Peter T Young

July 17, 2024 by Peter T Young Leave a Comment

Breakwater

It is called Breakwater (or Breakwaters), not because it served as a breakwater – it actually was a quarry site that produced some of the boulders that helped form the Hilo Bay breakwater. It’s below Kukuihaele, just before you get to the Waipi‘o Valley lookout and the road down to Waipi‘o.

It’s a place name noted by John Clak in his Hawaiʻi Place Names: Shores, Beaches, and Surf Sites as, “Breakwater. Fishing site, Kukuihaele, Hawai’i. Small peninsula at the base of the sea cliffs between Kukuihaele Light and Waipi’o Valley.”

“The name is linked to the construction of the 2-mile long breakwater in Hilo Bay, which was started in 1908 and completed in 1929. Boulders from the peninsula were loaded on barges and towed to Hilo Bay, where they were used in the construction of the second phase of the breakwater.”

“The basaltic lava flows of Hawaii, where little weathered and sound, furnish an unlimited supply of rock suitable for crushing and for use as coarse aggregate in concrete.”

“Basalt is not so hard in respect to cutting tools as granite, but it is an exceedingly tough rock with a high resistance to impact. In the production of any grade of stone from basaltic lava flows, there is much loss through the necessity for handling the clinkery layers of unsuitable material which lie between the dense parts of successive flows …”

“… and this expense becomes prohibitive in attempting to produce large size dimension stone in most quarries, as well as in production of breakwater stone of large size.”

“Such stone has in some instances been shipped by barge from one Island to another owing to the difficulty of finding suitable local material.” (Historic Inventory of the Physical, Social and Economic, and Industrial Resources of the Territory of Hawaii, 1939)

“The United States entered into a contract in the amount of $400,000 with Delbert E Metzger, on June 12, 1908, for constructing a breakwater at Hilo Harbor, Hilo, Hawaii, the price being $2.48 ½ per ton of 2,000 pounds of stone put in place.”

“The specifications call for a jetty of the rubble mound type, but as it is being built, it resembles more a huge sloping wall of carefully laid masonry. It has a uniform top width of 15 feet, eleven feet so that their longest dimension is perpendicular to the slope.”

“The stone used below three feet below low water must weigh 130 pounds per cubic foot, or more, and all stone above this plane must weigh 150 pounds per cubic foot.”

“This specified weight for the stone sent the contractor nearly thirty miles, to Puna, on the east point of the island, to open a quarry, for while the whole island is virtually built of flows of lava rock and the breakwater itself rests on a reef of it …”

“… there are comparatively few places on the slopes of Mauna Loa where rock of this weight may be found in large quantities.” (Overland Monthly, July 1909)

Throughout the construction of the Hilo Breakwater boulders for the breakwater came from three primary sources: Kapoho, Waiakea and Kukuihaele. It’s the latter that is the place that is the subject, here.

“First Blast for Hilo Breakwater. … The first blast for rock for the Hilo breakwater was fired September 3 at the Lyman quarry in Puna. The blast consisted of three tons of dynamite. Thus the actual work on this great enterprise has begun.” (Advertiser, Sept 13, 1908)

“[O]n July 21, 1914, it was announced that a new quarry at Waipio, near Kukuihaele would be opened.” (Warshauer, HTH)

“Waiulili Peninsula [a rock outcrop] a quarter mile north of Kukuihaele Landing & a quarter mile south of the mouth of Waipi’o Valley is the so-called boulder quarry/breakwater to take boulders to build Hilo Harbor”. (Narimatsu)

“The small breakwater that is being constructed on the Kukuihaele side of Waipio Gulch is progressing well, and the contractors hope to soon have loaded scows on their way to the Hilo structure. Twenty thousand tons of rock, each individual stone of which must weigh eight tons, are required for the particular part of the breakwater contract that will be handled first.”

“There is an ample supply of that kind of rock at the Kukuihaele end and the contractors anticipate no trouble as to that part of the work. The quarry is located on the old trail that winds around the bluff from Kukuihaele to Waipio.” (Hawaii Herald, Aug 14, 1914)

“The two advantages to the contractor which will result from this plan, as it is seen by those who are favoring it are a saving of transportation charges and saving of quarry charges.”

“It is claimed that the quarry at Waipio can be much more easily and cheaply worked than any other one, and that the hauling by water will be about forty cents a ton cheaper than the railroad could do for.” (Hilo Daily Tribune, July 21, 1914)

“[The Hilo breakwater contractor, Delbert Metzger] went out to a cliff face out beyond [Honoka‘a] at Kukuihaele where there was a landing, and in fact he quarried the rock off of the face of a cliff way out there and swung it down to a barge and took the barge then right in …”

“… towed it right up to the breakwater and he had a better deal that way than he would have had if he’d had to haul it by truck. And so he made a heck of a lot more money. He got it practically free – big slabs that came right off the face of the cliff.”

“[Metzger made] a lot of money and decided that he didn’t want to be an engineer anymore – he wanted to be a lawyer – went back to law school and came back out to Hawaii and stopped there on the Big Island.” (Judge Martin Pence, Watumull Oral History) (Metzger later became Federal District Magistrate for South Hilo.) (Melendy)

“Huge boulders have fallen from time to time from various causes, and these will admit of easy handling without the necessity of blasting. The distance from the quarry to the Hilo breakwater is about forty-eight miles and the contractors feel sure that the cost of towage will be very reasonable.”

Young Brothers was hired to carry the rocks to Hilo. “In order to meet the growing demand of the towage business in this harbor, the Young Bros have purchased the tug Breakwater … which it has been using for towing scows from Waipio to the Hilo breakwater.” (Star Bulletin, Aug 2, 1917) The ‘Breakwater’ tugboat was later renamed ‘Mikiala.’

Jack Young was in charge of the work at Hilo and spent the better part of a year skippering the Brothers (the name of their tug) as it towed a scow loaded with rock to be dumped on the breakwater extension.

A news article appearing in the Pacific Commercial Advertiser on December 25, 1911, provides some insights into the job of building the breakwater as the Young Brothers’ crew experienced it:

“The sea had been rough for several days, and finally made it impossible to work. On Monday, the … scow was taken out in tow of the Hukihuki, having on board about 125 tons of rock, which it was to dump on the bottom ….”

“Here the substructure, which has been laid by Lord & Young, forms a kind of artificial reef over which the waves break in stormy weather. On the day in question, the breakers were thundering in at a great rate, and great combers were continually sweeping the deck of the scow.”

“Nevertheless, the Hukihuki bucked through the swirling water, and she had just brought the scow over the substructure, though not in the exact place where the load was to be dumped, when trouble began.”

“The heavy scow was let down, in the trough between two big waves, to such a depth that one of her edges struck the rock of the substructure with such a force that the timbers were splintered and broken, and the water began to pour in through the leak.”

“All thought of depositing the load had to be abandoned, and the Hukihuki maneuvered the disabled craft out of the breakers. The scow was sinking so rapidly that it was impossible to save the load, and good Kapoho rock was jettisoned.”

“By good seamanship the scow was towed to safety, where she is being repaired.”

Contrary to urban legend, the Hilo breakwater was built to dissipate general wave energy and reduce wave action in the protected bay, providing calm water within the bay and protection for mooring and operating in the bay; it was not built as a tsunami protection barrier for Hilo.

It was while Young Brothers was engaged in building the Hilo breakwater that Captain Jack Young met and fell in love with Alloe Louise Marr. She had come to Hilo from Oakland, California, in 1909 with her father, Joseph Thomas Marr, to visit his cousin, Jack Guard.

John Alexander (Jack) Young and Alloe Louise Marr were married in a double wedding ceremony with her cousin, Stephanie Guard and John Fraser on September 20, 1911 at Hilo. (Harry Irwin (later Judge and territorial Attorney General) was Jack’s best man and Florence Shipman (daughter of WH Shipman who later married Roy Blackshear) was bridesmaid.) In 1922, Young Bros. Ltd. contracted the towing to build the breakwater at Nawiliwili harbor hauling by barge the 6-ton rocks from the quarry on the coast of Maui to build the base of the breakwater.

Jack and Alloe Young are my grandparents. I am the youngest brother of the youngest brother of the youngest brother of Young Brothers. (My grandfather was the youngest of the Young Brothers; my father was the youngest brother in his generation; and I am the youngest brother in our family.)

We never met our grandparents, and they never knew they had grandchildren from their son Kenny; they both had died before they knew my mother was pregnant with my older brother.

July 16, 2024 by Peter T Young Leave a Comment

Major Warren’s Hotel

“Major (William R) Warren was Honolulu’s first restauranteur. His establishments, both in Honolulu and California, were famous for their excellent cuisine.” (Hoyt)

Warren ‘The Major’ – he of the big paunch, red face, and blonde eyebrows – was in the hotel business in 1817 and offered a July 4 dinner in 1818. (Greer)

Land Commission Award records note, “this lot was first occupied by William R Warren, who originally obtained it from Kaikioʻewa (governor of Kauai) before the year 1819.” (avakonohiki)

In 1819 he obtained property at what is now Hotel and Bethel Streets, and around 1825 built a structure referred to as the ‘Warren House’ and ‘Major Warren’s Hotel.’ (Schmitt)

It apparently also served as town hall, or general meeting place for the public to assemble and plan for celebrations, or discuss questions of importance in the community, or serving as a ball room. (Thrum)

“(Warren) gave the use of his large dining room to the ‘Oahu Amateur Theatre.’ Major Warren had moved his Honolulu establishment several times, but in 1834 he was located approximately, on the makai-ewa corner of Fort and Beretania Streets, almost opposite the present Catholic Cathedral. (Hoyt)

So prominent was this Warren name in the community that in 1836, when the naming of the streets was being considered the suggestion was made that ‘the open space near Messrs. Peirce & Brewer’s establishment” (corner of Fort and Hotel) “from Rooke & Peabody’s house to Major Warren’s old stand be named Warren Square.’ (Thrum)

Warren’s pioneering enterprise, ‘Major Warren’s Hotel,’ gave ‘Hotel Street’ its name in downtown Honolulu (although in the 1830s that part of Hotel between Fort Street and the hotel was also called Warren Square.) (Greer, Clark)

Warren went to California. “That this boniface had a winning personality may be judged by the following description of him on his departure in February, 1838: ‘A gentleman with a smiling visage, a rotund figure, a disposition like a sunbeam, and a heart as big as the Island of Hawaii was Major Warren.’” (Thrum)

Dr. Ed. Espiner took over Warren’s interest in the premises and continued for some time without change of name. In December, 1840, Espiner sold the property to Wm. French and the ‘Warren Hotel’ name continued until 1844.

On June 15, 1844, French made a 50/50 partnership deal for operation of the hotel with Ahung, a Chinese. He brought in three Chinese copartners – Atai, Ahsing, and Ahlan – all doing business as Hungtai. Ahung soon died; at his death Hungwa bought into the enterprise and became the proprietor of the Canton Hotel – featuring Chinese cooks and waiters. (Greer)

Hungwa ran advertisements in the local paper noting, “Canton Hotel. The undersigned having taken the premise formerly known as the ‘Warren Hotel,’ begs to assure the public that he has spared no expense in fitting up the same for the comfort and convenience of residents and visitors, and solicits a share of the public patronage. Billiard Room and newly fitted Bowling Alleys attached.” (Polynesian, April 26, 1845)

Samuel Thompson, one of the town’s celebrities, succeeded to it in July, 1849, to maintain it as a first class hotel under the same name. His term was brief, John Bartlett as proprietor of the ‘Canton’ when it was fitted up and became a noted resort for officers of ships in the flush whaling days.

“Jack Bartlett,” as he was familiarly called, was cash-keeper for many of the officers and he served them honestly. Bartlett passed away in May, 1858. Following his death the ‘Canton Hotel’ was maintained by various parties for several years until September of 1865, when Samuel Loller of the International leased the premises and opened up the same January, 1866, under the changed name of Eureka Restaurant (it later changed to Eureka Hotel and Restaurant.) (Thrum)

In 1878, F. Horn, put his Horn’s Bakery at the property; Horn died August 5th, 1896, but the business was continued by his widow for several years, then she sold it to the New England Bakery business. (Thrum)

Later, the Aloha Park, then the Collegia Theatre was on the site (across the street from Empire Theatre – the building there still goes by the Empire name.)

Today, the property ( at the mauka-Diamond Head Corner of Hotel and Bethel Streets) is known as the Marine Finance (built in 1910 – it was known as the National Building when National stores occupied a bunch of it; it’s the home to the Plumbers and Fitters Union and several other shops and offices.

July 15, 2024 by Peter T Young 1 Comment

Kōnane

Lawe ʻili keokeo, paʻani, ka ʻeleʻele
Removing the whites is playing with the blacks

It starts with a papamū, a generally rectangular flat stone whose surface is marked with shallow pits in regular order and of considerable number. Later more mobile boards were used.

The center of the board was called piko (navel) and frequently marked with an inset human molar; sometimes every position had an inset tooth (or a chicken or human bone.) The row along the borders of the board was termed kakaʻi. (Ernst)

“They have a game somewhat resembling draughts (checkers,) but more complicated. It is played upon a board about twenty-two inches by fourteen, painted black, with white spots, on which the men are placed; these consist of black and white pebbles, eighteen upon each side, and the game is won by the capture of the adversaries pieces.”

“Tamaahmaah (Kamehameha) excels at this game. I have seen him sit for hours playing with his chiefs, giving an occasional smile, but without uttering a word. I could not play, but William Moxely, who understood it well, told me that he had seen none who could beat the king.” (Campbell)

Captain James Cook also noted Konane in his journal. “It is very remarkable, that the people of these islands are great gamblers. They have a game very much like our draughts; but, if one may judge from the number of squares, it is much more intricate.”

“The board is about two feet long, and is divided into two hundred and thirty-eight squares, of which there are fourteen in a row, and they make use of black and white pebbles, which they move from square to square.” (Cook)

Kōnane boards do not follow any established pattern in size and range from 6×6 boards to well over 14×14 boards. (Some suggest even larger boards are used.)

To begin the game, the ﬁrst player (black) must remove one of their pieces, either the center piece, one laterally next to it or one at a corner. The second player (white) now removes a piece of their own, adjacent to the space created by black’s ﬁrst move.

Then, the players take turns making moves. A player moves a stone of his color by jumping it over a horizontally or vertically (not diagonally) adjacent stone of the opposite color, into an empty space. Stones so jumped are captured, and removed from play. Thereafter players take turns making moves on the board.

A stone may make multiple successive jumps in a single move, as long as they are in a straight line; no turns are allowed within a single move. The winner of the game is the last player able to make a move.

Kōnane figures in the saga of Lonoikamakahiki, a great chief credited with creating the first kahili and instituting the Makahiki games.

In a fit of jealous rage over rumors that she had been unfaithful, he killed his wife during a game of kōnane by beating her over the head with the heavy board. Later learning of her steadfastness, he was crazed with grief, but eventually nursed back to health by a faithful retainer. (Yuen)

King Kalākaua and his Queen Kapiʻolani were experts at kōnane, and it is well known that the goddess Pele did not refuse to play the game with the demigod Kamapuaʻa. (Brigham)

An alternative name for kōnane was mū, and for the board, papamū. Brigham notes that mū was the name of the official who captured men for sacrifice or for judicial punishment and suggests this name was adopted for the game. (Ernst)

July 14, 2024 by Peter T Young Leave a Comment

Liholiho – Kamehameha II

Liholiho was born circa 1797 in Hilo, on the island of Hawaiʻi, the eldest son of Kamehameha I and his highest-ranking consort Queen Keōpūolani.

Kamehameha the Great died in 1819, and Liholiho officially inherited the role of King; however, Ka‘ahumanu would serve as kuhina nui (the rough equivalent of the 19th-century European office of Prime Minister.)

His birth name was Liholiho and full name was Kalaninui kua Liholiho i ke kapu ʻIolani. It was lengthened to Kalani Kaleiʻaimoku o Kaiwikapu o Laʻamea i Kauikawekiu Ahilapalapa Kealiʻi Kauinamoku o Kahekili Kalaninui i Mamao ʻIolani i Ka Liholiho when he took the throne.

Liholiho had five wives, Kamāmalu, Kekāuluohi, Kalanipauahi, Kekauʻōnohi and Kīna‘u; he had no children with any of his wives.

The new king was generally well-liked and admired. As one American missionary observed, “There is nothing particularly striking about his countenance, but his figure is noble, perhaps more so than that of any other chief; his manners polite and easy, and his whole deportment that of a gentleman.”

Kamehameha II is best remembered for the ‘Ai Noa, the breaking of the ancient kapu (taboo) system of religious laws six months into his reign when he sat down with Kaʻahumanu and his mother Keōpūolani and ate a meal together.

The religious and political code of old Hawai‘i, collectively called the kapu system, was abolished.

While the islands were united by his father, after the abolition of the kapu, Keaoua Kekuaokalani (Liholiho’s cousin) led the forces supporting the ancient Hawaiian religion; Kekuaokalani, his wife Manono and his warriors were overwhelmed. Lekeleke Burial Grounds, 7 miles south of Kailua, commemorates the battle.

Sandalwood was an important export at the time. In 1819, Liholiho ended the controls on harvesting ‘iliahi initiated by his father. In their rush to collect wood, the chiefs ordered even young trees to be cut down.

New trees were not planted to replace those cut down. Soon there was little ʻiliahi worth gathering in Hawaiʻi. As the supply dwindled the trading of ʻiliahi came to an end.

On April 4, 1820, the initial group of missionaries came to Hawai‘i and Liholiho granted them permission to stay in the Hawaiian Islands.

Later, in 1820, Liholiho bought a Royal Yacht known as Cleopatra’s Barge in exchange for reportedly 1-million pounds of sandalwood; he renamed the yacht Ha‘aheo o Hawaii (Pride of Hawaiʻi).

Kamehameha II was quite proud of his ship; in the words of Charles Bullard, the agent for the ship-owner: “If you want to know how Religion stands at the Islands I can tell you; all sects are tolerated but the King worships the Barge.”

Whaling soon replaced the sandalwood trade of ʻiliahi wood in economic importance. It lasted about fifty years, from 1820 to 1870. During this time Hawaiʻi provided support services to the whaling ships; people grew crops and sold fresh fruits, vegetables and salted-meat to the ships.

Liholiho’s reign was also noted for his efforts to ensure the lasting independence of the Hawaiian kingdom. In 1823, Liholiho and his favorite wife, Kamāmalu, sailed to England to meet with King George IV, the first Ali‘i to travel to England.

King George IV scheduled a meeting for June 21, but it had to be delayed; Liholiho and Kamāmalu became ill. The Hawaiian court had caught measles, to which they had no immunity.

It is believed they probably contracted the disease on their visit to the Royal Military Asylum (now the Duke of York’s Royal Military School).

Virtually the entire royal party developed measles within weeks of arrival, 7 to 10 days after visiting the Royal Military Asylum housing hundreds of soldiers’ children.

On the 8th of July the Queen died at half-past six in the evening from inflammation of the lungs. A few days later, King Liholiho died. His reign was approximately 5-years.

The moments just before he died, he said faintly: “Farewell to you all – I am dead, I am happy.”

Then upon their arrival back to Hawai‘i, in consultation between the Kuhina Nui, Ka‘ahumanu, and other high chiefs, and telling them about Westminster Abbey and the underground burial crypts they had seen there, it was decided to build a mausoleum building on the grounds of the royal palace.

The Sacred Mound (previously a stone mausoleum) – Pohukaina – was constructed in 1825 to house the remains of Kamehameha II (Liholiho) and his consort, Queen Kamāmalu.

The mausoleum was a small eighteen-by-twenty-four foot Western style structure made of white-washed coral blocks with a thatched roof; it had no windows.

Kamehameha II (Liholiho) and Queen Kamāmalu were buried on August 23, 1825. The name ‘Pohukaina’ begins to be used to reference the site at the time of their burial. (Pohukaina – is translated as “Pohu-ka-ʻāina” (the land is quiet and calm.))

For the next forty years, this royal tomb and the land immediately surrounding it became the final resting place for the kings of Hawai‘i, their consorts and important chiefs of the kingdom.

July 13, 2024 by Peter T Young Leave a Comment

Pua Akala

The Polynesian settlers of Hawai‘i brought with them their primary plants used for food and other uses, and four animals, the moa (chicken), ‘īlio (dog), pua‘a (pig), and, inadvertently, the ‘iole (rat). The first three animals were the primary meat of the Hawaiians.

It wasn’t until the arrival of Captain Vancouver in 1793 that cattle were introduced to Hawai‘i. Vancouver dropped one bull and one cow at Kawaihae, and took the remaining five cows to Kealakekua as a gift for King Kamehameha I. The bull died, so it was lucky that a year later Captain Vancouver returned with more cattle, four bulls and eight cows.

A 10 year kapu (taboo) was placed on introduced cattle to feed on the rich green grasslands of Hawai‘i Island. These first cattle, or bullocks, were longhorn cattle and soon grew very wild. The first “ranchers” were bullock hunters, who rode to the uplands of Mauna Kea to shoot cattle or trap them in pits. (DLNR) The meat was used for food and the hides for export.

By the 1820s, there were as many as 30,000 head of cattle on the islands. Historically, agriculture has played a large role in the economy of the island, and the Islands as a whole. During the 19th and 20th centuries, the main industries were sugar cultivation and cattle ranching. (FWS)

As early as 1831, portions of the land on the slopes of Mauna Kea and neighboring forest lands were being worked by Daniel Castle; and, later, by the Castle and Hitchcock brothers for lumber milling and bullock hunting operations. (Kumu Pono)

The Hitchcock brothers, David Howard Hitchcock and Edward Griffin Hitchcock, were the sons of Harvey Rexford and Rebecca (Howard) Hitchcock, American Protestant missionaries who arrived with the 5^th Company of ABCFM missionaries.

In 1875, the Hitchcock brothers purchased the ‘O‘ōkala sugar plantation. In addition, DH Hitchcock was a land surveyor whose work focused not only on parcels of land being sold, but also on land divisions.

In 1883, the Hitchcock brothers built a house at Puakala at the upper boundary of the ahupua‘a, described as being “heavily timbered with ohia, koa, and other Hawaiian woods. Wild cattle and hogs abound in the upper woods”. (Tuggle)

“The house is built almost entirely of Koa sawed in the neighborhood … it was put up by Messrs. Devereaux and Tenny, and was finished in July”. (Pua ‘Ākala Guest Book, Oct 16, 1883)

“But Puakala – what of that? It is situated in the hollow of an amphi-theatre of hills. The hills to the west are mostly barren of trees, but well covered … Puaakala grows the finest of koa wood found on the islands. It is far handsomer than mahogany, some of it beautifully dark, some knotted and some curly.”

“The cattle are fast destroying the koa trees with other trees of the original forests … Of this wood, then, the house is built. The boards were sawed by hand and excellently well done, straight and true.”

“There has been no attempt at planing the lumber except for the doors, and this little handwork sends the polish out and shows the hard smooth grain of the wood. The wide boards are battened to keep out the cold, but cracks enough are left to keep the air always fresh and sweet.”

“At one end of the living-room is a capacious stone fire-place 3 x 4 feet. The opposite end of the building is divided into two sleeping rooms.”

“But the sleeping capacity of the house is not limited to these two bed-rooms, for there is an attic and the living room has lounges and a cot-bed to be used in emergencies. In the fire-place a fire is kept burning day and night.” (Paradise of the Pacific, January 1890)

The private koa-plank cabin known as Pua ‘Ākala (also referred to as Puakala) was used as an aristocratic hunting retreat. (Mills) The cabin was in the area known as Puakala or Kapuakala, a place at the upper edge of Papa‘ikou and is also the name of a watercourse in the area. The Hitchcock family mountain home eventually became known as Pua ‘Ākala Ranch. (Tuggle)

When staying at their mountain home at Pua ‘Ākala, the Hitchcocks hunted wild cattle and pigs, and “the occasional bills of fare written in the [guest] book by appreciative guests always included roast beef, usually pork as well”. (Tuggle)

As described by Kingdom land surveyor, ED Baldwin, “we … headed for Puu Oo, where we found the trail leading around the mountain towards Waimea, which we followed, reaching Puakala – Hitchcock’s mountain house – at five o’clock P.M.”

“This house is sixteen and a half miles in a direct line from Hilo, but about thirty-five by the trail. The Hitchcocks had kindly invited us to make this point our headquarters.”

“What a surprise it was to find, at this distance, such a large comfortable house, built of solid koa, all of which had been sawed out by hand! It was surely mountain luxury to lay off in comfortable rocking chairs before the large, open, old-fashioned fireplace. The elevation at this point is 6,325 feet. …”

“We lived high and well at Puakala; neither did our six cooks spoil the broth; but a specialty from each one helped to swell the bill of fare each meal. One made such fine biscuit, another such soup, another veal pies, another oyster fritters, and another still hit the climax by making akala (wild raspberry) pies.” (Baldwin, Kumupono)

An 1887 entry in the guest book of their mountain house recounts: “A series of hunts ⎯ all successful ⎯ gave the usual spice to the stay here of a short nine days.”

“No thrilling encounters with wild bulls this time but several racy runs after cattle resulted in a total of four bulls, three cows, three yearlings, killed ⎯ two heifers and two small bulls captured ⎯ (one since escaped) with a boar or lean sow shot here and there.” (D Howard Hitchcock, Tuggle)

By the end of the century, there were at least two major ranches in the upper Hakalau Forest area. Kukaiau Ranch was started by Charles Notley in 1887 and was shortly thereafter sold to John M. Horner. By 1929, it covered 35,000 acres between 2,300 to 7,600 feet.

The other ranch was Pu‘u ‘Ō‘ō Ranch, which covered 23,000 acres between 5,000 to 6,500 feet. John Baker started the ranch in 1896. (Tuggle)

In 1902, William ‘Willie’ Herbert Shipman secured leases on the lands of Pāpa‘ikou, Makahanaloa and other Hilo District lands, which were incorporated into the Pu‘u ‘Ō‘ō ranching operation. (Kumu Pono)

WH Shipman was born on December 17, 1854, at Lahaina, Maui to William Cornelius Shipman and Jane Stobie Shipman. Willie’s parents had signed up as missionaries destined for Micronesia. They stopped over at Lāhaina, Maui because his mother was due to deliver within 2 months. His parents then took a mission station in Kaʻū, Hawaiʻi, based in Waiʻōhinu.

In 1920, WH Shipman, leasing Pi‘ihonua and operating out of Pu‘u ‘Ō‘ō, extended his lease on Makahanaloa, and added the uplands of Pauka‘a and Pāpa‘ikou (the Pua‘ākala house and ranch of the Hitchcocks), to his Pu‘u ‘Ō‘ō Ranch operation. (Kumu Pono)

Pua ‘Ākala Ranch served as a satellite operation to Pu‘u ‘Ō‘ō Ranch. (Roy Shipman Blackshear, Tuggle) WH Shipman, Ltd sold its interest in the Pu‘u ‘Ō‘ō parcel in the 1970s. (Kumu Pono)

Pua ‘Ākala cabin and the surrounding property are now part of the Hakalau Forest National Wildlife Refuge. The Refuge notes “The cabin is well-suited as a location for interpreting the refuge’s forest resources and Hawaii’s unique history.”

“The cabin’s ties with the land survey and divisions, missionary families, politicians, hunting, Koa forests, birds of the forest, and current management strategies provides a wealth of interpretive materials. It is frequently visited by special use permit holders as they lead guided tours on the refuge.” (Messer)

David Howard (D Howard) Hitchcock, son of David Howard (David) Hitchcock and grandson of American missionaries, has ties to Pua ‘Ākala. He is perhaps one of the most important and loved artists from Hawaiʻi. Although born and raised in Hawaiʻi, he left the islands to study art in San Francisco and Paris.

Before his formal training abroad, Hitchcock was inspired by other Volcano School painters and was encouraged by Jules Tavernier to endeavor life as an artist. Hitchcock admits to following Tavernier and Joseph Strong around, ‘like a parasite.’ (NPS HAVO)

“Hitchcock was early hailed as ‘our island painter’ and his early canvases met an enthusiastic reception in Hilo and Honolulu. The Honolulu press commented on them at length. His early work, up to his European trip in 1890, shows great indebtedness to (Jules) Tavernier…” (Forbes)

He spoke fluent Hawaiian and traveled extensively throughout the islands, documenting the natural and cultural features in a sketch book and photographs, which he converted into paintings. During his long career he completed more than 1200 paintings, published 700 photographs. (Messer)

D Howard Hitchcock’s lasting mark at Pua ‘Ākala Ranch was a “charming study of akala berries” on a door which survives, well-preserved, in the possession of one of the Shipman descendants. (Roy Shipman Blackshear, Tuggle)

As described 1922 by Charmian London, wife of Jack London, “Puaakala, roofed in red corrugated iron, was otherwise even more picturesque, more hand-made in appearance than the PuuOO eyrie, even the washing-bowl and the bath-tub being dubbed out of koa. …”

“That night, when I shut the koa panel that was my bedroom door, I became aware that Gauguin had not been the only young painter who left his mark upon wood.”

“I found on the inner side an oil, manifestly not new, of a spray of akala berries and leaves. It had been done … by Howard Hitchcock, who has since attracted much attention by his fine canvases of Hawaii.” (Our Hawaii, London) (D Howard Hitchcock painted it on July 13, 1885.)

Click the following link for additional information on Pua ‘Ākala:

Click to access Pua_Akala-Hakalau_Forest_National_Wildlife_Refuge.pdf