Buildings | Page 16 | Images of Old Hawaiʻi

August 9, 2024 by Peter T Young Leave a Comment

Arcadia

“As one enters the grounds the pure style of the white structure is more impressive. Simplicity, which always spells tase, reigns supreme, and the grassy terrace on one side of the broad walk advancing to meet one, is a quiet spot of beauty …”

“… as well as a sign of the hospitality which will always endear the Governor and his wife to the public and their intimate friends.” (Evening Bulletin, Jan 18, 1908)

In 1907, a new home was built “where their old cottage stood for so many years”. (Evening Bulletin, Jan 18, 1908) “Arcadia” was “known as a center of culture and refinement”. (Hawaiian Gazette, June 20, 1899)

Born October 29, 1863, in Grass Valley, California, Walter Francis Frear was the son of Walter and Fannie E (Foster) Frear. He descended on his father’s side from Hughes Frere, a French Huguenot who emigrated to New York from Flanders in 1676 and was one of the twelve founders of New Paltz, New York. On his mother’s side, he is a descendant of George Soule, who came to America with the Mayflower Pilgrims.

Arriving in the Islands with his parents at the age of seven, Mr. Frear first saw Hawaii on Christmas morning, 1870. He graduated from O‘ahu College in 1881 and received his AB degree at Yale University in 1885.

After serving as an instructor at O‘ahu College, Mr. Frear entered Yale Law School, receiving an LL.B. degree in 1890 and was awarded the Jewell prize for the best examination at graduation. In 1910 the honorary degree of LL.D. was conferred on him by Yale University.

Returning to Hawaii, he was appointed second judge, First Circuit Court, by Queen Liliu‘okalani on January 1, 1893, just before the revolution which ended the monarchy, and was appointed second associate justice of the Supreme Court by the Provisional Government, March 7, 1893.

Frear married Mary Emma Dillingham Frear on August 1, 1893. Mary was a daughter of Benjamin F Dillingham, one of the most prominent businessmen and entrepreneurs in Hawaiʻi, and Emma Louise Smith, daughter of missionaries Rev and Mrs Lowell Smith, who had come to Hawaiʻi from New England in 1833.

During the Republic of Hawai‘i, Mr. Frear was made first associate justice of the Supreme Court, January 6, 1896. In 1898, following annexation by the US, he was appointed by President McKinley a member of the commission to recommend to Congress legislation concerning Hawaii.

Frear was appointed chief justice of the Supreme Court, Territory of Hawai‘i, June 14, 1900, serving until August 15, 1907. He was appointed Hawai‘i’s third Governor in 1907 by President Roosevelt; Frear remained in office until 1913.

The Frear home, known as “Arcadia,” was located at 1434 Punahou Street. (Punahou74) “There is a feeling of space and comfort all over the house. Nothing is over-done. … The bedrooms are all dainty and possess the same restful atmosphere.” (Evening Bulletin, Jan 18, 1908)

“Always interested in the Greek language, the Frears chose a name in it for their home. Horses, cats and other pets also were often given Greek names. Arcadia has been variously translated as peace, rest an beauty, of ‘the home of pastoral simplicity and happiness.’ The Frears had originally met when he was her Greek teacher.” (Star Bulletin, April 10, 1965)

“It is certainly a house of culture, of rest, and of peace. That atmosphere pervades everything, and on feels on intimate terms with the host and hostess from the moment of entering it portals.”

“It is also a home, a place to live in, and the sympathetic natures of the occupants are felt immediately. That Governor and Mrs Frear will be one with the public and its needs goes without saying, for they believe heart and soul in ding all in their power for the general good of mankind.”

Walter died January 22, 1948 in Honolulu. Mary died on January 17, 1951. “Arcadia. The stately home … at 1434 Punahou St, together with all the land [about 3-acres] and improvements [was] bequeathed to Punahou School under the terms of Mrs’ Frear’s will … [and she] requests her residence be known as the ‘Walter and Mary Frear Hall.’”. (Honolulu Advertiser, Feb 2, 1951)

Punahou considered such options as faculty housing but, by the fall of 1955, the facility had been remodeled to accommodate the kindergarten. Classes were held there until May 1962. (Punahou74)

Then, “The present home will be torn down to make way for the new Arcadia … The project will be built and owned by the Central Union Church.” (Honolulu Advertiser, April 15, 1965)

“Punahou had announced plans for the retirement home there last October but for tax reasons decided to lease it to the [Central Union] church instead.” (Star Bulleting, Feb 25, 1965)

“Ground was broken … for the $7.4 million Arcadia ‘retirement’ apartment building to be located on the site of the old Frear home at 1434 Punahou Street.”

“Instead of the customary shovel-full of dirt, the ground-breaking ceremony featured a hitching-post ‘transplanting’. A metal hitching post at the side of the home, which dates back to 1907, was moved to a special container, which will be given a permanent niche when the Arcadia project is completed.” (Honolulu Advertiser, April 15, 1965)

August 7, 2024 by Peter T Young Leave a Comment

“Nothing can touch it”

“‘When we first went to Napili,’ said Mrs Kep Aluli, ‘it was an isolated beach with one cottage on it. We loved it.’” Star Bulletin, Jan 14, 1970.

In 1956, Kep Aluli and Yoshio Ogami were successful bidders for two of the thirteen “choice Napili beach lots” [they bought lots 7 & 8] “at “Napili beach in the Kaanapali section of Lahaina”. These were through an auction of Territory of Hawai‘i properties. (Advertiser, July 2, 1956)

Shortly thereafter, it was reported that “Kep Aluli, Honolulu builder, is planning a hotel at Napili Beach”. The land acquired from the Territory plus an acquisition of adjoining property “gives the developers a two-acre, beach-frontage hotel site and another acre a hundred feet away for tennis courts and beach facilities.”

“Describing the location, Aluli said, ‘Nothing can touch it.’” (Star Bulletin, Sept 11, 1956)

Aluli and Ogami built the Mauian Hotel on this property and shortly thereafter the Napali Kai and Hale Napli (and later others) sprang up.

“An entirely new resort complex has developed around Napili Bay, pioneered by Honolulu’s Kep Aluli and Canadian investors.” Honolulu Advertiser, Feb 15, 1966)

“Beyond Kaanapali, in that heart of Lahaina around Napili Bay, the new era already seems to have arrived.” “If the muscle and brain of the new Lahaina are at Kaanapali, its heart is more easily found at Napili”. (Honolulu Advertiser, July 17, 1964)

Kep Aluli was my parents’ classmate at Punahou. Others in the extended Aluli family were classmates with me and my siblings. When we were kids, we used to visit different neighbor islands during the summer; the visits to the Alulis at Napili were a special treat.

(During an extended Punahou alumni celebration, some of our classmates went to Maui and stayed at the Mauian at Napili – I wonder if the arrangers and others knew of the generations of connection the place has back to Punahou (with Kep’s nephew being one of our classmates.))

Napili, meaning the joinings or the pili grass, is on the West end of Maui. This area is referred to as Hono a Pi‘ilani (the Bays of Piʻilani (aka Honoapiʻilani,); from South to North, six of the identified bays are Honokōwai (bay drawing fresh water), Honokeana (cave bay), Honokahua (sites bay,) Honolua (two bays), Honokōhau (bay drawing dew) and Hononana (animated bay).

Sweet potatoes were reportedly grown between Honokōhau and Kahakuloa, presumably on lower kula lands; Kahana Ahupua’a was known as a place of salt gathering for the people of Lahaina.

Coastal marine foraging and fishing were combined with more upland agricultural pursuits. People would have moved between the coast and the upland agricultural fields, using the full range of resources available within their ahupua‘a. Semi-permanent and permanent habitation probably occurred in both coastal and upland settings.

Whaling (centered at Lahaina Town) was the first commercial enterprise in West Maui, but it had more or less collapsed by the 1860s. Commercial sugar cane production was the next large business venture in West Maui, starting as early as 1863, and it was focused between Ka‘anapali and Lahaina.

In the later 19th century, lands in West Maui became part of the Campbell Estate. This was also the time that the Honolua Ranch was first established. Cattle ranching began then and was continued by Henry Perrine Baldwin, who acquired the lands from the Campbell Estate in 1890.

In addition to ranching, other early commercial activities included coffee farming. David T. Fleming became manager of Honolua Ranch. Fleming was well-versed in pineapple production from the Hai‘ku area and gradually began shifting the ranch’s initiative to pineapple production.

The Honolua Ranch/Baldwin Packers complex shifted from Honolua to Honokahua in 1915, and a pineapple cannery was constructed. A major commercial pineapple industry emerged in West Maui during the 1920s.

The plantation communities of Honokahua and Napili emerged and developed as the Honolua Ranch/Baldwin Packers pineapple operations grew. The population of the Lahaina area increased with the successful economic operations of the pineapple plantation.

Baldwin Packers merged with Maui Pineapple Company in 1962 to form Maui Land and Pineapple Company, Inc. After this time, much of the Honolua Ranch lands were converted for resort development. Kep Aluli expanded that into Napili. (Lots of information here is from Scientific Consultant Services.)

August 2, 2024 by Peter T Young Leave a Comment

ʻĀinahau Fire

“One of the biggest screen attractions offered to Maui this season is coming next week, the Aldrich Production, ‘The Black Lily.’ Manager Ross received announcement of the offering by wireless this morning. He expects that Mr Aldrich and Mrs Peggy Aldrich will be here at the same time.”

“As yet the mainland has had no chance to see this Hawaiian production. … It has been shown in Honolulu and was received with favor and followed by exceptionally flattering newspaper criticisms.”

“Peggy Aldrich is well known among the screen stars and as a producer Mr Aldrich has been successful. He has taken numbers of motion pictures of the Islands on other stays here before he purchased a home in Honolulu, knows the Islands and Island life and the ‘Black Lily’ is said to be one of the best Island plays ever screened.”

“Another Hawaiian feature is added, ‘Sonny’ Cunha in ‘Poi or Bust’ in which the Hawaiian musician seeks to rival Roscoe Arbuckle as a comedian.” (Maui News, May 27, 1921)

Aldrich zipped in and out of Hawaii to film travelogues, gather entertainers, and then return to the mainland to tour the results. He was a favorite of Hawaiʻi tourism business groups such as the Ad Club. He traveled across the mainland to theaters small and large showing his Hawaii travelogue supported by live entertainers, Aldrich’s Imperial Hawaiians.

His shows advertised Hawaii, correcting common erroneous beliefs (No, there is not an active volcano in Honolulu). In a letter to the Advertiser, Aldrich boasted his film and troupe reached 1 million people in a few months. He touted 400,000 viewers in greater Chicago. (Elks)

“William F Aldrich, adventurer, artist, globe-trotter, has done in celluloid what the old masters did with brush and oil. To say that he is a motion picture cameraman would be as much an error as to call Rembrandt a photographer.”

“With his camera he brings to the screen in glorious proportions the wonders of the universe. No beaten path he follows, but from the queer out-of-the-way places brings to live on the screen the romance of people and environments which we of this prosaic business world would meet only in books.” (Promotional brochure)

“William F Aldrich, a member of the expedition sent out by the Peter Pan Film Corporation to photograph the world, made an exceptionally interesting bit of motion picture history when he risked death in photographing the interior of the crater of Kilauea, Hawaii’s active volcano.”

“Numerous efforts to accomplish this feat have met with defeat, and Aldrich’s efforts are said to have netted the Peter Pan company the best photographic record of this boiling lake of flaming lava, which will be introduced in the fourth episode of ‘The Honeymooners,’ Peter Pan’s scenic serial.”

“The successful filming of the sputtering crater of Kilauea was accomplished by Aldrich on October 5. He wore a gas mask similar to those in use in European warfare, reinforced by a leather cap that covered all of his face except his eyes.”

“He made the descent of three hundred feet of almost perpendicular cliff to the inner edge of the lake of lava, and set up his tripod with the seething liquid earth licking at his shoes.”

“After completing his task Aldrich climbed out of the bowels of the earth and removing his fantastic headgear said: ‘It’s just like going to hell.’” (Motography, November 10, 1917)

It was an unfortunate later fire that also involved Aldrich; one August night, Aldrich, the “movie picture man,” was having dinner when his wife yelled “Fire!”

He ran to the room where the gas heater stood and saw flames. Neighbors tried to help by beating them out with cloths. A fire truck was summoned from Kaimukī, but the pin holding together the steering gear fell out and the truck crashed into a fence. By the time help arrived, the building count not be saved. (Cultural Surveys)

“With great difficulty the flames were prevented from spreading to adjacent buildings. Sparks were carried to the roof of the Moana Hotel by the high wind.” (Maui News, August 5, 1921)

“Historic ʻĀinahau, at Waikiki, was totally destroyed by fire August 2d (1921,) together with most of its furniture and fittings, on which $15,000 insurance was carried.” (Thrum)

“Historic ʻĀinahau, home of the wide lanais and lofty palms, rendezvous of Honolulu society in the reign of King Kalākaua, and haunt of Robert Louis Stevenson in his Hawaiian days, is gone. “

“The age old coconut trees which surrounded the famous palace were torches of remembrance, flaming high into the tropic night long after ʻĀinahau had become only a ghost among its glowing embers, but today they are charred stumps around blackened ruins.”

“Cleghorn, who survived both Princess Miriam Likelike and their daughter, died only a few years ago. His wish was that the estate might be preserved to posterity as a public monument, but the government did not see fit to accept the gift, and the property was cut up into building lots.”

“The palace itself, after a brief career as a hotel, passed into the hands of WF Aldrich, the moving picture producer, who, with his wife, “Peggy” Aldrich, had a rather close call last night when the place burned.” (Gessler, The Step Ladder, October 1921)

“For two or three years ʻĀinahau had been used for the developments of films depicting life in the Hawaiian Islands and from its dark rooms went forth celluloid impressions of Hawaii that have been displayed upon the screens of movie houses across the mainland” (The Garden Island, August 9, 1921)

“Mr. Aldrich plans to build on the property a model Hawaiian village of grass huts for the entertainment of visitors and the use of motion picture companies in filming Hawaiian scenes.”

“The Stevenson banyan was badly damaged, but it is expected to survive.” (Gessler, The Step Ladder, October 1921)

Ainahau_-_Kaiulani’s_House_after-1897-400

William F Aldrich

A Trip to the Hawaiin Islands and Aldrich’s Imperial Hawaiian Singers-cover

A Trip to the Hawaiin Islands and Aldrich’s Imperial Hawaiian Singers-1

A Trip to the Hawaiin Islands and Aldrich’s Imperial Hawaiian Singers-2

A Trip to the Hawaiin Islands and Aldrich’s Imperial Hawaiian Singers-3

A Trip to the Hawaiin Islands and Aldrich’s Imperial Hawaiian Singers-4

A Trip to the Hawaiin Islands and Aldrich’s Imperial Hawaiian Singers-5

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Ainahau_-_Kaiulani’s_House-after_1897

July 22, 2024 by Peter T Young Leave a Comment

Royal Remains

Pu’uhonua o Honaunau, ‘Place of Refuge of Honaunau,’ is located in the ahupua‘a of Honaunau, in South Kona, on the west coast of the Island of Hawai‘i. (NPS)

“The heiau of the pu‘uhonua at Honaunau at the time of European contact was Hale o Keawe. This association with religious structures indicates that a pu‘uhonua as that at Honaunau was not merely a place of physical refuge, but more specifically a sanctuary.”

“In a thatched house on one of the heiau platforms were kept the bones of deceased high chiefs, now deified. This was not a burial, but rather a deification. Hawaiian burials per se were quite different.”

“The powerful mana of these deified chiefs continued after life to surround the area and to afford protection to anyone entering the enclosure. The sanctuary at Honaunau was under the protection of the deified chief Keawe, and the one at Waipi‘o Valley under Liloa.” (Marion Kelly, NPS)

“The oldest Hawaiian mausoleum of which there is information was Hale o Liloa at Waipio. It was built probably in 1575, when it may be estimated that King Liloa died.” (Stokes)

“It was during this residence at Kaawaloa that we visited the old ‘heiau,’ or temple, at Hoonaunau, in company with Naihe and Kapiolani. It was then surrounded by an enclosure of hideous idols carved in wood, and no woman had ever been allowed to enter its consecrated precincts.”

“Our heroic Kapiolani led the way, and we entered the enclosure. It was a sickening scene that met our eyes. The dead bodies of chiefs were placed around the room in a sitting posture, the unsightly skeletons mostly concealed in folds of kapa, or rich silk.”

“The blood-stained altar was there, where human victims had been immolated to idol gods. Fragments of offerings were strewed about. Kapiolani was much affected and wept, but her husband was stern and silent.”

“A few months after our visit [probably early 1829] Kaahumanu came and ordered all the bones buried, and the house and fence entirely demolished. She gave some of the timber, which was spear-wood (kauila), to the missionaries, and told them to make it into canes and contribution boxes, to send to their friends. (Laura Judd, Honolulu Sketches)

“By the order of Kaahumanu and Kalanimoku , the officers of the Blonde were allowed to remove nearly all of the idols and some of the other relics deposited in the ‘House of Keawe’”. (Alexander)

“A few months later, Kaahumanu visited Kapiolani, and resolved to put an end to the superstitions connected with the place. By their orders the venerated deified bones were removed, deposited in two large coffins, and interred in a secret cave at Kaawaloa, where they remained for nearly thirty years.”

“Mr. Chamberlain made a list of the names of twenty-three chiefs, whose bones were then removed, and stated that five or six more were brought over from the sacred ‘House of Liloa’ in Waipio.” (Alexander) “Liloa, Lonoikamakahiki, Kauhoa, and Lole are the only ones who were found by Kaahumanu at Waipio, and they were brought to Kaawaloa.” ((Kuokoa, June 13, 1868)

“The house and fence were entirely demolished, and the sacred Kauila rafters were used in building a Government House on the site now occupied by Hackfeld & Co’s building, which was therefore called ‘Ka hale kauila.’” (Alexander)

“In January, 1858, Kamehameha IV, accompanied by a numerous retinue, made a tour of the windward islands in the British sloop-of-war, Vixen, Captain Meacham, arriving at Kaawaloa, January 24th, 1858. On the following night the venerable kahu, or guardian of the secret burial cave, was ordered to remove the stones that concealed the entrance.”

“The coffins were then brought out by torch-light, and carried on board of the man-of-war, which brought them to Honolulu, where they were consigned to Governor Kekuanaoa.”

“The Vixen, with the royal party on board, arrived in Honolulu, February 12th, and Captain Meacham died on the 17th, after an illness of only three days. It was universally believed by the Natives that his death was caused by the displeasure of the akuas, or departed spirits, whose mortal remains had been disturbed.” (Alexander)

The remains were taken to Sacred Mound (previously a stone mausoleum); it was constructed in 1825 to house the remains of Kamehameha II (Liholiho) and his consort, Queen Kamāmalu. Both had died of measles while on a journey to England the year before.

Then upon their arrival in Hawai‘i, in consultation between the Kuhina Nui, Ka‘ahumanu, and other high chiefs, and telling them about Westminster Abbey and the underground burial crypts they had seen there, it was decided to build a mausoleum building on the grounds of ʻIolani Palace.

The mausoleum was a small eighteen-by-twenty-four foot Western style structure made of white-washed coral blocks with a thatched roof; it had no windows.

Kamehameha II (Liholiho) and Queen Kamāmalu were buried on August 23, 1825. The name ‘Pohukaina’ begins to be used to reference the site at the time of their burial. (Pohukaina – is translated as “Pohu-ka-ʻāina” (the land is quiet and calm.))

For the next forty years, this royal tomb and the land immediately surrounding it became the final resting place for the kings of Hawai‘i, their consorts and important chiefs of the kingdom.

“After the completion of the present Mausoleum in Nuuanu [Mauna Ala], on the night of October 30th, 1865, the coffins of the former royal personages of Hawaii nei, including those brought from Kaawaloa, were removed to it in an imposing torch-light procession . It is to be hoped that their repose will not be disturbed again.” (Alexander)

The remains of the Ali‘i were removed from Pohukaina and transferred in a torchlight procession at night to Mauna ‘Ala, a new Royal Mausoleum in Nu‘uanu Valley.

In a speech delivered on the occasion of the laying of the Cornerstone of The Royal Palace (ʻIolani Palace,) Honolulu, in 1879, JH Kapena, Minister of Foreign Relations, said:

“Doubtless the memory is yet green of that never-to-be-forgotten night when the remains of the departed chiefs were removed to the Royal Mausoleum in the valley.”

“Perhaps the world had never witnessed a procession more weird and solemn than that which conveyed the bodies of the chiefs through our streets, accompanied on each side by thousands of people until the mausoleum was reached …”

“… the entire scene and procession being lighted by large kukui torches, while the midnight darkness brought in striking relief the coffins on their biers.”

“Earth has not seen a more solemn procession what when, in the darkness of the night, the bodies of these chieftains were carried through the streets”. (Hawaiian Gazette, January 14, 1880)

“The utmost quiet pervaded the streets of the city as the procession moved along, escorted by a military guard, and followed by the Royal carriage, another carriage in which rode His Excellency, Governor Kekuanaoa and several other carriages.”

“The procession passed through the streets about nine o’clock. The solemn stillness was broken by the wailing of one solitary native woman, who followed the procession.”

“It seemed peculiarly fitting that this national sign of mourning should find utterance as the mortal remains of Kings and Chiefs were passing to their final resting place on earth.” (The Friend, Nov 1, 1865)

The March 10, 1899 issue of the Hawaiian Gazette noted that Līloa (1500s,) Lonoikamakahiki (late-1500s) and Alapaʻi (1700s) are among the buried at Mauna ʻAla.

The State designated the area a Monument in recognition of its historic importance, and to utilize these unique resources to educate and promote awareness of the historic and cultural character of the era of the Hawaiian monarchy.

July 21, 2024 by Peter T Young Leave a Comment

Kuapehu

Pukui translates Ka‘awaloa as “the distant kawa,” and explains “runners went to Puna or Waipio to get kava for the chiefs”. The archaeological sites of Ka‘awaloa reflect the occupation of this coastal flat from pre-contact times until approximately 1940.

At the time of Captain Cook’s arrival in 1779, Ka‘awaloa was one of the seven chiefly residential compounds in Kona and home to some of the island’s most important ruling chiefs. At least two (2) heiau are recorded on Ka‘awaloa Flat, as well as Puhina o Lono Heiau on the slopes above. (DLNR)

Kalokuokamaile recorded that “When Keawe-nui-a-‘Umi lived at Kaawaloa, he was known as the awa drinking chief and would send his runner to Waipio and Puna to get awa”. In Judd’s dictionary, Hawaiian Language, he translates it as “Ka awa – the harbor). Rev. Paris is cited as translating Ka‘awaloa means “the long landing place”. (Maly)

“It has been said that Ka‘awaloa means something like ‘Awa gotten from far away,’ and this was because the people of Kona had to go all the way to Puna to get their ‘awa.”

“This isn’t true. Kona always had plenty of ‘awa. Old Charley Aina always said that Ka‘awaloa described the ‘Long, or distant canoe landing’ of the area.” (Billy Paris; Maly) Ka‘awaloa is recognized as the site of Captain James Cook’s demise.

The missionaries arrived in Hawai‘i in 1820 and the first Kealakekua missionary settlement was established at Ka‘awaloa Flat by Reverend Ely in 1824. The missionary records indicate that a church and several missionary houses were built at Ka‘awaloa. (DLNR)

Because of the heat, the missionaries moved the mission upslope to Kuapehu in 1827. Kuapehu was “A place belonging to Naihe where he raised taro. His wife, Kapiolani, allowed missionaries to build there, over the ruins of her house.” (Place Names)

“The distinguished chief woman, Kapiolani, built a fine stone house near by the old meeting-house, and resided there for some time, living decently and in order to the day of her death, ap ornament of religion, and a wonderful trophy of the grace of God.”

“She interested herself in the missionary’s American friends, shared with them the pleasure of foreign letters, and was in all things the sympathizing mother and friend.” (Cheever)

“On the first day of the new year, I met the assembled chiefs and people at Kaawaloa, and to our mutual joy opened to them the Scriptures.”

“An attempt was made for the permanent establishment of the Kaawaloa station at Kuapehu, Naihe and Kapiolani removed and built there, and others gathered round them; but the people of the district chiefly preferred the shore station as more convenient to them.” (Bingham)

“But Kaawaloa, at the landing-place on the north side of Kealakekua bay, however conveniently accessible to the people of the district, who live much along the shores, was cramped and rocky, being composed almost exclusively of lava.”

“It was hot, dry, and barren, affording neither brook nor well, nor spring of fresh water, nor field, nor garden-spot for plantation, though a few cocoa-nut trees, so neighborly to the sea, find nourishment there.”

“Kuapehu, about two miles inland, east of the bold and volcanic cliff at the head of the bay, is, in many respects, preferable as a place of residence.”

“It is elevated 1500 feet above the sea; is airy and fertile, fanned agreeably by the land breeze from the cold Mauna Loa by night, and the sea breeze by day, making the temperature and climate about as agreeable and salubrious as Waimea.”

“Scattered trees around, and the forest a little further in the rear, the banana, sugar-cane, upland kalo, potatoes, squashes, gourds, and melons, which its soil produces; its high grasses, flowering shrubs, and wild vines, all contrasted finely with the dry and sterile shore north of the bay.”

“Besides the ordinary productions of the country, Mr. Ruggles, Naihe, and Kapiolani had a variety of exotics – the grape, fig, guava, pomegranate, orange, coffee, cotton, and mulberry, growing on a small scale, which is the most that can be said, as yet, of these articles at the Sandwich Islands.” (Bingham)

“An honorable woman, a hoary-headed Hawaiian convert to Christianity, Kekupuohi, who had been one of the wives of Kalaniopuu, the king in the days of Capt. Cook, but now a member of the church at Kailua, visiting at the thatched cottage of Mr. Ruggles, in the midst of this scenery …”

“… and having her attention agreeably attracted by a prolific grape vine, which spread its fruit and foliage over the door, and by the various flowers and fruits of the garden-like court”. [Bingham] translated:”

“It may be proper to say here that the church and mission-houses of this station, some time after Mr. Ruggles, through loss of health, left the field, were located on the south side of Kealakekua Bay, a position which was supposed to accommodate the people connected with the station better than the north side, or Kuapehu in the rear.” (Bingham)

In visiting the area, Sereno Bishop notes, “Our nearest missionary neighbor outside of the town of Kailua were the Ruggleses, who lived at Kaawaloa, twelve miles south. Their dwelling was at Kuapehu, two miles up the mountain, a most verdant and attractive spot.”

“It later became the residence of Rev John D Paris. Kaawaloa proper was a village on the north side of Kealakekua Bay.” (Bishop)

In 1852 the Rev Paris, who had been at Waiohinu for ten years, was assigned to the Kealakekua district. He wrote that the name Ka‘awaloa was used, by the Hawaiians, more often than Kealakekua. Paris built Kahikolu Church that served the Ka‘awaloa and Kealakekua area; it also was as the Mother Church for the South Kona Area. (NPS)

“We often visited Kaawaloa, probably twice a year, going by water in a double canoe, generally starting two or three hours before daylight, so as to carry the land breeze a good part of the way.” (Sereno Bishop)

“Following the Path of the Gods, Kealakekua; dotted for miles by heathen temples great and small, I found Kuapehu. A grass house, built by Keike, Brother Ruggles, and a cottage built by the beloved Forbes, where the mission families used to spend a few weeks for a change as a health station”. (Recollections of Paris)

There was a road “built above the shoreline flats in the late 1850s to connect Kailua to Ka‘awaloa. Its starting place at Kealakekua was the Paris house at Kuapehu.”

“Government documents of the time describe this road as the “Road from Kealakekua pali”. Samuel Clemens travelled it in 1866 and described the occasional “great boughs which overarch the road and shut out the sun and sea and everything, and leave you in a dim, shady tunnel.” (DLNR)

The Paris family dominated the life of the ahupua‘a from its purchase in 1859 to the death of Rev. John Paris, Sr. (a Congregational minister) in 1892. The son, John Paris, Jr., retained much of his father’s interests.

“Here for five or six years the veteran missionary [John D Paris] continued in his Master’s work. On the marriage of his son John, in 1880, the old home at Kuapehu was sold to him. and the elder Paris family, Father and Mother Paris with their daughter Ella, moved again to Honolulu, expecting never to return.” (The Friend, June 1926)

His only son, John, Jr. became a stock raiser of both cattle and goats, kept at Ka‘awaloa and other nearby lands. He was also the recipient of his father’s most choice land. The Paris’ daughter, Ella, ran a boarding house on the site of Kapi‘olani’s mauka house referred to as the Paris Hotel. (DLNR)

Billy Paris in an oral history noted, “my great-grandfather, with his second marriage, he had two children. His daughter was Ella Hudson Paris.”

“The home I was telling you about, he first built, was down in Mauna-alani, where my sister’s living now. Up on the hill–directly on the hill there above the junction, where the deep cut is on the upper side of the road–the home is still there. (The house site name is Kuapehu.)”

“It’s quite in pretty bad shape today [1981]. My cousins have just recently sold that property to someone. And I see they’re starting to clear the lot now next to Kamei’s Cleaners there–Shiraki’s Cleaners or whatever it is.” “Well, you’ll see a roadway on the left going up. The hotel is on top of the hill.”

(Kuapehu is above “the Captain Cook junction, where you go down to Napoopoo” – “that is where Princess Kapiolani [once] lived.”) (Paris; Social History of Kona)