Oahu | Images of Old Hawaiʻi

May 1, 2018 by Peter T Young 1 Comment

May Day

The earliest May Day celebrations appeared in pre-Christian times, with the festival of Flora, the Roman goddess of flowers and the Walpurgis Night celebrations of the Germanic countries. It is also associated with the Gaelic Beltane.

May Day has been a traditional day of festivities throughout the centuries. May Day is most associated with towns and villages celebrating springtime fertility and revelry with village fetes and community gatherings.

May 1 is a special day in many cultures. The Celts and Saxons and others in pre-Christian Europe celebrated the first planting and the beauty of spring. These agrarian celebrations continued down through the centuries and remain today. In much of Europe, May 1 is also a labor holiday, honoring the labor workers. (Akaka)

Fading in popularity since the late-20th-century is the giving of “May baskets,” small baskets of sweets and/or flowers, usually left anonymously on neighbors’ doorsteps.

A more secular version of May Day continues to be observed in Europe and America. There, May Day may be best known for its tradition of dancing the maypole dance and crowning of the Queen of the May.

May Day is Lei Day in Hawai‘i.

Lei making in Hawaiʻi begins with the arrival of the Polynesians who adorned their bodies with strings of flowers and vines.

When they arrived in Hawaiʻi, in addition to the useful plants they brought for food, medicine and building, they also brought plants with flowers used for decoration and adornment.

Lei throughout Polynesia were generally similar. Types included temporary fragrant lei such as maile and hala, as well as non-perishable lei like lei niho palaoa (whale or walrus bone), lei pupu (shell) and lei hulu manu (feather.)

“The leis of Old Hawaii were made of both semi-permanent materials – hair, bone, ivory, seeds, teeth, feathers, and shells; and the traditional flower and leaf leis – twined vines, seaweed and leaf stems, woven and twisted leaves, strung and bound flowers of every description.”

“Leis were symbols of love, of a spiritual meaning or connection, of healing, and of respect. There are many references to leis, or as the circle of a lei, being symbolic of the circle of a family, embracing, or love itself: “Like a living first-born child is love, A lei constantly desired and worn.” (Na Mele Welo, Songs of Our Heritage, (translated by Mary Kawena Pukui,) Gecko Farms)

Robert Elwes, an artist who visited the Hawaiian islands in 1849, wrote that Hawaiian women “delight in flowers, and wear wreaths on their heads in the most beautiful way.”

“A lei is a garland of flowers joined together in a manner which can be worn. There are many different styles of lei made of numerous types of flowers. The type of flower used determines the manner in which the lei is woven.” (Akaka)

Reportedly, Don Blanding, writing in his book ‘Hula Moons,’ explained the origins of Lei Day: “Along in the latter part of 1927 I had an idea; not that that gave me a headache, but it seemed such a good one that I had to tell some one about it, so I told the editors of the Honolulu Star-Bulletin, the paper on which I worked. They agreed that it was a good idea and that we ought to present it to the public, which we proceeded to do. It took hold at once and resulted in something decidedly beautiful.”

“When tourists discovered Hawaii, they loved the charming gesture and they spread the word of it until the lei became known around the world.”

“So, the bright idea that I presented was, “Why not have a Lei Day?” Let everyone wear a lei and give a lei. Let it be a day of general rejoicing over the fact that one lived in a Paradise. Let it be a day for remembering old friends, renewing neglected contacts, with the slogan “Aloha,” allowing that flexible word to mean friendliness on that day.”

The first Lei Day was in 1927 and celebrated in downtown Honolulu with a few people wearing lei.

From that it grew and more and more people began to wear lei on May 1.

In 1929, Governor Farrington signed a Lei Day proclamation urging the citizens of Hawaiʻi to “observe the day and honor the traditions of Hawaii-nei by wearing and displaying lei.”‘ (Akaka) Lei Day celebrations continue today, marking May 1st with lei-making competitions, concerts, and the giving and receiving of lei among friends and family.

In 2001, Hawaiʻi Senator, Dan Akaka, during a May 1 address, said, “’May Day is Lei Day’ in Hawaiʻi. Lei Day is a nonpolitical and nonpartisan celebration. Indeed, its sole purpose is to engage in random acts of kindness and sharing, and to celebrate the Aloha spirit, that intangible, but palpable, essence which is best exemplified by the hospitality and inclusiveness exhibited by the Native Hawaiians — Hawaii’s indigenous peoples — to all people of goodwill.”

When you give a lei you are giving a part of you. Likewise, as you receive a lei you are receiving a part of the creator of the lei.

“A lei is not just flowers strung on a thread. A lei is a tangible representation of aloha in which symbols of that aloha are carefully sewn or woven together to create a gift.

This gift tells a story of the relationship between the giver and the recipient. Many things can make up a lei. One can string flowers, seeds, shells, or berries into a lei.

One can weave vines and leaves into a lei. One can weave words into a poem or song, which is then a lei. The ultimate expression of a lei is kamalei – the child which represents the intertwining of aloha between the parents.”

Reportedly, the “tradition” of giving a kiss with a lei dates back to World War II, when a USO entertainer, seeking a kiss from a handsome officer, claimed it was a Hawaiian custom.

The lei of the eight major Hawaiian Islands become the theme for Hawai‘i May Day pageants and a lei queen chosen with a princess representing each of the islands, wearing lei fashioned with the island’s flower and color.

Hawai‘i – Color: ‘Ula‘ula (red) – Flower: ‘Ōhi‘a Lehua
Maui – Color: ‘Ākala (pink) – Flower: Lokelani
Kaho‘olawe -Color: Hinahina (silvery gray) – Flower: Hinahina
Lāna‘i – Color: ‘Alani (orange) – Flower: Kauna‘oa
Molokai – Color: ‘Ōma‘oma‘o (green) -Flower: Kukui
O‘ahu – Color: Pala luhiehu (golden yellow) or melemele (yellow) Flower: ‘Ilima
Kauai – Color: Poni (purple) – Flower: Mokihana
Ni‘ihau – Color: Ke‘oke‘o (white) – Flower: Pūpū (shell)

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May Day

Lei_Sellers-(HSA)-PP-33-8-023-1901

Lei_Sellers-(HSA)-PP-33-8-018-1901

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Lei sellers displaying lei and flowers on sidewalk-(HSA)-PP-33-8-021

Lei sellers at the waterfront, Honolulu Harbor-(HSA)-PP-33-9-002

Lei sellers at the waterfront, Honolulu Harbor-(HSA)-PP-33-8-005

Lei sellers at entrance to the Bank of Hawaii, King and Bishop Sts-(HSA)-PP-33-8-022

April 28, 2018 by Peter T Young Leave a Comment

Artesian Way

Actually, a lot of streets fit into the telling of this story: Marques Street, Evelyn Lane, Oliver Street, and Artesian Way. They are all associated with Auguste and Evelyn Oliver Marques and, the drilling of the first artesian well in Makiki, Honolulu.

A plaque marks the spot – I’ve been by it too many times to count, and never noticed it – and as the plaque notes, “This Means the Promise of Beauty and Fertility For Thousands of Acres.”

Most of the early water wells were drilled in and around Honolulu. It was James Campbell who furnished the first conclusive demonstration of the practicability of artesian wells in Hawaii, when on the summer of 1879, on the plain near his ranch house in Ewa, a good flow of water was obtained. (Kuykendall)

Success of this experiment created intense interest and a group of men in Honolulu brought over from California another well-driller, AD Pierce, with better equipment, and in the spring of 1880 a flowing well was completed (April 28) on the land of Auguste Marques near Punahou.

Subsequently, many other wells were drilled, and it became evident that a large supply of water could be obtained by this method. Early in the 1880s, the McCandless brothers (James S., John A., and Lincoln L.) began their long career as artesian well drillers in the islands. (Kuykendall)

“The first artesian well bored in Honolulu was marked in appropriate ceremonies yesterday on the premises of the Marques home on Wilder avenue near Metcalf street.”

“The first shaft tapping Honolulu’s subterranean water supply was marked with a bronze plaque which reads, “Site of Honolulu’s Pioneer Artesian Well, brought in on April 28, 1880 for Dr. Augustus Marques. ‘This means the promise of beauty and fertility for thousands of acres’ —King Kalakaua. Sealed August, 1938—Board of Water Supply.” (Nippu Jiji, June 21, 1939)

Doctor Marques lived much of his Hawaiian life at 1928 Wilder Avenue (now the site of a small apartment building). He originally owned about 30 acres of land, most on the slope below Vancouver Place.

Immediately Ewa side of it is Punahou School. The eventual tract (of about 30 acres, one supposes) was complete by 1880, at a cost of perhaps $10,000.

The area was called ‘Marquesville.’ He “was instrumental in bringing a colony of Portuguese to Honolulu … and sold lots on long term credit to encourage them to become home owners.” (Bouslog) Later, there was also a Catholic Church, with services in English and Portuguese.

“When asked to what nationality he belongs, Dr. A. Marques replies that he Is a true cosmopolitan”. (Hawaiian Star, March 9, 1899) Marques Auguste Jean Baptiste Marques was born in Toulon, France, on November 17, 1841.

His father was French and Spanish and was a general in the French Army. His mother, of English an Scotch descent, was the daughter of General Cooke of the British Army. Auguste’s boyhood was spent in Morocco, Algiers and the Sahara.

His early ambition was to become a doctor, but his mother wanted him to become a scientist. As a compromise, he acquired a medical and scientific education but agreed not to take a diploma or to practice medicine.

After four years of medical training, he was valedictorian of his class at the University of Paris, but, true to his agreement, never accepted his diploma. For some years following his graduation he was connected with the Bureau of Agriculture in Paris.

Shortly after his mother’s death in 1875, Dr. Marques started on a trip around the world. Arriving in Honolulu Christmas Eve of 1878, he decided to stay over between steamers, and so liked Hawaii that he cancelled his passage and from then on made his home in Honolulu and later became a naturalized citizen.

From 1890 to 1891 Dr. Marques served in the Hawaiian legislature. In 1893 he organized the Theosophical Society in Honolulu and six years later went to Australia to serve as General Secretary of the Society for that country.

From Australia he was sent to India as a delegate to the Theosophical Society convention, representing both Australia and the United States. In 1900 he returned to Honolulu.

On June 7, 1900, Dr. Marques married Evelyn M. Oliver, manager of the Woman’s Exchange in Honolulu. (Mamiya Medical Heritage Center)

Born in Canada in 1863, Evelyn Oliver had come to Hawai’i from Canada in 1889 as a publisher’s representative. She soon became interested in providing a sales outlet and a source of income, for Hawaiian women’s handicrafts.

“This institution served a double purpose, it preserved the old arts and it enabled native women to profitably market their products.” In 1899, her store was at 215 Merchant Street, which was also her residence.

The 1905-6 Directory describes her business as “South Seas Curios, hats and calabashes.” Women of Hawaii thought her noteworthy because of her joining the struggle for women’s suffrage, as “an active worker in the Women’s League of Voters of Hawaii…” (Bouslog)

As with her husband, Mrs. Marques is also remembered by a street name or two. Across from their home on Wilder Avenue is Artesian Street, commemorating the “pioneer artesian well.” East of Artesian is Evelyn Way, then Oliver Lane.

Both first appear in the City Directory of 1914. And so for her last 25 years she lived across from street signs displaying her maiden names. (Bouslog)

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Auguste-Jean-Baptiste-Marques

April 22, 2018 by Peter T Young Leave a Comment

Hanailoia

Owing to the importance of the harbor of Honolulu, its central position in the Island chain and its increasing population, the principal chiefs and councilors convinced Kauikeaouli (Kamehameha III) to move the seat of government from Lāhainā to Honolulu. (Taylor)

By 1843, the decision was made to permanently place a palace in Honolulu. At about that time, Governor Mataio Kekūanāoʻa was building a house for his daughter (Princess Victoria Kamāmalu.)

Victoria Kamāmalu was the sister of Prince Alexander Liholiho and Prince Lot Kamehameha, who afterwards became, respectively, Kamehameha IV and Kamehameha V. Her mother, the High Chiefess Kīnaʻu, the Premier of the kingdom, was a half-sister of Kamehameha III, all being descendants of Kamehameha I. (Taylor)

The original coral block and wooden building called Hanailoia was built in July 1844 on the grounds of the present ʻIolani Palace. (Thrum) It has been said that in olden times a large heiau or temple existed on this spot, the name of which was Ka‘ahaimauli.

“The flight of stone steps leading to the hall, is just completed. Underneath the building is a deep cellar and outside of that, below the spacious verandah, the floor of which is raised six feet from the ground, are extensive accommodations for the guards and household servant.”

“The main-hall occupies the entire depth of the house, but disfigured at one end by an enclosed flight of stairs leading to the upper rooms.”

“On either side of the hall are lofty and spacious apartments of larger size, with broad and high windows reaching to the floor, and so constructed that they can be thrown entirely up, and give free access to the verandah, which entirely encircles the house.”

“The view from the upper story is very fine. It commands an extensive prospect, not only of the town, but the mountains and vallies, and seaward. It is divided into two rooms, and is, we believe, designed for smoking and lounging, during the heat of the day …”

“… for which, from its elevated position and coolness, the mountain breezes sweeping most delightfully through it, it is admirably calculated. With an eye to our own comfort, we could not help thinking what a nice editorial sanctum it would make.”

“The whole house, from its massive walls and deep verandah, must necessarily be very cool, in the hottest weather. The governor intends to lay out the grounds with taste, planting them with trees, &c, and has already prepared several wells to give the necessary supply of water.” (Polynesian, November 9, 1844)

“To a person who has ever visited any of the abodes of European sovereigns, such a term (‘palace’) would at once convey an idea of regal magnificence; but the residence of the Hawaiian monarch produces nothing that is superfluous, or even splendid.”

“On the contrary, every thing about it is plain, even to plebeianism, and induces a visitor to think that he may be treading the apartments of a chief rather than the palace of a sovereign. The grounds on which it stands cover between two and three acres, and are inclosed with a heavy wall of rough coral.”

“A visitor enters on the south side, between lodges occupied by sleepy sentinels. A small but beautiful grove of trees wave their stately foliage on either side of the path leading up to the royal apartments, and their cool shade reminds one of the groves of the Academy and the Lyceum, where so many of the old masters read, studied, and rambled.”

“A few steps bring you in front of the palace proper. It has a very simple, rustic appearance. The walls are composed of coral procured from the reefs along the shore of the harbor. The ground-plan covers an area of seventy-four feet by forty-four. The building is a story and a half high.”

“A noble piazza, eight or ten feet wide, and raised a few feet above the ground, entirely surrounds the building. The chief apartment is the one in which the king holds his levees. In the centre of the eastern wall of the apartment stood the chair of state. Its unpretending aspect led me to invest it rather with republican simplicity than monarchical aristocracy.” (Bates)

Various residences were placed around the grounds, the Palace being used principally for state purposes. ‘Hoihoikea’ was the name given to the large, old-fashioned, livable cottage erected in the grounds a little to ewa and mauka of the old palace, in which Kamehameha III, Kamehameha IV, and Kamehameha V resided. (Taylor)

The former Hanailoia, named Hale Ali‘i, was the palace used by Kings Kamehameha III, IV, V and Lunalilo. However, when Alexander Liholiho (Kamehameha IV) died November 30, 1863, his older brother Lot Kapuāiwa (Kamehameha V) became King and he considered a name change.

Minutes of the December 7, 1863 Privy Council note that Chancellor EH Allen “expressed the wish of the King to give a name to the Palace and that he wished it should be called St Alexander Palace.”

“After some discussion, Mr Wyllie moved that the following resolution be passed. … (However) after duly considering the Question, they would prefer the ‘‘Iolani Palace’ to the ‘Alexander Palace’ but that they respectfully defer to His Majesty right to give to his own Palace what ever name may best please himself.”

The minutes reflect that shortly thereafter, Acting Chamberlain, John O Dominis wrote, “I am ordered by His Majesty to inform You that he has styled His residence ‘‘Iolani Palace’ and you are instructed so to record it in the Minutes of the Privy Council.” (Privy Council, December 7, 1863)

So, Hanailoia was not only Honolulu’s first royal Palace, it was also the first ʻIolani Palace (although the Privy Council minutes refer to it as ‘ʻIolani Hale Ali‘i.’) It was torn down in 1878 to make way for the present ʻIolani Palace.

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White building in the front is old royal Mausoleum-Pohukaina. Wooden building behind it is original ʻIolani Palace

Old_Iolani_Palace_and_adjacent_premises,_ca._1850s

The old palace, which was built in 1845 and was replaced by Iolani Palace in 1882

Palace_of_King_Kamehameha_III,_from_the_harbor_(c._1853)

Hale_Aliʻi_with_Royal_Guards_(before 1879

Hale_Aliʻi_in_1857

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Pohukaina-in_front_of_Hale_Alii-original_Iolani_Palace-1850s

‘Io, the Endemic Hawaiian Hawk

April 18, 2018 by Peter T Young Leave a Comment

Joe the Statue Worshipper

“Honolulu like other and larger cities, has its street characters. They are, fortunately, but few, which fact renders them perhaps all the more familiar to residents and noticeable to strangers.” (Thrum)

“Jose de Medeiros, 1880(?)-1932, popularly known as ‘Joe the Statue Worshipper,’ kept an almost daily vigil in front of the Honolulu statue for about 35 years. In tattered clothes he would shuffle back and forth in front of the South Iolani Palace gate.”

“Sometimes he would cross the street to stare fixedly at the statue and go through various obeisances.” (Adler)

He “began his strange veneration in 1896, when he was sixteen. Daily he would appear in early morning before the monument.”

“He would shuffle back and forth or stand in apparent rapture staring at the bronze figure. He would depart in late afternoon.” (The Bend Bulletin, August 19, 1932)

“Once a reporter asked him if he liked to see Kamehameha every day, and he answered: ‘He step down some day. Then I see him.’”

“Joe became a familiar sight to townspeople, many of whom gave him gifts of clothes or food or cigars.”

“Former Mayor John H. Wilson remembered seeing him in front of the statue as early as 1896. By 1930 Joe was missing from his usual post, and it turned out he was sick. He died in July, 1932.”

“How account for his strange behavior? As a child of two, Joe came to Honolulu in 1882 with his Portuguese immigrant parents on the Earl of Dalhousie, the same ship that brought the damaged original statue. He may have been influenced by the awed superstition of the immigrants toward it, or by remarks of his parents.” (Adler)

“Old Joe, who truly was one of the extraordinary characters of the Pacific, possessed an endurance record that put in the shade the activities or such persons as marathon dancers, pole sitters, pie-eating champions and the like.”

“He stood voluntary guard before the gilded statue of Kamehameha the Great in the plaza between ‘Iolani Palace and the Judiciary Building, Honolulu for thirty-four years.”

“As to way he stood there day after day, year after year, no one ever found out.”

“That was the mystery of Joe.”

“All that the oldest residents of Honolulu ever knew Joe to say was that ‘Someday he step down – then we talk.’ The ‘he’ was the great bronze Kamehameha effigy of the first of the line of Hawaiian kings, the ‘Napoleon o’ the Pacific’ who united the group in government and whose intellect was said to have been proportionate to his mighty stature of seven feet.”

“Kamehameha reigned about the time the American Colonies were setting their faces against kings in general.”

“The gilt statue of the great king stands today in the middle of Honolulu and is the tribute of this age to a man whose tactful efficiency made a true golden one of his reign a century and a half ago.”

“Hence, the legend rose that perhaps Joe Medeiros. Whose family came from the Azores, was the reincarnation of some far-wandering Portuguese seaman who landed in Hawaii when Kamehameha was king and remained there to live and love as his heart dictated.”

“Some, however, said that the reason poor Joe stood there before the statue was that he in his youth on the Island of Hawai‘i had been kicked on the head by a calf.”

“For some years, Riley H. Allen, Editor of The Honolulu Star-Bulletin, as a test of ingenuity, would send new members of the staff from the mainland to interview old Joe.”

“But with one exception, there was uniform failure.”

“Joe would accept a cigar or maybe a half dollar, regard the donor tolerantly and return to his ‘job.’”

“Old Joe lived with his sister in that section of Honolulu between the palace and the Ala Moana, and, contrary to general opinion, he never married. He was fifty-two years old.” (Noted within Goodrich)

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April 17, 2018 by Peter T Young 2 Comments

Pahua Heiau

“The ships were very light, having such a quantity of water expended, and our rigging fore and aft stood much in need of repairing and overhauling …”

“… so that we thought it prudent to quit our present situation and proceed for King George’s Bay (Maunalua Bay,) Woahoo, where we could lie well sheltered from the prevailing winds, and do every thing necessary both to the hulls and rigging of the ships …” (Portlock)

Accounts of early western visitors to the southeast coast of O‘ahu suggest that the area from Waikīkī to Maunalua Bay, including Wai‘alae, Wailupe, Niu and Kuliʻouʻou was well-populated and that food resources were more than sufficient. Anchoring his ship, the King George, in Maunalua Bay in 1786, Captain Nathaniel Portlock reported:

“Soon after our arrival, several canoes came off and brought a few cocoa-nuts and plantains, some sugar-cane and sweet root; in return for which we gave them small pieces of iron and a few trinkets.” (Portlock)

“… as the people now brought us plenty of water, I determined to keep my present situation, it being in many respects an eligible one; for we hitherto had been favoured with a most refreshing sea breeze, which blows over the low land at the head of the bay …”

“… and the bay all around has a beautiful appearance, the low land and vallies being in a high state of cultivation, and crowded with plantations of taro, sweet potatoes, sugar cane, &c, interspersed with a great number of cocoa-nut trees, which renders the prospect truly delightful. (Portlock)

The name Maunalua (two mountains) is said to have been attributed to Ka Lae o Koko, also known as Kuamo‘okāne (today known as Koko Head), and Kohelepelepe (today known as Koko Crater.) (Coleman)

Pahua Heiau is one of dozens of recorded archaeological sites and one of four confirmed heiau sites in Maunalua and is one of the most significant sacred sites remaining in Maunalua (now known as Hawai‘i Kai) on the southeastern shore of the island of O‘ahu.

Consisting of stacked stone terraces arranged in a rectangular shape, Pahua is a heiau (temple or shrine, place of worship.) It measures 68 by 40 feet and is set against the base of the ridge dividing the Kamilonui and Kamiloiki Valleys. (Coleman)

“The heiau sits high on the hillside above the far inland head of Kua-pā Pond, also known as Keahupua–o–Maunalua Fishpond… In former times one could look out from this vantage point over the broad plain surrounding the pond below and stretching eastward across the “saddle” behind Koko Crater to Kalama and Wāwāmalu beyond.” (Bertell Davis; Coleman)

Archaeologists suggest that Pahua was once an agricultural heiau, constructed between the fifteenth and eighteenth century, although there are many theories surrounding its traditional usage and function. (Coleman) Some suggest I may be a ko‘a (fishing shrine.)

The interpretation of the word pā–hua as “an enclosure of fruits” has been used as a support the thought that it was an agricultural heiau.

The word hua not only has meanings associated with fruit, ovum and seeds, but also with general fertility and fruitfulness (particularly as applied to a high agricultural yield; the verb hua means to sprout. (Coleman)

When the archaeologist J Gilbert McAllister first documented Pahua as a field site in the 1930s, the heiau had been abandoned for some time; he was unable to definitively ascertain its function and significance, either from previously published works or from interviews with kamaʻāina living in the area.

If Pahua was an agricultural heiau, it is likely that the kapu surrounding it were not exceedingly strict, and it is possible that low-ranking ali‘i of the area may have constructed the site and worshiped there.

Pahua was the only name recorded for the heiau as given by a native Hawaiian informant to McAllister in the early 1930s. Despite the possibility that Pahua was not the original or proper name for the site, limited historical evidence suggests that it was.

For example, Pahua is also documented as a name for the area in nūpepa (Hawaiian language newspapers) during the early and mid-1800s.

Reference to Pahua as a place is found in one of the first kanikau (chant of mourning) ever printed in the nūpepa. In the August 8, 1834 issue of Ka Lama Hawai‘i, David Malo used the phrase “noho anea kula wela la o Pahua,” (tarrying in the vibrating heat of the hot plains of Pahua.) (Coleman)

One meaning of the word pahua is “down–trodden,” which can be used to describe grass that has been flattened. Although rare, this understanding of pahua correlates to the description of Pahua as a kula (plain) that is found in the kanikau (laments) printed in the nūpepa.

Maunalua was also known for cattle in the 1880s. Other variations of pahua also suggest a link to cattle; the meaning of the word pāhu‘a is similar to that of kīpuka (a clearing, an oasis, a change in form.)

And it especially refers to an area that is free of brush and vegetation, such as a pasture where it was easy to rope cows. The word pahu‘ā, (pahu, to push; ‘ā, to drive, as in cattle) also suggests a strong association with cattle. (Coleman)

Pahua Heiau was excavated and restored during a volunteer community service project directed by Bertell D Davis with the Outdoor Circle and others in 1985.

Excavation uncovered evidence that the heiau was constructed in several stages, but Davis was not able to determine the chronology of the construction sequence. (Jordan)

Pahua heiau sits on land gifted to Office of Hawaiian Affairs by Kamehameha Schools in 1988, OHA’s first land holding. The site is located on the slope at the south end of the ridge between Kamilo Nui and Kamilo Iki Valleys, overlooking the top end of Makahuena Place.

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