Images of Old Hawaiʻi

by Peter T Young Leave a Comment

Pua Akala

The Polynesian settlers of Hawai‘i brought with them their primary plants used for food and other uses, and four animals, the moa (chicken), ‘īlio (dog), pua‘a (pig), and, inadvertently, the ‘iole (rat). The first three animals were the primary meat of the Hawaiians.

It wasn’t until the arrival of Captain Vancouver in 1793 that cattle were introduced to Hawai‘i. Vancouver dropped one bull and one cow at Kawaihae, and took the remaining five cows to Kealakekua as a gift for King Kamehameha I. The bull died, so it was lucky that a year later Captain Vancouver returned with more cattle, four bulls and eight cows.

A 10 year kapu (taboo) was placed on introduced cattle to feed on the rich green grasslands of Hawai‘i Island. These first cattle, or bullocks, were longhorn cattle and soon grew very wild. The first “ranchers” were bullock hunters, who rode to the uplands of Mauna Kea to shoot cattle or trap them in pits. (DLNR) The meat was used for food and the hides for export.

By the 1820s, there were as many as 30,000 head of cattle on the islands.  Historically, agriculture has played a large role in the economy of the island, and the Islands as a whole. During the 19th and 20th centuries, the main industries were sugar cultivation and cattle ranching. (FWS)

As early as 1831, portions of the land on the slopes of Mauna Kea and neighboring forest lands were being worked by Daniel Castle; and, later, by the Castle and Hitchcock brothers for lumber milling and bullock hunting operations. (Kumu Pono)

The Hitchcock brothers, David Howard Hitchcock and Edward Griffin Hitchcock, were the sons of Harvey Rexford and Rebecca (Howard) Hitchcock, American Protestant missionaries who arrived with the 5th Company of ABCFM missionaries.

In 1875, the Hitchcock brothers purchased the ‘O‘ōkala sugar plantation.  In addition, DH Hitchcock was a land surveyor whose work focused not only on parcels of land being sold, but also on land divisions.

In 1883, the Hitchcock brothers built a house at Puakala at the upper boundary of the ahupua‘a, described as being “heavily timbered with ohia, koa, and other Hawaiian woods.  Wild cattle and hogs abound in the upper woods”. (Tuggle)

“The house is built almost entirely of Koa sawed in the neighborhood … it was put up by Messrs. Devereaux and Tenny, and was finished in July”. (Pua ‘Ākala Guest Book, Oct 16, 1883)

“But Puakala – what of that? It is situated in the hollow of an amphi-theatre of hills. The hills to the west are mostly barren of trees, but well covered … Puaakala grows the finest of koa wood found on the islands. It is far handsomer than mahogany, some of it beautifully dark, some knotted and some curly.”

“The cattle are fast destroying the koa trees with other trees of the original forests … Of this wood, then, the house is built. The boards were sawed by hand and excellently well done, straight and true.”

“There has been no attempt at planing the lumber except for the doors, and this little handwork sends the polish out and shows the hard smooth grain of the wood. The wide boards are battened to keep out the cold, but cracks enough are left to keep the air always fresh and sweet.”

“At one end of the living-room is a capacious stone fire-place 3 x 4 feet. The opposite end of the building is divided into two sleeping rooms.”

“But the sleeping capacity of the house is not limited to these two bed-rooms, for there is an attic and the living room has lounges and a cot-bed to be used in emergencies. In the fire-place a fire is kept burning day and night.” (Paradise of the Pacific, January 1890)

The private koa-plank cabin known as Pua ‘Ākala (also referred to as Puakala) was used as an aristocratic hunting retreat. (Mills) The cabin was in the area known as Puakala or Kapuakala, a place at the upper edge of Papa‘ikou and is also the name of a watercourse in the area.  The Hitchcock family mountain home eventually became known as Pua ‘Ākala Ranch. (Tuggle)

When staying at their mountain home at Pua ‘Ākala, the Hitchcocks hunted wild cattle and pigs, and “the occasional bills of fare written in the [guest] book by appreciative guests always included roast beef, usually pork as well”. (Tuggle)

As described by Kingdom land surveyor, ED Baldwin, “we … headed for Puu Oo, where we found the trail leading around the mountain towards Waimea, which we followed, reaching Puakala – Hitchcock’s mountain house – at five o’clock P.M.”

“This house is sixteen and a half miles in a direct line from Hilo, but about thirty-five by the trail. The Hitchcocks had kindly invited us to make this point our headquarters.”

“What a surprise it was to find, at this distance, such a large comfortable house, built of solid koa, all of which had been sawed out by hand! It was surely mountain luxury to lay off in comfortable rocking chairs before the large, open, old-fashioned fireplace. The elevation at this point is 6,325 feet. …”

“We lived high and well at Puakala; neither did our six cooks spoil the broth; but a specialty from each one helped to swell the bill of fare each meal. One made such fine biscuit, another such soup, another veal pies, another oyster fritters, and another still hit the climax by making akala (wild raspberry) pies.” (Baldwin, Kumupono)

An 1887 entry in the guest book of their mountain house recounts: “A series of hunts ⎯ all successful ⎯ gave the usual spice to the stay here of a short nine days.”

“No thrilling encounters with wild bulls this time but several racy runs after cattle resulted in a total of four bulls, three cows, three yearlings, killed ⎯ two heifers and two small bulls captured ⎯ (one since escaped) with a boar or lean sow shot here and there.” (D Howard Hitchcock, Tuggle)

By the end of the century, there were at least two major ranches in the upper Hakalau Forest area.  Kukaiau Ranch was started by Charles Notley in 1887 and was shortly thereafter sold to John M. Horner.  By 1929, it covered 35,000 acres between 2,300 to 7,600 feet.

The other ranch was Pu‘u ‘Ō‘ō Ranch, which covered 23,000 acres between 5,000 to 6,500 feet.  John Baker started the ranch in 1896. (Tuggle)

In 1902, William ‘Willie’ Herbert Shipman secured leases on the lands of Pāpa‘ikou, Makahanaloa and other Hilo District lands, which were incorporated into the Pu‘u ‘Ō‘ō ranching operation.  (Kumu Pono)

WH Shipman was born on December 17, 1854, at Lahaina, Maui to William Cornelius Shipman and Jane Stobie Shipman. Willie’s parents had signed up as missionaries destined for Micronesia. They stopped over at Lāhaina, Maui because his mother was due to deliver within 2 months. His parents then took a mission station in Kaʻū, Hawaiʻi, based in Waiʻōhinu.

In 1920, WH Shipman, leasing Pi‘ihonua and operating out of Pu‘u ‘Ō‘ō, extended his lease on Makahanaloa, and added the uplands of Pauka‘a and Pāpa‘ikou (the Pua‘ākala house and ranch of the Hitchcocks), to his Pu‘u ‘Ō‘ō Ranch operation. (Kumu Pono)

Pua ‘Ākala Ranch served as a satellite operation to Pu‘u ‘Ō‘ō Ranch. (Roy Shipman Blackshear, Tuggle) WH Shipman, Ltd sold its interest in the Pu‘u ‘Ō‘ō parcel in the 1970s. (Kumu Pono)

Pua ‘Ākala cabin and the surrounding property are now part of the Hakalau Forest National Wildlife Refuge.  The Refuge notes “The cabin is well-suited as a location for interpreting the refuge’s forest resources and Hawaii’s unique history.”

“The cabin’s ties with the land survey and divisions, missionary families, politicians, hunting, Koa forests, birds of the forest, and current management strategies provides a wealth of interpretive materials. It is frequently visited by special use permit holders as they lead guided tours on the refuge.” (Messer)

David Howard (D Howard) Hitchcock, son of David Howard (David) Hitchcock and grandson of American missionaries, has ties to Pua ‘Ākala.  He is perhaps one of the most important and loved artists from Hawaiʻi. Although born and raised in Hawaiʻi, he left the islands to study art in San Francisco and Paris.

Before his formal training abroad, Hitchcock was inspired by other Volcano School painters and was encouraged by Jules Tavernier to endeavor life as an artist. Hitchcock admits to following Tavernier and Joseph Strong around, ‘like a parasite.’  (NPS HAVO)

“Hitchcock was early hailed as ‘our island painter’ and his early canvases met an enthusiastic reception in Hilo and Honolulu. The Honolulu press commented on them at length. His early work, up to his European trip in 1890, shows great indebtedness to (Jules) Tavernier…” (Forbes)

He spoke fluent Hawaiian and traveled extensively throughout the islands, documenting the natural and cultural features in a sketch book and photographs, which he converted into paintings. During his long career he completed more than 1200 paintings, published 700 photographs. (Messer)

D Howard Hitchcock’s lasting mark at Pua ‘Ākala Ranch was a “charming study of akala berries” on a door which survives, well-preserved, in the possession of one of the Shipman descendants. (Roy Shipman Blackshear, Tuggle)

As described 1922 by Charmian London, wife of Jack London, “Puaakala, roofed in red corrugated iron, was otherwise even more picturesque, more hand-made in appearance than the PuuOO eyrie, even the washing-bowl and the bath-tub being dubbed out of koa. …”

“That night, when I shut the koa panel that was my bedroom door, I became aware that Gauguin had not been the only young painter who left his mark upon wood.”

“I found on the inner side an oil, manifestly not new, of a spray of akala berries and leaves. It had been done … by Howard Hitchcock, who has since attracted much attention by his fine canvases of Hawaii.” (Our Hawaii, London) (D Howard Hitchcock painted it on July 13, 1885.)

Click the following link for additional information on Pua ‘Ākala:

Click to access Pua_Akala-Hakalau_Forest_National_Wildlife_Refuge.pdf

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by Peter T Young Leave a Comment

Billy

“David Douglas has no rival as a collector of Northwest plants. He introduced thousands of them to Europe, some 215 of which were new, and many were named for him.”

“He noted 7,032 in totaling his mileage for the two years of his first expedition, April 1825-April 1827, and another time mentioned adding some 7,000 distinct species of flowering plants to the collection—a plant a mile, it might be said.”

Of note, “He laid in specimens of pinus taxifolia (Douglas fir) with pine cones which were eventually distributed to nurserymen and to fellows of the Horticultural Society to plant on their estates. He even sent samples (two planks 20 feet long) of this durable, tough, straight-grained wood that is unsurpassed in the qualities that render lumber most valuable.”

“It has become on the one hand, the world’s greatest structural timber—the most important tree in the American lumber trade—and on the other, the favorite Christmas tree in millions of homes.” (Gould; Vassar)

Douglas’s little terrier, Billy, accompanied him on these trips and in all his travels. The botanist once wrote in his journal: “my old terrier, a most faithful and now to judge from his long grey beard, venerable friend …”

“… who has guarded me throughout all my journies, and whom, should I live to return, I mean certainly to pension off on four penny-worth of cat’s-meat per day.” (Memoir of David Douglas-in Companion to the Botanical Magazine Vol II-1836)

“You may judge of my situation, when I say to you that my rifle is in my hand day and night; it lies by my side under my blanket when I sleep, and my faithful little Scotch terrier, the companion of all my journies, takes his place at my feet.”

“We are now come to the most interesting period of Mr. Douglas’s life, when he was about to undertake a long voyage, and to explore remote regions, hitherto untrodden by the foot of any Naturalist.”

“In these situations, far indeed from the abodes of civilized society, frequently with no other companion than a faithful dog, or a wild Indian as a guide …”

“… we should have known little or nothing of his adventures, were it not for a Journal which he kept with great care, (considering the difficulties, not to say dangers, which so frequently beset him in his long and painful journeyings,) and which has been deposited in the library of the Horticultural Society of London. (Memoir of David Douglas-in Companion to the Botanical Magazine Vol II-1836)

“At the Stoney Islands (now Fort George Canyon) on the Fraser, his canoe was dashed to pieces while shooting the rapids. Douglas was in the whirlpool an hour and forty minutes before being washed unconscious onto the rocky shore.”

“He lost everything—notes—specimens and equipment. Sick and discouraged he took a ship via California for Hawaii.” (Gould) “In Hawai‘i, he was called kauka, the Hawaiian word for doctor.” (Greenwell)

“As Douglas recuperated from his rheumatism and eye troubles in Hawaii, he botanized again. In 10 days he had a ‘truly splendid collection’ of some 50 species. The giant ferns especially awakened his admiring comment.  In the crater of a volcano he found the Silver Sword plant which is named for him.”

“In his enthusiasm for Hawaii he wrote, ‘One day here is worth a year of common existence.’ It was while waiting for a ship to take him to England that Douglas met the Rev. John Diell. They enjoyed climbing and botanizing together and early in July agreed to meet in Hilo on the Island of Hawaii.” (Gould; Vassar)

As stated by Douglas, “my gun, which, with my faithful dog, always is placed under my blanket by my side, with the muzzle to my feet”. (Memoir of David Douglas)

Then, on “The morning of July 12, 1834, he was crossing the north side of Manna Kea, when about six in the morning he appeared at the hut of Ned Gurney who was an English runaway convict from Botany Bay.”

“After breakfast, Douglas walked for about three quarters of an hour along the path. Gurney claimed he had warned Douglas to watch out for three bull pits ahead.”

“It was a native custom to trap the wild long-horned Spanish cattle by digging pits and covering them with brush. Douglas passed safely by the three pits, then retraced his steps to the third pit. When some natives came by later in the morning, they first saw the feet of a man sticking out of a mass of rubbish and stones.”

“A bull was already entrapped in the pit and the angry beast was standing on the chest of the young plant-hunter. … “

“They went in pursuit of the guide, who returned, shot the beast in the hole, took out the corpse, and hired the natives at the price of four bullocks, which he killed immediately, to convey the body to the seashore.”

“After a few moments’ search, the dog was heard to bark, at a little distance a-head on the road to Hido. On coming up to the spot … the dog and bundle were found.”

“On further scrutiny, it appeared that Mr. D. had stopped for a moment and looked at the empty pit, … and also at that where the cow was; and that after proceeding about fifteen fathoms up the hill, he had laid down his bundle and returned to the side of the pit where the bullock was entrapped …”

“…which was situated on the side of the pond opposite to that along which the road runs; and that whilst looking in, by making a false step, or some other fatal accident, he fell into the power of the infuriated animal, which speedily executed the work of death.”

“The body was covered in part with stones, which probably prevented its being entirely crushed.” (Memoir of David Douglas-in Companion to the Botanical Magazine Vol II-1836)

“A suspicion of murder became so strong that it was eventually decided to pack the body in salt and take it to Consul Charlton at Honolulu, on Oahu. There was considerable evidence. The horns of the bullock were blunt and could not make such deep gashes.” (Gould; Vassar)

“A bullock hunter named Hall was so convinced of this that he took the head of the animal to show the missionaries. A large purse of gold seemed to be missing too. Yet Ned Gurney was finally let go for lack of evidence. “

The funeral was held August 4, and David Douglas was buried in the native churchyard of Kawaiaha‘o Church.  Thus ended 9 years of botanical adventure along the Pacific for David Douglas.

“His death at 35 is one of the tragedies of botanical history. But in his short span of life, as one scientist wrote, ‘No other explorer personally made more discoveries, or described more genera or species. No other collector of rare plants ever reaped such a harvest or associated his name with so many economically useful and beautiful plants as David Douglas.’” (Gould; Vassar)

“Gurney brought Billy, the faithful little terrier down from Mauna Kea and gave him to the missionaries. They, in turn, sent him to Honolulu in the care of a Captain Martin, to be delivered to the British Consul, Charlton.”

“Charlton had the dog sent back to England in charge of Captain Peter Corney of the brig Eagle. Billy was then given to James Bandinel.” (Greenwell)

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by Peter T Young Leave a Comment

Kaʻākaukukui, Kukuluāeʻo and Kewalo

Ka‘ākaukukui, Kukuluāe‘o and Kewalo were once the ‘ili (sub-sections of ahupuaʻa) that is now generally referred to as “Kakaʻako,” whose shoreline portions became Kakaʻako Makai.

Until fairly recently, Kaka‘ako and the surrounding area were sometimes referred to as something of a wasteland, or empty space, between the better-known locations of Kou (stretching from Nuʻuanu to Alakea Streets and from Hotel Street to the sea and now referred to as Honolulu) and Waikīkī.

Kaka‘ako and surrounding lands remained outside these two intensely populated and cultivated areas on southeastern O‘ahu, yet Hawaiians used Kakaʻako’s lowland marshes, wetlands, salt pans and coral reef flats for salt making and farming of fishponds along with some limited wetland taro agriculture, and this supported habitation sites clustered around the mauka (inland) boundary of the Kaka‘ako area near Queen and King Streets.

Salt ponds near the shore filled with salt water at high tide (ālia) then drained to smaller clay-lined or leaf-lined channels (ho‘oliu) to natural depressions in the rocks along the shore where salt formed naturally (poho kai.)

The land could probably not be used for agriculture as it was impregnated with salt.  The abundance of salt led to the Kaka‘ako Salt Works in the late-nineteenth century.

The salt marshes were also excellent places to gather pili grass for the thatching of houses, which may have led to the name Kaka‘ako (prepare the thatching.)

Mo‘olelo point to the coastal marshes as the habitat of the original pueo (owl) that became one of the Hawaiians’ ‘aumākua (deified ancestors.)  The mo‘olelo of Kawaiaha‘o follows a trail between Waikīkī and Honolulu to locate two freshwater springs – Kewalo Spring and Kawaiaha‘o (The Waters of Ha‘o,) which highlights its location between the two main population centers.

Kekahuna notes, Kaʻākaukukui was “a beautiful sand beach that formerly extended along Ala Moana Park to Kewalo Basin, a quarter mile long reef extended along the shore.”  Kaʻākaukukui means “the right (or north) light,” and it may have previously been a maritime navigation landmark.

Kukuluāe‘o, translates literally as the “Hawaiian stilt (bird)” and means “to walk on stilts.”  This helps describe the area as “formerly fronting Kewalo Basin” and “containing marshes, salt ponds and small fishponds,” an environment well suited for this type of bird.

Kewalo (the calling (as an echo)) was once associated with a spring called Kawailumalumai (drowning waters) that was used to sacrifice kauwā, or members of a lowest caste, designed for the heiau of Kānelā‘au on the slopes of Pūowaina (Punchbowl) as the first step in a drowning ritual known as Kānāwai Kaihehe‘e or Ke-kaihe‘ehe‘e (sea sliding along.)

The Kaka‘ako area continued to remain outside Waikīkī and Honolulu during the post-Contact era. It served as a place of the dying and the dead, of isolation and quarantine, of trash and wastelands, and the poor and the immigrant; however, it also represents the birth of modern Waikīkī and Honolulu.

Specifically in this area: victims of the 1853 smallpox epidemic were quarantined in a camp and those that did not survive were buried at Honuakaha Cemetery; Hansen’s Disease patients were treated in the Kaka‘ako Leper Branch Hospital; victims of the 1895 cholera epidemic were treated at the Kaka‘ako Hospital; infected patients of the 1899 bubonic plague were moved to a quarantine camp; animals were quarantined in a station in 1905; and the city’s garbage was burned in an incinerator adjoining Kewalo.

The Kaka‘ako area has been heavily modified over the last 150 years due to historic filling of the area for land reclamation and to accommodate the expanding urbanization of Honolulu.  A number of land reclamation projects dredged offshore areas to deepen and create boat harbors, and used the dredged material to fill in the former swampy land.

The original foot path at the edge of the former coastline has been transformed through time to a horse path, then buggy and cart path, and finally to the widened Ala Moana Boulevard.

After the annexation of the Hawaiian Islands by the United States in 1898, the US Congress began to plan for the coastal defenses of their new islands, which included Fort Armstrong on the Ka‘ākaukukui Reef as a station for the storage of underwater mines.

In 1911, the Honolulu Rifle Association, and possibly other groups, used the flat, uninhabited Kaka‘ako land and wetlands near the coast as a rifle range.

Kewalo Basin harbor was formerly a shallow reef that enclosed a deep section of water that had been used as a canoe landing since pre-Contact times and probably was used since the early historic period as an anchorage

Dredging of the Kewalo Channel began in 1924, but by the time the concrete wharf was completed in 1926, the lumber import business had faded, so the harbor was used mainly by commercial fishermen. In 1941, the government dredged and expanded the basin to its current 22 acres.  In 1955, workers placed the dredged material along the makai (seaward) side to form an eight-acre land section protected by a revetment – now the Kewalo Basin Park.

As late as 1940, Kaka‘ako’s population numbered more than 5,000-residents. But after World War II, community buildings, wood-frame camp houses, language schools, temples and churches were removed to make way for auto-body repair shops, warehouses and other small industrial businesses.

Few traces of its former residential existence remain. In the early 1950s, rezoning led to the conversion of the primarily residential and small business district into an urban industrial area.

Decades after the transition from residential to industrial, Kaka‘ako is now slated for redevelopment. Plans call for the re-establishment of a mixed residential and business community – although recent development and present plans include several high-rise developments.

It looks like the residential use is destined to return.  As noted in a recent Star-Advertiser piece, resident growth in Kakaʻako is expected to more than triple, from 10,400 to 37,300, by 2035; the prediction was based on “the general consensus that Kakaʻako is ripe for development.”  (Lots of information here is from reports from Cultural Surveys.)

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by Peter T Young Leave a Comment

Manaiakalani

A messenger sent by Maui,
Sent to bring Kane and his set,
Kane and Kanaloa, Kauokahi,
And Maliu.
Throwing out sacred influences, uttering prayers,
Consulting oracles, Hapuʻu the god of the king.
The great fish-hook of Maui,
Manaiakalani,
The whole earth was the fish-line bound by the knot
(A Song for Kualiʻi – Kualiʻi was a celebrated chief of Oahu, who reigned in about 1700 AD. (Journal of the Polynesian Society))

The demi-god Māui is the subject of extraordinary stories throughout Polynesia. In many of the accounts he is a mischievous trickster, stealing the secret of fire and helping his mother to dry kapa by lassoing the sun to slow its progression across the sky.  (Bishop Museum)

A Manaiakalani story suggests that Maui pulled up the islands by tricking his brothers into letting him come out to fish with them.

The brothers never took him out because whenever they did he would catch a scrawny little fish.  He said he sought to prove that he is as skilled as they were.

He prepares the sacred hook, baiting it with the wing of the pet bird of the goddess Hina. Māui tells his brothers that once he starts to haul in the catch, not to look back until he is finished.

Māui casts the hook into the water and catches the enormous ulua fish Pimoe.

The brothers strain against the fish and soon parts of Pimoe are above the surface of the water, immediately turning to stone. The brothers cannot resist any longer and turn around to see their catch.

But when they do, the line breaks and rather than one enormous island, Māui, the earth-fisher, is only able to raise up the eight separate Islands of Hawaiʻi.

Another story related to Manaiakalani tells of Māui’s attempt to rearrange the Islands of the group and assemble them into one solid mass.”

“Having chosen his station at Kaʻena Point, the western extremity of Oʻahu, from which the island of Kauai is clearly visible on a bright day, he cast his wonderful hook, Mana-ia-ka-Iani, far out into the ocean that it might engage itself in the foundations of Kauai.”

“When he felt that it had taken a good hold, he gave a mighty tug at the line. A huge boulder, the Pōhaku O Kauai, fell at his feet.”

“The mystic hook, having freed itself from the entanglement, dropped into Pālolo Valley and hollowed out the crater, that is its grave.”  (Manaiakalani, therefore, formed Kaʻau Crater.) (Emerson)

Finally, in frustration, Māui throws his hook into the sky where it becomes a constellation, still easy to see in the spring and summer months, known by Western astronomers as the tail of Scorpio.  (Bishop Museum)

In the Hawaiian sky of Kau (summer season, May to October), Manaiakalani (The Chief’s Fishline) is visible for most of the night, just as Ke Ka o Makali‘i (The Canoe- Bailer of Makali’i) is visible for most of the night in the sky of Hoʻoilo (winter season, November to April.)

Like other stars and groups of stars, Manaiakalani is used in celestial navigation as directional clues when they rise and set. On cloudy nights, when only parts of the sky are visible, navigators may recognize isolated stars or star groups and imagine the rest of the celestial sphere around them.  The image shows a depiction of Maui and Manaiakalani.

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by Peter T Young Leave a Comment

Kaunakahakai

“Morotoi is only two leagues and a half from Mowee to the West North West. The South Western coast, which was the only part near which we approached, is very low; but the land rises backward to considerable height; and, at the distance from which we saw it, appeared to be entirely without wood.”

“Its produce, we were told, consists chiefly of yams. It may, probably, have fresh water, and, on the South and West sides, the coast forms several bays that promise good shelter from the tradewinds.  (King, Voyages of Cook, 1784)

Subsistence farming likely focused on coastal resources, as the region is too dry for wetland agriculture. Dryland agriculture, focusing on sweet potato cultivation, was likely practiced on the slopes. Cultivation of crops occurred in spring-fed areas.

The country … rises from the sea by an ascent, uninterrupted with chasms, hills or vallies, this uniform surface, on advancing to the westward, exhibited a gradual decrease in population; it discovered an uncultivated barren soil, and a tract of land that gave residence only to a few of the lower orders of the islanders, who resort to the shores for the purpose of taking fish, with which they abound.”

“Those so employed are obliged to fetch their fresh water from a great distance; none but which is brackish being attainable on the western parts of Morotoi (Molokai.) This information I had before gained from several chiefs at Mowee …”

“(Heading to the west end) …The country had the same dreary and barren appearance as that noticed on the south side, and I was informed it was equally destitute of water.”

“(We) proceeded to the bay at the west end of the island, for the purpose of seeing if, contrary to my former observations, it was commodious for the refitting of vessels, as it had been reported.” (Vancouver, 1798)

Vancouver must have seen Kaunakahakai (“resting (on) the beach” or “beach landing” (other explanations of the name include “to go along in the company of four” and “current of the sea”) – it’s an earlier name of what we now call ‘Kaunakakai,’) as it was a landing place for the fishing canoes which were attracted by the multitude of fish in the area.  (McElroy)

When Kamehameha became a man he sailed with a great many people on one hundred canoes; the kind of sails used was mats braided round and flat. They landed at Kaunakahakai and lived there. The reason for this coming was because the king was fond of maika, that is, rolling a stone which was made round with flat sides.  (Fornander)

 He sent a friend to get stones from Kahekili (reportedly Kamehameha’s father) who was living on Oʻahu. Kahekili inquired: “What does the chief desire that he sent you to me?” Kikane answered: “I came to get the stone for a plaything for your child; we came together and he is now residing at Kaunakahakai, Molokai; he sent me to come to you.”  (Fornander)

Kahekili again inquired: “What stone does he desire?” He replied: “The stone at the flap of the malo.” The meaning of this is that it was a peerless stone, and was carefully guarded.

Kahekili handed over the stones saying: “This, the stone called Hiupa, is not to be cast on the windy side, lest it be struck by the force of the wind and be unsteady in its rolling, for it is a light stone; it is to be cast on the calm side; but this, Kaikimakua, is to be cast on the windward side for it is a heavy stone. The names of these stones are Hiupa and Kaikimakua.” (Fornander)

As part of Kamehameha’s later conquest of the Islands, Kamehameha defeated (but did not kill) Kahekili’s son, Kalanikūpule, at the battle known as Kepaniwai (in ʻĪao Valley, Maui.)  Kalanikūpule fled to Oʻahu; Kamehameha and his four “Kona Uncles” (Keʻeaumoku, Keaweaheulu, Kameʻeiamoku and Kamanawa) followed Kalola (Kahekili’s sister) to Molokai and landed at Kaunakakai.

Kalola, who was dying, agreed to give Kamehameha Keōpūolani and her mother Kekuʻiapoiwa Liliha, if he would allow the girls to stay at her death bed until she passed.  Kamehameha camped on Moloka’i until Kalola died, and returned to Kona with his high queen Keōpūolani (and later mother to Kings Kamehameha II and Kamehameha III.)

At Kalola’s death, “They wailed and chanted dirges, and some were put to sleep with the dead, and the chiefs tattooed themselves and knocked out their teeth. Kamehameha was also tattooed and had his eyeteeth knocked out, and the chiefs and commoners acted like madmen.”  (Kamakau)

Kamehameha then formally took charge of and returned to Hawaiʻi with her daughter and granddaughter, not only as a sacred legacy from Kalola, but as a token of reconciliation and alliance between himself and the elder branch of the Keawe dynasty.  (Kalākaua)

Back to Kaunakakai …

King Kamehameha V (Lot Kapuāiwa) sometimes spent his summers on Molokai at a home in Kaunakakai. The main street of Kaunakakai, Ala Mālama Avenue, was named after the king’s summer home.

“West of the approach to the Kaunakakai wharf is a built-up platform, the name of which is Ka Lae O Ka Manu, the point of the birds. On this site King Kamehameha V had a home, ‘Mālama’ which was still standing in 1908. “    (Cooke; Hart)

George P Cooke also noted a large bathing pool of King Kamehameha V (filled with dirt now) and a spring near that pool. Reservoirs were dug and the water was well suited for the growing crops; they pumped thousand gallons of water every 24 hours. (Nupepa-Hawaii, Hoku O Hawaii, April 6, 1922)

“The Reverend Isaac D. Iaea told me that there was a spit of sand beyond this platform where the plover used to settle in the evenings, hence the name, Ka Lae O Ka Manu.”  (Cooke; Hart)

The beach in front of this site was used exclusively by the aliʻi for sun bathing.  (McElroy)  Kamehameha V’s property passed to Princess Ruth and later became part of Bishop Estate.

Historic use of Kaunakakai focused on agricultural interests: cattle, sugar and pineapple. In 1897, a group of Honolulu businessmen (including Judge Alfred S Hartwell, Alfred W Carter, and AD McClellan) purchased 70,000-acres from the trustees of the Bishop Estate and leased another 30,000-acres from the Hawaiian government.  At that time, American Sugar Company began sugar cane production on the lands.

About 10 years later, the land was bought out by Charles M Cooke and under his son, George P Cooke, they raised cattle, planted sweet potato and wheat crops and produced honey.  It became the second largest cattle ranch in Hawaiʻi and a major producer of beef.

In 1898, the American Sugar Company, a subsidiary of Moloka‘i Ranch, was formed and the coastal area was used extensively.  The need to transport sugar and cattle prompted the construction of a wharf at Kaunakakai.

Construction of Kaunakakai Harbor began in 1899 with construction of a pier that extended about 1,300-feet seaward from the shore. At that time, a small landing on the end of the mole could accommodate two boats.

In 1921, this mole was extended another 700-feet from the shore. A narrow gauge railroad track, extending from the interior plantation lands ran to the end of the pier.

Soon after, sugar cane cultivation was abandoned when well water pumped upslope to the plantations was too saline and killed the cane. Between 1923 and 1985, several thousand acres were leased to Libby and Del Monte for pineapple cultivation.

During those years, pineapple was an economic mainstay for Molokaʻi; pineapples were shipped to their Honolulu cannery from Kaunakakai.

The town was made famous by R Alex Anderson’s song “The Cockeyed Mayor of Kaunakakai”, beginning an ongoing tradition of designating an honorary mayor for the town.

The 1935 song was in honor of actor Warner Baxter, the first honorary Mayor of Kaunakakai (also winner of the 2nd Academy Award for best actor for his role as The Cisco Kid in In Old Arizona, and later honorary Mayor of Malibu, CA;) he was followed by boxer Jim Balukevich as the wartime Cockeyed Mayor.  (Congressional Record)

Kaunakakai is an ahupuaʻa in the Kona Moku (district) on the Island of Molokai.  Kaunakakai is also the largest town and commercial center on the island of Molokai.

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