on a high pedestal it can there be seen front a long distant in every direction.” (Pacific Commercial Advertiser, March 31, 1883)

Initially, “On the grounds of the Ainakea school, near by, is a statue of the first Kamehameha.” (Anglo-American Magazine, September 1901)

Later, attempts were made to relocate the Kohala statue. “Kaniho presented an amendment providing $500 for the removal of the statue of Kamehameha from its present location in Kohala to the Court house yard. He said the statue was now in a neighborhood where nobody lived and the people of Kohala had petitioned for its removal as they had to deck it with wreaths.”

“Lewis opposed the scheme saying the statue was in a school yard where children could see it and would always be reminded who their great chief was.”

“Chillingworth asked if the statue was not on the birth place of Kamehameha, and replied that It was ten
miles distant.”

“Aylett disputed the statement, saying he was present when the statue was unveiled and it was said at that time that this was Kamehameha’s birth place.”

“Keliinoi moved an amendment to move the statue to Lahaina. Pulaa said the statue had already traveled a good deal; when it was on the way out it fell overboard and when recovered the statue was minus an arm.”

“‘If the money appropriated the statue will be on the move again,’ he said. Both Home Rulers and Republicans voted in favor of the removal.”

“‘The birth place of Kamehameha was in Kohala,’ said Pulaa. ‘I was not there, but my grandmother told me so.’”

“Kealawaa said the statue should not be disturbed. ‘It is not right to remove the statue,’ said he, ‘what is placed there should remain. It is just like this building. It should not be moved.’ Kaniho and Oili talked some more but the interpreter did not consider their remarks worth translating.”

“The motion lost 13 to 12.” (Hawaiian Gazette, July 3, 1903)

A year later, the newspaper noted in a page 1 headline, “Kamehameha To Take A Walk.”

“Kamehameha I’s statue in Kohala is going to be moved, not out of the district but to a position where it may be seen by the visitor.”

“By a relocation of the main road, involving a deep cut through a hill, the statue has been left out of sight of the passing way farer.”

“It is proposed therefore to remove it from its old site in front of the schoolhouse to a position in front of the courthouse.”

“As the statue is Territorial property the Board of Supervisors of Hawaii county asked the permission of the Superintendent of Public Works for Its removal. Mr. Holloway has compiled with the request.”

“The Kohala statue is the original. It was sunk at sea near Cape Horn in the vessel bringing it out from Europe.”

“After a replica, from the sculptor’s mould, had been procured to set up in Honolulu the original was fished out of the depths, brought to the islands and set up in Kohala, amidst the scenes of the great monarch’s earlier military exploits.” (Sunday Advertiser, March 24, 1904)

“To Move Statue Of Kamehameha – Relocation Of Main Road In Kohala Bars Attraction From View Of Visitors. The statue of Kamehameha the Great in Kohala is going to be moved to a position where It can be seen by visitors.”

“By a relocation of the main road the statue is cut off from the observance of wayfarers. The Public Works Department has granted the Hawaii Supervisors the right to move the attraction.” (Hawaiian Star, March 25, 1907)

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Original Kamehameha Statue-Kohala-PCA-Nov_27,_1907

Kamehameha_statue_Kohala_1908

The original statue of King Kamehameha I, in Kapaʻau

Kohala – Kapaau-Ainakea-Reg1704-1706.2-Noting-School-Old Road

Kohala – Kapaau-Ainakea-Reg1704-1706.1-Noting-School-Old Road

April 18, 2018 by Peter T Young Leave a Comment

Joe the Statue Worshipper

“Honolulu like other and larger cities, has its street characters. They are, fortunately, but few, which fact renders them perhaps all the more familiar to residents and noticeable to strangers.” (Thrum)

“Jose de Medeiros, 1880(?)-1932, popularly known as ‘Joe the Statue Worshipper,’ kept an almost daily vigil in front of the Honolulu statue for about 35 years. In tattered clothes he would shuffle back and forth in front of the South Iolani Palace gate.”

“Sometimes he would cross the street to stare fixedly at the statue and go through various obeisances.” (Adler)

He “began his strange veneration in 1896, when he was sixteen. Daily he would appear in early morning before the monument.”

“He would shuffle back and forth or stand in apparent rapture staring at the bronze figure. He would depart in late afternoon.” (The Bend Bulletin, August 19, 1932)

“Once a reporter asked him if he liked to see Kamehameha every day, and he answered: ‘He step down some day. Then I see him.’”

“Joe became a familiar sight to townspeople, many of whom gave him gifts of clothes or food or cigars.”

“Former Mayor John H. Wilson remembered seeing him in front of the statue as early as 1896. By 1930 Joe was missing from his usual post, and it turned out he was sick. He died in July, 1932.”

“How account for his strange behavior? As a child of two, Joe came to Honolulu in 1882 with his Portuguese immigrant parents on the Earl of Dalhousie, the same ship that brought the damaged original statue. He may have been influenced by the awed superstition of the immigrants toward it, or by remarks of his parents.” (Adler)

“Old Joe, who truly was one of the extraordinary characters of the Pacific, possessed an endurance record that put in the shade the activities or such persons as marathon dancers, pole sitters, pie-eating champions and the like.”

“He stood voluntary guard before the gilded statue of Kamehameha the Great in the plaza between ‘Iolani Palace and the Judiciary Building, Honolulu for thirty-four years.”

“As to way he stood there day after day, year after year, no one ever found out.”

“That was the mystery of Joe.”

“All that the oldest residents of Honolulu ever knew Joe to say was that ‘Someday he step down – then we talk.’ The ‘he’ was the great bronze Kamehameha effigy of the first of the line of Hawaiian kings, the ‘Napoleon o’ the Pacific’ who united the group in government and whose intellect was said to have been proportionate to his mighty stature of seven feet.”

“Kamehameha reigned about the time the American Colonies were setting their faces against kings in general.”

“The gilt statue of the great king stands today in the middle of Honolulu and is the tribute of this age to a man whose tactful efficiency made a true golden one of his reign a century and a half ago.”

“Hence, the legend rose that perhaps Joe Medeiros. Whose family came from the Azores, was the reincarnation of some far-wandering Portuguese seaman who landed in Hawaii when Kamehameha was king and remained there to live and love as his heart dictated.”

“Some, however, said that the reason poor Joe stood there before the statue was that he in his youth on the Island of Hawai‘i had been kicked on the head by a calf.”

“For some years, Riley H. Allen, Editor of The Honolulu Star-Bulletin, as a test of ingenuity, would send new members of the staff from the mainland to interview old Joe.”

“But with one exception, there was uniform failure.”

“Joe would accept a cigar or maybe a half dollar, regard the donor tolerantly and return to his ‘job.’”

“Old Joe lived with his sister in that section of Honolulu between the palace and the Ala Moana, and, contrary to general opinion, he never married. He was fifty-two years old.” (Noted within Goodrich)

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Joe the Statue Worshipper-Adler

Joe the Statue Worshipper-PP-46-11-016-00001

June 11, 2017 by Peter T Young Leave a Comment

La Ho‘o-mana‘o O Kamehameha I

Kamehameha Day was first celebrated in 1871 by Kamehameha V as a day to honor his grandfather, Kamehameha I (however, it was first celebrated on December 11 of that year.)

Here’s a little background on the celebration (Kepā Maly gave me information from SM Kamakau) and the reasoning why we now celebrate Kamehameha Day on June 11.

“The celebration of Kamehameha Day on June 11 came about in the following way.”

“On December 11, 1871, the birthday of Kamehameha V who was at that time ruling king, a public celebration was held with horse-riding and other sports.”

“It was agreed to make this celebration an annual event, but because of the uncertain weather in December to change the date to June.”

“Kamehameha V died soon after, and the holiday remained as a “Day in Commemoration of Kamehameha I,” (La Ho‘o-mana‘o o Kamehameha I.)”

So, while linked to Kamehameha V’s birth date (December 11,) because the weather is better in the summer, the decision was made to have the Kamehameha I celebration six months from the King Kamehameha V’s birthday (i.e. June 11 – the date has no direct significance to Kamehameha I.)

The 1896 legislature declared it a national holiday.

“The celebration itself was characterized by a cheerful spirit and good-fellowshlp. “Aloha,” the watchword that opened every heart and brightened every soul, was greeted on every side, and hospitality, unalloyed and unbounded, was displayed at every door. There was no distinction in race, color or creed.” (John C Lane, Mayor, 1916)

In 1939, Hawaiʻi Revised Statutes under the Territorial Legislature of Hawai‘i created the King Kamehameha Celebration Commission – that law remains in effect, today.

In 1978 the legislature renamed this holiday King Kamehameha I Day.

Almost from its first observance this day was celebrated chiefly by horse races in Kapi‘olani Park; but the races eventually gave way to today’s parades of floats and pāʻū riders.

On February 14, 1883, the Kamehameha statue was unveiled at Aliʻiōlani Hale during the coronation ceremonies for King Kalākaua.

The stance of the statue, with spear in left hand and right outstretched with open palm, showed the “successful warrior inviting the people … to accept the peace and order he had secured.”

There are now five different statues of Kamehameha:
• The first replica stands prominently in front of Aliʻiolani Hale in Honolulu
• The initial (repaired) casting of the statue is at Kapaʻau, North Kohala
• Another replica is in US Capitol’s visitor center in Washington DC
• Another statue is at the Wailoa River State Recreation Area in Hilo
• A statute, created by Herb Kane, is at the Grand Wailea Resort Hotel & Spa on Maui

The customary draping of the Kamehameha Statue with lei dates back to 1901. The image shows the lei-draped statue of Kamehameha in Honolulu. (wongsto)

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Kamehameha Day-2015-(wongsto)

June 10, 2015 by Peter T Young Leave a Comment

The Hawaiian Club

The Hawaiian Club (sometimes referred to as the Hawaiian Club of Boston) was formed in January, 1866, by a few gentlemen, who having, at different periods during the preceding forty years, resided at the Hawaiian Islands, felt that strong attachment for them which is so general among those who have once lived there.

Its purpose was to promote social intercourse among the friends of Hawaii, resident in or visiting Boston and vicinity, and to advance the interests of the United States at the Hawaiian Islands, and the welfare of the Hawaiian nation, by collecting and diffusing information bearing thereupon, and by all other honorable means. (Articles of Organization)

There were 15-original members, and by 1868 the total had increased to 45. Although the club was in existence for many years, this volume of papers was their first (and only) publication. A note on the reverse of the title page says, ‘Four hundred fifty copies plain, fifty club copies (on) tinted (paper.)’

Their object was partly to revive pleasant associations by occasional meetings to discuss the past and present condition of Hawaii, and partly to advance the prosperity of the country and the interests of the United States and her citizens there.

In furtherance of these objects the Club met once a month, usually in the city of Boston, but occasionally in a more social way at the country residence of some one of its members. It has corresponded with the friends of Hawaii, resident at the Islands.

It has sought, through delegations at Washington, and through newspaper publications and personal interviews of its officers and members with men of influence, to further every measure which would benefit the Islands.

One such was the establishment of steam mail communication between San Francisco and Honolulu, and the negotiation and ratification of a treaty of commercial reciprocity between the United States and Hawaiian Governments.

One interesting issue raised by the Hawaiian Club relates to the Kamehameha Statue – an ‘error’ in how the King is dressed.

“When the Kamehameha had been modeled by Gould, the attention of the Hawaiian Club of Boston … was called to the completed model and it was noticed that the great Moi was represented wearing a sort of apron”.

“(T)he sculptor was informed that this was by no means a correct costume of the time of Kamehameha and would appear ridiculous to the modern Hawaiian.”

It turns out, when the statue was being prepared, King Kalakaua had recently acquired “Malo of Kaumualiʻi” and he selected that to be photographed for the sculptor’s use, providing the model with an ordinary malo at the same time.

William Tufts Brigham – the first director of the Bernice P. Bishop Museum – had written a book on Hawaiian featherwork; he had also been Hawaiian Club president for ten years.

His initial reaction about the “Malo of Kaumualiʻi” was, “how could a band four yards long, made as this is with feathers on both sides be disposed on the wearer? The term malo is certainly misleading”. He suggested it was rather a cordon or sash.

“The ordinary malo is shown on the statue, a proof that the cordon was not used as a malo, an impossible feat. Perhaps no competent critic saw the model after the cordon was added, or it was thought best not to remove the band after the cast was made.”

“As there was no living Hawaiian who had seen such a cordon worn either by Kamehameha or Kaumualiʻi, the absence of criticism may be understood.” (Brigham)

It turns out Brigham found out it was not the sculptor’s fault, but, rather, the photographer who sent the statue maker photos of what was to be designed (Gould simply sculpted what the photographer provided.)

“The ungraceful position of the left hand was changed by the artist but he could not have been expected to be versed in the peculiarities of ancient Hawaiian adornment. In the photograph sent not only was the cordon placed over the cloak but the main ornament, the terminal set with teeth was not visible in front!”

“I can only suppose that King Kalakaua in his apprenticeship to royalty as assistant chamberlain to Kamehameha V, never saw such a cordon adorning his royal master who was greatly averse to personal display as I was convinced by my acquaintance with that monarch, who probably never saw the cordon in question.” (Brigham)

Traditionally, a sash is worn by first draping the sash over the left shoulder to where it falls between the knees. Then the remaining length is wrapped around the waist and over the front flap of the sash to around the back, fed behind the part over the shoulder, and the remaining hangs down in the back (at knee length.) (San Nicolas) After that, you put the cape on over it all.

As attention is drawn to the Kamehameha Statue, with lei draping and anticipation of Kamehameha Day, folks might now all look at the Kamehameha Statue a little closer now. (The painting pattern of the sash on the Kapaʻau Statue illustrates the error best, but it is evident on each.)

Most of the attention has been to the front of the statue; but we have overlooked a little bit of history without looking at the sash as it simply flows from the front over the shoulder (over the cape) to a pile in the back (rather than in the traditional wearing of the sash (wrapped before the cape is worn; under the cape around the waist and looped down.))

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