Images of Old Hawaiʻi

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Hawaiʻi National Anthem

The history of Hawaiʻi’s National Anthems generally starts in 1861. Before then, the kingdom of Hawaiʻi did not have its own anthem, but used the British royal anthem “God Save the King”.

E Ola ka Mō‘ī i ke Akua (“God Save the King”) (Lunalilo)

The Hawaiian language newspaper, Ka Nūpepa Kū‘oko‘a, wishing to promote a Hawaiian national song sponsored an anthem writing contest in 1861. The rules specified four stanzas in the Hawaiian language, but still set to the tune of God Save the King.

Fifteen anonymous entries were submitted. In January of 1862, the judges chose an entry titled “E Ola ka Mō‘ī i ke Akua” as the winner. The composer was Prince William Lunalilo, age 27; his prize was $10.00.

His song was a faithful translation of “God Save The King” into Hawaiian, yet it fits the music of the British tune. Lunalilo’s new song was sung first on the birthday of Kamehameha IV.

E Ola ka Mō‘ī i ke Akua
http://www.youtube.com/watch?v=xqRB83I3X24

He Mele Lahui Hawaiʻi (“The Song of the Hawaiian Nation”) (Liliʻuokalani)

King Kamehameha V wanted to replace the translated British anthem by a song with a truly Hawaiian background. At the request of King Kamehameha V, the new song “He Mele Lāhui Hawaiʻi” (“The Song of the Hawaiian Nation”) was composed in 1868 by Mrs. John Dominis (later known as Queen Liliʻuokalani.)

Liliʻuokalani’s memoir, Hawaiʻi’s Story by Hawaiʻi’s Queen, stated: “In the early years of the reign of Kamehameha V, he brought to my notice the fact that the Hawaiian people had no national air. Each nation, he said, but ours had its statement of patriotism and love of country in its own music; but we were using for that purpose on state occasions the time-honored British anthem, ‘God save the Queen.'” (Liliʻuokalani)

“This he desired me to supplant by one of my own composition. In one week’s time I notified the king that I had completed my task. The Princess Victoria had been the leader of the choir of the Kawaiahaʻo church; but upon her death, May 29, 1866 I assumed the leadership. It was in this building and by that choir that I first introduced the ‘Hawaiian National Anthem.’” (Liliʻuokalani)

“The king was present for the purpose of criticising my new composition of both words and music, and was liberal in his commendations to me on my success. He admired not only the beauty of the music, but spoke enthusiastically of the appropriate words, so well adapted to the air and to the purpose for which they were written.” (Liliʻuokalani)

The lyrics of this song praise the Hawaiian Islands. It asks the lord for blessing for the land, its people, chiefs and king. Liliʻuokalani was then the leader of the Kawaiahaʻo church choir, which introduced the new anthem in a public service.

He Mele Lahui Hawaiʻi
http://www.youtube.com/watch?v=oIDoJUpa7cE

Hawaiʻi Ponoʻī (“Hawaiʻi’s own”) (Kalākaua)

King David Kalākaua (brother of Liliʻuokalani) wrote the words to “Hymn to Kamehameha I” (Hawaiʻi Ponoʻī) in 1874 and the music was composed by Captain Henri Berger, then the king’s royal bandmaster.

Hawaiʻi Ponoʻī was one of the national anthems of the Republic of Hawaiʻi and the Kingdom of Hawaiʻi, having replaced Liliʻuokalani’s composition He Mele Lahui Hawaiʻi.

Hawaiʻi Ponoʻī was the adopted song of the Territory of Hawaiʻi; and later became the State song for the State of Hawaiʻi, by an act of the Hawaiʻi State Legislature in 1967:

“HRS-§5-10 State song. The song “Hawai‘i Pono‘i” is adopted, established, and designated as the official song of the State, to be effective for as long as the legislature of the State does not otherwise provide.”

Hawaiʻi Ponoʻī
http://www.youtube.com/watch?v=ymLBxhHteh4

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Germans

The first Oktoberfest, held from October 12–October 17, 1810 in Munich, was to celebrate the occasion of the wedding of Prince Ludwig I of Bavaria and Princess Therese of Sachsen-Hildburghausen.

Because of its success, it was repeated annually, later also with an agricultural fair, dance, music and amusement rides. The Germans call it “die Wiesn.”

Largely due to coincidence, the festival now generally starts in September and ends on or near October 3. Since the reunification of Germany on October 3, 1990, the day has been recognized as the Day of German Unity and is a German public holiday.

While I suspect Germans and others in Hawaiʻi celebrated the annual beer-based parties in the past, I have not yet found references to them (I am still looking.)

However, I’ll use this occasion (between my sips of lager) to relate some history of Germans in Hawaiʻi.

Three Germans were among the sailors and crew aboard Captain James Cook first visit to the islands in 1778. Johann Heinrich Zimmermann sailed on HMS Discovery and subsequently wrote an account of the voyage (his journals were published 3-years before Cook’s.)

A few years later, on a voyage to China in October 1796, Captain Henry Barber, from Bremen, Germany, sailing the English ship, Arthur, ran aground at Kalaeloa on Oʻahu. Captain Barber and his crew of 22 men took to the life boats. Six drowned.

Today, we refer to the location of where the survivors landed as “Barber’s Point,” however, the traditional name, Kalaeloa, is coming back into more common use.

In 1815, German scholar, Adelbert von Chamisso, was aboard the Russian brig Rurik, which Captain Otto von Kotzebue sailed to Hawaiʻi. He was one of the first western scholars interested in the Hawaiian language, and reportedly wrote one of the first Hawaiian grammar books.

In a summary of his visit to the Islands, Chamisso noted, “’Arocha’ (Aloha) is the friendly greeting with which each man salutes the other and which is answered by a like expression. Upon each occasion that one is greeted with ‘Arocha’ one answers ‘Arocha’ and goes ones way without turning around.”

Around this same time, a notorious German, Georg Anton Schäffer, representing the Russian-American Company of Alaska, arrived in Hawaiʻi to recover the cargo of a Russian trading ship wrecked at Waimea, Kauaʻi.

After first attempting to build a fort in Honolulu, he sailed to Kaua‘i and gained the confidence of King Kaumuali‘i. Kaumuali‘i also used the engineering skills of Schäffer to lay out a plan for a fort (commonly referred to as Fort Elizabeth) which Kaumualiʻi had constructed next to his own residence.

The Russian flag was raised over his fort. Hearing this, Kamehameha sent Captain Alexander Adams, a Scotsman who served in the navy of the Kingdom of Hawai‘i to gain control of the fort. Schäffer was forced to leave Hawaii and Adams raised the Kingdom of Hawai‘i flag over the fort in October 1817.

German-born Paul Isenberg came to Kauaʻi in the 1850s to work at Līhuʻe Plantation on Kauaʻi. He married Hannah Maria Rice, daughter of missionary-turned sugar-plantation owner William Harrison Rice.

Isenberg became manager of Līhuʻe Plantation in 1862. Along with his brothers, Isenberg played a prominent role in developing sugar plantations on Kauaʻi’s west side.

In 1881, Isenberg became a business partner with earlier German merchant Heinrich Hackfeld. Through his business H. Hackfeld & Company, Hackfeld is one of the most prominent, and prosperous, Germans to Hawaiʻi.

His company would become American Factors, shortened to Amfac, one of Hawaiʻi’s “Big 5” companies (with interests in sugar plantations, shipping and other entities.) This included the Liberty House department store, originally called “B. F. Ehlers”, after Hackfeld’s nephew.

World War I proved catastrophic for the Germans in Hawai’i who with the entry of the United States into the war had become enemy aliens overnight; the Isenbergs and Hackfields lost control of their company during World War I.

Dr. William Hillebrand, a German researcher, played an important role in public health. He was the founding physician of Queen’s Hospital in Honolulu during the 1860s. Hillebrand was an avid collector of plants; his property eventually became Foster Botanical Garden.

Claus Spreckels (1828–1908) was perhaps the most successful German-American immigrant entrepreneur of the late-nineteenth century; he was one of the ten richest Americans of his time.

The first industry in which Spreckels succeeded was quite typical for German immigrants: beer brewing. Though profitable, he sold his beer operation in 1863 and switched to a new field that would make him rich: sugar.

Spreckels founded the Hawaiian Commercial Company, which quickly became the largest and best-equipped sugar plantation in the islands. The career of the “sugar king” of California, Hawaiʻi and the American West consisted of building and breaking monopolies in sugar, transport, gas, electricity, real estate, newspapers, banks and breweries.

In more cultural contributions, Captain Henri Berger of Berlin is well remembered in for his decades of conducting the Royal Hawaiian Band.

He was called “The Father of Hawaiian Music” by Queen Liliʻuokalani. Among others, he wrote music to lyrics by King Kalākaua for the state anthem “Hawaiʻi Ponoʻi.”

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Gates, installed in Walker Park, for Fort Street grey stone H Hackfield Co from 1902 until 1970 (later known as American Factors, Ltd.
Chamisso_Adelbert_von_1781-1838
Zimmerman_Journals_on_Captain_Cook_Voyage-1781
American Factors Building-Corner of Fort and Queen
Georg_Anton_Schäffer
Russian_Fort_Elizabeth-Fort_Survey-Map-Reg-1360 (1885)
Barbers-Point-Lighthouse
Honolulu-Barbers_Point_to_Diamond_Head-Malden-Reg437-431 (1825)
Claus_Spreckels
Royal Hawaiian Band on the steps of Iolani Palace with Henry Berger, 1916
Paul_Isenberg_(1837-1903)
Paul Isenberg Monument-Lihue
The original Queen’s Hospital, shortly after being built, was sparsely surrounded in 1860
William Hillebrand (1821–1886) was a German physician.

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Royal Hawaiian Band

The “King’s Band” had its beginning in 1836, it continues today; founded by King Kamehameha III, it became a staple of daily life by performing for state occasions, funerals and marching in parades

The band accompanied reigning monarchs on frequent trips to the neighbor islands and brought their music to remote destinations of the kingdom such as Kalaupapa on the island of Molokaʻi.

In 1848, Band members signed contracts to serve, noting they “agree to serve under the orders of William Merseburgh, the captain appointed by His Majesty … (and) to meet from time to time for the purpose of practicing and improvement in instrumental music. We agree to play for the king and for the other officers of the government whenever called on by our captain for such reasonable compensation as he shall award, not less than one dollar nor more than three dollars per man for any time not to exceed one day.”  (Hawaiian Star, September 22, 1906)

In the 1880s, the Royal Hawaiian Band played concerts twice a week in Queen Emma Square.  “One of our pleasant diversions was to go to and hear Captain Berger’s band play at Emma Square every Saturday afternoon.  … we all went and sat in the carriage just outside the park.  There was usually a crowd there, as it was very popular.”  (Sutherland Journal)

When the Provisional Government under Sanford B Dole in the wake of the Overthrow demanded a loyalty oath of all employees, the musicians of the Royal Hawaiian Band, renamed Government Band, refused to do so, an act of courage celebrated in Ellen Prendergast’s “Mele ‘ai  pohaku” (The Stone Eating Song,) also known as “Kaulana nā pua” (“Famous are the Flowers (Children.”)  (RoyalHawaiianBand)

Click HERE for Kaulana Nā Pua (Cyrus Green:)

The bandmembers then organized into the “Pana Lāhui Hawaiʻi”, “The Hawaiian National Band”, which under the leadership of José Liborno went to the United States to drum up support for the Queen and for Hawaiʻi’s continuing independence. (RoyalHawaiianBand)

One notable bandmaster was Heinrich (Henri or Henry) Berger.  He came from Prussia at the request of Kamehameha V, who asked Emperor Wilhelm I to send a conductor.  On June 3, 1872, Berger arrived in Honolulu on board the steamer “Mohongo” and one week later conducted his first public concerts.

It took him just two months to receive this accolade from the “Pacific Commercial Advertiser”: “The Band, under the able direction of Mr. Berger, has resumed the practice initiated two years ago by the band of the Austrian frigate Donau… The neighborhood of Emma Square looked quite lively for an hour or so on Thursday afternoon where lots of people in carriages and on foot had assembled to hear the really fine sounds of the ‘Hawaiian Military Band.’ As was remarked by one of the Honolulu delegation in the Assembly when the appropriation for the support of the military was under discussion: ‘The band is by far the best part of the army.’”  (Atlantic Times)

After four years, Berger returned to Germany, had himself released from his duties in the Prussian military and then came back to Hawaiʻi for good. He gave 32,000 concerts, composed 250 Hawaiian songs, some of which are still being sung around the world, and 1,000 other tunes.

He wrote down indigenous hymns that had until then only been passed on orally. And on Sundays, taking turns with his friend, Queen Liliʻuokalani; he played the organ in Kawaiahaʻo Church. Lili’uokalani was a formidable composer in her own right. Her song, “Aloha ‘Oe” (Farewell to Thee), became world-famous. Berger had arranged it for her.

During the Second Wilcox Rebellion of 1895, Berger had to find new, mostly non-Hawaiian musicians.  He was commanded by the now Republic of Hawaiʻi to give concerts in order to soothe the agitated mood of the citizenry.

As the twentieth century rolled around, things began to normalize, at least on the surface. The Band regained its former royal name and would perpetuate cherished traditions close to the hearts not only of many Hawaiians but of a good number of locals and visitors alike. (RoyalHawaiianBand)

The Royal Hawaiian Band was a cornerstone of the monarch and the essence of music of Hawaiʻi’s monarchy and continues the tradition of keeping Hawaiian marches and band arrangements alive by including several of these compositions among its repertoire.  (AssociationOfHawaiianCivicClubs)

During its long history, band leaders included an escaped American slave, a Portuguese, a New Zealander, a Prussian and a German from Weimar.  (SI-edu)

Today, the Royal Hawaiian Band is an agency of the City and County of Honolulu and is the only full-time municipal band in the United States.  The Band is made up of 40 full-time positions and functions as a concert band, a marching band and a glee club ensemble.

The band performs and marches in over 300 concerts and parades each year including: city, state and military functions; schools, community centers, shopping malls, retirement communities, graduations and private events. Weekly public performances are held on Fridays at ʻIolani Palace and Sundays at the Kapiʻolani Park Bandstand.

The image shows Henri Berger standing in front of the Royal Hawaiian Band – 1889.  I have added other images to a folder of like name in the Photos section on my Facebook and Google+ pages.

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