Oahu | Page 2 | Images of Old Hawaiʻi

August 31, 2025 by Peter T Young 2 Comments

Lahilahi

“Nearly in the middle of this side of the island is the only village we had seen westward from Opooroah (Puʻuloa, Pearl Harbor.) In its neighbourhood the bases of the mountains retire further from the sea-shore, and a narrow valley, presenting a fertile cultivated aspect, seemed to separate, and wind some distance through, the hills.” (Vancouver, March 1793)

The ahupuaʻa of Makaha extends from the coastline to the Waiʻanae Range. Pukui noted Mākaha means “fierce;” Roger C. Green suggests it relates to “fierce or savage people” once inhabiting the valley.

Green refers to “…the ʻOlohe people, skilled wrestlers and bone-breakers, by various accounts (who) lived in Makaha, Makua and Keaʻau, where they often engaged in robbery of passing travelers.” (Cultural Surveys)

Waiʻanae Ahupuaʻa within the Waiʻanae District was its Royal Center in the late-1600s to the 1700s. The ahupuaʻa had numerous important heiau and the largest population of the district at European contact.

The Waianae Coast received its name from the mullet that was once farmed here. Wai means water, and ʻanae means large mullet (perhaps from mullet in the muliwai, or brackish-water pools, that were once common in the backshore on many Waiʻanae beaches.) These fish were once produced in large amounts.

Ahupuaʻa served as a means of managing people and taking care of the people who support them, as well as an easy form of collection of tributes by the chiefs.

A typical ahupuaʻa (what we generally refer to as watersheds, today) was a long strip of land, narrow at its mountain summit top and becoming wider as it ran down a valley into the sea to the outer edge of the reef. If there was no reef then the sea boundary would be about one and a half miles from the shore.

Palena (place boundaries) demarcated the boundaries between ahupuaʻa; this lessened conflict and was a means of settling disputes of future aliʻi who would be in control of the bounded lands; protected the commoners from the chiefs; and brought (for the most part) peace and prosperity. (Beamer, Duarte)

“The shore here forms a small sandy bay. On its southern side, between the two high rocky precipices, in a grove of cocoanut and other trees, is situated the village…”

“… in the center of the bay, about a mile to the north of the village, is a high rock, remarkable for its projecting from a sandy beach. At a distance it appears to be detached from the land.” (Vancouver, March 1793)

That ‘rock’ noted by Vancouver is Mauna Lahilahi (thin mountain – referred to by some as the ‘world’s smallest mountain’) is the palena, or boundary marker between the Makaha and Waianae ahupuaʻa (the hill itself is within the ahupuaʻa of Makaha.)

“The few inhabitants who visited us from the village, earnestly intreated our anchoring, and told us, that if we would stay until the morning, their chief would be on board with a number of hogs, and a great quantity of vegetables; but that he could not visit us then because the day was (kapu.)”

“The face of the country did not however promise an abundant supply; the situation was exposed, and the extent of anchorage was not only very limited, but bad; under these circumstances, having, by eleven at night, got clear of the shores, I deemed it most prudent to make the best of our way, with a light S.E. breeze towards Attowai (Kauai.)” (Vancouver, March 1793)

The village Vancouver saw was Kamaile, “with the beach and fishery in front and the well watered taro lands just behind.” A fresh water spring, Kekoʻo, gave life to this land and allowed for the existence of one of the largest populations on the Waiʻanae Coast. (Cultural Surveys)

Mauna Lahilahi inspired at least two songs. One, by Kaʻiulani, “I Mauna Lahilahi ko Wehi,” was probably inspired by a royal visit to the Holt estate in those golden days of Makaha Ranch. From about 1887 to 1899, the Holt Ranch raised horses, cattle, pigs, goats and peacocks.

It opens by offering Kaʻiulani a lei of “pua mamane melemele”: “Here at Mauna Lahilahi is your adornment; it is made of the golden blossoms of the mamane tree.”

The second verse shifts its focus from flower to princess and from beauty to status: “You are anointed with coconut water whose fragrance is wafted by the gentle Kaiaulu breeze.”

Verse three brings flower and natural action together in the drenching of the māmane in the Naulu rain: “The Naulu comes this way to soak the māmane blossom.” (deSilva)

“I Mauna Lahilahi ko Wehi”
https://www.youtube.com/watch?v=JcyuLccG25g

A later song, “Maunalahilahi” by Mary Robbins speaks of the love for Maunalahilahi and appreciation to its later owner, Jack Waterhouse.

“Affection for Maunalahilahi; Lingers in my heart; You are a treasure to us; As you approach my presence; It is as if we are in the presence of royalty ; Where many gather often; … This is my praise of Jack; You are a beloved person to all of us.”

Jack Waterhouse had his house at the foot of Mauna Lahilahi (on the Makaha side of the hill.)

August 19, 2025 by Peter T Young 6 Comments

Honolulu Iron Works

Kamehameha moved his Royal Center from Waikīkī to Kou in 1809 (what we now call downtown Honolulu.) Early descriptions and mapping note a place called Honokaʻupu. It was one of the noted places for rolling the flat-sided stone disc known as “the maika stone.”

This was not far from Richards and Queen Streets, although the great “Ulu-maika” place for the gathering of the chiefs was in Kou. This was a hard, smooth track about twelve feet wide extending from the corner of Merchant and Fort Streets along the seaward side of Merchant Street to the place beyond Nuʻuanu Avenue.

It was used by the highest chiefs for rolling the stone disc known as “the maika stone.” Kamehameha I is recorded as having used this maika track. (Maly)

Later (1852,) it was near here (at Queen (now Ala Moana/Nimitz) and Marin/Nuʻuanu) that a business initiating steam power for business purposes began. (Thrum)

Honolulu Steam Flouring Company also milled wheat sent to Honolulu from the fields on Maui. That year, the Islands produced enough wheat to supply the home demand for flour and left some for export to California. (Ford)

In conjunction was Honolulu Iron Works; David Weston was the machinist in charge. In addition, at one time there was an attempt at making hard bread from the Maui wheat, but it was so hard and flinty that it did not find a market, and the growth of wheat was given up. Then, there were attempts at cleaning rice.

In 1860 the whole premises, with much adjoining property, was swept away by fire. The foundry, at the time owned by Thomas Hughes was soon rebuilt. (Goodale)

But the future of Honolulu Iron Works was not grain. As the sugar plantations flourished, Weston’s machines began producing hardware for the sugar mills. (Dye)

By the turn of the century, the Iron Works was making complete sugar ‘factories’ for plantations in Puerto Rico, Cuba, Mexico, Louisiana, Formosa and the Philippines – as well as supplying Hawaiʻi’s sugar planters. (Dye)

In 1869, Theophilus Harris Davies was a principal owner; at that time, Alexander Young took charge of the operations. Young was first in Hilo, operating a foundry and machine shop there.

Moving to Honolulu, Young bought the interest of Hughes in the Honolulu Iron Works (and remained the manager to the first months of 1896, when he retired, leaving the enterprise at the zenith of its magnitude and importance.)

In 1875, Davies took the lead in refinancing Honolulu Iron Works into a stock company. Honolulu Iron Works, in which Davies invested and which shared Theo H Davies’ (one of Hawaiʻi ‘Big 5’ companies) principal stockholders, directors and officers, but had no legal ties with the company. (Greaney)

“In Queen Street I found and visited the Honolulu Iron Works, of which it may be said that among the industries which occupy the time and attention of the business men of this town, none contribute more to the progress of the Islands’ interests than this.”

“Since the company commenced operations they have steadily increased their plant, year by year, until now they can work from five to six hundred men in the various shops. … A heavy stock of boiler and bar iron, steam and other fittings, water and steam pipe, fully equal to the capacity of the works is always on hand.”

“Every requisite for the repair of larch iron ships and steamers is always in stock and such work is accomplished with great dispatch; but the building of sugar mills and machinery connected therewith, is what has chiefly occupied the company for some years. (Bowser, 1880; Maly)

“A trip through the works is a rare treat, and affords the only definite means of gaining an idea of the magnitude of the business there carried on. Fronting on Queen street is a large two-story building, which will be recognized as the front entrance to the Works.”

“Down-stairs is the general business office where all contracts are ratified and the business of the Works is carried on. There manager Hedemann has a desk. Up-stairs is the drafting room, where all the plans for contracts are drawn. This department has the appearance of the main room of an architectural firm in a great city.”

“Parallel with the building just described, but running back half through the block, is another, a brick structure, in which are located the most important shops of the Works. In it is the foundry, where the greatest machinery is manufactured and handled with the smallest amount of muscular force. … anything from a small bolt to an immense mill shaft is constructed.”

“There are three machine shops, all equipped with the most modern appliances. Back of them is the smith’s department, another large building. Off in the lower yard is the boiler shops, a most important adjunct of the works.”

“Out of it have come the largest boilers in the country today. Plantation mills have been equipped and a majority of the boilers used by the island steamers have been supplied from this shop.” (Hawaiian Gazette, March 12, 1897)

In 1900, the Honolulu Iron Works moved from its old location at Queen and Marin/Nuʻuanu Streets to the shore at Kaka‘ako; other businesses soon followed. (Later, Kakaʻako makai was filled in, forming the peninsula, putting the Honolulu Iron Works on the mauka side of Ala Moana Boulevard.)

Since its beginning, Honolulu Iron Works has participated in the construction of more than 200 cane sugar mills, 8 beet sugar factories, 8 refineries and 6 alcohol distilleries. (honiron)

Davies later sold out to local businessman George Murphy, who, in less than three years, sold to Ward foods. Up until 1960, Honiron (successor name for Honolulu Iron Works) had been operating as an independent corporation when the company associated with J&L in Jeanerette, Louisiana. (honiron) Honolulu Iron Works building in Kakaʻako was later replaced by One Waterfront Plaza.

July 31, 2025 by Peter T Young 1 Comment

Kahalaopuna

Hanohano wale noʻoe
E ke anuenue o Mānoa
Ku kamahaʻo ʻo Kahalaopuna
Pua lei a ka ua me ka makani

Famous is the story of
The Rainbow Goddess of Mānoa
Kahalaopuna, the sacred one
Born of the wind and the rain
(Cabral, Boyd & Makuakane)

During the days of Kākuhihewa, ruling chief of O‘ahu from about 1640 to 1660, Kahaukani ((K) Mānoa wind) and Kaʻaukuahine ((W) Mānoa rain) were brother and sister twins.

When the children were grown up, their foster parents decided they should be united; they were married and Kahalaopuna was born to them – a uniting of the Mānoa wind and rain. She is deemed of semi-supernatural descent.

A house was built for her in a grove of sandalwood trees at Kahaiamano (some say the home was at Kahoiwai) on the way to Waiakeakua, where she lived with a few devoted servants. The house was embowered in vines and two poloulou (tabu staves) were kept standing beside the entrance (to indicate that they guarded from intrusion a person of high rank.)

Kahalaopuna “was so beautiful that a rainbow followed her wherever she went.” “Her cheeks were so red and her face so bright that a glow emanated therefrom which shone through the thatch of her house when she was in.

A rosy light seemed to envelop the house, and bright rays seemed to play over it constantly. When she went to bathe in the spring below her house, the rays of light surrounded her like a halo.”

She was betrothed in childhood to Kauhi, a young chief of Kailua.

When she was grown to young womanhood, she was so exquisitely beautiful that the people of the valley would make visits to the outer puloulou at the sacred precinct of Luaʻalaea, the land adjoining Kahaiamano, just to get a glimpse of the beauty.

Two men, Kumauna and Keawaʻa, had never seen Kahalaopuna, but they fell in love with her from the stories told of her. They would weave and deck themselves lei of maile, ginger and ferns and go bathing at Waikīkī and boast of their conquest of the famous beauty.

When the surf was up, it would attract people from all parts of the island. Kauhi, the betrothed of Kahalaopuna, was one of these. The time set for his marriage to Kahalaopuna was drawing near, and as yet he had not seen her, when he heard the assertions of the two men.

“How strange indeed was the behavior of your intended wife, Kahalaopuna! She went dancing two nights now, and on each night had a separate lover.”

Kauhi eventually believed them and he went into a jealous rage, stating he would kill Kahalaopuna.

He took her to the back of the valley; Kauhi struck her across the temple with a heavy bunch of hala nuts. The blow killed the girl instantly, and Kauhi hastily dug a hole under the side of the rock and buried her; then he started down the valley toward Waikiki.

As soon as he was gone, a large pueo (owl – a god and a relative of Kahalaopuna) immediately started digging out the body and restored life back to Kahalaopuna.

Kauhi then took Kahalaopuna to the ridge between Mānoa Valley and Nuʻuanu and killed her again. The owl, again, scratched her out and revived her. This was repeated again and again at Nuʻuanu and then in Kalihi. Finally, at Pōhākea, on the ʻEwa slope of Mount Kaʻala, he killed her again; this time the owl was not able to free and revive her and the owl left.

There had been another witness to Kauhi’s cruelties, ʻElepaio, a little green bird (a cousin to Kahalaopuna.) As soon as this bird saw that the owl had deserted the body of Kahalaopuna, it flew straight to her parent, Kahaukani and Kauakuahine, and told them all that had happened.

There was disbelief that anyone in his senses, including Kauhi, could be guilty of such cruelty to such a lovely, innocent being, and one, too, belonging entirely to himself.

In the meantime, the spirit of Kahalaopuna discovered itself to a party who were passing by; and one of them, a young man, moved with compassion, went to the tree indicated by the spirit, and, removing the dirt and roots, found the body.

He wrapped it in his kihei (shoulder scarf), and then covered it entirely with maile, ferns and ginger, and carried it to his home at Mōʻiliʻili. There, he submitted the body to his elder brother, who called upon two spirit sisters of theirs, with whose aid they finally succeeded in restoring her to life. They kept her last resurrection secret.

Kauhi was caught and subjected to a test. He lost and he and the two false accusers are put to death. His spirit, however, enters a man-eating shark, which lurks along the coast until it catches the girl out sea-bathing and finally consumes her body so that resuscitation is impossible.

Kumauna and Keawaʻa were, through the power of their family gods, transformed into the mountain peaks on the eastern side of Mānoa Valley.

Just above Puʻu o Manoa (Rocky Hill at the top of Punahou School) is another hill known as Puʻu Pueo. This was where the Owl God, Pueo, resided.

Today, you can still find the spirit of Kahalaopuna (the Princess of Mānoa) in the ānuenue (rainbows) spanning Mānoa Valley. (Information here is from Nakuina, Beckwith, Fornander, Thrum, Westervelt and Kalākaua.)

Waterfalls-back of Manoa-BM

Surfing-Waikiki

‘Rainbow_above_Taro_Patch_in_Manoa_Valley’_by_D._Howard_Hitchcock,_1910

Pueo

manoa-rainbow

Manoa_valley-BM

Manoa_Valley-Baldwin-(DAGS)-Reg1068-1882-Google_Earth-Kaohiwai noted

Manoa_Valley-1935

Manoa_Valley_from_Waikiki,_oil_on_canvas_by_Enoch_Wood_Perry_Jr.-1860s

Kahalaopuna – Manoa-Google Earth

Eastern Side of Manoa-Valley-from-Round-Top-Drive

Back of Manoa Valley

July 23, 2025 by Peter T Young Leave a Comment

King’s Daughters Home

A small number of women banded together as a King’s Daughters’ Circle for the purpose of learning more how to care for others, taking the motto, ‘Not to be ministered unto, but to minister.’

At the time, Honolulu had no haven for friendless and lonely old persons who were aging. Then, the distress of two such old ladies inspired the King’s Daughters with the determination to meet this need.

The aim was to comfort and care for those in need, just as one would care for a relative or friend. “No efforts are spared in removing all trace of the institution from this home, where each person is given a pleasant, private room in which to spend declining years among little, treasured possessions.” (Honolulu Star-bulletin, April 9, 1914)

On July 15, 1910, they rented and furnished a house in Makiki and called it the King’s Daughters’ Home.

The aim of the Circle was first “to furnish a genuine home to all those in need because of age or weakness, and second, to furnish a Christian home for persons in middle life or past who receive but a trifle for their labor and are unable to pay the usual boarding-house rates”.

“(L)astly, (the goal was) to furnish for convalescents released from the care of hospital and physician, without a home or means and unable to work for a while, a place where they may go and have loving care for a few weeks and someone to help nurse them back to strength. (Honolulu Times, December 1, 1910)

“Viewed from a progressive standpoint, it may be said that there is scarcely a county in the United States which has not its home for old people without means. Honolulu has its Lunalilo Home for aged Hawaiians.”

“There are homes for the people of other races and hospitals for the white plague sufferers and those afflicted with other ills, but nowhere in this city of wealth is there a place where an aged Anglo-Saxon, whose younger days have been spent in faithful service, can enter and say, ‘This is my home.’” (Thrum)

The first home “installed these two dear old ladies with a matron to care for them. Later more women and some men were joined to the little family, the house was enlarged to meet the increasing demands for more accommodations”.

“(A)ssistants were engaged, and the work grew steadily, until now several small cottages have been added to the establishment, Yet, with these added facilities, the Old Folks’ Homes is taxed to capacity”. (Honolulu Star-bulletin, April 9, 1914)

“(T)here are scores of working women, very worthy women, Christian women, employed on meager salaries, by the week or by the day or the month, and that can afford to pay a small part only for room and meals. It is really hard, very hard, for them to make that little income meet the demands of food and raiment (clothing.”)

“Often they are constrained to live in the most frugal manner as to lodging and table board. But, if there can be a Home, plain, sweet, neat, with a good nourishing menu, three times a day, what a blessing!” (Honolulu Times, December 1, 1910)

“No sooner was the first home secured and opened with furnishings befitting the needs of those in the afternoon of life who had seen better days, but what its capacity was taxed, and from that time … there have been applicants for admission kept on the waiting list owing to its limited accommodations”.

“Thus from its inception, almost, has the need of enlargement been insistent and has sorely taxed the handful of promoters to meet this want of the community.” (Thrum)

“The King’s Daughters’ Circle has undertaken the work which the community has so far omitted. It has done what it could with limited means, secured from private sources, and now feels justified in asking the aid of the community for a building enterprise … like the magnificent YMCA structure”.

“Confident that their trust in this appeal is not misplaced, the organization of King’s Daughters engaged Mr HL Kerr, an architect who has designed a number of the finest buildings in the city, to draw plans for an Old People’s Home, to be erected on the Kaimuki site which the organization now owns”.

“The building as designed will afford ample and comfortable housing for fifty (occupants,) with additional quarters for nurses and other attaches of the institution. The structure as planned has all the essential provisions for insuring comfort to the (occupants,) and at the same time is artistic in design, supplying an edifice which, from an architectural point of view, will prove a credit to the city and a monument to the progressive spirit of the community.”

“The general idea of the architect has been to give a home effect inside and out, and to provide a building which will insure a maximum of comfort and convenience with a minimum of expenditure for its economical maintenance. The lanais and veranda are as generous in size as they are essential.”

“The dining hall and dining lanai may be operated separately or thrown together as desired, and the rooms which will be for general use are centrally located in order to be of the greatest service to all. … The rooms are large and airy, each provided with a generous clothes press, and there are ample toilet facilities included.”

“The upper floor is designed primarily for the use of the caretakers and assistants, and will also provide room for those among the old people who are able to mount the easy stairway.”

“One feature of the plans to which the attention of contributors is particularly called, is that it may be constructed in five parts or wings grouped about a central building, permitting any one person or group of persons who may so desire to build a wing as a memorial.” (Thrum)

There is a sad side to this story … reported in the Hawaiian Gazette, February 6, 1912. It relates to Mrs Margaret Jerome Healy and her friend Mrs Elisabeth Stevenson; both lived in the King’s Daughters Home.

Unfortunately Healy passed away.

“The old ladies of the home were all anxious to attend the funeral of their late companion, who was a general favorite among them … The superintendent demurred but it was finally decide that a refusal would result in unnecessary grievings and the permission was granted.”

“The aged women gathered about as the body was lowered and reverently bowed their heads as the last words of the service were spoken. Most of them were crying quietly and the moment, always so sadly dramatic, was doubly tense to those who felt the severing of the ties so poignantly.”

“Mrs. Stevenson’s heart, which has been weak, was unable to stand the tension of emotion and dropped quietly, the old lady sinking to the ground amidst her companions and peacefully passing across the borders to join her friend.”

Stevenson (who had been a nurse for the greater part of her life) died “before the open grave as the body of her departed friend was laid to rest.” (Hawaiian Gazette, February 6, 1912)

“They were two woman who shared the bonds of aloha in their last days of their lives on this earth, and they left together to the other side, without one feeling sadness for the other in one dying before the other, and one being left behind in this world grieving.” (Kuokoa, February 9, 1912) The King’s Daughters Home closed in 1978.

July 2, 2025 by Peter T Young Leave a Comment

Makiki Christian Church

At age 29, Reverend Takie Okumura of Japan set sail for Hawaiʻi in 1894. He was initially appointed to serve as minister of the Japanese Christian Church, the predecessor to today’s Nuʻuanu Congregational Church.

Okumura left there and began his work in the section of Honolulu centering about Makiki district in November, 1902. The work commenced in a little shed on Kīnaʻu Street near a Japanese camp and without a single church member. (The Friend, November 1930)

Within a year, the shed became too small and a cottage across the street was rented which would accommodate about eighty people. By his untiring effort, Okumura was able to organize the Makiki Church with 24-members on April 8, 1904. The church continued to grow and was moved to the present building on the corner of King and Pensacola Streets in 1906. (The Friend, November 1930)

In early-1910, the Makiki Japanese Church (later known as the Makiki Christian Church) introduced the custom of one English sermon per month. The Church acquired property near McKinley High School (at the corner of Pensacola and Elm.) Then, in the 1930, a new, enlarged church was contemplated and then constructed. It was modeled after a Japanese Castle.

The “Makiki Castle” was the inspiration of the Reverend Okumura. Okumura asked Hego Fuchino to design the church.

Born and educated in Japan, Fuchino immigrated to Hawaiʻi at age 17 or 18 and worked his way through ʻIolani School and the University of Hawaiʻi. He worked as a land surveyor and engineer in Honolulu while he taught himself architecture, and became one of the first Japanese architects in Hawaiʻi.

One of Fuchino’s earliest works was the Kuakini Hospital, which he designed in 1919. He designed the Izumo Taisha Mission; commercial buildings; movie theaters such as the Haleiwa Theater; residences and apartments; and schools such as the Hawaiian Mission Academy.

Inspired by the early-Edo period Himeji Castle in Japan, the church is the only Christian church in the United States to be modeled after a sixteenth-century Japanese castle.

The Makiki Christian Church is a five-story redwood building whose main tower rises ninety feet above street level. A three- story parish hall and Sunday school, built four years after the tower, extends out from the tower to give the building a T- shaped floor plan.

“The castle-like edifice with its stone wall and high tower is after the style of the castle built by Oda Nobuuaga, famous Shogun, in 1577 at Omi. A number of years before that the feudal lord of Yaniato, Matsunaga, built a castle with a high tower and called his tower “Tenshukaku,” “ten” meaning heaven; “shu” lord; and “kaku,” lower or the place to worship the Lord of Heaven.” (The Friend, November 1930)

Rather than a building associated with war, Okumura indicated that the castle was a place of defense, meant to provide protection and peace, and that the earliest known building erected in Japan for Christian worship was Tamon Castle.

To the pastor, this design symbolized refuge, security and grandeur. Finally convinced it was not warlike, the congregation raised funds to build the tower, lobby and chapel in 1931. (Hibbard)

At the time of construction, China and Japan were at war; however, as a gesture of goodwill to show that animosity between the two nations did not extend to Hawaiʻi, Okumura specified that all building materials were to be purchased from City Mill, owned by KA Chung. (HHF)

Later, the castle became “A Place To Protect The Country” but it is true that the tower originated as “A Place To Worship God.” The Makiki Church erects its new edifice with its tower indicating the thought of the Psalmist who sang “Jehovah is my fortress—my high tower.” (The Friend, November 1930)

In November 1932 the tower was completed and in 1936 the Parish Hall was added to the church.

The churchyard is entered from the Elm Street side through a munekado (a gable-roofed gate supported by two pillars). The building’s entrance is fourteen feet high with a pair of massive solid wooden doors.

A large vestibule, thirty feet in height, runs parallel to the sanctuary and provides access to the church and the parish hall wing. The interior includes acid-stained concrete floors, columns with elbow brackets, and 164 ceiling panels depicting fruits, flowers, and vegetables painted by Yunosuke Ogura.

Before he died in 1951, Okumura also established the Okumura Boys and Girls Home, which provided young men and women affordable housing; he started the first Japanese-language school and the first AJA baseball league.

Makiki Christian Church is listed on the Hawaii Register of Historic Places (No. 80-14-9719, dated September 30, 1988;) it is one of the most photographed churches in the Islands.