Images of Old Hawaiʻi

by Peter T Young 1 Comment

Fort Street Mall

In 1815, Kamehameha I granted Russian representatives permission to build a storehouse near Honolulu Harbor.  But, instead, directed by the German adventurer Georg Schaffer (1779-1836,) they began building a fort and raised the Russian flag.

They built their blockhouse near the harbor, against the ancient heiau of Pākākā and close to the King’s complex.  There are reports that the Russians used stones from Pākākā in building their facility.  (Pākākā was the site of Kaua‘i’s King Kaumuali‘i’s negotiations relinquishing power to Kamehameha I, instead of going to war, and pledged allegiance to Kamehameha, a few years earlier in 1810.)

When Kamehameha discovered the Russians were building a fort (rather than storehouses) and had raised the Russian flag, he sent several chiefs (including Kalanimōku and John Young (his advisor,)) to remove the Russians from Oʻahu by force, if necessary.

The Russian personnel judiciously chose to sail for Kaua‘i instead of risking bloodshed.  On Kaua‘i, there they were given land by Kaua‘i’s King Kaumuali‘i; the Russian Fort Elizabeth was built soon after on Kaua‘i.

The partially built blockhouse at Honolulu was finished by Hawaiians under the direction of John Young and mounted guns protected the fort.  Its original purpose was to protect Honolulu by keeping enemy or otherwise undesirable ships out.  But, it was also used to keep things in (it also served as a prison.)

By 1830, the fort had 40 guns mounted on the parapets all of various calibers (6, 8, 12 and probably a few 32 pounders.)  Fort Kekuanohu literally means ‘the back of the scorpion fish,’ as in ‘thorny back,’ because of the rising guns on the walls.  In 1838 there were 52 guns reported.

Fort Street is named after this fort; it is one of the oldest streets in Honolulu.  Today, the site of the old fort is the open space called Walker Park, a small park at the corner of Queen and Fort streets (also fronting Ala Moana/Nimitz.)

Fort Street gradually became the retail and business center of the Island throughout the 1800s and into the 1950s; it hosted several of the largest department stores in Hawaii including Kress, Liberty House and Woolworth’s.  Other stores were located along its streets.

However, by the 1940s, some foresaw the decline of downtown.  Traffic congestion, inadequate parking and competition from suburban shopping centers drained business from downtown.

In 1949, the Hawaiʻi Chapter of the American Institute of Architects made the first proposal to close Fort Street to vehicular traffic.  Nothing happened; then, with the announcement of the planned Ala Moana Shopping Center, many feared a mass exodus from downtown.

In response, the Downtown Improvement Association was formed in 1958.  It developed a master plan for downtown.  Little happened, for another 6-years.  Then, a pilot project closed Fort Street, in conjunction with the Golden Harvest Celebration.

While downtown business declined with the opening of Ala Moana Center, more studies and plans were prepared, until, finally, the City Planning Commission hired Gruen to develop a plan.

The plan called for downtown super blocks, with a system of pedestrian malls.  In January 1968, the City Council approved Gruen mall plan, after 75% of adjoining owners indicated their consent.

Fort Street Mall is 5-blocks in length (1,738-feet,) extending from Queen Street up to Beretania Street.  Construction began in June 1968 and was completed in February 1969, at a cost of $27-millon.

The architect of the Mall was Victor Gruen Associates.  The project was funded by the City & County (55%,) private owners (44%) and Board of Water Supply (1%.)

Its average width is 50-feet, at the King Street Plaza it widens to 83-feet and at Father Damien Plaza on Beretania Street it becomes 93-feet.  There are cross streets at Merchant, King and Hotel with a pedestrian underpass (and Satellite City Hall) on King Street.

Today, the Fort Street Mall Business Improvement District Association, a nonprofit corporation consisting of property owners and ground lessees adjacent to the Mall, manages the Mall by supplementing the services (primarily maintenance and security) currently provided by the City and County of Honolulu.

Like most urban settings, Fort Street Mall’s character changes block by block.  As you walk along the Mall, the businesses and the patrons indicate changes in the Mall’s identity.

Across from the Cathedral of Our Lady of Peace at the mauka end of the Mall, the Hawaii Pacific University presence gives the Mall a college feel.  Students periodically fill the Mall when classes let out and they stroll to one of the many buildings that HPU occupies on the Mall.

(Information here if from Pedestrian Malls, Streetscapes, and Urban Spaces, Harvey M. Rubenstein and The Fort Street Mall Business Improvement District Association.)

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Edward LaVaun Clissold

Edward LaVaun Clissold was born in Salt Lake City April 11, 1898.  He grew up in Salt Lake City and attended East High School. After high school he received at least some education from the University of Utah. World War I apparently cut short his education.

Clissold served in the Navy along with his brother Albert aboard the battleship USS Arkansas in the Atlantic. Returning from the Navy at age 22, he married Irene Picknell.

While still barely a newlywed, he made a monumental decision that would affect the rest of his life. At age 23, a war veteran, a husband and soon to be father, he chose to serve a Mormon mission in a time when only a few served missions.

As a brand new missionary, he sailed for Hawaii on the S.S. Manoa alone. When he arrived in Honolulu a week later on July 27, 1921, there was no one to meet him.

He sat alone with his trunk on the dock not knowing what he should do next. A baggage man approached him, asking if he were a Mormon Missionary. He replied yes and asked how he knew.

The man replied “Well, we have a forlorn-looking group come in here every once in awhile. I take their baggage up to the mission home.” And so the baggage man took Elder Clissold to the mission home.

Elder Clissold was assigned to the Oahu Conference (zone) and two months later to Laie where he would serve from August to November of 1921. The Temple in Laie, which was less than two years old.

He left on November 15, 1921 for Kona (Big Island) where he would spend the next 13 months.   It was there that he learned to speak Hawaiian.

Elder Clissold spent the remainder of his mission in the Honolulu area, serving in leadership positions for the Sunday Schools, as was often the practice for missionaries in those days.

Clissold returned to Salt Lake City in 1924 following his mission. When he returned home to his wife, he met a two-and-a-half year old daughter he had never seen before.

Clissold started working for American Savings in Salt Lake City; they wanted to open a branch in Honolulu and Clissold was offered the job of running the Honolulu Branch.

Clissold arrived in Hawaii in January 1925, with Irene following a few months later. In August of 1926 he moved to State Savings and remained there until 1970.

During the 1920s and 30s, he was involved with the Lions Club; in addition to his other responsibilities, becoming the president at age 33 and District President at age 42.

Associated with his business activities at the time was his desire to learn to speak Japanese. He had observed that approximately half of Hawai‘i’s population at the time was first and second generation Japanese.

He thought it made good business sense to learn their language and hired a tutor to teach him the language from 1926-34. His Japanese apparently was not as good as his Hawaiian.

However, the fact that a haole businessman could speak both Hawaiian and Japanese was most unusual, and earned him respect from the speakers of these languages. Additionally, the Clissold children attended the Makiki Japanese School from 1934 to 1936.

Ten years after he moved to Honolulu, the Oahu Stake was created, and Clissold was called as 1st counselor to Stake President and served as such for 9-years.  In 1936, Clissold became the Hawai‘i Temple President; he served as the president until 1938.

Clissold resumed his association with Navy in 1936 by joining the Navy reserve as a Lieutenant. He soon went on a shakedown cruise to the South Pacific on the destroyer USS Maori, DD-401.  Then came war.

1942 found him serving as the Hawai‘i Temple President again due to the departure of the former president and the lack of replacements to serve because of the war.

At the same time, he became the acting president of the Japanese Mission. It was during this time that the mission name was changed to the Central Pacific Mission.

In 1943 the war finally carried him away from Hawai‘i as he was sent to the Mainland, first to Charlottesville, Virginia and then to the University of Chicago, to teach the US occupational forces who were preparing for post-war Japan.

His military service overseas saw him participating in the military government in Philippines, Okinawa and Japan. While in Japan, he surveyed the situation in anticipation for reopening missionary work there. He finally returned home to Hawai‘i in 1946.

He became the Oahu Stake President, from 1951 until 1963; his responsibilities included forming a school, the Church College of Hawai‘i (now known as Brigham Young University – Hawaii), which opened in 1955. 

In addition, Clissold became the manager and then chairman of Zions Securities (now known as of Hawai‘i Reserves) during the years 1953 to 1970.  He also served on the Hawaiian Homes Commission from 1954 to 1958.

Simultaneous with these activities, he was also laying out the foundation of what would become the Polynesian Cultural Center (PCC).  (It opened on October 12, 1963.)  He served a third term as Hawai‘i Temple President from 1962 to 1965.

Clissold’s personality has been described by himself and numerous others as quiet, humble, private, self-effacing, with a tendency to detail. He held an unprecedented number of callings and responsibilities, simultaneously.

Because of his multiple responsibilities, he has been referred to as ‘Mr. Everything,’ or in the words of one Hawaiian man,  ‘the second most powerful man in the Church’ (Church President David O. McKay being the single most powerful). (All here is from a summary by Brian O’Brien)

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“The sound of the waves on the beach at Waikiki”

Webley Edwards was born November 11, 1902 in Corvallis, Oregon.  He attended Oregon Agricultural College (OAC – it was later named Oregon State University) where he became the first student manager of campus radio, KOAC.

As an OAC student, Webley “made good grades, was a popular athlete, and became the best ukulele player on campus, in an era when skill with the instrument was considered a sure way to a woman’s heart.”  (Corvallis Gazette-Times)

After graduating from OAC in 1927, Webley moved to Hawaiʻi in 1928 to work as a car salesman and play semi-pro football. Fascinated with the local music, in 1935, he arranged for a two-week trial run for a radio show of “authentic” Hawaiian music.

On July 3, 1935, Edwards created and first aired a radio program called “Hawaiʻi Calls” featuring Hawaiian music and entertainment.

The first show reached the West Coast of the continental US through shortwave radio.  Although the program enjoyed a growing popularity on the mainland, Edwards initially had a hard time making ends meet and solicited support from the Hawaiʻi Tourist Bureau.

Hawaiʻi was calling, he seemed to suggest, and to the home-bound listener freezing through an Iowa or Montana winter, making a vow to one day visit the Islands became irresistible.

From about 40,000 visitors annually in the 1930s, the number had grown to 500,000 by the time the show ended its run more than 35 years later.  (Corvallis Gazette-Times)

Except for an apparent break during World War II, the radio program aired continuously since its inception.

Edwards was the first to broadcast news of the Japanese attack on Pearl Harbor.  In his own words, “the real McCoy. All army, navy and marine personnel report to duty.”  (Corvallis Gazette-Times)

During the war, Edwards worked as a reporter for CBS Radio and landed exclusives including an interview with Colonel Paul W Tibbetts (the pilot of the B-29 Superfortress Enola Gay, who dropped the atomic bomb over Hiroshima.)

He had been chosen by lottery to be the chief announcer for the shipboard ceremony that ended hostilities between the United States and Japan and aboard the USS Missouri reported on the surrender ceremony that brought the conflict to its close.  (Ankeny)

“Attention, peoples of the world! World War II is about to come to its official closing, three years, eight months and 25 days since the attack on Pearl Harbor.  The Japanese delegation has just arrived.”

“Lined up before us are officers and men with high-ranking stars and gold braid. The deck of the Missouri stretches out before us … its great guns pointed skyward to allow for more room …”   (Corvallis Gazette-Times)

From the time of inception until January of 1972, Webley Edwards was Hawaiʻi Calls’ announcer and leading personality.

Each show opened with the sounds of the pounding surf and the enthusiastic bounding voice of Webley Edwards proclaiming “The sound of the waves on the beach at Waikiki.”

Usually that radio program was broadcast to the Mainland at about sundown. The announcer always described the beautiful sunset including the words, “and now the beautiful sun is a ball of fire, sinking, sinking, ever so slowly over the edge of the ocean–there it goes.”    (Green)

The weekly program was typically taped before a live audience at the Moana Hotel in Waikiki.  Periodically, they took the show on the road and broadcast from a neighbor island.

In its heyday, the show was heard on over 600 radio stations in North America and scores of others in Australia, New Zealand, Mexico, South America, Africa and the Far East.  It was also heard on the Voice of Freedom (the predecessor to the Voice of America) and on Armed Forces Radio throughout the world.    (Hula Records)

Throughout the 1950s, Edwards compiled and produced a series of Hawaiian music collections for Capitol Records.  He even wrote songs under a pseudonym, John Kalapana.

In all, Hawaiʻi Calls spanned 40-years, along the way popularizing tunes including “Lovely Hula Hands,” “Beyond the Reef,” “Little Brown Gal” and “The Hawaiian Wedding Song.”

“Sweet Leilani,” which Edwards debuted in 1936, won an Academy Award after Bing Crosby’s powerful, yet gentle, rendition from the movie ‘Waikiki Wedding’ thrilled people throughout the world.  (Hula Records)

In addition, he helped promote local performers, including Alfred Apaka, George Kainapau, Haleloke, and Simeon and Andy Bright.  (Ankeny)  In addition, Al Jolson and Arthur Godfrey were among the many guests featured on the program.

After Edwards left the program, Danny Kaleikini, a well-known Hawaiʻi entertainer and singer, was the announcer and a performer for the program.  (US District Court Records)  The program ended August 16, 1975.

Late in his career, Edwards made a successful run at politics, serving for more than 14-years in Hawaiʻi’s territorial legislature and then the state legislature.

Spending his last few months in a Honolulu assisted-living facility, he died October 5, 1977, after suffering a heart attack.

On October 3, 1992 there was a temporary return of Hawaiʻi Calls, taped at the Hilton Hawaiian Village’s beachside Tropics Showroom, then transmitted via satellite to affiliates.  It ran for about a year, but it failed to attract enough financial support to continue.

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Historic Homes of Waikīkī

A Waikīkī historic home walking tour from the Historic Hawaiʻi Foundation is a self-guided itinerary, suitable for individual travelers, and focuses on sites of historic or cultural significance that are either open to the public or visible from the public way.

The Historic Homes in Waikīkī Walking Tour takes 45-minutes or more. The tour starts at the War Memorial Natatorium, then head towards Diamond Head to the Tahitienne apartment.

The traveler then weaves in between the Honolulu Tudor/ French Norman Cottages and other charming historic residential homes. At the end of the tour, the traveler will finish off with the Mediterranean inspired La Pietra School for girls.

1.  The War Memorial Natatorium is significant as a major social and recreational local landmark and for its association with the history of competitive swimming. The swimming complex was rendered in a Beaux-Arts style and was finished in the summer of 1927, the first “living” was memorial in the United States.

The property contains a 100 meter saltwater swimming pool, concrete bleachers that rises 13-levels high, and a main entryway that includes an elaborate sculpture and triumphal arch entablature. The memorial is dedicated to those from Hawai‘i who served in World War I.

2.  The Tahitienne is a nine-story apartment building rendered in a 1950 modern, utilitarian style. The Tahitienne was planned and built by California architects Bob Fraser and Paul Hammarbarg. Local Architect, Edwin L Bauer, helped design the layout and interiors of the apartments.

This building is associated with the commercial development of real estate in Hawaiʻi, and specifically with the co-operative apartments in Honolulu.  There are approximately 50 co-operative apartments which appeared during the 1950s and early 1960s in Honolulu, which remain functioning as a co-op.

3.  The Egholm Residence was built in 1926 in the Diamond Head Terraces subdivision.  It is significant as one of the few examples of small cottages in the Spanish Colonial Revival style popular in Hawai‘i in the 1920s and early 1930s. The hipped red clay tile roof, stucco exterior and arcaded entrance are characteristic features of this style.

The residence is the work of notable architect and builder Carl William Winstedt. The modest scale of this house is rare compared to the other palatial residences built in the Spanish Colonial Revival style during this time period in Hawai‘i.

4.  The Honolulu Tudor/French Norman Cottages Thematic Group are made up of fifteen different residences, built between 1923 and 1932. These homes display a high degree of craftsmanship and design detail and include the work of several local architects and builders, including: Earl Williams, Hart Wood, John Morley, Theo Davies & Co., and J Alvin Shadinger.

5.  The James JC Haynes Residence, built in 1926, is a two story, shingle sided house facing south. The house stands out as a well-constructed house, having been built by Lewers & Cooke, rendered in a distinctive colonial style distinguished by its high pitched, front facing gable roofs clad with cut shingles and closed eaves with 4″ beaded tongue and groove soffits.

The house is also significant for its adaptation of this colonial revival form to Hawai‘i’s climate. Its easy access to the outdoors bespeaks a Hawai‘i architectural tradition for informal living.

6.  The CW Dickey Residence, built in 1926, is associated with the well-known local architect, Charles William Dickey, and the development of the Hawaiian style of architecture. This cottage, with its prominent double-pitched hipped roof, became the prototype for numerous modest cottages built in the Islands during the late 1920s and 1930s.

Through the use of graceful sloping roofs, overhanging eaves, extensive windows and screened openings, and lanai, Dickey said, “I believe I have achieved a distinctive Hawaiian type of architecture” (Honolulu Advertiser, March 14, 1926). The house appears intact and serves as a well-crafted, well-designed statement of Dickey’s development of an exclusive Hawaiian style of architecture.

7.  Doctor Frank and Kathryn Plum Residence was constructed by Rudolph Bukeley in 1929.  It is significant as an example of a Cotswold Cottage style residence constructed in Hawai‘i during the time period of the late 1920s and early 1930s.

It well reflects the style with its romantic asymmetric massing, and its use of such eclectic and picturesque elements as its skewed gable, front bay window, wrought iron mock-balconet in the round arched gable vent, canted walls with their wound arched doors, double pitched roof, and shed roof dormers.

8.  Built in 1923, Fred Harrison Rental Property is a one and a half story, shiplap sided, vernacular style house. It is a good example of a dwelling constructed as a middle class rental property.

Although a modest house, it presents a distinctive appearance to the street with the curved, sweeping roofline; prominent bay window; double gable ends on the west side; and a front doorway that does not face the street.

9.  The Adolph Egholm Kiele Avenue House is a single story, Spanish Mission Revival style cottage that was constructed in 1926. It features stucco walls and a red clay tile, hipped roof with overhanging eaves and exposed rafter tails.

The house sits on a lava rock basement and is distinguished by its centered, outset, flat roofed front porch with its round arched openings.  It is significant as a good exaple of a Spanish Mansion cottage built during the 1920s.

10.  The Mrs. Josephine Ketchum Residence is a Craftsman-style bungalow built in 1931.  It is significant for its architecture as an example of a Craftsman inspired house in Hawai‘i. The naturally-stained board and batten walls and use of heavy timbering are character-defining elements of the building’s design.

In addition to these typical craftsman hallmarks, the house features the “Hawaiian” style, double-pitched hipped roof, which was very popular in the Islands during the late 1920s and early 1930s. This further accentuated the horizontal sense of the house, another typical Craftsman characteristic. The screened lanai and exterior bathroom door further fix its location near the beach, where a number of houses from this period featured such doors for use by beach goers.

11.  The Folk Residence, Tavares Residence and Coconut Avenue Residence were built by John Morley for the Pacific Trust Company and are part of the Honolulu (made up of fifteen different residences, built between 1923 and 1932.

These homes display a high degree of craftsmanship and design detail and include the work of several local architects and builders.)

12.  The Helene Morgan Residence is a single story, Hawaiian style duplex with a pair of double-pitched hipped roofs with overhanging eaves and exposed rafter tails.

Presently, the house is a single family dwelling, but originally it was two separate laid out units connected by a passage. The duplex sits on a raised, post and pier, foundation with lava rocks at the base.

13.  The Richard M Botley Residence was built in 1931.  It is significant for its architecture as a good example of a Spanish Mission Revival house built in Hawai‘i during the period 1920-1931.

It is characteristic of the style with its red tile roof and white masonry walls. The two-story, L-shaped house was designed by noted Honolulu architect Robert Miller.

14.  Constructed in 1929, Hibiscus Place is a two-family Mediterranean Revival style residence. The builder, Charles Ingvorsen and his wife, Mary M. Ingvorsen, came to the United States from Denmark. He developed a number of smaller homes in the Diamond Head Terrace subdivision, and retained this property high on the slopes of Diamond Head for his family.

Originally, the Hibiscus Place land consisted of approximately 17,739 square feet but, the property was subdivided in the 1950’s into three separate parcels. The current owner acquired and reassembled two of the three parcels of land into a single property that now consists of 12,495 square feet.

15.  La Pietra, which was constructed in 1921, is an extensive two-story Mediterranean Style building built to resemble an Italian Villa. Its two stories are arranged in a hollow square containing a central rectangular patio. The central patio is lined on all four sides with arcades supported by cut sandstone Doric columns.

La Pietra is significant as a representation of the kind of lifestyle enjoyed by the very wealthy in Hawaiʻi at that time as well as an example of Mediterranean architecture. The building was designed by prominent Chicago-based architect David Adler for Walter F Dillingham, a prominent Honolulu industrialist and businessman known as the Baron of Hawaiʻi Industry.

16.  Kapi‘olani Park was dedicated in 1877 and is a recreational open space of 160 acres. Kapi‘olani Park has an extensive and varied history. The park began as a private preserve that transitioned over the years into the present-day iconic public park. Kapi‘olani Park is historically significant for its past association with indigenous Hawaiian culture and royalty.

King Kalākaua envisioned the park as a place of recreation for all and named it after his famous Queen, Kapi‘olani. Long before the park was established, on Waikīkī/Kapiʻolani park area was the center of Hawaiian culture on Oʻahu. Agricultural cultivation, fishponds, coconut groves and indigenous settlements dotted the area.

17.  The Diamond Head Lighthouse is a 57 foot white concrete pyramidal tower with a red roof. It sits seemingly on the side of a sharp cliff when viewed from seaward, and at night the light can be seen up to 18 miles by the mariner.  It was first established in 1899 to guide mariners into the then budding port of Honolulu.

Constructed in the Monarchy period, the lighthouse and accompanying buildings have not changed since 1917. The lighthouse itself is of the classic lighthouse design – a thick white tower with a barn-red pointed roof.

Heritage Tourism Reminders
Please remember to be respectful and considerate towards the owners of the Historic Homes you are viewing.

  • Heed signs and respect the fact that each house is privately owned.
  • Please do not trespass.
  • Try not to loiter or display suspicious behavior around these houses.
  • Do not litter.

© 2022 Hoʻokuleana LLC

 

by Peter T Young Leave a Comment

1850

“When I found I had crossed that line, I looked at my hands to see if I was the same person. There was such a glory over everything; the sun came like gold through the trees, and over the fields, and I felt like I was in Heaven.” Harriet Tubman

Born into slavery on Maryland’s Eastern Shore in 1822, she was named Araminta by her enslaved parents, Ben and Rit Ross. Nearly killed at the age of 13 by a blow to her head, “Minty” recovered and grew strong and determined to be free.

Changing her name to Harriet upon her marriage to freeman John Tubman in 1844, she escaped five years later when her enslaver died and she was to be sold. One hundred dollars was offered for her capture.

In 1849 Harriet Tubman learned that she and her brothers Ben and Henry were to be sold. Financial difficulties of slave owners frequently precipitated sale of slaves and other property.

The family had been broken before; three of Tubman’s older sisters, Mariah Ritty, Linah, and Soph, were sold to the Deep South and lost forever to the family and to history.

Despite additional dangers resulting from the Fugitive Slave Act of 1850, Tubman risked her life and ventured back to the community where she was born to rescue family, friends, and others.

The act required the reporting and arrest of anyone suspected of being a runaway slave, eliminated protections for suspected runaways, and provided economic incentives to kidnap people of African descent.

In September of 1850, Harriet was made an official “conductor” of the Underground Railroad. This meant that she knew all the routes to free territory and she had to take an oath of silence so the secret of the Underground Railroad would be kept secret.

Vowing to return to bring her family and friends to freedom, she spent the next ten years making about 13 trips into Maryland to rescue them. She also gave instructions to about 70 more who found their way to freedom independently.

Through the Underground Railroad, Tubman learned the towns and transportation routes characterizing the South—information that made her important to Union military commanders during the Civil War.

As a Union spy and scout, Tubman often transformed herself into an aging woman. She would wander the streets under Confederate control and learn from the enslaved population about Confederate troop placements and supply lines.

Tubman helped many of these individuals find food, shelter, and even jobs in the North. She also became a respected guerrilla operative. As a nurse, Tubman dispensed herbal remedies to black and white soldiers dying from infection and disease.

A lifelong humanitarian and civil rights activist, she formed friendships with abolitionists, politicians, writers and intellectuals. She knew Frederick Douglass and was close to John Brown and William Henry Seward.

She was particularly close with suffragists Lucretia Coffin Mott, Martha Coffin Wright, and Susan B. Anthony. Intellectuals in New England’s progressive circles, such as Ralph Waldo Emerson, William Lloyd Garrison, Bronson Alcott, Harriet Beecher Stowe, Franklin B. Sanborn, and Mrs. Horace Mann, befriended her, and her work was heralded beyond the United States.

Tubman showed the same zeal and passion for the campaign to attain women’s suffrage after the American Civil War as she had shown for the abolition of slavery.

Harriet Tubman died in 1913 in Auburn, New York at the home she purchased from Secretary of State William Seward in 1859, where she established the Harriet Tubman Home for the Aged. She was buried with military honors at Fort Hill Cemetery.  (NPS)

In the Islands …

In 1848, King Kamehameha III fundamentally changed the land tenure system to a westernized paper title system through the Māhele.  The lands were formally divided among the king and the chiefs, and the fee titles were recorded in the Māhele book.

In 1850, a law was passed allowing these “native tenants” to claim fee simple title to the lands they worked.  Those who claimed their parcel(s) successfully acquired what is known as a kuleana.

Deeds executed during the Māhele conveying land contained the phrase “ua koe ke kuleana o na kānaka,” or “reserving the rights of all native tenants,” in continuation of the reserved tenancies which characterized the traditional Hawaiian land tenure system.  (Garavoy)

Contemporary sources of law, including the Hawai‘i Revised Statutes, the Hawai‘i State Constitution, and case law interpreting these laws protect six distinct rights attached to the kuleana and/or native Hawaiians with ancestral connections to the kuleana.

These rights are:

  • reasonable access to the land-locked kuleana from major thoroughfares;
  • agricultural uses, such as taro cultivation;
  • traditional gathering rights in and around the ahupua‘a;
  • a house lot not larger than 1/4 acre;
  • sufficient water for drinking and irrigation from nearby streams, including traditionally established waterways such as ‘auwai; and
  • fishing rights in the kunalu (the coastal region extending from beach to reef).

The 1850 Kuleana Act also protected the rights of tenants to gain access to the mountains and the sea and to gather certain materials.

The Kuleana Act did not allow the maka‘āinana to exercise other traditional rights, such as the right to grow crops and pasture animals on unoccupied portions of the ahupua’a. The court’s interpretation of the act prevented tenants from making traditional use of commonly cultivated land.  (MacKenzie)

Kawaiaha‘o Church Clock

Kawaiahaʻo Church (Stone Church) generally marked the eastern edge of town; it was constructed between 1836 and 1842.  The “Kauikeaouli clock,” donated by King Kamehameha III in 1850, still tolls the time to this day.

Honolulu Streets Named

It wasn’t until 1850 that streets received official names. On August 30, 1850, the Privy Council first officially named Honolulu’s streets; there were 35‐streets that received official names that day (29 were in Downtown Honolulu, the others nearby.)

At the time, the water’s edge was in the vicinity of what we now call Queen Street.  Back in those days, that road was generally called ‘Makai,’ ‘Water’ or Ali‘i Wahine.’  (Gilman)

Beginning of the Mormon Mission

“The Mormons are said to have commenced their mission in 1850. Their converts are scattered over all the islands.   They number about nine per cent of all those who in the census returns have reported their religious affiliations.  This mission owns a small sugar plantation at Laie, on the island of Oʻahu.”  (The Friend, December 1902)

The Church traces its beginnings to Joseph Smith, Jr.  On April 6, 1830 in Western New York, Smith and five others incorporated The Church of Jesus Christ of Latter-day Saints in Fayette, New York.

In the summer of 1850, in California, elder Charles C Rich called together more elders to establish a mission in the Sandwich Islands.  They arrived December 12, 1850.  Later, more came.

Honolulu Fire Department

Alexander “Alick” Cartwright worked as a clerk for a broker and later for a bank, and, weather permitting, played variations of cricket and rounders in the vacant lots of New York City after the bank closed each day.

Rounders, like baseball, is a striking and fielding team game that involves hitting a ball with a bat; players score by running around the four bases on the field (the earliest reference to the game was in 1744.)

Cartwright played a key role in formalizing the first published rules of the game of baseball, including the concept of foul territory, the distance between bases, three-out innings and the elimination of retiring base runners by throwing batted baseballs at them.

The man who really invented baseball spent the last forty-four years of his long life in Hawai‘i and laid out Hawai‘i’s first baseball diamond, now called Cartwright Field, in Makiki.  Cartwright went on to teach people in Hawai‘i how to play the game; and, he did a lot more when he was here.

In Hawaiʻi, he continued the volunteer fire fighting activities he had learned as a member of the Knickerbocker Engine Company No. 12 in New York City – and, he was part of Honolulu’s first Volunteer Fire Brigade.

Shortly thereafter, the Honolulu Fire Department was established on December 27, 1850, by signature of King Kamehameha III, and was the first of its kind in the Hawaiian Islands, and the only Fire Department in the United States established by a ruling monarch. Cartwright was appointed Chief Engineer of the Department and shortly thereafter, he became Fire Chief.

“The ordinance by Kamehameha III, December 27, 1850, establishing the Honolulu Fire Department, required each householder

to keep at least two buckets hanging handy, for fire use exclusively, and further ordered that they be brought to every fire.”

“The bucket part was probably the most effective, as the only other equipment at that time was a hand engine and 150 feet of homemade canvas hose through which, by constant relays on the pump handles, water could be thrown some sixty feet.”  (Thrum)

Aside from his duties at the Honolulu Fire Department, Cartwright also served as advisor to the Queen.  Cartwright was the executor of Queen Emma’s Last Will & Testament, in which she left the bulk of her estate to the Queen’s Hospital when she died in 1885.  Cartwright also served as the executor of the estate of King Kalākaua.

Post Office Established in Honolulu

The first mention of a postal system in Hawaii was an enactment of the Legislature on April 27, 1846, relating to the handling of inter-island mails. It was entitled “An Act to Organize the Executive Departments of the Hawaiian Islands,”

With the US Post Office initiating a regular mail service by steamship between the east coast and California and Oregon, and a subsequent treaty between the US and Hawaii (ratified August 9, 1850) in which an article provided for the safe transmission of the mails between the two countries, the Hawaiian government decided that the 1846 statute governing internal correspondence was insufficient to handle foreign mails.

The Privy Council, therefore, passed a decree on December 20, 1850, and the 1851 Legislature enacted a law that established a Post Office in Honolulu (temporarily in the Polynesian Office). The Council appointed a Postmaster, Henry M. Whitney, and set up rates for renumeration to ships’ captains for carrying the mails.  (DAGS)

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