Images of Old Hawaiʻi

by Peter T Young 1 Comment

Alexander & Baldwin Building

In 1843, Samuel Thomas Alexander and Henry Perrine Baldwin, sons of early missionaries to Hawaiʻi, met in Lāhainā, Maui. They grew up together, became close friends and went on to develop a sugar-growing partnership.

In 1869, they purchased 12-acres of land in Makawao and the following year an additional 559-acres. That same year, the partners planted sugar cane on their land marking the birth of what would become Alexander & Baldwin (A&B.)

Fast forward to 1924 … sons Wallace M Alexander and Harry A Baldwin served on the A&B board. On February 24, 1924, the board decided to purchase land and build a new home headquarters in Honolulu.

The Alexander & Baldwin Building was planned as a memorial to ST Alexander and HP Baldwin and designed as a prestige home office, with sufficient budget to insure both. A primary concern of the owners was that the building be “uniquely Hawaiian” in appearance. (NPS)

“My foremost thought architecturally was to produce a building suitable to the climate, environment, history and geographical position of Hawaii…the location of Honolulu at the crossroads of the Pacific, in close touch with the Orient, gave sufficient reason for allowing Chinese architecture to clearly influence the design.”

“…the exotic Chinese influence is so subtle that it would not be noted by a casual observer. However, it is there in every detail of the design. On the exterior it is most pronounced in the window ornamentation, in the circular “Good Luck” signs at the main entrance portico on Bishop Street and the long life signs in the column capitals.” (CW Dickey, its architect)

Founded in 1870, A&B was nearly 60 years old when the building was built in 1929. During its construction, people were fascinated with its construction. (One day, four artesian wells were tapped, spewing a flood of water.)

The cornerstone laying ceremony took place November 21, 1928. Reverend Norman C Schenck, in giving tribute to the company’s founders, stated “Out of the past come precious memories of those whose noble purposes, indomitable wills and might endeavors have laid the foundations for our beloved Hawaiʻi.” (A&B)

Originally designed with a 39-foot ceiling in the ‘public floor’ (the central first floor,) it started as a 3-story structure with basement. Two tiled murals on the mauka and makai sides, the sailing ship ‘John Ena’ at Port Allen, Kauai (mauka) and Kahului Harbor and ʻIao Valley (makai) sat 29-feet above the workers on the first floor.

In making each mural, the artist (Jessie Stanton) first painted a picture and made a full-sized rendering of it. It was gridded out at the size of the tiles; individual tiles were manufactured matching each square in the grid – then applied to the wall.

Modifications in 1959 added a mezzanine level, lowering the lower-floor ceiling to 14-feet and creating a new second level that now houses the boardroom (mauka,) offices and lunchroom (makai.)

Other renovations/remodels took place over the years. The 100,000 or so clay tiles in the roof replicated the original roof. The last renovation to the building was in 2006.

The steel-framed, reinforced concrete building has Hawaiian, Chinese and other features; most notable is the Dickey Hawaiian roof (high peak, double pitch.)

The building had its grand opening on September 30, 1929. The Star-bulletin editorial called the building “the architectural expression of triumph of human courage, ingenuity, seen and unseen, which beset the pioneers of industrial Hawaiʻi.” (A&B)

A&B was one of Hawaiʻi’s five major companies (that emerged to providing operations, marketing, supplies and other services for the plantations and eventually came to own and manage most of them.) They became known as the Big Five.

Hawaiʻi’s Big Five were: C Brewer (1826;) A Theo H Davies (1845;) Amfac – starting as Hackfeld & Company (1849;) Castle & Cooke (1851) and Alexander & Baldwin (1870.)

The historic Alexander & Baldwin building (on the State and National Register of Historic Places) remains in the heart of the core of Honolulu’s financial and business district.

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by Peter T Young Leave a Comment

C Brewer

C Brewer & Co, Ltd began at a distant date under a different name, and is a result of the growth through the changes of time and circumstances rather than of any one definite act. (Thrum)

The following are the various names which the firm was known: James Hunnewell, Hunnewell & Peirce, Peirce & Hinckley, Peirce & Brewer, C Brewer & Co, SH Williams & Co, C Brewer 2d, C Brewer & Co Ltd. (The Friend, January 1, 1867)

In its early years, the following are the names of those who have been connected with this firm as partners: James Hunnewell, Thomas Hinckley, Henry A Peirce, Charles Brewer, JFB Marshall, Francis Johnson, William Baker Jr, Stephen H Williams, Benjamin F Snow, Charles Brewer 2d, Sherman Peck, CH Lunt, HAP Carter and I Bartlett. (The Friend, January 1, 1867)

If an exact date and a single act are to be assigned, it was on Monday, December 8, 1817, when James Hunnewell, officer of the brig Bordeaux Packet, agreed with Andrew Blanchard, master, to remain at Honolulu after the sale of the vessel. (Thrum)

He would dispose of the balance of her cargo and invest and forward the proceeds. This was the beginning of the long business career of Hunnewell connected with the Islands, and his first act in settling there. (Thrum)

Hunnewell first came to the Islands aboard the ‘Packet’ in October 1816. He agreed to stay (December 8, 1817) and traded his boat and cargo for sandalwood, “We were the only traders on shore at Honolulu that had any goods to sell.” There was no currency at the time, so they generally traded for sandalwood. (Hunnewell, The Friend)

At first, business was generally in small transactions and by barter. American goods of nearly all sorts were received and sold on consignment. (Thrum)

After trading sandalwood in China and then back to the northeast, Hunnewell returned to the Islands in 1820 on the ‘Thaddeus,’ “This was the memorable voyage when we carried out the first missionaries to the Hawaiian Islands.” He stayed … “it was urged by some of the chiefs that knew me on my previous voyage that I should remain instead of a stranger to trade with them.” (Hunnewell)

Later, in 1825, he negotiated with the American Board of Commissioners for Foreign Missions, “to take the missionary packet out, free from any charge whatever on (his) part for sailing and navigating the vessel – provided the Board would pay and feed the crew, and allow (him) to carry out in the schooner to the amount (in bulk) of some forty to fifty barrels”. (Hunnewell)

Then in 1826, with a stock of merchandise, he then purchased the premises of John Gowen (to which he added some land by exchange in 1830.) “As soon as I secured this place, I landed my cargo, and commenced retailing it…” (Hunnewell)

In October, 1828, Captain Marcus T Peirce, an old and intimate friend of Hunnewell’s, arrived in the brig Griffin from the north-west coast. He gave up the command of his vessel to Captain MW Green, he preferring to return home.

In doing so, he requested that Hunnewell to take charge of his younger brother, Henry A Peirce, who had been a clerk with him. Young Peirce first worked for $25 per month and board until September, 1830; after that he was given a share in the profits.

Hunnewell decided to return home on the continent (November 20, 1830) and left Peirce in charge; Hunnewell thought he would come back to the Islands, but never did. Hunnewell decided to remain at home, and Peirce accepted his offer to loan him funds enough to enable him to carry on the business himself and take the establishment at an appraised value.

“The name … James Hunnewell was early associated with the commercial interests of these Islands, and his long and useful life was marked by such constant goodwill to my kingdom, that I shall always cherish his memory with sincere regard.” (Kamehameha V to Hunnewell’s son; Thrum)

Peirce took Hinckley as a partner; but Hinckley retired due to his health. Next, Charles Brewer arrived (on his third voyage to the Islands,) just before Hunnewell left for home. (Hunnewell, The Friend) For a while, Brewer commanded Peirce’s vessels on their voyages to China and the Russian possessions.

In December, 1835, a co-partnership was formed by Peirce and Brewer. Under this partnership, the firm of Peirce & Brewer conducted a general merchandise and commission business at Honolulu. (Peirce)

“Mr. Peirce had been absent from home twelve years, and was anxious to go back and visit his family. He made me an offer to join him as a partner in business, which offer I accepted, and in one month from that time, Mr. Peirce left Honolulu for Boston, where he remained a year or more, returning by the way of Mexico and South America.” (Brewer)

“When I was received as a partner in business with Mr. Henry A. Peirce, I continued the firm name of Peirce & Brewer until Mr. Peirce retired, in 1843. I then continued the business as C Brewer & Co., with my nephew C Brewer, 2d, until the year 1845.” (Brewer)

That year, there was a merger with the firm of Marshall & Johnson (established in 1841 by James B. Marshall and Francis Johnson.) Brewer returned to Boston. “We arrived in Boston on March 26, 1849, and from that time, my sea life may be said to have ended.” (Brewer)

This association ended in 1847 and the business was taken over by SH Williams & Co, composed of Stephen H Williams, James B Marshall, William Baker Jr, and, a year later, Benjamin F Snow.

It was not until 1859 that the firm again and finally resumed the name of C Brewer & Co, when in September of that year, Charles Brewer II, a nephew of Captain Brewer, engaged in partnership with Sherman Peck and took over the business. (Nellist)

The second Brewer retired in the summer of 1861, but the business was continued under the Brewer name. At about this time the sugar industry was making its first strides and C Brewer & Co became agent for a plantation at Makawao, Maui.

In 1863, it had acquired holdings in Wailuku plantation, in 1866 Brewer became agent for Waiheʻe plantation. In 1869 a son of Charles Brewer, John D Brewer, and IB Peterson were admitted as partners. A man who was destined to make C Brewer & Co. famous, Peter Cushman Jones, was admitted to partnership on Jan. 1, 1871.

C. Brewer & Co., Ltd., was incorporated on Feb. 7, 1883, with Peter Cushman Jones as president and manager; absorption of William G Irwin & Co. by C. Brewer & Co., Ltd., followed E. Faxon Bishop’s elevation to the presidency. (Nellist)

The Brewer company grew, as did a handful of others – primarily in businesses associated with the booming economy. Since the early/mid-1800s, until relatively recently, five major companies emerged and dominated the state’s economic framework. Their common trait: they were founded in agriculture – sugar and pineapple.

They became known as the Big 5: Amfac – starting as Hackfeld & Company (1849;) Alexander & Baldwin (1870;) Theo H. Davies (1845;) Castle & Cooke (1851) and C Brewer (1826.)

The decline in agricultural mono-cropping and a changing economy to the visitor industry, Brewer and the others lost their dominance. Longtime Brewer Chair, JWA ‘Doc’ Buyers, bought out the company and moved its headquarters to Hilo (2001.) The company, at the time Hawaiʻi’s oldest continuously operating company, dissolved in 2006.

A lasting legacy of the company is the C Brewer Building, constructed in 1930, the last and smallest of the ‘Big Five’ home office buildings to be built in downtown Honolulu.

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Charles John Wall

Charles John Wall was born in Dublin, Ireland, on December 23, 1827.  He married Elizabeth Evans (Miller) Wall; they had 10-children: Thomas E Wall; Emily Wall; Charles Wall; William Albert Wall; Henry Wall; Walter (Walt) Eugene Wall; Arthur Frederick Wall; Alford Wall; Ormand E Wall and Alice Wall

In 1880, the family came to Honolulu by way of California.  Wall (and some of his children) left some important legacies in Hawaiʻi.  Charles was an important nineteenth century Honolulu architect, some of the buildings he designed are still here; several have been lost, but not forgotten.

Charles J Wall participated, or led the design of ʻIolani Palace, Kaumakapili Church, Lunalilo Home and the Music Hall/Opera House.

ʻIolani Palace

The design and construction of the ʻIolani Palace took place from 1879 through 1882; three architects were involved: Thomas J Baker, Charles J Wall and Isaac Moore. The Baker design generally held in the final work.

A quarrel broke out between Baker, Samuel C Wilder (Minister of the Interior) and the Superintendent of Public Works.  Shortly after the cornerstone was laid on December 31, 1879; Baker apparently ended his connection with the Palace.

He was succeeded by Wall, who had recently arrived in the Islands and was “employed to make the detail drawings from the first architect’s plans.”

According to the March 31, 1880 Hawaiian Gazette, Wall had “skillfully modified and improved” some of the objectionable features of the original design.  (Peterson)  Wall was succeeded by Isaac Moore after about nine months.

ʻIolani Palace was the official residence of both King Kalākaua and Queen Lili‘uokalani. After the overthrow of the monarchy, ʻIolani Palace became the government headquarters for the Provisional Government, Republic, Territory and State of Hawai‘i.

During WWII, it served as the temporary headquarters for the military governor in charge of martial law in the Hawaiian Islands.  Government offices vacated the Palace in 1969 and moved to the newly constructed capitol building on land adjacent to the Palace grounds.

Click HERE for a Link to additional information on ʻIolani Palace:

Kaumakapili Church

Starting in 1837, “the common Hawaiian folk of Honolulu” started petitioning Rev. Hiram Bingham, head of the Hawaiian Mission, to establish a second church or mission in Honolulu (Kawaiahaʻo being the first.)

It started as a thatched-roof adobe structure erected in 1839 on the corner of Smith and Beretania Streets.  The adobe building was torn down in 1881 to make way for a new brick edifice.

King Kalākaua took great interest in the church and wanted an imposing church structure with two steeples.  His argument was, “…that as a man has two arms, two eyes, two ears, two legs, therefore, a church ought to have two steeples.”

The cornerstone for the new church was laid on September 2, 1881 by Princess Liliʻuokalani (on her birthday.)  Seven years later the new building was completed.

It was an imposing landmark, first of its kind, and visible to arriving vessels and land travelers.  It was dedicated on Sunday, June 10, 1888.  In January, 1900, disaster struck.  The Chinatown fire engulfed the entire building leaving only the brick walls standing.

On May 7, 1910, the congregation broke ground for the third church building.  It was dedicated on June 25, 1911, the same day in which the 89th Annual Conference of the Hawaiian Evangelical Association (ʻAha Paeʻaina) was hosted by the church.

Click HERE for a Link to additional information on Kaumakapili Church:

Lunalilo Home

The coronation of William Charles Lunalilo took place at Kawaiahaʻo Church in a simple ceremony on January 9, 1873. He was to reign as King for one year and twenty-five days, succumbing to pulmonary tuberculosis on February 3, 1874.

His estate included large landholdings on five major islands, consisting of 33 ahupuaʻa, nine ‘ili and more than a dozen home lots. His will established a perpetual trust under the administration of three trustees to be appointed by the justices of the Hawaiian Supreme Court.

Lunalilo was the first of the large landholding aliʻi to create a charitable trust for the benefit of his people.  The purpose of his trust was to build a home to accommodate the poor, destitute and infirm people of Hawaiian (aboriginal) blood or extraction, with preference given to older people.

In 1879 the land for the first Lunalilo Home was granted to the estate by the Hawaiian government and consisted of 21 acres in Kewalo, near the present Roosevelt High School.

The construction of the first Lunalilo Home at that site was paid for by the sale of estate lands. The Home was completed in 1883 to provide care for 53 residents. An adjoining 39 acres for pasture and dairy was conveyed by the legislative action to the Estate in 1888.

After 44 years, the Home in Kewalo (mauka) had deteriorated and became difficult and costly to maintain. The trustees located a new 20-acre site in Maunalua on the slopes of Koko Head.

Click HERE for a Link to additional information on Lunalilo:

Music Hall – Opera House

In 1881, a Music Hall was built across the street from ʻIolani Palace, where Ali‘i regularly joined the audiences at performances. Queen Lili‘uokalani is even said to have written her own opera.  (Ferrar)  It was built by the Hawaiian Music Hall Association.

The building was first called the Music Hall, but shortly after its transfer to new owners, the name was changed to the Royal Hawaiian Opera House.  (Daily Bulletin, February 12, 1895)

Despite its name, the Opera House was not primarily a venue for classical entertainment. Many of its bookings were melodramas and minstrel shows, two very popular forms of theater at the time.  Then, it was the first house to show moving pictures in Hawaiʻi.

The building was of brick 120 by 60 feet on the ground floor and walls forty feet high and twenty inches thick. The front door was ten feet wide, opening into a vestibule 16 by 27 feet. The seating capacity of the house was 671 persons. The stage was forty feet deep and provided with a complete set of scenery, traps and all necessary paraphernalia. (Hawaiian Star, February 12, 1895)

“Originally there were two (private) boxes. One on the right of the stage looking out was regarded as the property of the late King Kalākaua, who had subscribed liberally to the stock of the Association.  The box on the opposite side was owned by the present proprietors, Messrs. Irwin & Spreckels. About two years ago two boxes wore opened above those mentioned for letting to whomever first applied for thorn on any occasion.”  (Daily Bulletin, February 12, 1895)

Click HERE for a Link to additional information on the Opera House:

Wall died at Honolulu on December 26, 1884.

The image shows some of Wall’s designs – ʻIolani Palace, Kaumakapili Church, Lunalilo Home and the Opera House.  In addition, I have added others similar images in a folder of like name in the Photos section on my Facebook and Google+ pages.

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Historic Downtown Honolulu – HHF

Historic Hawaii Foundation has developed a map and self-guided walking tour documenting twenty-five historic sites along a 3-mile route in historic Downtown Honolulu.

1 – Hawai‘i State Capitol (1969)
Hawaii’s State Capitol building houses the offices of the Governor and Lieutenant Governor, offices of state legislators, and the chambers of the state House and Senate. The Capitol was constructed at the direction of Governor John A. Burns and designed by the firms of Belt, Lemmon & Lo of Honolulu, John Carl Warnecke & Associates and Architects Hawai‘i. The building opened in 1969.  Like the Hawaiian Islands, the Capitol is surrounded by water, and the outer columns that rise from the reflecting pools represent Hawaii’s palm trees.

2 – Board of Water Supply Building (1959)
The BWS building was completed in 1959 and was designed by famous architect Hart Wood in a local Hawaiian Style that combined elements of Asian and American influences. The entire building is constructed of reinforced concrete and the exterior was designed by renowned landscape architect Catherine Jones Thompson.

3 – Advertiser Building (1929)
The neo-Renaissance designed building by famed architects Walter Emory and Marshall Webb was home of the iconic Advertiser newspaper for over eighty years until the paper merged with the Star-Bulletin in 2010.

4 – Kaka‘ako Fire Station (1929)
Built in the Spanish Mission style, the historic fi re station is considered to be haunted. It is located across from the graveyard of smallpox victims from the 1850s. Kamehameha III created Honolulu’s fire department, making it the only one in America sponsored by royalty.

5 – Territorial Building (Kekuanao‘a) (1925)
Large fluted Corinthian columns grace the front of this classical revival-style building.  A stained-glass dome is positioned above the lobby.  Built as a governmental office building it continues to function as such today.

6 – Hawaii State Archives (1906)
Designed by Oliver Traphagen in the Renaissance Revival style, the building also known as Kana‘ina is currently used as the offices for the Friends of ʻIolani Palace. It was originally constructed to house Hawaiian governmental documents from before annexation based on a compromise with the US government.

7 – King Kamehameha Statue (1882)
The 18-foot bronze statue was dedicated in 1883 to represent the famed unifier of the islands, King Kamehameha I. It was sculpted by Thomas Gould in Florence.

8 – Ali‘iolani Hale (1874)
The State Supreme Court and the Judiciary History Center are located here. It is the oldest government building in Hawaiʻi. Originally commissioned as a new royal residence by Kamehameha IV, Kamehameha V decided that it should become an administrative building.

9 – ‘Iolani Palace (1882)
Home to the Hawaiian monarchy before it was overthrown in 1893, ‘Iolani Palace was built in the Italianate style with fluted cast-iron Corinthian columns, decorative iron railings, mansard-style tower roofs, and wide lanai on all sides. After the overthrow, from 1895 to 1968, ‘Iolani Palace served as the capitol of the Republic, Territory and State of Hawaiʻi. Restored to its
original grandeur, the building opened to the public as a historic site in 1978.

10 – US Post Office, Custom House and Court House (1922)
Designed by New York architects York and Sawyer, this classic Mediterranean-style structure features large roof overhangs, shaded arcades, open interior courtyards, spacious porticos and two towers. It is still currently used as the Downtown Post Office.

11-Dillingham Transportation Building (1929)
The Mediterranean/Italian Renaissance style building was designed by architect Lincoln Rogers. The building consists of three wings connected by a covered arcade and spans from Queen Street to Ala Moana Boulevard. It features an Art Deco lobby, painted high ceilings, and a classical cornice.

12 – Alexander & Baldwin Building (1929)
A design collaboration between Charles W. Dickey and Hart Wood. The building is a unique fusion of eastern and western design elements that features a double-pitched hipped tile roof, a fourth floor lanai, water buffalo heads above the first-floor windows, and a matte glazed terra cotta exterior.

13 – Joseph W. Podmore Building (1902)
Located at 202 Merchant Street, it was constructed in the Richardsonian Romanesque style from locally quarried lava rock.  It was originally built to be rented out as commercial and office space; it maintains the same purpose today.

14 – St. Andrew’s Cathedral (1867-1958)
It took over ninety years to complete this English Gothic-style headquarters of the Episcopal diocese in Hawaii. After visiting
Queen Victoria in England, Queen Emma raised $30,000 for the Anglican Church in Hawaii and to build St. Andrews Cathedral. Beretania was the Hawaiian interpretation for Britannia.

15 – Hawaii State Art Museum (formerly the Army and Navy YMCA) (1928)
Located on the original site of the Royal Hawaiian Hotel, the site was renovated and reconstructed in the late 1920s to become the Army and Navy YMCA. Designed by Lincoln Rogers, it features an open-sky courtyard; palladian windows; cast-stone detailing; iron-grille work and light fixtures; and arched openings. It is now the home of the Hawaii State Art Museum.

16 – Hawaiian Electric Building (1927)
This four-story building is characteristic of an early 18th century Spanish form that features half-stilted arched windows with
Churriguera -decorated column supports, a corner cupola and a low-rise, polygonal tiled roof. The building was designed by York and Sawyer with construction overseen by Emory and Webb.

17 – YWCA Building (1927)
The first structure in Hawaii designed completely by a woman. Julia Morgan, known for her work on Hearst Castle, designed the building in Spanish, Colonial and Mediterranean styles. It features a two-story loggia flanked by the outer buildings.

18 – ‘Iolani Barracks (1871)
Built between 1870 and 1871, the barracks were home to the Royal Household Guard and are situated within the ‘Iolani Palace grounds.  They were designed by Theodore Heuck. The barracks were relocated to the current position during construction of the state capital on the original site.

19- ‘Iolani Bandstand (1883)
Constructed for the coronation of King Kalākaua and Queen Kapi‘olani, the structure was moved and rehabilitated in the late 1900s. Most Friday’s at noon the Royal Hawaiian Band performs weather permitting.

20 – Washington Place (1846)
A Colonial Greek revival-style house was originally built for John Dominis, a clipper ship captain. It is most well known as the inherited residence of his daughter-in-law, Queen Lili‘uokalani. After the overthrow of the Hawaiian monarchy, the Queen lived in Washington Place until her death in 1917.  From 1922-2003, the residence housed Hawaii’s governors.  It is now a house museum and used for State events.

21 – Hawaii State Library (1913)
The library’s construction was made possible through a gift from industrialist Andrew Carnegie. The Greco-Roman style building was designed by Henry Witchfield and still serves today as the downtown branch of the Hawaii State Public Library.

22 – Honolulu Hale (1929)
Designed by Dickey, Wood and others, this Spanish mission style building features open-to-the-sky courtyards, hand-painted ceiling frescos, 1,500-pound bronze front doors, and 4,500-pound courtyard chandeliers. The main entry faces King Street, behind a zig-zag pattern of planters (for security reasons) and the exterior of the building is complex, with deeply fenestrated windows and balconies of carved stone. The tower is particularly complex and features varied window treatments, open and closed balconies, loggias and cast-concrete grill work.

23 – Kawaiaha’o Church and Cemetery (1842)
This is considered to be the mother Protestant Church in Hawaii. Construction started in 1837 based on Pastor Hiram Bingham’s own design of a “simple New England church”. The structure is comprised of some 14,000 coral blocks, each weighing up to 1,200 pounds. The church continues to conduct services in both English and Hawaiian.

24 – Mission Memorial Building (City Hall Annex) (1915)
Built by the Hawaiian Evangelical Association as a museum and archive to celebrate the 100th anniversary of the Protestant Missionaries in Hawaii. The city took over the building during the 1940s and it has since been converted to the City Hall Annex. It is an example of Georgian architecture.

25 – Mission Houses (1821, 1831, 1841)
These are the oldest standing western structures in Hawaii. The timbers for the first house were cut and fitted in Boston. The initial house introduced New England style architecture to Hawaii. Originally utilized as housing for the missionaries, the buildings exist today as living house museums open to the public.

The image shows the layout of the Historic Downtown Honolulu tour from Historic Hawaiʻi Foundation.  In addition, I have added other related images in a folder of like name in the Photos section on my Facebook and Google+ pages.

Click Here to Download App Prototype noting the Sites in Google Earth

(Hover over the number/icon to see the title; click on the number for image and short text (clicking on logo and other links take you to respective websites.))

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Hānaiakamalama – Queen Emma Summer Palace

 

Hānaiakamalama (Lit., the foster child of the light (or moon,)) now known as the Queen Emma Summer Palace, was the “mountain” home of Queen Emma, wife of Kamehameha IV.
The house was originally constructed by John George Lewis in 1848.  John Young II bought it in 1850 and named the home “Hānaiakamalama.”
Queen Emma inherited it from her uncle, John Young II, son of the famous advisor to Kamehameha I, John Young I, in 1857.
Queen Emma was born Emma Naea in Honolulu on January 2, 1836, the daughter of a British aristocratic woman and a Hawaiian high chief.
She became the hānai child of Dr. and Mrs. T. C. and Grace Rooke, her mother’s sister who had no children of their own.  Emma grew up speaking both Hawaiian and English, the latter “with a perfect English accent.”
At 20, Emma became engaged to the king of Hawai‘i, Alexander Liholiho, (Kamehameha IV,) a 22-year-old who had ascended to the throne in 1855.  The couple had known each other since childhood.
In his first speech as king, Kamehameha IV stated the need for a hospital to treat the native population.  Due to introduced diseases, the Hawaiian population had plummeted, with extinction a very real possibility.
To recognize and honor Emma’s efforts, it was decided to call the new hospital “Queen’s.”
Queen Emma used the home as a retreat where she could escape from the heat of Honolulu into the coolness of Nuʻuanu.  It’s about 5-miles from Downtown Honolulu and 10-miles from Waikīkī.
It was through this land that Kamehameha the Great marched during what would become the Battle of the Nu‘uanu in April 1795.
Coincidently, Kamehameha was aided by foreigners, including John Young, Queen Emma’s grandfather, who provided the cannons and tactical know-how used in the battle.
This land, a portion of a grant known as Kaukahōkū, was originally designated as Fort Land; that is, it was set apart for the use of the Fort, probably as agricultural land.  However, sometime in the 1840s Kekuanaoa, Governor of the island of Oʻahu, leased the land for private use.
The Summer Palace was modeled in the Greek Revival style. It has a formal plan arrangement, wide central hall, high ceilings and floor-length hinged, in-swinging shuttered casement window.
It is one-story, over a basement, and measures about 73-feet by 51-feet.  The roof is hipped over the main portion of the home and gabled over the rear lanai that was converted to a room.
The large single room in the rear of the home, also known as the Duke of Edinburgh Room, was converted from a lanai in 1869, to prepare for the reception of the Duke during a visit to Hawai‘i.
The kitchen was a small structure apart from the house. Baths were taken through large tubs brought into the bedrooms by servants and filled with buckets of hot and cold water.
Three outhouses served the occupants; one reserved for the King and Queen, one for guests and another for servants.
The Summer Palace was saved from demolition by the Daughters of Hawaiʻi.  Today, the Daughters preserve and maintain this residence and the Huliheʻe Palace in Kailua-Kona as museums open to the public.
The restored and furnished home of Queen Emma and King Kamehameha IV offers a glimpse into the lifestyle of the Hawaiian monarchy.
The Daughters of Hawai‘i was founded in 1903 by seven women who were daughters of American Protestant missionaries.  They were born in Hawai‘i, were citizens of the Hawaiian Kingdom before annexation and foresaw the inevitable loss of much of the Hawaiian culture.
They founded the organization “to perpetuate the memory and spirit of old Hawai‘i and of historic facts, and to preserve the nomenclature and correct pronunciation of the Hawaiian language.”  (My mother was a Daughter.)
The property is open to the public, daily 9:00 am–4:00 pm; closed major holidays; Admission: Adult $6, Child 17 and under $1, Seniors $4; reservations required for groups of 20 or more.
The image shows Hānaiakamalama – Queen Emma Summer Palace.  In addition, I have included other images of the property and Queen Emma in a folder of like name in the Photos section on my Facebook page.