John Tamatao Baker “was born at [Wailupe], Oahu, in 1852, and was educated at Lahainaluna school on Maui. He began life by entering plantation work on that island, later coming to Honolulu.” (Jean Charlot)
“Baker was of Hawaiian, haole, and Tahitian descent, his grandfather having come to Hawaiʻi from Tahiti with the missionary William Ellis.” (Kanaeokana)
“He became attached to the household of King Kalakaua and married [Chiefess Ululani Lewai Peleioholani]. On Feb 12, 1878, he was made a captain in the household guard and in 1884 was made adjutant of the military police. During the same year he became a member of the privy council.”
“King Kalakaua appointed Baker high sheriff of Hawaii in 1887, his wife having been made governess of that island the preceding year. After the office of governess was abolished, he was named governor, retiring from that post in 1893.”
“In later years of his life, Baker traveled a great deal, visiting Europe and the South Seas islands. He always took an interest in politics and was notes as a scholar in both the English and Hawaiian languages.”
“He is best known, perhaps, as the original of the statute of King Kamehameha, for which he was asked to pose, due to the striking likeness to the ancient ruler.” (Advertiser, Sep 8, 1921) “Likeness refers to a likeness of features rather than of body.” (Charlot)
“Gibson refers to Robert Hoapili Baker in different terms: ‘The artist has copied closely the fine physique of Hoapili of whom photos were sent by the committee and it presents a noble illustration of superior Hawaiian manhood.’” (Charlot)
Actually, Baker, his brother Robert Hoapili Baker and an unnamed fisherman served as models for the Kamehameha Statue. The imagery used by the sculptor was a composite of the three.
(John and Robert were raised as brothers but they were ‘step’ brothers – their mothers were sisters and had both married Captain Adam Baker, yet John is the only biological son of Captain Baker, so they were cousins. (House of Kamakahelei))
A layman, looking at the photo “posed by John T. Baker, is struck by its obvious resemblance to the finished statue and considers this to be a clinching argument.”
“A practicing artist, however, knowing the many successive steps that go into the making of a statue on a heroic scale, knows that this cannot be the whole story.”
“[T]he sculptor, Thomas R. Gould, required much more than the surface data offered by [the single photograph]. To take a famous example of a sculptor’s point of view, in the 1890s Auguste Rodin started working on his statue of Balzac by doing a number of studies after the nude model.”
“Only as a final step did he wrap around the body a loose dressing gown that hides all his hardwon anatomical knowledge, only the head of his Balzac left visible.”
“Gould, an older man, nurtured on classical art, similarly required at the start factual data concerning the Polynesian body, as distinct from the Greco-Roman body he knew so well from statues.”
The initial “photos arrived in April 1879. Gould acknowledges receipt to Brewer, who acted as an agent for [Walter Murray] Gibson: ‘(Received) five photos, three of them being a nude native Hawaiian, and the other two a Hawaiian in the royal feather cloak and baldric, with helmet and spear, countersigned by the King.’” (Jean Charlot)
“Bronze casts by sculptor Thomas R. Gould from the original 1881 mold are now located in Kapaʻau, Hawaiʻi Island, Honolulu, Hilo and in the Hall of Statues in the United States Congress building in Washington, D.C.”
“As was the convention of the time, John [Baker] posed in full Hawaiian attire, but wearing dyed-brown long-johns covering his skin. The photographer minimized this fact, though the covering on the right wrist is quite distinct.”
“Gould worked from a pastiche of the brothers’ photographs and probably another photograph of a muscular man modeling for the legs.”
“The photograph shows the composite model image as Kamehameha in aliʻi (chiefly class) feather robe, helmet, and breechcloth and a holding a lance.” (BOH, Honokaa, NPS)
At the request of the monument committee, statue designer Thomas R Gould modified the features to make the king seem about 45-years old. The intent was a bronze statue of ‘heroic size’ (about eight-and-a-half-feet tall.)
‘Boston Evening Transcript’ of September 28, 1878, noted “It has been thought fitting that Boston, which first sent Christian teachers and ships of commerce to the Islands, should have the honor of furnishing this commemorative monument.”
While Gould was a Bostonian, he was studying in Italy, where he designed the statue; ultimately, the statue was cast in bronze in Paris.
It was shipped on August 21, 1880, by the bark ‘GF Haendel,’ and was expected about mid-December. On February 22, 1881, came word that the Haendel had gone down November 15, 1880, off the Falkland Islands. All the cargo had been lost.
However, the original statue had been recovered and was in fair condition. The right hand was broken off near the wrist, the spear was broken and the feather cape had a hole in it. It was taken to a shed at Aliʻiolani Hale to be repaired.
As for the original statue (which had been repaired,) it was dedicated on May 8, 1883 (the anniversary of Kamehameha’s death) and is in Kapaʻau, North Kohala outside Kohala’s community/senior center.
Meanwhile, on January 31, 1883, the replica ordered by Kohala arrived. On February 14, 1883, the replica statue was unveiled at Aliʻiolani Hale during the coronation ceremonies for King Kalākaua.
The resemblance of the statute to Baker followed him; “John Baker has come to San Francisco to be a human being for a change, instead of a statue. Baker made his home in Honolulu for many years.
“In the islands he is a most famous character. For it was Baker who posed for the celebrated statue of King Kamehameha, because of the strong resemblance he bore to the ancient ruler of the tropic isles.”
“But when tourists saw the statue and then saw him, it often became uncomfortable, for he was frequently taken for the real article by those who did not know that the Kamehamehas have long since ceased to walk the earth.”(San Francisco Daily News, Nov 1915; SB Sept 07, 1921)
