Images of Old Hawaiʻi

by Leave a Comment

Waipiʻo Kimopo

At the time of Captain Cook’s arrival (1778,) the Hawaiian Islands were divided into four kingdoms: (1) the island of Hawaiʻi under the rule of Kalaniʻōpuʻu, who also had possession of the Hāna district of east Maui; (2) Maui (except the Hāna district,) Molokai, Lanai and Kahoʻolawe, ruled by Kahekili; (3) Oʻahu, under the rule of Kahahana; and (4) Kauai and Niʻihau, Kamakahelei was ruler.

Kahahana was high-born and royally-connected. His father was Elani, one of the highest nobles in the ʻEwa district on Oʻahu, a descendant of the ancient chiefs of Līhuʻe.  While still a child, Kahahana was sent to Maui to live in the court of his relative, Kahekili.  (Fornander)

Then Oʻahu chiefs selected Kahahana to be their leader (this was the second king to be elected to succeed to the throne of Oʻahu, the first being Māʻilikūkahi, who was his ancestor.)

Kahahana left Maui and ruled Oʻahu.  When war broke out between Kalaniʻōpuʻu of Hawaiʻi Island and Kahekili in 1779, Kahahana had come to the aid of Kahekili.

Later, things soured.

“At that time Kahekili was plotting for the downfall of Kahahana and the seizure of Oʻahu and Molokaʻi, and the queen of Kauaʻi was disposed to assist him in these enterprises.” (Kalākaua)

In the beginning of 1783, King Kahekili from Maui sought to add Oʻahu under his control.   Kahekili invaded Oʻahu and Kahahana, landing at Waikīkī and dividing his forces in three columns (Kahekili’s forces marched from Waikīkī by Pūowaina (Punchbowl,) Pauoa and Kapena to battle Kahahana and his warriors.)

Kahahana’s army was routed, and he and his wife fled to the mountains. For nearly two years or more they wandered over the mountains, secretly aided, fed and clothed by his supporters, who commiserated the misfortunes of their former king.

Weary of a life in hiding, Kahahana sent his wife, Kekuapoʻiʻula, to negotiate with Kekuamanohā (her brother, and chief under Kahekili) for their safety.  Kekuamanohā sent messengers to Kahekili at Waikīkī informing him of the fact.

Kahekili immediately ordered the death of Kahahana, and he sent a double canoe down to ʻEwa to bring the corpse to Waikiki.  This order was faithfully executed by Kekuamanohā.  Kahahana and Alapaʻi were killed in Waikele.

Some of the remaining Oʻahu chiefs sought revenge and devised a wide-spread conspiracy against Kahekili and the Maui chiefs.  The conspiracy was led by Elani, father of Kahahana and included a number of Oʻahu chiefs.

At the time, Kahekili and his chiefs were quartered in various areas around the island.  Kahekili was in Kailua, while others were in Kāneʻohe and Heʻeia, and the remainder in ʻEwa and Waialua.

The plan was to kill the Maui chiefs on the same night in the different districts.

The conspiracy and revolt against Kahekili on Oʻahu was called Waipio Kimopo, (the “Waipiʻo Assassination” – named such, having originated in Waipiʻo, ʻEwa.)

However, before they could carry out their plan, Kalanikūpule found out their intentions and informed his father, Kahekili.  Messengers were sent to warn the other chiefs, who overcame the conspirators and killed them.  (Apparently the messenger to warn the chiefs in Waialua was too late and the Maui chiefs there were killed.)

It was found to be the best policy for a newly conquered people to give prompt and zealous allegiance to Kahekili, lest his piercing eyes should detect a want of aloha in his newly acquired subjects. For such delinquency he had given the people of a whole town to midnight slaughter.  (Newell)

Gathering his forces together, Kahekili overran the districts of Kona and ʻEwa, and a war of extermination ensued. Men, women and children were killed without discrimination and without mercy.  This event was called Kapoluku – “the night of slaughter.”  (Newell)

The streams of Makaho and Niuhelewai in Kona (Oʻahu,) and that of Hōʻaeʻae in ʻEwa, were said to have been literally choked with the corpses of the slain. The Oʻahu aristocracy had almost been entirely killed off.

Kalaikoa, one of the Maui chiefs, scraped and cleaned the bones of the slain and built a house for himself entirely from the skeletons of the slaughtered situated at Lapakea in Moanalua.  The skulls of Elani and other slain Oʻahu chiefs adorned the doorways of the house. The house was called “Kauwalua.” (Lots of information from Fornander and Bishop Museum.)

© 2023 Ho‘okuleana LLC

by Leave a Comment

Kihapū

Triton shell trumpets were used in Italy as long ago as 5150 BC. “Blowing shells” are called Shanka in India, Dung-dkar in Tibet, Quiquizoani in Mayan culture, Nagak in Korea, and Horagai in Japan. (Tarleton)

Conch is a common name of a number of different medium-to-large-sized gastropods (sea snails).  The pū is a Hawaiian conch shell; most in Hawai‘i are from the Triton’s Trumpet and the Helmet Shell.  (Tarleton)

The Pū was used to accompany chants, to announce the beginning of a ceremony, and to communicate across the ocean between people in canoes and those on land.  The blowing of the Pū should always be accompanied by protocol.

When it’s blown, how many times and in which directions all have a complex set of meanings. Traditionally, the Pū was not blown at night; it was thought that doing so would be a call to spirits of the night and darkness. (Hoewa‘a)

We first learn of conch shell use in Hawai‘i in a February 1779 entry in Cook’s Journal.  Initially, Cook “had been received with honour and various rites which he had failed to understand as identifying his arrival as that predicted for Lono, a local deity.”

“Having then left Hawaii he was forced back by storm and a broken mast – a return which caused confusion among the Hawaiians as not conforming to their understanding of the situation.”

The Journal notes, “During the whole morning, we heard conchs blowing in different parts of the coast; large parties were seen marching over the hills …”

“… and, in short, appearances were so alarming, that we carried out a stream anchor, to enable us to haul the ship abreast of the town, in case of an attack; and stationed boats off the north point of the bay, to prevent a surprise from that quarter. …”

Pukui provides insight on a conch story that happened a few centuries prior, “In the days when Kiha was chief of Waipi‘o life in that valley was made miserable by the sounding of the menehune pū. Above the cliff-walled valley was [menehune] land ,where the little people lived their lives with small concern for the Hawaiians below.”

“Our night was day for them and it was then they blew upon their pū, or conch-shell trumpet. Down into the valley came the clear sound of the pū to be tossed back and forth by echoing cliffs till all Waipi’o was filled with sound. Dogs woke and barked, babies cried and there was little sleep to be had the whole night through.”

“Kiha, the chief, offered a reward to any man who would steal the pū and bring it to him. … [Kiha approached a dog owner and] A sudden thought came to Kiha.”

“‘Do you think,’ he asked the old man, ‘that your dog [Puapua] could get something for me? Each night the menehune blow their conch-shell trumpet. There is no sleep for me! No sleep for all Waipi‘o! Do you think your dog can get that pu?’”  The dog then went to retrieve the pū.

“It was a big yellow dog who loosened the conch-shell trumpet, got it firmly in his mouth and stole out of the village onto the trail. Then he ran! But, as he ran swiftly, the wind blew through the conch with a low whistling. That sound woke the menehune. Their pū! Their pū was gone!”

“[T]he big dog scrambled from the river and dropped the pū at Kiha’s feet. Eagerly the chief picked it up. He had it! No more sleepless nights!”

“Kiha kept the pū. With it he sent messages or summoned workers. From that time it bore his name – the Kihapū.” (Pukui)

Kalākaua has a somewhat different take on Kihapū; he noted, “Many legends are related of the manner in which Kiha became

possessed of this marvellous shell …”

“… but the most probable explanation is that it was brought from some one of the Samoan or Society Islands three or four centuries before, and had been retained in the reigning family of Hawaii as a charm against certain evils.”

“In the hands of the crafty Kiha, however, it developed new powers and became an object of awe in the royal household. Whatever may have been the beneficent or diabolic virtues of this shell-clarion of Kiha-of the Kiha-pu, as it is called”.

In Kalakaua’s version, Kiha-pū was stolen from Kiha and he asked a man to have his dog retrieve it; “In a marshy forest in the mountains back of Waipio a band of conjuring outlaws have lately found a retreat.”

“A magic shell of great power, stolen from me many years ago, is now in the possession of some one of them-probably of Ika, their chief.”  The dog retrieved it for Kiha.

“The overjoyed king raised and placed the trumpet to his lips, and with a swelling heart roused the people of Waipio with a blast such as they had not heard for more than eight years.” (Kalakaua) Kahipū is at the Bishop Museum.

© 2022 Ho‘okuleana LLC

by Leave a Comment

Hāmākua

In very ancient times, the lands were not divided and an island was left without divisions such as ahupuaʻa and ʻili, but in the time when the lands became filled with people, the lands were divided, with the proper names for this place and that place so that they could be known.  (Kamakau)
 
Prior to European contact, each of the major islands or independent chiefdoms in the Hawaiian chain comprised a mokupuni (island.) Over the centuries, as the ancient Hawaiian population grew, land use and resource management also evolved.
 
Each island was divided into several moku or districts, of which there are six in the island of Hawaiʻi, and the same number in Oʻahu. There is a district called Kona on the lee side and one called Koʻolau on the windward side of almost every island.  (Alexander)  The moku of Hawaiʻi Island are: Kona, Kohala, Hāmākua, Hilo, Puna and Kaʻū.
 
Initial settlement of the Hawaiian Islands is believed to have occurred along the wetter windward sides of the Islands, along the fertile coastline.    On Hawaiʻi Island, that included Hāmākua.
 
Waipi‘o (“curved water”) is one of several coastal valleys on the north part of the Hāmākua side of the Island of Hawaiʻi. A black sand beach, three-quarters of a mile long, fronts the valley, the longest on the Big Island.
 
For two hundred years or more, Waipiʻo Valley was the Royal Center to many of the rulers on the Island of Hawaiʻi, including Pili lineage rulers – the ancestors of Kamehameha – and continued to play an important role as one of many royal residences until the era of Kamehameha.  (UH DURP)
 
Royal Centers were where the aliʻi resided; aliʻi often moved between several residences throughout the year. The Royal Centers were selected for their abundance of resources and recreation opportunities, with good surfing and canoe-landing sites being favored.
 
In 1872, Isabella Bird traveled by horseback along the Hāmākua coast from Onomea to the Waipiʻo Valley and described the landscape she travelled through. The journey was over very rough and steep trails and took five days.  Bird noted, “this is the most severe road on horses on Hawaiʻi, and it takes a really good animal to come to Waipiʻo and go back to Hilo.”
 
The Isabella Bird description that follows helps give a perspective of what Hāmākua was like about 150-years ago:
 
“The unique beauty of this coast is what is called gulches – narrow, deep ravines or gorges, from one hundred to two thousand feet in depth, each with a series of cascades from ten to eight hundred feet in height.”
 
“I dislike reducing their glories to the baldness of figures, but the depth of these clefts cut and worn by the fierce streams fed by the snows of Mauna Kea, and the rains of the forest belt, cannot otherwise be expressed.”
 
“The cascades are most truly beautiful, gleaming white among the dark depths of foliage far away, and falling into deep limpid basins, festooned and overhung with the richest and greenest vegetation of this prolific climate, from the huge-leaved banana and shining breadfruit to the most feathery of ferns.”
 
“Each gulch opens on a velvet lawn close to the sea, and most of them have space for a few grass houses, with cocoanut trees, bananas and kalo patches. There are sixty-nine of these extraordinary chasms within a distance of thirty miles!”
 
“We had a perfect day until the middle of the afternoon.  The dimpling Pacific was never more than a mile from us as we kept the narrow track in the long green grass, and on our left the blunt, snow-patched peaks of Mauna Kea rose from the girdle of forest, looking so delusively near that I fancied a two hours climb would take us to his lofty summit.”
 
“The track for twenty-six miles is just in and out of gulches, from one hundred to eight hundred feet in depth, all opening on the sea, which sweeps into them in three booming rollers. The candlenut or kukui tree, which on the whole predominates, has leaves of a rich, deep green when mature, which contrast beautifully with the flaky, silvery look of the younger foliage.”
 
“Some of the shallower gulches are filled exclusively with this tree, which in growing up to the light to within one hundred feet of the top, presents a mass and density of leafage quite unique, giving the gulch the appearance as if billows of green had rolled in and solidified there.”
 
“The descent into the gulches is always solemn. You canter along a bright breezy upland, and are suddenly arrested by a precipice, and from the depths of a forest-draped abyss a low plash or murmur arises, or a deep bass sound, significant of water which must be crossed, and one reluctantly leaves the upper air to plunge into heavy shadow, and each experience increases one’s apprehensions concerning the next.”
 
“It is wonderful that people should have thought of crossing these gulches on anything with four legs, formerly, that is, within the last thirty years, the precipices could only be ascended by climbing with the utmost care, and descended by being lowered with ropes from crag to crag, and from tree to tree, when hanging on by the hands became impracticable to even the most experienced mountaineer.”
 
“In this last fashion Mr. Coan and Mr. Lyons (missionaries from Hilo and Waimea) were let down to preach the gospel to the people of the then populous valleys. But within recent years, narrow tracks, allowing one horse to pass another, have been cut along the sides of these precipices, without any windings to make them easier, and only deviating enough from the perpendicular to allow of their descent by the sure-footed native-born animals.”
 
“All the gulches for the first twenty-four miles contain running water. The great Hakalau gulch which we crossed early yesterday, has a river with a smooth bed as wide as the Thames at Eton. Some have only small quiet streams, which pass gently through ferny grottoes.”
 
“The path by which we descended looked a mere thread on the side of the precipice. I don’t know what the word beetling means, but if it means anything bad, I will certainly apply it to that pali.”  (Byrd)
 
In more modern times, sugar defined the landscape.  Production started with initial smaller plantations that later merged into larger facilities.
 
The Hāmākua Mill Company was first established in 1877 by Theo Davies and his partner Charles Notley, Sr.  In 1878, the first sugarcane was planted at the plantation and Hilo Iron Works was hired to build a mill. The mill was located at Paʻauilo.
 
By 1910, it had 4,800-acres planted in sugarcane and employed more than 600 people. The company ran three locomotives on nine miles of light gauge rail. There was a warehouse and landing below the cliff at Koholālole where ships were loaded by crane.
 
In 1914, the Kūkaʻiau Mill Company became a part of the Hāmākua Mill Company. In 1917, the Kūkaʻiau mill was sold and moved to Formosa (Taiwan.)
 
In 1917, the Hāmākua Mill Company was renamed the Hāmākua Sugar Company. The Kaiwiki Sugar Company was merged with the Theo H Davies Company-owned Laupāhoehoe Sugar Company on May 1, 1956 and operations were merged with the latter beginning January 3. 1957.
 
In 1978, the Hāmākua Sugar Company, Honokaʻa Sugar Company and the Laupāhoehoe Sugar Company were merged to form the Davies Hāmākua Sugar Company. 
 
In 1984 the Davies Hāmākua Sugar Company was bought by Francis Morgan and renamed the Hāmākua Sugar Company (1984-1994). The Hāmākua Sugar Company operated until October of 1994, and its closing marked the end of the sugar industry at Hāmākua, as well as the Island of Hawaiʻi.
 

by 1 Comment

Hiʻilawe

Under natural conditions, Lālākea Stream, its tributary and Hakalaoa Stream flow over the pali above Waipiʻo Valley as the famous Hiʻilawe Twin Falls. The twin falls are Hiʻilawe Falls to the west and Hakalaoa Falls to the east.

The twin falls converge in a huge plunge pool at the bottom of the pali to form Hiʻilawe Stream, one of two primary waterways that flow through Waipiʻo Valley to the ocean.

Hiʻilawe Stream supports loʻi kalo, native stream life, productivity in nearshore waters, fishing, gathering and other traditional and customary Hawaiian practices.

Hiʻilawe Waterfall is one of the tallest waterfalls in Hawaiʻi dropping about 1,450-feet, with a main drop of 1,201-feet into Waipiʻo Valley on Lālākea Stream.

In the early-1900s, the streams feeding the falls were diverted so the water could be used for irrigation of sugar cane plantations, like many other streams in Hawaiʻi.

A concrete barrier, or “diversion”, had been built at the 2,000-foot elevation, high above the valley. With the reduction of water, there were no longer two waterfalls at Hiʻilawe, typically only one waterfall had water flowing.

The diverted water was last used by the Hāmākua Sugar Company in 1989.

In 1994, Kamehameha Schools (KS) obtained the Lālākea Ditch when it acquired Hāmākua Sugar Company land. The ditch continued to divert an average of 2.5-million gallons of water a day from the streams to the Lālākea Reservoir, where the unused water flowed into a dry gully.

In lieu of a hefty fine for failing to provide evidence of long-term use of water diverted by the Lālākea Ditch, KS was required to fund studies or other stream-related projects of comparable value.

When I served as Chair of the State Commission on Water Resource Management (Water Commission,) KS submitted and we approved a plan to fully restore flows to three streams that feed the famous Hiʻilawe Twin Falls.

The restoration of Lālākea and Hakalaoa streams and a tributary of Lālākea Stream was only the second stream restoration in the history of the State Water Code, which was enacted in 1987. (The first stream restoration under the code was the partial restoration of Waiāhole, Waianu and Waikāne streams in Windward O`ahu.)

Not only was there less water flowing, but it flowed slower and was warmer which affected the plants and animals that live in the stream. Abandoning the Lālākea Ditch and restoring the streams is necessary to support native stream life and the traditional and customary practices that rely on Hiʻilawe Stream.

In addition, KS prepared the Waipiʻo Valley Stream Restoration Study, the first-ever study of completely restoring a Hawaiian stream to natural flow conditions.

Stream restoration effects studied by KS include: water quality, stream flow, habitats and biota. This study was conducted by scientists from Bishop Museum and other institutions, with student scientists from the Island of Hawaiʻi collaborating and contributing to data collection and analysis.

Follow Peter T Young on Facebook 

Follow Peter T Young on Google+ 

Follow Peter T Young on LinkedIn  

Follow Peter T Young on Blogger

© 2019 Hoʻokuleana LLC

  • Hiilawe Postcard
  • Hiilawe Falls, Waipio Valley 1880
  • Hiilawe
  • Hiilawe
  • Hiilawe 2005
  • Hiilawe 2006
  • Ahupuaa-Waipio Valley-William Ellis-1826-400

by Leave a Comment

Līloa

Nowhere on the island of Hawaiʻi do the palms grow taller than in the valleys of Waipiʻo, and nowhere is the foliage greener, for every month in the year they are refreshed with rains, and almost hourly cooled in the shadows of passing clouds.  (Kalākaua)

Waipi‘o (“curved water”) is one of several coastal valleys on the north part of the Hāmākua side of the Island of Hawaiʻi. A black sand beach, three-quarters of a mile long, fronts the valley, the longest on the Big Island.

For two hundred years or more, Waipiʻo Valley was the Royal Center to many of the rulers on the Island of Hawaiʻi, including Pili lineage rulers – the ancestors of Kamehameha – and continued to play an important role as one of many royal residences until the era of Kamehameha.  (UH DURP)

Royal Centers were where the aliʻi resided; aliʻi often moved between several residences throughout the year. The Royal Centers were selected for their abundance of resources and recreation opportunities, with good surfing and canoe-landing sites being favored.

The Hawaiian court was mobile within the districts or kingdom the aliʻi controlled. A paramount’s attendants might consist of as many as 700 to 1000-followers made of kahuna and political advisors (including geologists, architects, seers, messengers, executioner, etc.); servants which included craftsmen, guards, stewards; relatives and numerous hangers-on (friends, lovers, etc.).

Although thinly populated now, Waipiʻo was for many generations in the past a place of great political and social importance, and the tabus of its great temple were the most sacred in all Hawaiʻi. It was the residence of the kings of that island, and was the scene of royal pageants, priestly power and knightly adventure, as well as of many sanguinary battles.  (Kalākaua)

Waipiʻo valley was first occupied as a royal residence by Kahaimoelea, near the middle or close of the thirteenth century, and so continued until after the death of Līloa, about the end of the fifteenth century.  (Kalākaua)

Līloa, the son of Kiha and father of ʻUmi, had become the peaceful sovereign of Hawaiʻi; Kahakuma, the ancestor of some of the most distinguished families of the islands, held gentle and intelligent sway in Kauaʻi; Kawao still ruled in Maui, and Piliwale in Oʻahu.  (Kalākaua)

The reign of Kiha was long and peaceful. He was endowed not only with marked abilities as a ruler, but with unusual physical strength and skill in the use of arms. In addition to these natural advantages and accomplishments, which gave him the respect and fear of his subjects.  (Kalākaua)

The reign of his son Līloa was as peaceful as that of Kiha, his distinguished father (Līloa ruled about the same time that Columbus crossed the Atlantic.) He did not lack ability, either as a civil or military leader.

Līloa’s wife, Pinea, was the younger sister of his mother from a line of chiefs on O‘ahu. They had a son, Hākau. From another wife, Haua, a Maui chiefess, he had a daughter, Kapukini. Both of these marriages established ties between high-ranking families outside the Kingdom of Hawai‘i Island.  (MalamaWaipio)

Līloa was much given to touring through the districts of his kingdom, by which means he acquainted himself with the needs of his people and was able to repress the arbitrary encroachments of the chiefs on the rights of the land-holders under their authority. In this way he gained popularity with the common people.  (Malo)

The story of another of Līloa’s sons, ʻUmi, suggests that while Līloa was on a journey across Hāmākua he met a beautiful woman, Akahiakuleana (Akahi.) They spend the night together and conceive a child. Līloa told Akahi that if she has a son, to name him ʻUmi.

Līloa left his malo (loincloth), his niho-palaoa (whale-tooth necklace) and laʻau palau (club) to be given to the child as proof of ancestry.  ʻUmi later united with Līloa and ultimately ruled the Island of Hawaiʻi (he moved the Royal Center from Waipiʻo to Kailua (Kona.))

At Waipiʻo, Pakaʻalana was the name of Līloa’s heiau. It is not known by whom the Pakaʻalana heiau was built, but it existed before Kiha’s time and so did the sacred pavement leading to the enclosure where the chief’s Royal Center – called Haunokamaahala – stood, though its name has come down to our days as Paepae-a-Liloa.  (Fornander)

“It was a large enclosure, less extensive, however, than that at Honaunau….In the midst of the enclosure, under a wide-spreading pandanus, was a small house, called Ke Hale o Riroa (The House of Līloa), from the circumstance of its containing the bones of a king of that name…..”

“We tried, but could not gain admittance to the pahu tabu, or sacred enclosure. We also endeavored to obtain a sight of the bones of Riroa, but the man who had charge of the house told us we must offer a hog before we could be admitted”.  (Ellis 1826)

Līloa carried a long stone on his shoulder and placed it at the side door of his house. He called this stone “The Sacred Slab of Līloa,” (Ka paepae kapu o Līloa). No one, not even a chief was allowed to stand or walk on this stone. Only two people were allowed to step on “The Sacred Slab of Līloa:” Līloa, the ruler, and Chief Laea-nui-kau-manamana. (Williams)

“The expression ‘Ka Paepae Kapu a Liloa’ as at present used, whether in speaking or writing, refers to the reigning sovereign as to the sacredness of trust imposed upon and reposed to him, and as to the dignity and honour of the position where no intruders are supposed to trespass.  It also refers to the pavement and the way that leads up to royalty, and as to the footstool of sovereignty and power.”  (Bacchilega)

Although the glory of the old capital departed with its abandonment as the royal residence, the tabus of its great temple of Pakaʻalana continued to command supreme respect until as late as 1791, when the heiau was destroyed, with all its sacred symbols and royal associations, by the confederated forces of Maui and Kauai in their war with Kamehameha I.  (Kalakaua)

“There are many references to this famous place (Pakaʻalana) … the tabus of its (Waipi‘o) great heiau were the most sacred on Hawaiʻi, and remained so until the destruction of the heiau and the spoliation of all the royal associations in the valley of Waipi‘o by Kāʻeokūlani, king of Kauaʻi, and confederate of Kahekili, king of Maui, in the war upon Kamehameha I, in 1791 …” (Stokes)

King Kalākaua moved the slab (Ka Paepae Kapu a Liloa) to Honolulu.  It sits silently and often unnoticed, outside the Archives Building on the grounds of ʻIolani Palace.  The stone holds the historical and cultural significance of a Royal Center in Waipiʻo associated with Līloa; he was “sacred in the eyes of his people for his many good qualities.”  (Bacchilega)

An ancient chant, later put to music, notes: Aia i Waipiʻo Pākaʻalana e; Paepae kapu ʻia o Līloa e (There at Waipiʻo is Pākaʻalana; And the sacred platform of Līloa.)

The March 10, 1899 issue of the Hawaiian Gazette noted that Līloa (1500s,) Lonoikamakahiki (late-1500s) and Alapaʻi (1700s) are among the reburied at Mauna ʻAla.

The image shows the Hawaiʻi Archives Building; to the right is Paepae Kapu O Līloa (interestingly situated in front of a plaque to Captain James Cook.) Nearby are Nā Kālai Pōhaku a ʻUmi.  In addition, I have added other images in a folder of like name in the Photos section on my Facebook and Google+ pages.

Follow Peter T Young on Facebook 

Follow Peter T Young on Google+ 

Follow Peter T Young on LinkedIn   

© 2014 Hoʻokuleana LLC