Images of Old Hawaiʻi

by Peter T Young 1 Comment

Olopua

Athens was named for goddess Athena after she disputed Poseidon’s claim (he plunged his trident into the ground and unleashed a salt water spring to symbolize his power as god of the sea.)   Athena planted an olive tree, saying that it represented peace and prosperity.

Zeus intervened and asked the other gods and goddesses to settle the matter by deciding who had given them the better gift. All of the gods voted for Poseidon and the goddesses for Athena, but as Zeus abstained, the women’s votes outnumbered the men’s by one, and Athena won.

Today, the olive branch continues as a symbol of peace and prosperity.

Hawaiʻi has an endemic olive, the Olopua (it is found only in Hawaiʻi.)  It belongs to the Oleaceae or Olive family which include olives, as well as forsythia, ash, privet, jasmine and pīkake.

The early Hawaiians had a number of uses for the very durable hard wood. Though it was difficult to work with and they fashioned spears (ihe,) digging sticks (ʻōʻō,) adze handles (ʻau koʻi,) daggers for warfare (pāhoa) and rasps for making fish hooks.

The strong wood was also used for posts, rafters and thatching posts or purlins in house (hale) construction. It was a preferred firewood, as it burned with a hot flame even when green.

Olives were also imported to Hawaiʻi – for its leaf tea, fruit and oil.  Don Francisco de Paula Marin (known to the Hawaiian as “Manini”) was a Spaniard who arrived in the Hawaiian Islands in 1793 or 1794 (at about the age of 20.)

Marin was known for his interest in plant collecting and brought in a wide variety of new plants to Hawai‘i.  His gardens were filled with trees, vines and shrubs – including olives.

Another early olive importer was another Kamehameha ally, Captain Alexander Adams (he arrived in Hawaiʻi in 1811;) among other crop plants, he brought olives from California.

Later, attempts were made (and/or encouraged) to expand Hawaiʻi’s agricultural diversity.

“We welcome His Honor Judge Jones back from his trip to Oliva Wainiha, Kauai, whither he went last week to plant olive trees and grape vines on his plantation.”

“We are glad to know that our people are taking a lively interest in the matter of introducing  fruits from abroad, and that a spirit of enterprise has taken hold which, if persevered in, will in due time bring forth good results. Every man should remember that ‘he who causes one more blade of grass to grow is a benefactor,’ and has not lived in vain.”  (Hawaiian Gazette, March 19, 1879)

“We noticed in our last Issue that a number of olive trees in fine condition had been imported by Mr. Bush. We have since learned that they were imported by Mr. Bush for Judge Jones, who has started a new Industry at Wainiha, Kauai.”

“He has a vineyard of 10,000 assorted vines and several hundred olive trees now growing and in a flourishing condition. We understand that be intends to add yearly to the number of his olives and vines, and for that purpose the late importation was made.”  (Pacific Commercial, March 6, 1880)

Then a newspaper article raised an interesting perspective, “In Southern California at the present time there are 2,500,000 olive trees, and the product of these trees is in ever increasing demand. The trees yield to the owner from three to seven dollars each, according to age.”

“The California pickled olive is gaining in favor in the East and is competing strongly with the olives from the Mediterranean seaboard, the fruit from the Pacific Slope being of finer quality. If Southern California can raise olives, undoubtedly the Hawaiian islands can.”  (Hawaiian Star, March 11, 1898)

Some took on the challenge, “Some years ago olives were grown up on this Island and shown to be a practical success. The trees were sturdy although not scientifically grown and bore fruit that an expert from Greece stated to be superior to any grown in Ionia.”

“’The trees were first planted by Judge Jones,’ said John Emmeluth this morning ‘and afterwards came into my hands. The growing of olives seems to be satisfactory and easy enough in these islands but in this instance were not properly looked after in the Initiatory stages of their growth.’”  (Hawaiian Star, December 16, 1901)

“From my observation it takes about twelve years for the trees to bear, a long time for the small farmer to wait for his profits, but It must be remembered that the trees can be cultivated as a subsidiary Issue for the first few years and that they will grow on the rocky uplands that could not be cleared and used for ordinary crops.”

“The greatest trouble we experienced and on which among other causes finally stopped the growing of olives was the destruction of the fruit by the birds, the trees flowered readily and if, as soon as the olive showed in fruitage, I covered the branch with netting and kept off the depredations of the birds, the fruit yield was most satisfactory.”

“I don’t think it was the mynahs that did the damage but rather the small rice birds that roosted in the branches over night and made their breakfasts on my young olives in the morning.  I imagine that they have similar troubles elsewhere and have found means of counteracting the difficulty. I think that there is little doubt but what the olive could he grown here successfully and profitably.” (Hawaiian Star, December 16, 1901)

Reportedly, Eben Parker Low planted olive trees around his hometown of Waimea on the Island of Hawaiʻi around 1895.

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Manago Hotel

“They came to America almost a century ago to marry men they only knew in photographs.”

“The picture bride movement, which allowed men to marry by proxy, became the only way members of the predominantly male Japanese population in the United States could find wives and start families.”

“According to some historians, the majority of Japanese born in the United States can trace their ancestry to a picture bride.”  (LA Times)  Between 1907 and 1923, over 14,000 picture brides arrived in Hawaiʻi from Japan.

One such picture bride became Osame.

As a child, Osame’s father told her, “You are only a farmer’s daughter.  What good does it do you to get more education for working in the fields or for business?  If you can sign your name, that’s enough.”

He allowed Osame to go through fifth grade, but said she would be a subject of laughter if she attempted high school.  (Sandra Wager-Wright)

At the age of seventeen, she left Japan and came to the Islands and married Kinzo Manago – settling in South Kona on the Island of Hawaiʻi.

A few years prior, Kinzo left Japan to go to Canada and learn English.  He and several friends departed for Honolulu, where they expected to board a boat for Canada.  One of the friends gambled away the money and they were stuck in the Islands.

Kinzo discovered that he had a relative on the island of Hawai`i, so he took a steamer to Kona.  Shortly thereafter, Kinzo began working as a cook, which is how he earned enough money for a picture bride.

At first, following a proxy ceremony in 1912, Osame stayed with her husband’s family in Japan until she could book passage on a ship to Honolulu.  The couple went through a second ceremony at a nearby Shinto temple.

The next day, they left for Kona on the cramped interisland steamer.  People, cattle, cargo – all together in the hold.  Many people put mats out on deck.  The boat landed at Kailua, and the couple took a cart up the rocky road to Captain Cook.    (Sandra Wager-Wright)

At first, Kinzo worked full time chopping firewood.  In 1917, he borrowed money from his former boss and purchased a two-room house, a cook stove and supplies.  The couple set aside one room for their own use.  In the other, Osame served homemade bread and jam to taxi drivers traveling from Kona to Hilo.

This marked the beginning of the Manago Hotel.

As they were able, the couple added rooms and a second floor while expanding food service to include full meals and sake.  For those who chose to spend the night, the Managos charged $1.00 to sleep on a tatami mat.

By the end of 1930, the couple had seven children, and the business brought in $20 per day.  (Sandra Wager-Wright)

During World War II, the military contracted Kinzo and Osame to feed the soldiers who, at the time, occupied Konawaena School.

The hotel was turned over to Harold and Nancy Manago, the 2nd generation, in 1942; after the war, Harold purchased the land beneath the hotel to expand in acreage and guest rooms.

Harold and Nancy managed the business for 42 years. Then in 1984, their youngest son Dwight and wife, Cheryl, took over the hotel.

Over the last 30 years, more and more tourists from the mainland and foreign countries have discovered Manago Hotel. When asked about the diverse clientele, Dwight said “At the same time, we’re lucky the same local working people keep coming. It’s a good mix, where we don’t just cater to one or the other.” (Manago Hotel)

The hotel has a low-key style that makes it a favorite with Island residents. They come for the simple but spotless rooms and rock-bottom prices. Old-timers will recall stopping by the original hotel and dusting off coffee-farm dirt. They’d wash their hands at the porcelain basin outside, before going in to eat.  (Manago Hotel)

Kinzo and Osame never dreamed that the original hotel with two cots plus futons would turn into 64 full rooms, and a new three-story wing overlooking Kealakekua Bay and the City of Refuge.

Manago Hotel has 42 rooms with private bathrooms, and 22 rooms with shared bathrooms. Rooms may be reserved for daily, weekly or monthly rates.

The Restaurant located within the hotel offers local and American foods at reasonable prices. The dining room setting is typical of old Hawaiʻi – family style.  One item of personal interest, Manago pork chops – ‘nuff said. (Lots of Information here from Manago Hotel and Sandra Wager-Wright.)

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Ka Paepae Kapu a Līloa

Nowhere on the island of Hawaiʻi do the palms grow taller than in the valleys of Waipiʻo, and nowhere is the foliage greener, for every month in the year they are refreshed with rains, and almost hourly cooled in the shadows of passing clouds.  (Kalākaua)

Waipi‘o (“curved water”) is one of several coastal valleys on the north part of the Hāmākua side of the Island of Hawaiʻi. A black sand beach, three-quarters of a mile long, fronts the valley, the longest on the Big Island.

For two hundred years or more, Waipiʻo Valley was the Royal Center to many of the rulers on the Island of Hawaiʻi, including Pili lineage rulers – the ancestors of Kamehameha – and continued to play an important role as one of many royal residences until the era of Kamehameha.  (UH DURP)

Royal Centers were where the aliʻi resided; aliʻi often moved between several residences throughout the year. The Royal Centers were selected for their abundance of resources and recreation opportunities, with good surfing and canoe-landing sites being favored.

The Hawaiian court was mobile within the districts or kingdom the aliʻi controlled. A paramount’s attendants might consist of as many as 700 to 1000-followers made of kahuna and political advisors (including geologists, architects, seers, messengers, executioner, etc.); servants which included craftsmen, guards, stewards; relatives and numerous hangers-on (friends, lovers, etc.).

Although thinly populated now, Waipiʻo was for many generations in the past a place of great political and social importance, and the tabus of its great temple were the most sacred in all Hawaiʻi. It was the residence of the kings of that island, and was the scene of royal pageants, priestly power and knightly adventure, as well as of many sanguinary battles.  (Kalākaua)

Waipiʻo valley was first occupied as a royal residence by Kahaimoelea, near the middle or close of the thirteenth century, and so continued until after the death of Līloa, about the end of the fifteenth century.  (Kalākaua)

Līloa, the son of Kiha and father of ʻUmi, had become the peaceful sovereign of Hawaiʻi; Kahakuma, the ancestor of some of the most distinguished families of the islands, held gentle and intelligent sway in Kauai; Kawao still ruled in Maui, and Piliwale in Oʻahu.  (Kalākaua)

The reign of Kiha was long and peaceful. He was endowed not only with marked abilities as a ruler, but with unusual physical strength and skill in the use of arms. In addition to these natural advantages and accomplishments, which gave him the respect and fear of his subjects.  (Kalākaua)

The reign of his son Līloa was as peaceful as that of Kiha, his distinguished father (Līloa ruled about the same time that Columbus crossed the Atlantic.) He did not lack ability, either as a civil or military leader.

Līloa’s wife, Pinea, was the younger sister of his mother from a line of chiefs on O‘ahu. They had a son, Hākau. From another wife, Haua, a Maui chiefess, he had a daughter, Kapukini. Both of these marriages established ties between high-ranking families outside the Kingdom of Hawai‘i Island.  (MalamaWaipio)

Līloa was much given to touring through the districts of his kingdom, by which means he acquainted himself with the needs of his people and was able to repress the arbitrary encroachments of the chiefs on the rights of the land-holders under their authority. In this way he gained popularity with the common people.  (Malo)

The story of another of Līloa’s sons, ʻUmi, suggests that while Līloa was on a journey across Hāmākua he met a beautiful woman, Akahiakuleana (Akahi.) They spend the night together and conceive a child. Līloa told Akahi that if she has a son, to name him ʻUmi.

Līloa left his malo (loincloth), his niho-palaoa (whale-tooth necklace) and laʻau palau (club) to be given to the child as proof of ancestry.  ʻUmi later united with Līloa and ultimately ruled the Island of Hawaiʻi (he moved the Royal Center from Waipiʻo to Kailua (Kona.))

At Waipiʻo, Pakaʻalana was the name of Līloa’s heiau. It is not known by whom the Pakaʻalana heiau was built, but it existed before Kiha’s time and so did the sacred pavement leading to the enclosure where the chief’s Royal Center – called Haunokamaahala – stood, though its name has come down to our days as Paepae-a-Liloa.  (Fornander)

“It was a large enclosure, less extensive, however, than that at Honaunau….In the midst of the enclosure, under a wide-spreading pandanus, was a small house, called Ke Hale o Riroa (The House of Līloa), from the circumstance of its containing the bones of a king of that name…..”

“We tried, but could not gain admittance to the pahu tabu, or sacred enclosure. We also endeavored to obtain a sight of the bones of Riroa, but the man who had charge of the house told us we must offer a hog before we could be admitted”.  (Ellis 1826)

Līloa carried a long stone on his shoulder and placed it at the side door of his house. He called this stone “The Sacred Slab of Līloa,” (Ka paepae kapu o Līloa). No one, not even a chief was allowed to stand or walk on this stone. Only two people were allowed to step on “The Sacred Slab of Līloa:” Līloa, the ruler, and Chief Laea-nui-kau-manamana. (Williams)

“The expression ‘Ka Paepae Kapu a Liloa’ as at present used, whether in speaking or writing, refers to the reigning sovereign as to the sacredness of trust imposed upon and reposed to him, and as to the dignity and honour of the position where no intruders are supposed to trespass.  It also refers to the pavement and the way that leads up to royalty, and as to the footstool of sovereignty and power.”  (Bacchilega)

Although the glory of the old capital departed with its abandonment as the royal residence, the tabus of its great temple of Pakaʻalana continued to command supreme respect until as late as 1791, when the heiau was destroyed, with all its sacred symbols and royal associations, by the confederated forces of Maui and Kauai in their war with Kamehameha I.  (Kalakaua)

“There are many references to this famous place (Pakaʻalana) … the tabus of its (Waipi‘o) great heiau were the most sacred on Hawaiʻi, and remained so until the destruction of the heiau and the spoliation of all the royal associations in the valley of Waipi‘o by Kāʻeokūlani, king of Kauai, and confederate of Kahekili, king of Maui, in the war upon Kamehameha I, in 1791 …” (Stokes)

King Kalākaua moved the slab (Ka Paepae Kapu a Liloa) to Honolulu.  It sits silently and often unnoticed, outside the Archives Building on the grounds of ʻIolani Palace.  The stone holds the historical and cultural significance of a Royal Center in Waipiʻo associated with Līloa; he was “sacred in the eyes of his people for his many good qualities.”  (Bacchilega)

An ancient chant, later put to music, notes: Aia i Waipiʻo Pākaʻalana e; Paepae kapu ʻia o Līloa e (There at Waipiʻo is Pākaʻalana; And the sacred platform of Līloa.)

The March 10, 1899 issue of the Hawaiian Gazette noted that Līloa (1500s,) Lonoikamakahiki (late-1500s) and Alapaʻi (1700s) are among the reburied at Mauna ʻAla.

It is believed that the corner stones used in the construction of Mokuaikaua Church (1837) and Hulihee Palace (1838) were Līloa and ʻUmi stones.

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“Love Always For Hawaiʻi”

When the Hawaiian Music Hall of Fame honored ‘Hawaiʻi Aloha’ as one of five traditional songs as a ‘Famous Song’ (1998,) they noted,

“For more than 100 years, love of the land and its natural beauty has been the poetry Hawaiian composers have used to speak of love. Hawaiian songs also speak to people’s passion for their homeland and their beliefs.”

The Hawaiian Music Hall of Fame further noted, Hawaiʻi Aloha is “widely regarded as Hawaiʻi’s second anthem”.  (Hawaiian Music Museum)

“It is performed at important government and social functions to bring people together in unity, and at the closing of Hawaiʻi Legislative sessions. Today, people automatically stand when this song is played extolling the virtues of ‘beloved Hawaiʻi.’”

Hawaiʻi Aloha was written by a Protestant missionary, Lorenzo Lyons.

“In 1998, The Advisory Board honored these traditional songs for their beauty and their messages, which have made them popular, with concert performers and recording artists, as well as the public.”

Hawaiʻi Aloha has three verses, but most typically sing the first verse and repeat portions of the chorus:

E Hawaiʻi e kuʻu one hānau e
Kuʻu home kulaiwi nei
ʻOli nō au i nā pono lani ou
E Hawaiʻi, aloha ē

Hui:
E hauʻoli nā ʻōpio o Hawai`i nei
ʻOli ē! ʻOli ē!
Mai nā aheahe makani e pā mai nei
Mau ke aloha, no Hawaiʻi

Reverend Lorenzo Lyons was fluent in the Hawaiian language and composed many poems and hymns; his best known and beloved work is the hymn “Hawaiʻi Aloha” sung to the tune of “I Left It All With Jesus.”  He wrote it in about 1852.

Here’s the English translation:

O Hawaiʻi, o sands of my birth
My native home
I rejoice in the blessings of heaven
O Hawaiʻi, aloha

Chorus:
Happy youth of Hawai`i
Rejoice! Rejoice!
Gentle breezes blow
Love always for Hawaiʻi

Click HERE for a link to Hawaiʻi Aloha – sung by Ledward Kaʻapana, Dennis Kamakahi & Nathan Aweau – written by a missionary.

Collaboration between native Hawaiians and the American Protestant missionaries resulted in, among other things, the introduction of Christianity, the creation of the Hawaiian written language, widespread literacy, the promulgation of the concept of constitutional government, making Western medicine available and the evolution of a new and distinctive musical tradition.

Oli and mele were already a part of the Hawaiian tradition. “As the Hawaiian songs were unwritten, and adapted to chanting rather than metrical music, a line was measured by the breath; their hopuna, answering to our line, was as many words as could be easily cantilated at one breath.” (Bingham)

Some songs were translations of Western songs into Hawaiian; some were original verse and melody.  Hawaiʻi Aloha is an example of the music left as a lasting legacy by the missionaries in the Islands.

Missionaries used songs as a part of the celebration, as well as learning process. “At this period, the same style of sermons, prayers, songs, interrogations, and exhortations, which proves effectual in promoting revivals of religion, conversion, or growth in grace among a plain people in the United States, was undoubtedly adapted to be useful at the Sandwich Islands. … some of the people who sat in darkness were beginning to turn their eyes to the light”. (Bingham)

“The king (Kamehameha III) being desirous to use his good voice in singing, we sang together at my house, not war songs, but sacred songs of praise to the God of peace.” (Bingham)

Hawaiʻi Aloha was not the only popular song written by the missionaries.

One of the unique verses (sung to an old melody) was Hoʻonani Hole ‐ Hoʻonani I Ka Makua Mau.  Missionary Hiram Bingham wrote/translated it to Hawaiian and people sang it to a melody that dates back to the 1600s – today, it is known as the Hawaiian Doxology.

“In 1872, (Lyons) published Buke Himeni Hawaiʻi containing over 600 hymns, two thirds his own composition. Some years later he prepared the Sabbath School Hymn and Tune Book Lei Aliʻi.””

“The Hawaiians owe entirely to his exertions their introduction to modern enlivening styles of popular sacred music.”  (Hawaiian Gazette, October 19, 1886)  The image shows the lyrics in Hawaiian and English

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Wahaʻula Heiau

No keia heiau oia ke kapu enaena.
(Concerning this heiau is the burning tabu.)

‘Enaena’ means ‘burning with a red hot rage.’ The heiau was so thoroughly ‘tabu,’ or ‘kapu,’ that the smoke of its fires falling upon any of the people or even upon any one of the chiefs was sufficient cause for punishment by death, with the body as a sacrifice to the gods of the temple.  (Westervelt)

Oral traditions trace the origin of Hawaiian luakini temple construction to the high priest Pā’ao, who arrived in the islands in about the thirteenth century. He introduced several changes to Hawaiian religious practices that affected temple construction, priestly ritual, and worship practices.

Prior to his coming, the prayers, sacrifices, and other ceremonial activities that the high chief and his officiating priest performed could be observed by the congregation, who periodically responded as part of the ceremony.

After Pā’ao’s arrival, temple courtyards, which were sometimes built on hillsides to add to their massiveness, were enclosed with high stone walls, preventing the masses from participating as freely in the worship ceremonies.

In addition, new gods; stronger kapu; an independent, hereditary priesthood; wooden temple images; and human sacrifices became established parts of the religious structure. Pā’ao erected the first luakini (Wahaula) at Puna, Hawaiʻi, followed by Moʻokini Heiau at Kohala. These structures signaled a new era in Hawaiian religious practices.  (NPS)

On the southeast coast of Hawaiʻi near Kalapana is one of the largest, oldest and best preserved heiau. Its walls are several feet thick and in places ten to twelve feet high. It is divided into rooms or pens, in one of which still lies the huge sacrificial stone upon which victims – sometimes human – were slain before the bodies were placed as offerings.  (Westervelt, 1915)

“At our visit to the scene we were shown the small cove, deep down the jagged bluffs of Puna’s coast line, at the southern end of Wahaʻula premises, where the bones of the slain were washed, and to this day is known as Holoinaiwi.”  (Thrum, 1904)

This heiau is now called Wahaʻula (red-mouth). In ancient times it was known as Ahaʻula (the red assembly), possibly denoting that at times the priests and their attendants wore red mantles in their processions or during some part of their sacred ceremonies.  (Westervelt)

“The Heiau of Wahaʻula is built on an ʻaʻa flow, and the ascent to it is by terraces. Upon the first terrace the female members of the royal family brought their offerings which were taken by the priests. Beyond this first terrace no female was allowed to pass.”

“Two more terraces brings one to the enclosure or temple, in the shape of a quadrangle 132 feet long, by 72 feet wide. A stone wall encloses the temple, 6 feet high and 4 feet wide. The main entrance faces the East, flanked on either side by two smaller entrances. Immediately in front of this entrance stand the remains of the old temple, which was destroyed by the ʻaʻa flow on which the present one stands.”

“Across the southern end extends a stone platform some 3 feet high built in the shape of two semi-circles connected by a straight platform. Between these semi-circles was placed the presiding deity, and on either hand were placed the offerings of fruits, etc., while immediately in front, on a small raised platform were placed the human sacrifices, which were always slain in the main entrance to the heiau.”

“Immediately in front of this altar for human sacrifices, and extending across the enclosure, stood the priests’ house. sacred to them alone. In the rear of this was the royal house, where the members of the royal family assembled during the days devoted to the sacrifices. The rest of the enclosure was paved.”  (Thrum)

“Water-worn pebbles were carried from the beach and strewn over the floor, making a smooth place for the naked feet of the temple dwellers to pass without injury from the sharp-edged lava. Rude grass huts built on terraces were the abodes of the priests and high chiefs who visited the places of sacrifice.”

“Elevated, flat-topped piles of stones were built at one end of the temple for the chief idols and the sacrifices placed before them. Simplicity of detail marked every step of temple erection.”  (Westervelt)

“(I)in the original enclosure of the heiau of Wahaʻula was a sacred grove, said to contain one or more specimens of every tree growing on the Hawaiian group, a number of which, or their descendants, had survived when he visited the place in 1869. … It was built in the quadrangular or parallelogram form which characterized all the heiaus built under and after the religious regime introduced by Pāʻao.”  (Fornander)

Beyond the heiau, on the makai side of the trail, is pointed out the footprint of Niheu, a demi-god, as well as the mark of an arrow which he shot at another demi-god who came to fight him. Further west, makai of the place where the trail turns mauka, is Kamoamoa, where the ranch driving pens are.

Here are two wells with fair water, and also a fine natural arch by the sea. Here are also a few interesting rock carvings. The most easily found of these is about a hundred yards from the paddock extension towards Kalapana, and may be located by following the line of this extension’s makai wall in an easterly direction.

The trail is straight, with a bad grade, but paved, until it has reached well up the bluff, where it passes the Pea house, the last habitation before the Crater Hotel is reached. From Pea’s it is a good eight miles to the Makaopuhi crater. The trail is narrow, passes through splendid forest, and is, though seldom used, quite easily followed.  (Kinney, 1913)

“Tradition credits a rebuilding of the temple to Imaikalani, a famous chief of Puna, and Kaʻū, in the time of Keawenui-a-umi, in the sixteenth century. It was repaired again in the time of Kalaniʻōpuʻu, about 1770, and in the time of Kamehameha I, it had its final renovation.”  (Thrum)

“This was the last heiau destroyed when the ancient tabus and ceremonial rites were overthrown by the chiefs just before the coming of Christian missionaries. At that time the grass houses of the priests were burned and in these raging flames were thrown the wooden idols back of the altars and the bamboo huts of the soothsayers and the rude images on the walls, with everything combustible which belonged to the ancient order of worship. Only the walls and rough stone floors were left in the temple.  (Westervelt)

Kīlauea’s ongoing Puʻu ʻŌʻō eruption started on January 3, 1983 when ground fissures opened up and “curtains of fire” (long thin fountains of molten lava) issued from a 3½-miles long discontinuous fissure system in the remote rainforest of the middle east rift zone of the volcano.

Since then, about 500-acres have been added to the Big Island (that volume of lava could have filled 1.5-million swimming pools. The coastal highway has been closed since 1987, as lava flows covered 8 miles to as great a depth as 80 feet. 214-homes were destroyed.

“The apprehensions uniformly entertained by the natives, of the fearful consequences of Pele’s anger, prevented their paying very frequent visits to the vicinity of her abode; and when, on their inland journeys, they had occasion to approach Kirauea, they were scrupulously attentive to every injunction of her priests, and regarded with a degree of superstitious veneration and awe the appalling spectacle which the crater and its appendages presented.”

“The violations of her sacred abode, and the insults to her power, of which we had been guilty, appeared to them, and to the natives in general, acts of temerity and sacrilege; and, notwithstanding the fact of our being foreigners, we were subsequently threatened with the vengeance of the volcanic deity, under the following circumstances.”  (Ellis, 1831)

The Wahaʻula Heiau was threatened three times in 1989 and once in 1990, but the lava flowed only up to the walls before diverting around them, but destroyed the visitor center and related facilities (built by the National Park Service in 1964, was destroyed by lava in June 1989.)  However, a subsequent 1997 flow breached the walls and covered the heiau. (star-bulletin)

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