Opera House | Images of Old Hawaiʻi

Charles John Wall was born in Dublin, Ireland, on December 23, 1827. He married Elizabeth Evans (Miller) Wall; they had 10-children: Thomas E Wall; Emily Wall; Charles Wall; William Albert Wall; Henry Wall; Walter (Walt) Eugene Wall; Arthur Frederick Wall; Alford Wall; Ormand E Wall and Alice Wall

In 1880, the family came to Honolulu by way of California. Wall (and some of his children) left some important legacies in Hawaiʻi. Charles was an important nineteenth century Honolulu architect, some of the buildings he designed are still here; several have been lost, but not forgotten.

Charles J Wall participated, or led the design of ʻIolani Palace, Kaumakapili Church, Lunalilo Home and the Music Hall/Opera House.

ʻIolani Palace

The design and construction of the ʻIolani Palace took place from 1879 through 1882; three architects were involved: Thomas J Baker, Charles J Wall and Isaac Moore. The Baker design generally held in the final work.

A quarrel broke out between Baker, Samuel C Wilder (Minister of the Interior) and the Superintendent of Public Works. Shortly after the cornerstone was laid on December 31, 1879; Baker apparently ended his connection with the Palace.

He was succeeded by Wall, who had recently arrived in the Islands and was “employed to make the detail drawings from the first architect’s plans.”

According to the March 31, 1880 Hawaiian Gazette, Wall had “skillfully modified and improved” some of the objectionable features of the original design. (Peterson) Wall was succeeded by Isaac Moore after about nine months.

ʻIolani Palace was the official residence of both King Kalākaua and Queen Lili‘uokalani. After the overthrow of the monarchy, ʻIolani Palace became the government headquarters for the Provisional Government, Republic, Territory and State of Hawai‘i.

During WWII, it served as the temporary headquarters for the military governor in charge of martial law in the Hawaiian Islands. Government offices vacated the Palace in 1969 and moved to the newly constructed capitol building on land adjacent to the Palace grounds.

Click HERE for a Link to additional information on ʻIolani Palace:

Kaumakapili Church

Starting in 1837, “the common Hawaiian folk of Honolulu” started petitioning Rev. Hiram Bingham, head of the Hawaiian Mission, to establish a second church or mission in Honolulu (Kawaiahaʻo being the first.)

It started as a thatched-roof adobe structure erected in 1839 on the corner of Smith and Beretania Streets. The adobe building was torn down in 1881 to make way for a new brick edifice.

King Kalākaua took great interest in the church and wanted an imposing church structure with two steeples. His argument was, “…that as a man has two arms, two eyes, two ears, two legs, therefore, a church ought to have two steeples.”

The cornerstone for the new church was laid on September 2, 1881 by Princess Liliʻuokalani (on her birthday.) Seven years later the new building was completed.

It was an imposing landmark, first of its kind, and visible to arriving vessels and land travelers. It was dedicated on Sunday, June 10, 1888. In January, 1900, disaster struck. The Chinatown fire engulfed the entire building leaving only the brick walls standing.

On May 7, 1910, the congregation broke ground for the third church building. It was dedicated on June 25, 1911, the same day in which the 89th Annual Conference of the Hawaiian Evangelical Association (ʻAha Paeʻaina) was hosted by the church.

Click HERE for a Link to additional information on Kaumakapili Church:

Lunalilo Home

The coronation of William Charles Lunalilo took place at Kawaiahaʻo Church in a simple ceremony on January 9, 1873. He was to reign as King for one year and twenty-five days, succumbing to pulmonary tuberculosis on February 3, 1874.

His estate included large landholdings on five major islands, consisting of 33 ahupuaʻa, nine ‘ili and more than a dozen home lots. His will established a perpetual trust under the administration of three trustees to be appointed by the justices of the Hawaiian Supreme Court.

Lunalilo was the first of the large landholding aliʻi to create a charitable trust for the benefit of his people. The purpose of his trust was to build a home to accommodate the poor, destitute and infirm people of Hawaiian (aboriginal) blood or extraction, with preference given to older people.

In 1879 the land for the first Lunalilo Home was granted to the estate by the Hawaiian government and consisted of 21 acres in Kewalo, near the present Roosevelt High School.

The construction of the first Lunalilo Home at that site was paid for by the sale of estate lands. The Home was completed in 1883 to provide care for 53 residents. An adjoining 39 acres for pasture and dairy was conveyed by the legislative action to the Estate in 1888.

After 44 years, the Home in Kewalo (mauka) had deteriorated and became difficult and costly to maintain. The trustees located a new 20-acre site in Maunalua on the slopes of Koko Head.

Click HERE for a Link to additional information on Lunalilo:

Music Hall – Opera House

In 1881, a Music Hall was built across the street from ʻIolani Palace, where Ali‘i regularly joined the audiences at performances. Queen Lili‘uokalani is even said to have written her own opera. (Ferrar) It was built by the Hawaiian Music Hall Association.

The building was first called the Music Hall, but shortly after its transfer to new owners, the name was changed to the Royal Hawaiian Opera House. (Daily Bulletin, February 12, 1895)

Despite its name, the Opera House was not primarily a venue for classical entertainment. Many of its bookings were melodramas and minstrel shows, two very popular forms of theater at the time. Then, it was the first house to show moving pictures in Hawaiʻi.

The building was of brick 120 by 60 feet on the ground floor and walls forty feet high and twenty inches thick. The front door was ten feet wide, opening into a vestibule 16 by 27 feet. The seating capacity of the house was 671 persons. The stage was forty feet deep and provided with a complete set of scenery, traps and all necessary paraphernalia. (Hawaiian Star, February 12, 1895)

“Originally there were two (private) boxes. One on the right of the stage looking out was regarded as the property of the late King Kalākaua, who had subscribed liberally to the stock of the Association. The box on the opposite side was owned by the present proprietors, Messrs. Irwin & Spreckels. About two years ago two boxes wore opened above those mentioned for letting to whomever first applied for thorn on any occasion.” (Daily Bulletin, February 12, 1895)

Click HERE for a Link to additional information on the Opera House:

Wall died at Honolulu on December 26, 1884.

The image shows some of Wall’s designs – ʻIolani Palace, Kaumakapili Church, Lunalilo Home and the Opera House. In addition, I have added others similar images in a folder of like name in the Photos section on my Facebook and Google+ pages.

Follow Peter T Young on Facebook

Follow Peter T Young on Google+

Follow Peter T Young on LinkedIn

Opera was born circa 1600 from the desire of Renaissance Italians to recreate Greek drama, pointing to various less-elevated national theatrical traditions as important contributors to the art form. (Abbate)

Although Hawai‘i is hardly known as an international opera powerhouse, a number of native Hawaiians have been among the art form’s stars. Most notable was tenor Tandy Ka‘ohu MacKenzie, who was born in Hāna in 1892 and went on to become a star of the international opera stage star after he was discovered by an Irish singer who happened to drop in on a performance by MacKenzie’s Kamehameha School glee club. (Ferrar)

The Wells troupe from California opened the music hall. “Since then many companies and individual artists from abroad have trod its boards, and given more or less delight to the inhabitants.” (Daily Bulletin, February 12, 1895)

The building was first called the Music Hall, but shortly after its transfer to new owners, the name was changed to the Royal Hawaiian Opera House. (Daily Bulletin, February 12, 1895)

On July 28, 1883, the property was sold at auction to satisfy a claim. It was purchased by Mr. WG Irwin for $21,000, John D Spreckels being a partner in the deal. (Hawaiian Star, February 12, 1895)

The Music Hall played a role in the Wilcox Rebellion, when it was occupied by Government sharpshooters in suppressing the insurrection of Robert Wilcox in 1889. (Daily Bulletin, February 12, 1895)

“Wilcox and I then marched towards the gate and came by Boyd’s cannon; he told us to get out of the way he wanted to fire then, because he saw some one in the Music Hall pulling down a window; Wilcox stopped him; we walked on toward the gate when a gun fired from the Music Hall.” (Kauhane, Hawaiian Gazette, October 29, 1889)

“Wilcox sung out to Music Hall to “stop firing! stop firing!” three or four more shots were fired from there and then Wilcox gave order to fire; cannons were then fired; think Wilcox knew that Government were gathering forces to drive us out; not my place to surrender.” (Kauhane, Hawaiian Gazette, October 29, 1889)

It later hosted the complimentary farewell reception and ball for Captain Wiltse, commander of the USS Boston in 1893, under the auspices of the provisional Government.

The Music Hall’s “exterior was built of red brick and the facade on King street was of a modest but presentable and harmonious style. Internally it was fitted and furnished in modern fashion, with seats on a sloping floor in semi-circular rows. There were a balcony and a gallery in the second story.” (Daily Bulletin, February 12, 1895)

Fire nearly destroyed the building. Irwin, owner of the property, surveyed the sodden, smoking ashes from his curtained carriage. “I have had enough of music halls,” he told a questioning newsman.

He was later persuaded to rebuild, however, when it was pointed out that the only other theatrical accommodations in the city were inadequate facilities at the YMCA and the hall in Independence Park.

A commission was appointed to inquire into the strength of the walls left standing. After a careful inspection, it was decided that three of the walls were in sound condition, and could be built upon with perfect safety. The rear wall had to be rebuilt. The work began.

The opening of the New Hawaiian Opera House tonight begins another epoch in the history of Honolulu and the public finds that through the action of William G. Irwin of this city and John D. and Adolph Spreckels, of San Francisco, it has a theater equal to the leading places of amusement in the United States. (Hawaiian Gazette, November 10, 1896)

The seating capacity of the New Hawaiian was about 900, but the seats were placed so far apart, in order to make it more comfortable for the patrons, that if it were necessary, two or three hundred more chairs could be placed in the auditorium without crowding. In the rear of the orchestra are two loges, each containing six chairs. (Hawaiian Gazette, November 10, 1896)

On February 5, 1897, the Opera House displayed Edison’s Veriscope which promised to be one of the most interesting sights ever seen in Honolulu. One of the first projections was of a fire department response to a fire. “The crowds gather, people run hither and thither, teams pass, some block the way, the police appear, and there are seen all the usual incidents of a street lire drill.”

“It is a wonderful advance in the stereoscopic art. It projects pictures upon a white screen, in which all the figures are in motion with life-like detail. … The exhibition of the wonderful veriscope is alone worth the evening’s attendance.” (Hawaiian Star, February 4, 1897)

The building was demolished in 1917 to make way for the Federal Building. One of the many eulogies for the building said: “It is historical. It is ugly. It is like a box with a few touches of ornament to make it look unlike a box. So much for the outside. On the inside, it is as cozy and comfortable as anyone could desire.” (Gereben)

The image shows the Music Hall.

Follow Peter T Young on Facebook

Follow Peter T Young on Google+