Images of Old Hawaiʻi

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Mokuʻaikaua Church

This stone and mortar building, completed in 1837, is the oldest surviving Christian church in the state of Hawaiʻi, started by the first Protestant missionaries to land in Hawaiʻi.

With the permission of Liholiho (Kamehameha II), the missionaries built a grass house for worship in 1823 and, later, a large thatched meeting house.

Missionary Asa Thurston directed the construction of the present Mokuʻaikaua Church, then the largest building in Kailua-Kona. Its massive size indicates the large Hawaiian population living in or near Kailua at that time.

Mokuʻaikaua, with its 112-foot-tall steeple, is a reminder of the enthusiasm and energy of the first American missionaries and their Hawaiian converts.

Built of stones taken from a nearby heiau and lime made of burned coral, it represents the new western architecture of early 19th-century Hawaiʻi and became an example that other missionaries would imitate.

The original thatch church which was built in 1823 but was destroyed by fire in 1835, the present structure was completed in 1837. Mokuʻaikaua takes its name from a forest area above Kailua from which timbers were cut and dragged by hand to construct the ceiling and interior.

Mokuʻaikaua Church is centered in a small level lot near the center of Kailua. Its high steeple stands out conspicuously and has become a landmark from both land and sea.

Huge corner stones, said to have been hewn by order of King ʻUmi in the 16th century for a heiau, were set in place and offers evidence of the heavy labor which contributed to the Church’s construction.

The central core of the steeple is polygonal with alternating sections of wide and narrow clapboard.  The wider sections are articulated with louvered arches. The 48 by 120 feet lava rock and coral mortared church is capped with a gable roof.

Construction beams are made from ʻōhiʻa wood. Pieces of the wooden structure were joined with ʻōhiʻa pins.  The spanning beams are fifty feet long and are made from ʻōhiʻa timbers. Corner stones were set in place 20 to 30 feet above the ground.

Mokuʻaikaua Church is the first and one of the largest stone churches in Hawaiʻi, outstanding for its simple, well-proportioned mass and construction.

The interior open timber structure with high galleries is a fine architectural and engineering design. The architectural interest is further enhanced by the church’s historical significance (it is on the Register of Historic Places.)

In 1910, a memorial arch was erected at the entrance to the church grounds to commemorate the arrival of the first missionaries.

Congregationalist missionaries from Boston crossed the Atlantic Ocean, rounded Cape Horn, aboard the Brig Thaddeus.   A replica of the Thaddeus is in Mokuʻaikaua Church.

On the morning of April 4, 1820, 163 days from Boston, the Congregational Protestant missionaries, led by Hiram Bingham, aboard the Thaddeus, came to anchor off the village of Kailua.

They came ashore at the “Plymouth Rock” of Hawaiʻi, where Kailua Pier now stands.  Christian worship has taken place near this site since 1820.  Mokuʻaikaua is known as the “First Christian Church of Hawaiʻi.”

Inspired by the dream of Hawaiian Henry ʻŌpūkahaʻia, seven couples were sent by the American Board of Commissioners for Foreign Missions to convert the Hawaiians to Christianity.

Two Ordained Preachers Hiram Bingham and his wife Sybil and Asa Thurston and his wife Lucy; Two Teachers, Mr. Samuel Whitney and his wife Mercy and Samuel Ruggles and his wife Mary; A Doctor, Thomas Holman and his wife Lucia; A Printer, Elisha Loomis and his wife Maria; A Farmer, Daniel Chamberlain, his wife and five children.

The Thurstons remained in Kailua, while their fellow missionaries went to establish stations on other Hawaiian islands.

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August 9, 1871 Hurricane

A couple newspaper accounts of the impacts of the August 9, 1871 hurricane (estimated to be category 3) and its impact in Kohala:

“DD Baldwin (plantation manager) writes: ‘On Wednesday of last week a fearful tornado swept through the district, spreading desolation and ruin in its track, demolishing Mr. Wright’s mill building and a large portion of the thatched houses in the district; throwing down our flume; uprooting large trees, and prostrating our cane fields.’

‘The wind commenced about 6 o’clock A.M. from the North, and rapidly rotating to the West and South, and increasing in fury, reached its climax about 9 AM when it suddenly lulled into a calm fearfully in contrast with the rain the storm had so rapidly wrought.”

“The wind was accompanied with torrents of rain which raised the streams to an unprecedented height and swept away fences and trees.’”

‘We had as usual commenced our morning grinding when the rain drove in under our boilers, extinguished our fires and drenched our whole mill building with a deluge of water and it was with the utmost difficulty that our sugar on hand in kegs and the bins were saved.’”

“‘Our loss in juice on hand was considerable. The fall of our steam chimney of course prevents grinding now, but we are puting up a new one, and shall commence again next week. The portion of our flume prostrated is In our cane fields, and we continue to run down wood to a point near the cane.”

“But by far the greatest damage is to our cane fields, more particularly those belonging to next years crop, which I fear will seriously effect my estimates.’”

“The Rev. Mr. Bond relates: ‘The storm commenced about 6 AM and increased at 10 AM The greatest fury was say from 9 to 9½ or 9¾, torrents of rain came with it. The district is swept as with the besom of destruction.’”

“‘About 150 houses were blown down, trees in ravines torn up like wisps of grass, cane stripped and torn, as never before and even the grass forced down and made to cleave to the earth.’”

“‘The main houses on the plantation, though flooded, remain in position. Cooper’s shop and several of the people’s houses moved from 2 to 10 feet off their foundations. The damage is variously estimated at $1,000 to $10,000. I should say $5,000 is a fair estimate.’”

“‘In our garden there is scarcely a whole tree of any kind remaining. A mango tree 15 inches in diameter was snapped as a pipe stem, just above the surface of the ground. Old solid kukui trees which had stood the storms of a score of years were torn up and pitched about like chaff.’”

“‘Dr. Wright’s mill and sugar house, the trash and dwelling house for manager, or head man, were all strewn over the ground. We were and are most thankful that the storm came in the daytime, and also that it was limited in its duration. These are the large drops of mercy mingled in the cup.’”

“The number of houses destroyed at Waipio, we understand to have been 27. At Waimea but little damage was done except to the road between that place and Kawaihae which we are informed, was seriously damaged in places by the torrents of water.”

“Other portions of Hawaii seem to have escaped the injurious effects of the storm. At Hilo a strong wind blew during the day, and in the districts of Kona and Kau a vast amount of rain fell without wind.”

“The storm seems, so far as we can judge, to have been a cyclone, moving from SE to NW its most destructive force having been felt in a diameter of from 150 to 200 miles.”

“As the China steamer from San Francisco would probably have been somewhere to the NW of these islands at the time of the storm, it is not improbable that we may hear of her encountering the gale.” (Hawaiians Gazette, August 23, 1871)

“The Storm on Hawaii. All accounts agree that the late storm was more severe in Kohala than elsewhere on the Islands. One hundred and twenty-two houses are reported as blown down in that district, and twenty-eight in Waipio. and some houses moved eight or ten feet from the foundations.”

“The plantations of Dr. Wight and of the Kohala Sugar Co., have suffered severely in buildings and growing crops.”

“The entire damage throughout Maui and Hawaii resulting from this gale, has been roughly estimated at $200,000 ; and we do not consider this as too high, taking into account the present actual losses together with the prospective decrease in produce.”

“Hilo and Kona appear to have escaped the wind on this occasion, and enjoyed copious rains.” (Pacific Commercial Advertiser, August 26, 1871)

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Music Hall – Opera House

Opera was born circa 1600 from the desire of Renaissance Italians to recreate Greek drama, pointing to various less-elevated national theatrical traditions as important contributors to the art form.  (Abbate)

Although Hawai‘i is hardly known as an international opera powerhouse, a number of native Hawaiians have been among the art form’s stars.  Most notable was tenor Tandy Ka‘ohu MacKenzie, who was born in Hāna in 1892 and went on to become a star of the international opera stage star after he was discovered by an Irish singer who happened to drop in on a performance by MacKenzie’s Kamehameha School glee club.  (Ferrar)

In 1881, a Music Hall was built across the street from ʻIolani Palace, where Ali‘i regularly joined the audiences at performances. Queen Lili‘uokalani is even said to have written her own opera.  (Ferrar)  It was built by the Hawaiian Music Hall Association.

The Wells troupe from California opened the music hall.  “Since then many companies and individual artists from abroad have trod its boards, and given more or less delight to the inhabitants.”  (Daily Bulletin, February 12, 1895)

The building was first called the Music Hall, but shortly after its transfer to new owners, the name was changed to the Royal Hawaiian Opera House.  (Daily Bulletin, February 12, 1895)

Despite its name, the Opera House was not primarily a venue for classical entertainment. Many of its bookings were melodramas and minstrel shows, two very popular forms of theater at the time.  Then, it was the first house to show moving pictures in Hawaiʻi.

The building was of brick 120 by 60 feet on the ground floor and walls forty feet high and twenty inches thick. The front door was ten feet wide, opening into a vestibule 16 by 27 feet. The seating capacity of the house was 671 persons. The stage was forty feet deep and provided with a complete set of scenery, traps and all necessary paraphernalia. (Hawaiian Star, February 12, 1895)

On July 28, 1883, the property was sold at auction to satisfy a claim. It was purchased by Mr. WG Irwin for $21,000, John D Spreckels being a partner in the deal.  (Hawaiian Star, February 12, 1895)

“Originally there were two (private) boxes. One on the right of the stage looking out was regarded as the property of the late King Kalākaua, who had subscribed liberally to the stock of the Association.  The box on the opposite side was owned by the present proprietors, Messrs. Irwin & Spreckels. About two years ago two boxes wore opened above those mentioned for letting to whomever first applied for thorn on any occasion.”  (Daily Bulletin, February 12, 1895)

The Music Hall played a role in the Wilcox Rebellion, when it was occupied by Government sharpshooters in suppressing the insurrection of Robert Wilcox in 1889.  (Daily Bulletin, February 12, 1895)

“Wilcox and I then marched towards the gate and came by Boyd’s cannon; he told us to get out of the way he wanted to fire then, because he saw some one in the Music Hall pulling down a window; Wilcox  stopped him; we walked on toward the gate when a gun fired from the Music Hall.”  (Kauhane, Hawaiian Gazette, October 29, 1889)

“Wilcox sung out to Music Hall to “stop firing! stop firing!” three or four more shots were fired from there and then Wilcox gave order to fire; cannons were then fired; think Wilcox knew that Government were gathering forces to drive us out; not my place to surrender.”  (Kauhane, Hawaiian Gazette, October 29, 1889)

It later hosted the complimentary farewell reception and ball for Captain Wiltse, commander of the USS Boston in 1893, under the auspices of the provisional Government.

The Music Hall’s “exterior was built of red brick and the facade on King street was of a modest but presentable and harmonious style. Internally it was fitted and furnished in modern fashion, with seats on a sloping floor in semi-circular rows. There were a balcony and a gallery in the second story.”  (Daily Bulletin, February 12, 1895)

Fire nearly destroyed the building.  Irwin, owner of the property, surveyed the sodden, smoking ashes from his curtained carriage. “I have had enough of music halls,” he told a questioning newsman.

He was later persuaded to rebuild, however, when it was pointed out that the only other theatrical accommodations in the city were inadequate facilities at the YMCA and the hall in Independence Park.

A commission was appointed to inquire into the strength of the walls left standing.  After a careful inspection, it was decided that three of the walls were in sound condition, and could be built upon with perfect safety.  The rear wall had to be rebuilt.  The work began.

The opening of the New Hawaiian Opera House tonight begins another epoch in the history of Honolulu and the public finds that through the action of William G. Irwin of this city and John D. and Adolph Spreckels, of San Francisco, it has a theater equal to the leading places of amusement in the United States.  (Hawaiian Gazette, November 10, 1896)

A commission was appointed to inquire into the strength of the walls left standing.  After a careful inspection, it was decided that three of the walls were in sound condition, and could be built upon with perfect safety.  The rear wall had to be rebuilt.  The work began.

The seating capacity of the New Hawaiian was about 900, but the seats were placed so far apart, in order to make it more comfortable for the patrons, that if it were necessary, two or three hundred more chairs could be placed in the auditorium without crowding. In the rear of the orchestra are two loges, each containing six chairs.  (Hawaiian Gazette, November 10, 1896)

On February 5, 1897, the Opera House displayed Edison’s Veriscope which promised to be one of the most interesting sights ever seen in Honolulu.   One of the first projections was of a fire department response to a fire.  “The crowds gather, people run hither and thither, teams pass, some block the way, the police appear, and there are seen all the usual incidents of a street lire drill.”

“It is a wonderful advance in the stereoscopic art. It projects pictures upon a white screen, in which all the figures are in motion with life-like detail. … The exhibition of the wonderful veriscope is alone worth the evening’s attendance.”  (Hawaiian Star, February 4, 1897)

The building was demolished in 1917 to make way for the Federal Building.  One of the many eulogies for the building said:  “It is historical. It is ugly. It is like a box with a few touches of ornament to make it look unlike a box. So much for the outside. On the inside, it is as cozy and comfortable as anyone could desire.”  (Gereben)

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Fort Street Mall

In 1815, Kamehameha I granted Russian representatives permission to build a storehouse near Honolulu Harbor.  But, instead, directed by the German adventurer Georg Schaffer (1779-1836,) they began building a fort and raised the Russian flag.

They built their blockhouse near the harbor, against the ancient heiau of Pākākā and close to the King’s complex.  There are reports that the Russians used stones from Pākākā in building their facility.  (Pākākā was the site of Kaua‘i’s King Kaumuali‘i’s negotiations relinquishing power to Kamehameha I, instead of going to war, and pledged allegiance to Kamehameha, a few years earlier in 1810.)

When Kamehameha discovered the Russians were building a fort (rather than storehouses) and had raised the Russian flag, he sent several chiefs (including Kalanimōku and John Young (his advisor,)) to remove the Russians from Oʻahu by force, if necessary.

The Russian personnel judiciously chose to sail for Kaua‘i instead of risking bloodshed.  On Kaua‘i, there they were given land by Kaua‘i’s King Kaumuali‘i; the Russian Fort Elizabeth was built soon after on Kaua‘i.

The partially built blockhouse at Honolulu was finished by Hawaiians under the direction of John Young and mounted guns protected the fort.  Its original purpose was to protect Honolulu by keeping enemy or otherwise undesirable ships out.  But, it was also used to keep things in (it also served as a prison.)

By 1830, the fort had 40 guns mounted on the parapets all of various calibers (6, 8, 12 and probably a few 32 pounders.)  Fort Kekuanohu literally means ‘the back of the scorpion fish,’ as in ‘thorny back,’ because of the rising guns on the walls.  In 1838 there were 52 guns reported.

Fort Street is named after this fort; it is one of the oldest streets in Honolulu.  Today, the site of the old fort is the open space called Walker Park, a small park at the corner of Queen and Fort streets (also fronting Ala Moana/Nimitz.)

Fort Street gradually became the retail and business center of the Island throughout the 1800s and into the 1950s; it hosted several of the largest department stores in Hawaii including Kress, Liberty House and Woolworth’s.  Other stores were located along its streets.

However, by the 1940s, some foresaw the decline of downtown.  Traffic congestion, inadequate parking and competition from suburban shopping centers drained business from downtown.

In 1949, the Hawaiʻi Chapter of the American Institute of Architects made the first proposal to close Fort Street to vehicular traffic.  Nothing happened; then, with the announcement of the planned Ala Moana Shopping Center, many feared a mass exodus from downtown.

In response, the Downtown Improvement Association was formed in 1958.  It developed a master plan for downtown.  Little happened, for another 6-years.  Then, a pilot project closed Fort Street, in conjunction with the Golden Harvest Celebration.

While downtown business declined with the opening of Ala Moana Center, more studies and plans were prepared, until, finally, the City Planning Commission hired Gruen to develop a plan.

The plan called for downtown super blocks, with a system of pedestrian malls.  In January 1968, the City Council approved Gruen mall plan, after 75% of adjoining owners indicated their consent.

Fort Street Mall is 5-blocks in length (1,738-feet,) extending from Queen Street up to Beretania Street.  Construction began in June 1968 and was completed in February 1969, at a cost of $27-millon.

The architect of the Mall was Victor Gruen Associates.  The project was funded by the City & County (55%,) private owners (44%) and Board of Water Supply (1%.)

Its average width is 50-feet, at the King Street Plaza it widens to 83-feet and at Father Damien Plaza on Beretania Street it becomes 93-feet.  There are cross streets at Merchant, King and Hotel with a pedestrian underpass (and Satellite City Hall) on King Street.

Today, the Fort Street Mall Business Improvement District Association, a nonprofit corporation consisting of property owners and ground lessees adjacent to the Mall, manages the Mall by supplementing the services (primarily maintenance and security) currently provided by the City and County of Honolulu.

Like most urban settings, Fort Street Mall’s character changes block by block.  As you walk along the Mall, the businesses and the patrons indicate changes in the Mall’s identity.

Across from the Cathedral of Our Lady of Peace at the mauka end of the Mall, the Hawaii Pacific University presence gives the Mall a college feel.  Students periodically fill the Mall when classes let out and they stroll to one of the many buildings that HPU occupies on the Mall.

(Information here if from Pedestrian Malls, Streetscapes, and Urban Spaces, Harvey M. Rubenstein and The Fort Street Mall Business Improvement District Association.)

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Edward LaVaun Clissold

Edward LaVaun Clissold was born in Salt Lake City April 11, 1898.  He grew up in Salt Lake City and attended East High School. After high school he received at least some education from the University of Utah. World War I apparently cut short his education.

Clissold served in the Navy along with his brother Albert aboard the battleship USS Arkansas in the Atlantic. Returning from the Navy at age 22, he married Irene Picknell.

While still barely a newlywed, he made a monumental decision that would affect the rest of his life. At age 23, a war veteran, a husband and soon to be father, he chose to serve a Mormon mission in a time when only a few served missions.

As a brand new missionary, he sailed for Hawaii on the S.S. Manoa alone. When he arrived in Honolulu a week later on July 27, 1921, there was no one to meet him.

He sat alone with his trunk on the dock not knowing what he should do next. A baggage man approached him, asking if he were a Mormon Missionary. He replied yes and asked how he knew.

The man replied “Well, we have a forlorn-looking group come in here every once in awhile. I take their baggage up to the mission home.” And so the baggage man took Elder Clissold to the mission home.

Elder Clissold was assigned to the Oahu Conference (zone) and two months later to Laie where he would serve from August to November of 1921. The Temple in Laie, which was less than two years old.

He left on November 15, 1921 for Kona (Big Island) where he would spend the next 13 months.   It was there that he learned to speak Hawaiian.

Elder Clissold spent the remainder of his mission in the Honolulu area, serving in leadership positions for the Sunday Schools, as was often the practice for missionaries in those days.

Clissold returned to Salt Lake City in 1924 following his mission. When he returned home to his wife, he met a two-and-a-half year old daughter he had never seen before.

Clissold started working for American Savings in Salt Lake City; they wanted to open a branch in Honolulu and Clissold was offered the job of running the Honolulu Branch.

Clissold arrived in Hawaii in January 1925, with Irene following a few months later. In August of 1926 he moved to State Savings and remained there until 1970.

During the 1920s and 30s, he was involved with the Lions Club; in addition to his other responsibilities, becoming the president at age 33 and District President at age 42.

Associated with his business activities at the time was his desire to learn to speak Japanese. He had observed that approximately half of Hawai‘i’s population at the time was first and second generation Japanese.

He thought it made good business sense to learn their language and hired a tutor to teach him the language from 1926-34. His Japanese apparently was not as good as his Hawaiian.

However, the fact that a haole businessman could speak both Hawaiian and Japanese was most unusual, and earned him respect from the speakers of these languages. Additionally, the Clissold children attended the Makiki Japanese School from 1934 to 1936.

Ten years after he moved to Honolulu, the Oahu Stake was created, and Clissold was called as 1st counselor to Stake President and served as such for 9-years.  In 1936, Clissold became the Hawai‘i Temple President; he served as the president until 1938.

Clissold resumed his association with Navy in 1936 by joining the Navy reserve as a Lieutenant. He soon went on a shakedown cruise to the South Pacific on the destroyer USS Maori, DD-401.  Then came war.

1942 found him serving as the Hawai‘i Temple President again due to the departure of the former president and the lack of replacements to serve because of the war.

At the same time, he became the acting president of the Japanese Mission. It was during this time that the mission name was changed to the Central Pacific Mission.

In 1943 the war finally carried him away from Hawai‘i as he was sent to the Mainland, first to Charlottesville, Virginia and then to the University of Chicago, to teach the US occupational forces who were preparing for post-war Japan.

His military service overseas saw him participating in the military government in Philippines, Okinawa and Japan. While in Japan, he surveyed the situation in anticipation for reopening missionary work there. He finally returned home to Hawai‘i in 1946.

He became the Oahu Stake President, from 1951 until 1963; his responsibilities included forming a school, the Church College of Hawai‘i (now known as Brigham Young University – Hawaii), which opened in 1955. 

In addition, Clissold became the manager and then chairman of Zions Securities (now known as of Hawai‘i Reserves) during the years 1953 to 1970.  He also served on the Hawaiian Homes Commission from 1954 to 1958.

Simultaneous with these activities, he was also laying out the foundation of what would become the Polynesian Cultural Center (PCC).  (It opened on October 12, 1963.)  He served a third term as Hawai‘i Temple President from 1962 to 1965.

Clissold’s personality has been described by himself and numerous others as quiet, humble, private, self-effacing, with a tendency to detail. He held an unprecedented number of callings and responsibilities, simultaneously.

Because of his multiple responsibilities, he has been referred to as ‘Mr. Everything,’ or in the words of one Hawaiian man,  ‘the second most powerful man in the Church’ (Church President David O. McKay being the single most powerful). (All here is from a summary by Brian O’Brien)

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