Images of Old Hawaiʻi

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Sugar, Growth Years

“The first successful sugarcane plantation was started at Kōloa, Kauai in 1835. Its first harvest in 1837 produced 2 tons of raw sugar, which sold for $200. Other pioneers, predominantly from the United States, soon began growing sugarcane on the islands of Hawaii, Maui, and Oahu.”  (HARC)

Shortly thereafter, King Kamehameha III, seeking to encourage commercial cultivation of sugar by native Hawaiians offered the “acre system,” giving “out small lots of land, from one to two acres, to individuals for the cultivation of cane.”

“When the cane is ripe, the King finds all the apparatus for manufacturing & when manufactured takes the half. Of his half one fifth is regarded as the tax due to the aupuni (government) & the remaining four fifths is his compensation for the manufacture. These cane cultivators are released from all other demands of every description on the part of chiefs.”  (Armstrong (1839;) MacLennan)

About this time, the initial signs of commercial sugar are found on Maui, in Wailuku.  In 1840, the King ordered an iron mill from the US, and it was erected by August.  Hung & Co in 1841 advertised the sale of sugar and sugar syrup from its 150-acre plantation in Wailuku. More than likely, this was sugar from the King’s Mill.  (MacLennan)

Early plantations were small and didn’t fare too well.  Soon, most would come to realize that “sugar farming and sugar milling were essentially great-scale operations.”  (Garvin)

Then, King Kamehameha III sought to expand sugar cultivation and production, as well as expand other agricultural ventures to support commercial agriculture in the Islands.  In a speech to the Legislature in 1847, the King notes:

“I recommend to your most serious consideration, to devise means to promote the agriculture of the islands, and profitable industry among all classes of their inhabitants. It is my wish that my subjects should possess lands upon a secure title; enabling them to live in abundance and comfort, and to bring up their children free from the vices that prevail in the seaports.”

“What my native subjects are greatly in want of, to become farmers, is capital with which to buy cattle, fence in the land and cultivate it properly. I recommend you to consider the best means of inducing foreigners to furnish capital for carrying on agricultural operations, that thus the exports of the country may be increased …” (King Kamehameha III Speech to the Legislature, April 28, 1847; Archives)

Hawai‘i’s economy turned toward sugar in the decades between 1860 and 1880. These twenty years were pivotal in building the plantation system. Basic features of rural factory life were established.

This was a period of rapid growth for the sugar industry, building upon the momentum triggered by the Māhele of 1848, the Kuleana Act of 1850, and the Reciprocity Treaty of 1875.  Likewise, the Civil War virtually shut down Louisiana sugar production during the 1860s, enabling Hawai‘i to compete with elevated prices for sugar.

From January 27, 1848 through March 7, 1848 King Kamehameha III participated in what we refer to as the “Great Māhele” that was a reformation of the land system in Hawaiʻi and allowed private ownership; this fundamentally changed the land tenure system to a westernized paper title system through the Māhele.

The lands were formally divided among the king and the chiefs, and the fee titles were recorded in the Māhele book.  Deeds conveying land contained the phrase “ua koe ke kuleana o na kānaka,” or “reserving the rights of all native tenants,” in continuation of the reserved tenancies which characterized the traditional Hawaiian land tenure system.  (Garavoy)

The 1850 Kuleana Act allowed “native tenants” to claim fee simple title to the lands they worked.  Those who claimed their parcel(s) successfully acquired what is known as a kuleana.

The Kuleana Act did not allow the maka‘āinana to exercise other traditional rights, such as the right to grow crops and pasture animals on unoccupied portions of the ahupua’a. The court’s interpretation of the act prevented tenants from making traditional use of commonly cultivated land.  (MacKenzie)

The growth in the size and number of sugar plantations was further fueled by the Treaty of Reciprocity – 1875 between the United States and the Kingdom of Hawai‘i that eliminated the major trade barrier to Hawai‘i’s closest and major market.

A century after Captain James Cook’s arrival in Hawaiʻi, sugar plantations started to dominate the landscape.  Hawai‘i’s economy turned toward sugar in the decades between 1860 and 1880; these twenty years were pivotal in building the plantation system.

During the Civil War boom period, the typical 1860s plantation was two hundred to three hundred acres in size, with about one hundred acres in cane, employing around one hundred workers year-round.

Hawai‘i’s government committed extensive resources to the success of sugar export. Honolulu’s merchants and financiers came to dominate sugar production. The Islands turned a corner during these decades – Hawai‘i’s dependence upon sugar began.

The fastest growth occurred on Maui, which in 1866 had twelve plantations, compared to Hawai‘i’s eight, O‘ahu’s six, and Kauai’s four.  Production on Hawai‘i Island, was just under a third of the total.

The island of Hawai’i had become the major sugar producer. Plantation statistics for the Hawaiian government in 1879 shows Hawai‘i with twenty-four plantations, Maui with thirteen, Kauai with seven, O‘ahu with seven, and Molokai with three – a total of fifty-four operations.

At the heart of this transformation was the plantation center. Unlike the commercial sugar mill, which drew on existing communities of Hawaiian workers, the plantation center represented a new clustering of population and technology.

Specifically, it was characterized by a sizable increase of foreign population, government recognition of the area as a vital economic region with distinct political needs, and by public and private investment in a shared physical infrastructure (e.g., stores, wharves, harbors) established specifically to trade with the West.

An important development in Hawai‘i’s history, the plantation center created new social institutions of dependency.  The Hawaiian government also had a significant hand in the rise of plantation centers.

The decline of whaling, collapse of the native vegetable trade, and a rapidly decreasing native population left the government with huge expenditures and little source of income.

In response, it applied public funds and assets toward the sugar trade in hopes of increasing Hawai‘i’s wealth. The Board of Immigration was established in 1866 to recruit workers for plantations. (MacLennan)

Five plantation centers changed the surrounding landscape and altered nearby Hawaiian communities. Plantations in Līhu‘e, Wailuku, Makawao, Hilo and Kohala brought an invasion of agricultural practices, technologies and repeopled the land with foreigners (from China, Portugal and Japan) and Hawaiians from other islands.

Characteristics of the five developing plantation centers separate them from the smaller sugar ventures of the period.  Plantation centers comprised several separate sugar mills and fields of different owners. Schools, stores, and worker villages sprang

up around these centers, serving the plantations.

By 1880 there were several other very new centers in Ka‘ū and Honoka’a on Hawai‘i, Lahaina on Maui, Princeville on Kauai, and several scattered plantations on O‘ahu. (MacLennan)

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Manuia Lanai

Henry French Poor was the eldest son of Henry Francis Poor and Caroline Paakaiulaula Bush; he was born in the Islands, June 8, [1857].

“Henry F Poor was one of the most brilliant Hawaiians whose cradle ever rocked in these beautiful Islands.  … He possessed the generous spirit of his race and the keen intelligence of his New England’s forebears.”

“As secretary to Colonel Iaukea on the Kalakaua embassy to the rulers of the world he covered himself with honors and his bright letters were published in the local papers.” (The Independent, Nov 29, 1899)

Poor hosted Robert Louis Stevenson on his visit to the Islands.  On January 24, 1889, Stevenson arrived in Honolulu and spent the first six months of that year in the Hawaiian Islands (he later settled and lived in Samoa.)

On January 24, 1889, Stevenson arrived in Honolulu and spent the first six months of that year in the Hawaiian Islands (he later settled and lived in Samoa.)

“For the first few days the Stevenson party stayed with Henry Poor and his mother Mrs Caroline Bush, at 40 Queen Emma Street, Honolulu (24-27 January).”

“Then on 27 January 1889 they moved to Poor’s bungalow, Manuia Lanai [“a pavilion of the native pattern” (Brown)], at Waikiki, three miles east of Honolulu.  In early February Stevenson decided to send the Casco back to San Francisco and stay on to work in Hawaii.”

“As a result he rented the house next to Henry Poor’s. This too was a one-storey ‘rambling house or set of houses’ in a garden, centred on a lanai, ‘an open room or summer parlour, partly surrounded with venetian shutters, in part quite open, which is the living room’”.  (RLS Website)

“Mr. Robert Louis Stevenson has retired to ‘Manuia Lanai’ Mr. H. F. Poor’s sea-side place at Kapiolani Park, where he will probably

remain some time in quiet in order to complete some of the literary work he has undertaken.  We are informed privately however, that it is the intention of Mr. and Mrs. Stevenson after this week to be ‘at home’ on Wednesday afternoons from 2 to 5 pm.” (Daily Bulletin, January 28, 1889)

On Oʻahu, Stevenson was introduced to the King Kalākaua and others in the royal family by fellow Scotsman, Archibald Cleghorn.  Stevenson established a fast friendship with the royal family and spent a lot of time with his good friend King Kalākaua.

On February 3, 1889, there was a luau party at Manuia Lanai, where both Kalakaua and Liliuokalani were invited as special guests.  At the height of the party, Mrs Stevenson presented Kalākaua with a golden pearl from the Tuamotus.  (Ejiri) In giving the gift, Stevenson recited the following line of his sonnet (Daily Bulletin. Feb 4. 1889):

The Silver Ship, my king, – that was her name

In the bright islands whence your fathers came –

The Silver Ship, at rest from wind and tides,

Below your palace, in your harbour rides;

And the sea-farers sitting safe on the shore,

Like eager merchant, count their treasures o’er.

One gift they find, one strange and lovely thing,

Now doubly precious, since it pleased a king.

The right, my liege, is ancient as the Lyre,

For bards to give to kings what kings admire.

‘Tis mine to offer, for Appollo’s sake;

And since the gilt is fitting, yours to take.

To golden hands the golden pearl I bring:

The Ocean jewel to the Island King.

“The feast was purely Hawaiian there being no foreign dish upon the table. Aside from pig, fish, and fowls, roasted underground, were many strange edibles: pu-pu, opihi, two kinds of opae, koelepalau, and kulolo, taro and sweet potato poi, besides others, all beautifully arranged upon a bed of fern leaves.” (Daily Bulletin, Feb 4, 1889)

In the Islands, the renowned author found time for writing, completing The Master of Ballantrae and The Wrong Box and starting others during his short stay.

Stevenson visited Kalaupapa (shortly after Damien’s death) and later wrote of the good work of Father Damien (now Saint Damien.)  He also travelled to Kona on the Big Island (the setting for most of his short story “The Bottle Imp.”)

Henry French Poor died in Honolulu on November 28, 1899 and is buried at O‘ahu Cemetery.

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by Peter T Young 3 Comments

Kula Hospital

“Man vs. Tuberculosis, the strange, uncanny fight two thousand years of age, is, in Hawaii, in favor of Man. The tremendous exertion, the patience, the attention to incalculable minutae that this mere suggestion indicates is hard to realize unless one is in the fight, but success is on the banners of the Anti-Tuberculosis League of Hawaii at last.”  (Pacific Commercial Advertiser, December 20, 1913)

Tuberculosis attacks the lungs and organs; in the second decade of the twentieth century it was the leading cause of death in Hawaiʻi, with 400 to 500 annual deaths.  (Nordyke)  (Even today, Hawai’i ranks No. 1 with the highest rate of tuberculosis (TB) in the United States.  (HealthTrends))

The campaign against tuberculosis was inaugurated in Hawaii in 1909 as a result of the interest of James A Rath and others at Pālama Settlement in Honolulu.  Stimulated by the Anti-Tuberculosis League of Hawaiʻi, interest steadily grew – the Territorial Government took over the program in 1920.

A number of years ago – though not so very many – when the present Governor Pinkham was president of the Board of health of Hawaii, it was found necessary to survey the ravages of tuberculosis, a disease which to that time had received little attention. A commission was appointed. In an unofficial way it investigated and made a report. The report was alarming.  (MacKaye, Thrum’s Annual 1917)

Tuberculosis was a graver danger than was believed, although since then it has been shown that even that estimate was short of the mark. Mr. Pinkham referred the report to the various counties and urged them to do something to remedy the situation.”

“There was no answer from Honolulu until several years later, from Kauai not until the present day, and from Hawaii not at all, so far as county government went. (MacKaye, Thrum’s Annual 1917)

But the Maui county supervisors had more vision. There was land available on the slopes of mighty Haleakala and some money that could be spent. The territorial government lent a little bit more. A doctor was employed, a nurse secured.”

“The beginnings of the Kula Sanitarium were made at Waiakoa, on the side of the “House of the Sun,” an appropriate site, for medical science has yet to find a substitute for the sun and fair winds in its combat with consumption. (MacKaye, Thrum’s Annual 1917)

“The sanitarium is located at Keokea, Kula, Maui, at an elevation of some 3,000 feet, and is most singularly fortunate in being so situated that the regular trade winds coming between the Island of Lānaʻi and Molokini have a clear ocean sweep of thousands of miles, and reach this elevated area crisp and heavily laden with pure, unused oxygen.”

“It is free from dust, since it does not pass over one acre of cultivated land, and the view, which adds much to the cheer and content of the patients, is simply magnificent.” (McConkey, Report of the Maui County Farm and Sanitarium to the Board of Health, 1911)

The Kula Sanatorium began as a vision of Dr Wilbur Fiske Boggs McConkey, who was a practicing physician treating tuberculosis patients in the Keokea district. During his long drive across the rough roads of Kula in 1909, Dr. McConkey remarked on Kula’s suitable climate for tuberculosis patients and began his quest to start a tuberculosis facility.  (NPS)

This first attempt at a sanitarium was a modest endeavor, a little shack protected with canvas, alone in the midst of a rather desolate countryside.  (MacKaye, Thrum’s Annual 1917)

“Two tent houses were built, with canvas sides, wooden floors, and corrugated iron roofing.  A cook-house of rough one by twelve inch lumber was thrown together; this had no floor but had a corrugated iron roof and was luxuriously fitted with an open lean-to and a rough board table, which served as the sanitarium dining-room.”

“Canvas cots were used in the sleeping quarters; the lights were humble barn lanterns. The cook, a Korean, was a patient himself. Six patients from the plantations were accommodated, who took care of themselves.”  (Long)

The first patients were admitted into the then-named Maui County Farm and Sanitarium on September 14, 1910.   The June 1911 Official Patient Report reported 12-patients; over the years, the ethnicity of the patients reflected the Islands’ growing diversity, Americans, Australians, Hawaiians, Chinese, Japanese, Koreans, Filipinos, Porto Ricans, Portuguese and Norwegian.

“We do not encourage the admission of patients suffering from diseases or injuries of a non-tubercular nature, but owing, in the main, to the difficulty which is met with in arranging for the means of transportation of such patients down the mountain to a general hospital, as well as the emergency cases which have been present from time to time, we have found it necessary to admit and care for these in order to avoid what would have caused hardship and extra suffering.” (Report of the Maui County Farm and Sanitarium to the Board of Health, 1913)

“Early in its history Mr. V. Woodburn Herron, a man with some hospital training, took charge as steward, nurse and non-medical superintendent. The sanitarium was a county institution with Dr McConkey regularly constituted physician.”

“This regime lasted some months, when a change of administration brought Mr WE Foster up from Paia to act as superintendent. His wife, a trained nurse, accompanied him. Mr. Foster’s untimely demise – he was himself a victim of the disease – ended this arrangement, but not before he had lighted the way for future progress.”  (Long)

With public funds and by private subscription, the Sanitarium staff and its Board of Supervisors built and equipped a plant for the treatment of tuberculosis very favorably comparable to anything on the mainland.  A favorite method of fund-raising/facility building was the contribution of a cottage for an individual by the latter’s friends. After the patient has passed through the treatment the cottage became the property of the Sanitarium.  (Long)

In 1926, children were admitted into the Preventorium.  The overall facility was expanded into the Charles William Dickey-designed Kula Sanatorium (one of the largest designed by Dickey in his career,) with the first patients moving in on May 27, 1937.

The facility was designed to accommodate 166-patients in wards and 16-patients in private rooms and had facilities on the porches to accommodate 59-more patients in an emergency.  The primary consideration in treatment was rest, “rest to the body, mind, and lungs.”

The layout of the gardens at Kula Sanatorium was a combination of formal plantings and careful use of indigenous plantings. They were designed by the first registered landscape architect in Hawaii, Catherine Jones Thompson and her husband, Robert O Thompson.

In the 1950s when drugs were developed to control tuberculosis, Kula Sanatorium changed its focus to serving long-term care patients.  In 1960, psychiatric patients were admitted on an experimental basis.

In 1975, tuberculosis services were discontinued and on April 9, 1976, the complex was renamed Kula Hospital.  The Kula Hospital & Clinic is a five story Moderne style hospital (“traditionalism and modernism” popular from 1925 through the 1940s) that serves as a general hospital and clinic to residents within the Kula area.

The complex has acute care beds, 24-hour emergency room and outpatient clinic with lab and x-ray services.  Kula Hospital continues to provide long-term care for its residents.

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by Peter T Young Leave a Comment

Halepōhaku

As part of the New Deal Program, to help lift the United States out of the Great Depression, Franklin D Roosevelt established the Civilian Conservation Corps in 1933. The CCC or Cs as it was sometimes known, allowed single men between the ages of 18 and 25 to enlist in work programs to improve America’s public lands, forests, and parks. (NPS)

President Roosevelt proposed that the CCC “be used in simple work, not interfering with normal employment, and confining itself to forestry, the prevention of soil erosion, flood control, and similar projects …”

… and argued that “this type of work is of definite, practical value, not only through the prevention of great present financial loss, but also as a means of creating future national wealth”.

On March 31, 1933, Congress passed a bill under the title “Emergency Conservation Work” (ECW) and on April 5, 1933, President Roosevelt signed Executive Order 6101 which officially established the ECW Program, administered under the auspices of the CCC.

The CCC had two main objectives – to employ hundreds of thousands of unemployed young men in conservation work and to provide vocational training, and later education training, for enrollees. (PCSI, OMKM)

Enrollment periods lasted six months and enrollees could opt to re-enroll for additional six-month periods for up to two years. Four distinct enrollment categories existed – Junior enrollees; Local Experienced Men; World War I veterans; and American Indians and residents from US Territories.

Juniors comprised 85% of enrollees and were single men between the ages of 18 and 25, whose families were on relief aid. Two groups of older men, Local Experienced Men and Veterans of World War I each comprised 5% of enrollees.

Territorial enrollees comprised 1% of total CCC enrollment and were not subject to age or marital status restrictions and were permitted to live at home and work on nearby projects

For many, just the prospect of three meals and a bed were enough to get young men to enroll. As jobs and income were incredibly scarce, the CCC for a lot of these young men was their first job.

The CCC provided room, board, clothing, transportation, medical and dental care, and a monthly salary of $30 per enrollee, $25 of which would be sent straight to their families, while the other five was for the worker to keep. (NPS)

The CCC was officially inaugurated in 1933 in the Hawaiian Territory under the supervision of the Territorial Forestry Commission and the Hawaiian National Park, but the first Corps work projects were not begun until 1934. (PCSI, OMKM)

Frank Harrison Locey, the President of the Board of Commissioners of Agriculture and Forestry, wrote that: “It appears to me that the CCC camp is a kindergarten in a way.”

“They take young boys in, do not work them too hard but harden them for normal employment. That is why I call it a kindergarten or a stepping stone to future labor.”

The CCC aimed to supplement on-the-job training with a formal educational program. Approximately half of the CCC enrollees had less than an eighth-grade education and suffered from illiteracy. To remedy this situation, evening instruction in the camps taught remedial reading and writing skills, general education courses, and specialized vocational classes.

Acting Territorial Forester, Leicester Winthrop Bryan, reported that: “In addition to the good done to the youth of this Island through giving them an opportunity to earn money we have tried to teach them to live together, to work, to learn some useful trade, to continue their education, to improve their health and to become better citizens.”

“We feel that a large number of these boys have left our camps in a much better condition to go out in the world and earn their living and be better citizens.”  (PCSI, OMKM)

The stone cabins at the present location of the mid-level astronomy facilities on the Mauna Kea Access Road (the Halepōhaku Rest Camp) were constructed by members of the CCC in Hawai`i in 1936 (Rest House 1) and 1939 (Rest House 2). (The Comfort Station was constructed by the Territory of Hawai‘i’s Division of Forestry in 1950.)

Hale Pohaku literally ”stone house,” refers to the two stone cabins constructed by the Civilian Conservation Corps in 1936 and 1939 at an elevation of 9,220 feet on the southern slope of Maunakea. L. W. Bryan, who served as the Territorial Forestry Office and helped with the construction of the “stone houses,” also named them Hale Pohaku. (Cultural Surveys)

In the first entry of the Halepōhaku Register Log (1939) LW Bryan wrote that the “Halepohaku Rest Camp” was constructed by the CCC under the direction of the Territorial Division of Forestry by CCC Foreman Yoshinobu Hada. (The letters “Ha” and the date “1936” were inscribed into mortar near the doorway of Rest House 1 – presumably referring to Foreman Hada.)

In articles published in Paradise of the Pacific, Bryan described Rest House 1 and identifies its’ early usage, writing that: “Halepohaku is well named for the stone rest-house located there. This house is within the Mauna Kea Forest Reserve and is available for use by any one.”

“It is located in a sheltered spot, near 9,500 feet, at the upper edge of the timber line. Fire wood is plentiful and a 2,000 gallon water tank, fed by gutters from the house roof, furnishes a supply of good clean water.”

“A 3 x 5 foot built in stove furnishes ample warmth and a suitable place to cook and the size of the fire box is such that the cutting of fire wood is an easy matter. The house door is never locked and the only charge made is that each occupant is requested to leave the place clean, not to waste the water and to prepare a small supply of fire wood for the next fellow.”

“Aside from a stove, a table and benches, this building is unfurnished. … Halepohaku is only two miles from where the car is left and makes an excellent stopping place for the night.”

“The cabins replaced a complex of buildings near Ho‘okomo, at the 7,800 foot elevation, which had been used by Forestry personnel who were building and maintaining the Forest Reserve fence and by workers constructing the road to Hale Pohaku.”

“The cabins at Hale Pohaku were placed under the jurisdiction of the State Parks Division of the Department of Land and Natural Resources (DLNR) in 1962. Hale Pohaku was never officially designated as a State Park.”  They later were included under the lease to the University of Hawai‘i.

Per the 1977 Mauna Kea Master Plan, “The Hale Pohaku facility will consist of mid-level facilities for necessary research personnel for the summit, a central point for management of the mountain, and a day-use destination point for visitors and primitive overnight camping facilities.” Master Plan 1977;7

While hunting on Mauna Kea as a kid, we overnighted at Halepōhaku (well before astronomy’s mid-level facilities were built (1983)), as well as in the Pu‘u La‘au cabin above the Kilohana Girl Schout Camp.

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“Honolulu’s Tropical Jewel”

This CW Dickey-designed structure was once referred to as “Honolulu’s Tropical Jewel.” (TheatresOfHawaii)

No one man has a more central place in Hawaiʻi’s architectural history than Charles William Dickey (1871-1942.) Born of a kamaʻāina family (his maternal grandfather was missionary Rev. William P Alexander,) he grew up on Maui, graduated from MIT in 1895 and practiced architecture in Honolulu from 1895 to 1904 and from 1920 until his death twenty-two years later.  (Neil)

“Previous Waikīkī buildings had divided into two types: the palatial – such as the Moana Hotel and the Castle residence – and the small and informal – such as the beach house of Kamehameha V. … Dickey’s 1936 design for the Waikīkī Theater is an extreme contrast.”

“His problem was to design a 1930s movie palace which would be appropriate to Hawaiʻi. He used the expected art deco with such flair and taste that the theater compares favorably with any of the type … He then made the theater appropriate.”  (Charlot)

Its initial design was based on a building at Chicago’s moderne 1933 and 1934 ‘A Century of Progress International Exposition,’ but in harmony with its island location.

The final tropical moderne design featured a large garden courtyard between the street and auditorium entrance, with lush plants surrounding a large fountain.

Inside, past fresco murals on the walls and ceiling, the atmospheric auditorium was flanked by lush artificial plants with the proscenium in the form of a rainbow, and tall artificial coconut palms on each side.  (TheatresOfHawaii)

No expense was spared in its construction and furnishings.  This was intended to be owner’s (Consolidated Amusement) deluxe flagship theater.

The 1,353-seat Waikīkī Theater opened with great fanfare on August 20, 1936.  “This first-class theatre survived as a single-screen house its entire life.”  (TheatresOfHawaii)   Dickey created an environment as charming and artificial as the image on the screen.  (Charlot)

In 1939, the Waikīkī Theatre was equipped with a Robert Morton theatre organ, which had originally been installed (with a twin console) in the Hawaiʻi Theatre in 1929.  (Peterson)

“No theater in the world has a more picturesque setting than Waikīkī.  Situated on the beach at Waikīkī, it stands on the site where once Hawaiʻi’s royalty played.  The playhouse now becomes a glorious new addition to the beach made famous in song and story.  It is the new center of activity of that district which long been the mecca of travelers from the world over.”  (Honolulu Advertiser; Alder)

“The auditorium is a revelation in theatrical architecture. Spacious, cool, it is acoustically correct in every detail. Perfect hearing and vision are available from every seat of the huge auditorium.”

“One of the most unique ideas in theatre ‘atmosphere’ has been incorporated in the decorations. The ceiling, done in soft blue, becomes a replica of the heavens through special lighting effects.”

“Stars twinkle, soft, fleecy clouds float about, the planets send off their soft light. The Waikīkī theatre is one of the few in the world in which this unusual lighting feature has been installed.”

“Through this lighting the great rainbow that spans the proscenium becomes a soft, misty, fairy arch rivaling in loveliness the great rainbows that arch Hawaiʻi’s skies.”  (Honolulu Advertiser, August 20, 1936; Del Valle)

“Inside the theater, it felt as if you were in a tropical paradise. A full-colored rainbow arched over the curtains that hid the screen. Along the side walls, there were palm trees that reached from floor to ceiling and lush jungle plants, which appeared absolutely real to my child’s eyes.”

“Then, a distinguished gentleman named Ed Sawtelle would appear and sit down at a large organ console, located just below and in front of the stage, and begin a concert that filled the hall with rolling music that vibrated off the walls.”

“About that time, with the house lights dimmed, someone would flip a switch and magical images of moving clouds would be projected onto the arched, midnight-blue ceiling, completing the illusion of having landed in the middle of a tropical jungle on a remote Pacific island.”

“Finally, the curtains would part and the show would start with a short cartoon and the Fox Movietone News. The ‘news’ events shown were about four weeks old by the time they got to Hawaiʻi, but that’s how we would find out what was happening in the world in those pre-television days.”  (Richard Kelley)

After successfully celebrating its first 30+years, and as the multiplex made movie-going more competitive, in 1969 the Waikīkī Theater name was relegated to Waikīkī #3 (following the construction of the Waikīkī #1 & #2 nearby.)

Renovations in the late-60s, and remodeling a decade or so later kept the theater on life support.   An expanded concession area replaced most of the forecourt, the interior decoration was removed and the auditorium draped.

“Imagine how much half an acre on Kalākaua Avenue is worth. By then, Consolidated was paying half a million dollars per year in property taxes – you have to sell a lot of popcorn to cover that.” (Lowell Angell, Theatre Historical Society of America; Hana Hou)

Waikīkī Theater (Waikīkī #3) remained a single screen theatre until it closed in late-November 2002; Waikīkī #1 & #2 closed at the same time.  They demolished all three in 2005 (the demolition started about 9-years ago, today.)

“Over the years, the movie business has changed dramatically. …  Multiplex theaters offer a variety of features almost any time of the day or night. Cartoons are now feature films. The news of the day is seen on one’s TV, laptop or cell phone.”

“The gracious theater usherettes have long since retired and have not been replaced. The guy at the door who takes your ticket is often dressed in a baggy T-shirt and jeans and barely looks up as he says, ’Your film will be shown in theater seven, second on the right.’”  (Richard Kelley)

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