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September 11, 2022 by Peter T Young Leave a Comment

Halekoa

Halekoa was a part of the ambitious building program undertaken by the Hawaiian monarchy in the 1860s and ‘70s. The buildings which remain today, besides Halekoa, are Aliiolani Hale (the judiciary building), the Royal Mausoleum, the old post office at the corner of Merchant and Bethel Streets, and Iolani Palace.

The site occupied by the barracks is doubly interesting, for it first accommodated the Chiefs’ Children’s School, which was begun in 1839 by Mr. and Mrs. A. S. Cooke, and which was moved in 1851 to the lower slopes of Punchbowl.

Theodore C. Heuck, a Honolulu merchant and gifted amateur architect from Germany, submitted his original plans on March 14, 1866, to John O. Dominis, then Governor of Oahu. The sketches provided for a structure with a frontage of 70 feet and a depth of 80 feet, built around a 30×40-foot open central court.

This was early in the reign of Kamehameha V. Years passed. Finally, early in 1870, the project began to move, although slowly. The post office was being built at the same time, and a shortage of proper workmen delayed both jobs.

Halekoa did not appear in the appropriations bills passed by the various legislatures. It was financed by the War Department as a part of military expenses, an cash as needed was deposited with the banking firm of Bishop and Company.

Foundations were being laid in May, 1870. J. G. Osborne was the builder. Participating suppliers included, among others, such well-known Honolulu houses as E. O. Hall and Son, Dowsett and Co., AS Cleghorn, Lewers and Dickson (predecessors of Lewers and Cooke, the Honolulu Iron Works, JT Waterhouse, H. Hackfeld and Co. (American Factors, AmFac) and Oahu Prison.

Halekoa was made of the ever-useful coral blocks hewn from the Honolulu reef. As often happened, many blocks were cannibalized from other structures, rather than chopped from the reef.

Most of the second-hand building blocks came from the wall fronting the old post office, and from the old printing office. But the reef had to yield up its treasures, too, and Marshal WC Parke received credit for 204 man-days of prison labor, at fifty cents a day, for the hauling of blocks therefrom.

By mid-February, 1871, both the barracks and the post office were nearing completion. Finishing touches on the former, however, required several more months.

An exotic example of this, among the accounts to be found today in the Archives of Hawaii, is a bill dated May 20, levying a charge of $12.50 for painting spittoons.

Even before it was completed, Halekoa was rushed into service. At the end of February a considerable number of soldiers were sick, and the new barracks was requisitioned as an infirmary.

Originally it was some 48 feet long. The size of the inner court was increased to approximately 34×54 feet, also. The side galleries were built longer than Heuck at first specified, because of the lengthening of the court, and about two feet narrower, because of the widening of the court, making them 18 feet rather than 20 feet in width.

Iolani Barracks displays a service record almost as complicated as its building alterations. The barracks was made originally to house the regular standing army of the Kingdom of Hawaii, the small force known in the early 1870s and before as the Household Troops.

Their function was to guard the palace, the prison, and the treasury, and to appear at various parades and ceremonies.

In September, 1873, the Household Troops mutinied. They barricaded themselves in Halekoa. After the mutiny the troops were disbanded, then later reorganized, and under one title or another they continued to occupy Halekoa throughout the remaining period of the monarchy.

Liliuokalani’s Household Guards, Captain Samuel Nowlein commanding, surrendered to the revolutionary Provisional Government about five o’clock on the afternoon of January 18, 1893.

The Guards were paid off and disbanded; the Provisional Government took over munitions stored in the barracks and at once occupied the building with a strong force. This government and the succeeding Republic of Hawaii used Halekoa to house their military.

After Hawaii was annexed to the US, President McKinley issued an executive order (December 19, 1899) transferring the barracks and the barracks lot to the control of the US War Department.

Thereupon, Halekoa was occupied by the Quartermaster Corps of the US Army and used for office and warehouse space. Quartermaster use continued until late in 1917, when the Corps moved out.

At that time the War Department planned to preserve Halekoa as a historic structure. For the first time in its long and colorful history, the old barracks ceased to be a station for soldiers.

In the summer of 1920 an elaborate remodeling job was in progress and it then served as a service club, with a dormitory added on the Waikiki side for visiting service personnel. The service club phase lasted about a decade.

November, 1929, found Governor Lawrence Judd trying to get President Hoover to issue an executive order returning the barracks to the Territory. The Hawaii National Guard wanted Halekoa for its headquarters.

Judd was successful, and the transfer took place officially on March 16, 1931. But the Hawaii National Guard did not benefit from it. Instead the barracks became the offices of the supervising school principals for Honolulu and Rural Oahu.

World War II came, and the Guard continued to use the aging barracks. Midway in that war (October, 1943) an imaginative postwar plan for Halekoa was announced. It was to become a military museum. Interested civic groups and individuals pledged to participate in planning and financing the project.

But the plans never materialized. The pressure for office space doomed Halekoa to a series of repairs, renovations, and remodelings as various government agencies succeeded one another in their occupancy of the barracks.

In November, 1960, Halekoa was embarrassed to find itself encumbering the site of a proposed multi-million-dollar state capitol. Although regarded in some quarters as an antiquarian nuisance, the barracks managed to cling to existence as officials delayed their decision regarding its disposition.

The above is taken from Richard Greer’s article on Halekoa in the October 1962 Hawaii Historical Review. It was written before Halekoa was relocated to make way for the State Capitol.

Click the link for Greer full article in the Hawaii Historical Review:
https://imagesofoldhawaii.com/wp-content/uploads/Halekoa-HHR-Revival-Greer.pdf

Here is the rest of the story …

Following Statehood, there were plans for the State’s new capitol building being considered. Architect John Carl Warnecke, son of a German-born father, was influential in the design and construction of the new capitol. (Warnecke also designed John F Kennedy’s grave site at Arlington National Cemetery, and lots of other things.)

Halekoa was in the way; the Barracks was condemned and, in 1962, abandoned. In 1964-65, to make room for the new capitol building, the coral shell of the old building was removed to a corner of the ʻIolani Palace grounds for eventual reconstruction.

This was accomplished by breaking out large sections of the walls. Then stone masons chipped out the original coral blocks and re-set them. Many were so badly deteriorated that they were unstable.

However, the stone in the ʻEwa wing (an addition to the original Barracks) was salvageable (they left that part out of the reconstruction, but used the material from it.) Today’s reconstruction bears only a general resemblance to the original structure. (NPS)

Several other older buildings in the area, including the large vaulted-roofed Armory and the remnant of the older Central Union Church on Beretania Street, facing the Queen’s former residence at Washington Place, were also demolished to make way for the capitol building.

© 2022 Hoʻokuleana LLC

Filed Under: Ali'i / Chiefs / Governance, Military Tagged With: Theodore Heuck, Capitol, Royal Guard, Mauna Ala, Hawaii, Honolulu, Downtown Honolulu, Iolani Palace, Iolani Barracks, Fort Kekuanohu

March 16, 2022 by Peter T Young Leave a Comment

Hawaiʻi State Capitol

Prior to contact (1778,) Royal Centers served as the rulers’ residence and governing location.  Aliʻi moved between several residences throughout the year; each served as his Royal Center and place of governance.

Typically such Royal Centers contained the ruler’s residence, residences of high chiefs, a major heiau (which became increasing larger in size in the AD 1600s-1700s,) other heiau and often a refuge area (puʻuhonua).

The Royal Centers were selected for their abundance of resources and recreation opportunities, with good surfing and canoe-landing sites being favored.

On August 21, 1959 Hawaiʻi became the 50th state.

Today, we reference the location of the governing seat as the ‘capital’ and official statehouse as its ‘capitol.’

The present Hawaiʻi capitol building opened in 1969.  Prior to that time, from about 1893 to 1969, ʻIolani Palace served as the statehouse.

After the overthrow in 1893, the Provisional Government first established its offices in the Aliʻiolani Hale; after a few months, the governmental offices were transferred to ʻIolani Palace (that later building’s name was temporarily changed to the “Executive Building” – the name “ʻIolani Palace” was restored by the  Legislature in 1935.)  (NPS)

The former throne room had been used for sessions of the Territorial House of Representatives. The state dining room was used as the chamber of the Territorial Senate. The private apartment of Kalākaua and later Liliʻuokalani was used as the Governor’s office.  (NPS)

The location of the present Capitol was selected in 1944. In 1959, an advisory committee was formed.  They selected the Honolulu firm of Belt, Lemmon & Lo and the San Francisco firm of John Carl Warnecke & Associates to design the new state capitol.

Their design was approved by the Legislature in 1961; construction commenced in November 1965.  The building opened on March 16, 1969, replacing the former statehouse, ʻIolani Palace.

To quote from an address given by Governor John A. Burns, “The open sea, the open sky, the open doorway, open arms and open hearts – these are the symbols of our Hawaiian heritage. In this great State Capitol there are no doors at the grand entrances which open toward the mountains and toward the sea. There is no roof or dome to separate its vast inner court from the heavens and from the same eternal stars which guided the first voyagers to the primeval beauty of these shores.”

“It is by means of the striking architecture of this new structure that Hawaii cries out to the nations of the Pacific and of the world, this message: We are a free people……we are an open society……we welcome all visitors to our island home. We invite all to watch our legislative deliberations; to study our administrative affairs; to see the examples of racial brotherhood in our rich cultures; to view our schools, churches, homes, businesses, our people, our children; to share in our burdens and our self-sorrows as well as our delights and our pleasures. We welcome you! E Komo Mai! Come In! The house is yours!”

The building is full of symbolism: the perimeter pool represents the ocean surrounding the islands; the 40-concrete columns are shaped like coconut trees; the conical chambers infer the volcanic origins of the Islands; and the open, airy central ground floor suggests the Islands’ open society and acceptance of our natural and cultural environment.

There are eight columns in the front and back of the building; groups of eight mini-columns on the balcony that surrounds the fourth floor; and eight panels on the doors leading to the Governor’s and Lieutenant Governor’s chambers – all symbolic of the eight main islands.

The Hawaiʻi State Capitol is a five-story building with an open central courtyard. According to the architects, “The center of the building, surrounded by a ring of columns, is a great entrance well open on all sides at ground level and reaching upward through four floors of open galleries to the crown canopy and the open sky. Visitors can walk directly into the spectators’ galleries overlooking the House and Senate chambers situated at ground level, and they can reach any of the upper floors by elevators.”

Caucus rooms, clerks’ and attorneys’ offices, a library, a public hearing room, and suite for the President are at the Chamber level. The three legislative office floors (2-4) are of similar design, with peripheral offices for the legislators.

The suites for the Governor and Lieutenant Governor are on the uppermost floors, overlooking the sea on the outside and the courtyard on the inside. Public circulation on the upper floors is through lanais that overlook the court. Parking is provided in the basement.

The Capitol building is a structure of steel reinforced concrete and structural steel. The building is rectangular with dimensions of 360 feet x 270 feet (although it is often referred to as the “Square Building on Beretania.”)  It is 100-feet high.  (Lots of info here from NPS.)

© 2022 Hoʻokuleana LLC

Filed Under: General, Buildings, Economy Tagged With: Hawaii, Royal Center, Capitol

January 15, 2020 by Peter T Young 1 Comment

Look for the Mamo Hidden Under a Rock

Hawaiʻi’s capitol – the “Square Building” on Beretania, although it’s actually 360-feet x 270-feet – is full of symbolism.

In the words of Governor John A Burns, “The open sea, the open sky, the open doorway, open arms and open hearts – these are the symbols of our Hawaiian heritage … there are no doors at the grand entrances … there is no roof or dome to separate its vast inner court from the heavens … We welcome you! E Komo Mai! Come In! The house is yours!”

The perimeter pool represents the ocean surrounding the islands; the 40-concrete columns are shaped like coconut trees; the conical House and Senate chambers infer the volcanic origins of the Islands; and the open, airy central ground floor suggests the Islands’ open society and acceptance of our natural and cultural environment.

In 1959, an advisory committee was formed. They selected the Honolulu firm of Belt, Lemmon & Lo and the San Francisco firm of John Carl Warnecke & Associates to design the new state capitol.

Their design was approved by the Legislature in 1961; construction commenced in November 1965. The building opened on March 16, 1969, replacing the former statehouse, ʻIolani Palace.

A notable capitol feature central on the ground floor is the tiled mosaic “Aquarius.” The tile work is based on a painting of the same name by Tadashi Sato; the mosaic is circular (36-feet in diameter.)

Sato, the eldest of six children of Japanese immigrants who came to work on Maui’s pineapple plantations, was born (1923) and raised on Maui and attended King Kamehameha III School and graduated from Lahainaluna.

He perfected his artistic skills over the next several decades, studying in Japan and New York and eventually became recognized as a member of the abstract expressionist movement and known for his abstract and semi-abstract paintings, mosaics and murals.

He is described as “an artist with a tranquil spirit, at peace with his place in the world, who eloquently used his brush to speak about what is most true and enduring in that world”. (Maui Council)

Tadashi Sato was an artist of international stature whose work has hung in places such as New York’s Museum of Modern Art, the Guggenheim and Whitney, and the Willard Gallery. Aquarius is still arguably his most famous work of art.

A lot of Sato’s work goes back to recollections of the reflection of sky, submerged rocks and sparkling colors in the tide pools and coastline where he fished near Nakalele Point in West Maui. (Keiko Sato, his sister)

Standing on the upper floors of the capitol, looking down on the Aquarius mosaic, gives a view much like what Sato saw from the coastal cliffs of West Maui looking down on the shoreline and tidepools below.

In 1965, Sato was honored by President Lyndon Johnson at the White House Festival of Arts, alongside Georgia O’Keeffe, Jackson Pollock and other American artists. In 1984, he was named a Living Treasure of Hawai’i by the Honpa Hongwanji Mission of Hawaiʻi.

Exposure to the elements in the open air of the capitol took its toll on the mosaic. It has been replaced twice since its initial installation.

In 1988, the mosaic was replaced because it was subject to ponding water and it lacked accommodation for expansion and contraction. These factors lead to cracking, heaving and failure of the tiles and mortar bed. (SFCA)

Again, in 2005, a new set of the approximate 600,000-tiles replaced the former and a new system of drains, expansion joints, mortar bed and thicker tiles increased the mosaic’s durability and improved it significantly. (SFCA)

Coincidental, but symbolic of the diversity of cultures in Hawaiʻi, in this most recent replacement/repair, a crew of six (Hawaiian, Filipino and Portuguese (from Hawaiʻi,) and German, Polish and Italian (from abroad)) set the new tiles in place.

Fifty-seven different colors of various shades of blue, green and white tiles make up the Aquarius mosaic.

However, it was at this time a new color was added; the Italian added a single red tile to the mosaic.

Several sources incorrectly suggest the tile is representative of the artist’s signature. These folks also note you should search the mosaic for the single red tile.

However, as noted in the title of this piece, and continuing the symbolism at the capitol, folks at the State Foundation on Culture and the Arts feel Sato would prefer you look for the Mamo hidden under a rock. (The Mamo is the Hawaiian Sergeant reef fish.)

Today is opening day of the legislature. Take the time to look at Tadashi Sato’s design … and see what you can find. (Tadashi Sato died in 2005.)

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  • State Capitol. Mosaic by Tadashi Sato. From The Top-The view from the top of the Capitol. Star-Bulletin photo by Warren R. Roll on March 19, 1970. Ran on Thursday, March 19, 1970.
  • 19990909 CTY Tadashi Sato. Photo by Gary Kubota

Filed Under: Buildings, General Tagged With: Hawaii, Iolani Palace, Capitol, John Burns, Tadashi Sato, Aquarius

May 2, 2017 by Peter T Young Leave a Comment

Timeline Tuesday … 1960s

Today’s ‘Timeline Tuesday’ takes us through the 1960s – first homes in Hawai‘i Kai, Land Use Commission formed, visitors to Hawai‘I hit 1-million and Hawai‘i Five-O debuts. We look at what was happening in Hawai‘i during this time period and what else was happening around the rest of the world.

A Comparative Timeline illustrates the events with images and short phrases. This helps us to get a better context on what was happening in Hawai‘i versus the rest of the world. I prepared these a few years ago for a planning project. (Ultimately, they never got used for the project, but I thought they might be on interest to others.)

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Timeline-1960s
Timeline-1960s

Filed Under: Prominent People, Economy, General, Buildings, Place Names Tagged With: Hawaii, Capitol, Land Use, Don Ho, Arizona Memorial, Visitor Industry, Hawaii Five-O

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People, places, and events in Hawaiʻi’s past come alive through text and media in “Images of Old Hawaiʻi.” These posts are informal historic summaries presented for personal, non-commercial, and educational purposes.

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