Images of Old Hawaiʻi

by Peter T Young Leave a Comment

Surfing – Hawaiʻi’s Gift to the World of Sports

It is not clear where and when surfing began, there is no doubt that over the centuries the ancient sport of “heʻe nalu” (wave sliding) was perfected, if not invented, by the kings and queens of Hawai’i, long before the 15th century AD.

“Surf-riding was one of the most exciting and noble sports known to the Hawaiians, practiced equally by king, chief and commoner. It is still to some extent engaged in, though not as formerly, when it was not uncommon for a whole community, including both sexes, and all ages, to sport and frolic in the ocean the livelong day.”  (Malo)

By 1779, riding waves lying down or standing on long, hardwood surfboards was an integral part of Hawaiian culture. Surfboard riding was as layered into the society, religion and myth of the islands as baseball is to the modern United States.

Chiefs demonstrated their mastery by their skill in the surf and commoners made themselves famous (and infamous) by the way they handled themselves in the ocean.

When Captain Cook arrived in Hawai’i, surfing was deeply rooted in many centuries of Hawaiian legend and culture. Place names had been bestowed because of legendary surfing incidents.  The kahuna intoned special chants to christen new surfboards, to bring the surf up and to give courage to the men and women who challenged the big waves.

Hawaiian society was distinctly stratified into royal and common classes, and these taboos extended into the surf zone. There were reefs and beaches where the chiefs surfed and reefs and beaches where the commoners surfed.

Lieutenant James King, commander of the Discovery, 1779, recorded in the ship’s log the first written description of Hawaiian surfing by a European: “But a diversion the most common is upon the Water, where there is a very great Sea, and surf breaking on the Shore.”

“The Men sometimes 20 or 30 go without the Swell of the Surf, & lay themselves flat upon an oval piece of plan about their Size and breadth, they keep their legs close on top of it, & their Arms are us’d to guide the plank, thye wait the time of the greatest Swell that sets on Shore …”

“… & altogether push forward with their Arms to keep on its top, it sends them in with a most astonishing Velocity, & the great art is to guide the plan so as always to keep it in a proper direction on the top of the Swell, & as it alters its direct.”

“The surf-riders, having reached the belt of water outside of the surf, the region where the rollers began to make head, awaited the incoming of a wave, in preparation for which they got their boards under way by paddling with their hands until such time as the swelling wave began to lift and urge them forward.”  (Malo)

 “(T)hey resorted to the favorite amusement of all classes – sporting on the surf, in which they distinguish themselves from most other nations. In this exercise, they generally avail themselves of the surf-board, an instrument manufactured by themselves for the purpose.”  (Bingham)

“The inhabitants of these islands, both male and female, are distinguished by their fondness for the water, their powers of diving and swimming, and the dexterity and ease with which they manage themselves, their surf-boards and canoes, in that element.”  (Bingham)

Missionary Amos Cooke, who arrived in Hawaiʻi in 1837 – and was later appointed by King Kamehameha III to teach the young royalty in the Chief’s Childrens’ School – surfed himself (with his sons) and enjoyed going to the beach in the afternoon.  “After dinner Auhea went with me, & the boys to bathe in the sea, & I tried riding on the surf.  To day I have felt quite lame from it.”  (Cooke)

Mark Twain sailed to the Hawaiian Islands and tried surfing, describing his 1866 experience in his book Roughing It. “I tried surf-bathing once, subsequently, but made a failure of it. I got the board placed right, and at the right moment, too; but missed the connection myself.—The board struck the shore in three quarters of a second, without any cargo, and I struck the bottom about the same time, with a couple of barrels of water in me.”

Duke Kahanamoku is credited as the ‘Father of Modern Surfing’ and through his many travels, Duke introduced surfing to the rest of the world and was regarded as the father of international surfing.  On one trip to Australia in 1914-15, Kahanamoku demonstrated surfing and made such an impression that the Australians erected a statue of him.  (Nendel)

Duke was named after his father, who was named Duke after the Duke of Edinburgh who visited Hawaii in 1869 – in 1920, Duke took Prince Edward surfing at Waikīkī.

Today, surfing is thought of as a lifestyle in Hawaiʻi, it is part of the local culture. As an island state, the shore is the beginning of our relationship with the ocean – not the edge of the state line.  Surfing expands our horizon, refreshes, rejuvenates and gives hope. It has helped people find harmony in one’s self and the vast ocean. (Hawaiʻi Quarter Design)

As former Hawai’i State governor, George Ariyoshi, stated, “Those of us fortunate to live in Hawai’i are extremely proud of our state and its many contributions to the world. Surfing certainly is one of those contributions.”

“It is a sport enjoyed by men, women and children in nearly every country bordering an ocean. Surfing was born in Hawai’i and truly has become Hawaiʻi’s gift to the world of sports.”

Missionary Hiram Bingham, noted (rather poetically,) “On a calm and bright summer’s day, the wide ocean and foaming surf … the green tufts of elegant fronds on the tall cocoanut trunks, nodding and waving, like graceful plumes, in the refreshing breeze …”

“… the natives … riding more rapidly and proudly on their surf-boards, on the front of foaming surges … give life and interest to the scenery.”

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by Peter T Young Leave a Comment

Luahinewai

“Kekaha wai ‘ole na Kona” (“waterless Kekaha of the Kona district”) speaks of Kekaha, the portion of North Kona extending north of Kailua Bay from Honokōhau to ʻAnaehoʻomalu.  It is described as “a dry, sun-baked land.”

Here is Kīholo, situated within the ahupuaʻa of Puʻuwaʻawaʻa.  Kīholo (lit. the Fishhook) refers to the legend which describes how in 1859 the goddess Pele, hungry for the ‘awa and mullet, or ʻanae, which grew there in the great fishpond constructed by Kamehameha I, sent down a destructive lava flow, grasping at the fish she desired.  (DLNR)

This place name may have been selected as a word descriptive of the coastline along that part of the island where the east-west coast meets the north-south coast and forms a bend similar to the angle between the point and the shank of a large fishhook. There is no confirmation for this theory, except for our knowledge that Hawaiian place names have a strong tendency to be descriptive.  (Kelly)

While only a handful of houses are here today, in ancient times, there was a fishing village with many more that called Kīholo home.

Here, too, is Luahinewai, an anchialine pond/pool – (these are shoreline pools without surface connection to the sea, having waters of varying salinity and showing tidal rhythms (Brock.))  Luahinewai (old lady’s water) is said to refer to a water-formed supernatural moʻo (lizard) that lived there.

Of Luahinewai, JWHI Kihe writes (in Ka Hoku o Hawaiʻi; Maly:) “There is a large pond near Kīholo and Laemanō; it is a famous bathing place of the chiefs of ancient times. The water there is cold, and causes the skin to tingle. Because it is so cold, it is like ice water.”

“It is said that there is an opening in this pond by which an old woman (luahine) enters. And there below the pond, are said to be laid out the bones of the chiefs of ancient times.”

“This pond is about five fathoms deep at its deepest point near the center of the pond. That too, is where the water is coldest. And if you should dive in and pass this area, you will find the cold water and not be able to stay there long. You will quickly retreat and wrap yourself up with a cloth.”

“The one who dives into it at its deepest point, will also see that his/her skin will turn red like the red coral. There are also pebbles at the bottoms of this pond, and it is a good thing, as you will not strike your foot upon any rocks.”

“The chiefs and fearless warriors of ancient times have passed from this side of the dark waters of death, and the bathing pool of Luahine Wai remains with its beauty, playing in the ocean mist and the gentle blowing of the breezes. This generation too, shall pass, and the next generation that follows, but Luahinewai shall remain as was found in the beginning.”

Luahinewai was a famous rest stop during canoe voyages along the coast.  (Ulukau) “… the ship sailed, pausing at Luahinewai to bathe and visit with that strange water in the lava.  After an enjoyable stop at the water with the pretty pebbles, they again sailed.”  (ʻĪʻi)

In 1790, Kamehameha I and his chiefs were living at Kawaihae. Following advice of a priest from Kaua‘i, Kamehameha undertook the reconstruction of the heiau Pu‘u Koholā, to dedicate it as a house for his god Kūkaʻilimoku.  During this time, “thousands of people were encamped on the neighboring hillsides.”

According to Kamakau, Kamehameha “… summoned his counselors and younger brothers, chiefs of the family and chiefs of the guard, all the chiefs, lesser chiefs, and commoners of the whole district. Not one was allowed to be absent except for the women, because it was tabu to offer a woman upon the altar; a man alone could furnish such a sacrifice.”

“The building of the heiau of Pu‘u Koholā was, as in ancient times, directed by an expert—not in oratory, genealogy, or the prophetic art, but by a member of the class called hulihonua who knew the configuration of the earth (called kuhikuhi pu‘uone.)”

“Their knowledge was like that of the navigator who knows the latitude and longitude of each land, where the rocks are, the deep places, and the shallow, where it is cold and where warm, and can tell without mistake the degrees, east or west, north or south. Such knowledge, taught on Kauai, one could apply anywhere in the world; so Kapoukahi had instructed Ha‘alo‘u (a chiefess relative of Kamehameha’s) to the letter.”

“As soon as the heiau was completed, just before it was declared free, Kamehameha’s two counselors, Keaweaheulu and Kamanawa (who resided at Kīholo,) were sent to fetch Keōua, ruling chief of the eastern end of the island of Hawaiʻi”

“Keōua was living in Kaʻū mauka in Kahuku with his chiefs and warriors of his guard. Keaweaheulu and his companion landed at Ka‘iliki‘i and began the ascent to Kahehawahawa … Close to the extreme edge of the tabu enclosure of Keōua’s place the two … messengers rolled along in the dirt until they came to the place where Keōua was sitting, when they grasped his feet and wept.”

“We have come to fetch you, the son of our lord’s older brother, and to take you with us to Kona to meet your younger cousin, and you two to be our chiefs and we to be your uncles. So then let war cease between you.”

Keōua agreed to accompany his uncles. Some of the party traveled by foot overland, while Keōua and some of his trusted counselors and guards traveled with the messengers by canoe.

“They left Kailua and went as far as Luahinewai at Kekaha, where they landed the canoes. Keōua went to bathe, and after bathing he cut off the end of his penis (ʻomuʻo), an act which believers in sorcery call “the death of Uli,” and which was a certain sign that he knew he was about to die.

(“The death of Uli” refers to death caused by the vengeance of the sorcerer, since Uli is the goddess worshipped by Sorcerers. The part cut off is used for the purpose of sorcery so that those who do a man to death may themselves be discovered and punished.)  (DLNR)

They kept on their course until near Mailekini, when Keʻeaumoku and some others carrying spears, muskets, and other weapons broke through the formation of the fleet, surrounding the canoes of Keōua, separating them from those of Keaweaheulu and his followers and calling to Kamanawa to paddle ahead.

Keōua rose and called to Kamehameha, “Here I am!” Kamehameha called back, “Stand up and come forward that we may greet each other.”

Keōua rose again, intending to spring ashore, when Keʻeaumoku thrust a spear at him, which Keōua dodged, snatched, and thrust back at Keʻeaumoku, who snatched it away. Keōua and all those who were with him on the canoe were killed… By the death of Keōua, Kuʻahuʻula and his placing in the heiau of Pu‘u Kohola the whole island of Hawaii became Kamehameha’s.”

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by Peter T Young Leave a Comment

Honolulu Harbor in the Early Years of Young Brothers

In January 1900, Herb and Will Young started Young Brothers. They purchased a small launch, the Billy, and made a business running lines for the ships, delivering foodstuffs to the crews, and ferrying passengers. They were joined in October by their younger brother, Jack Young.

“Honolulu, which for so many years had served sailing vessels with rowboats and native canoes, was quick to take up the power launch, and we went in and out of the harbor with passengers, meat, mail and the Customs men.”

“The Honolulu waterfront of thirty years ago was known throughout the Pacific. Ships from around the Horn were loaded with general merchandise, railroad and sugar mill supplies; the vessels from California had live stock on the decks and were full of farm produce from the Coast; ships from Newcastle, Australia, held cargoes of coal for the sugar plantations.”

“Here they would discharge their cargoes, and take full loads of sugar for California, or around the Horn to Delaware Water Gap.”

“The finest ships afloat came into Honolulu, everything from the trimmest bark to the full-rigged ships. There were not enough loading wharves for them all, and many were forced to anchor in Rotten Row inside the harbor until their turn came.”

“Sailors coming ashore always had a payroll. They went to live in boarding houses until putting out to sea again, and invariably demanded and got advance wages, always spent before they left.”

“The town, of perhaps ten thousand, was always active. Rum and gin and whiskey flowed freely. Native liquors were as popular with many as whole shiploads of gin from Holland.”

“Kanaka women could drink the gin down just like water, and frequently did. The square-bodied gin bottle was as well known on the waterfront wharves as the brown-skinned Kanakas, and cases of gin would be stacked as high as the wharf roofs.”

“The boarding-house men saw to it that sailors were kept supplied with liquor, so that by the time their shore leave was up a fine bill held them ashore as hostages. Captains cordially hated the boarding-house keepers, for when sailing time came, blood money at so much per head was the only sure way to retrieve their sailors, drunk or sober.”

“Our tug, loaded with outward bound crews, made short work of delivering its hilarious cargo to the ships, where, in a few hours, the men would wake with big heads. But a fair wind soon blew the cobwebs out of their brains.”

“Young Brothers’ Boathouse, where we lived, near the harbor entrance, was the center of information along the waterfront. From this point of vantage, everything going in or out, or approaching, was seen by those of us on duty at the Boathouse.”

“Two or three launchmen and a couple of deckhands were sure to be found about the place besides ourselves, and we were on twenty-four-hour service with the Customs people and Immigration Service.”

“In front were moored our boats, the Fun, the Billy, the Brothers and the Huki Huki. Alongside was warped the Water Witch, a fifty-footer used for Customs work. This boat, brought down by Archie Young, for whom we went to work at first on Oahu, is still in service after thirty-two strenuous years.”

“Before the advent of radio, it was our six-inch telescope atop the lookout on the Boathouse which kept the harbor informed of incoming steamers as far away as Pearl Harbor.”

“From the first, our telephone was constantly ringing; the newspapers, hotel guests, Customs men, wanting information of every sort.”

“While we were carrying on our various waterfront activities, delivering supplies to all ships at anchor every day we had an opportunity of making friends with all the captains who came to Honolulu, and slowly became a part of the life of the harbor.”

Then, “A change had come over the firm of Young Brothers”.

“Herb, independent and capable, had been involved in so many differences of opinion that he found it best suited to his own interests and those of the business to get out. He went to California, becoming associated with the growing tuna fishing industry around San Diego, where he was captain of the big power schooner Elsinore for eight or ten years.”

“Honolulu by this time was no longer the town of our early days, and Big Business was making itself felt even in the towboat business.”

“Young Brothers was incorporated [1913], and for the first time someone outside the family directed activities. As there seemed to be no immediate need for me among my old associates, I began to cast about for an opportunity to realize my hopes that shark hides could be made commercially useful.”

Will preferred to pursue his fascination with sharks and eventually left the islands for good in 1921 to become a well-known international shark hunter.

William left Young Brothers in the hands of Jack, the last founding member of the company to remain in Hawai‘i. (Lots of information here is from William Young’s book Shark Shark, Young Brothers: 100 Years of Service, and a Young family background and genealogy.)

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by Peter T Young Leave a Comment

Kekuaokalani and the Kapu

Pāʻao (ca 1300,) from Kahiki (Tahiti,) is reported to have introduced (or significantly expanded,) a religious and political code in old Hawaiʻi, collectively called the kapu system. This forbid many things and demanded many more, with many infractions being punishable by death.

Anything connected with the gods and their worship was considered sacred, such as idols, heiau and priests. Because chiefs were believed to be descendants of the gods, many kapu related to chiefs and their personal possessions.

Certain objects were also kapu, and to be avoided, either because they were sacred or because they were defiling.  Seasons and places could also be declared kapu.

Certain religious kapu were permanent and unchangeable, relating to customary rites, observances, ceremonies, and methods of worship, and to the maintenance of the gods and their priests.

The social order of old Hawaiʻi was defined by these very strict societal rules, do’s and don’ts.

Prior to his death on May 8, 1819, Kamehameha decreed that that his son, Liholiho, would succeed him in power; he also decreed that his nephew, Kekuaokalani, have control of the war god Kūkaʻilimoku.

(Kamehameha had experienced a similar transfer of powers; following Kalaniʻōpuʻu’s death in 1782, the kingship was inherited by his son Kīwalaʻō; Kamehameha (Kīwalaʻō’s cousin) was given guardianship of the Hawaiian god of war, Kūkaʻilimoku.)

Following the death of Kamehameha I in 1819, King Kamehameha II (Liholiho) declared an end to the kapu system.   “An extraordinary event marked the period of Liholiho’s rule, in the breaking down of the ancient tabus, the doing away with the power of the kahunas to declare tabus and to offer sacrifices, and the abolition of the tabu which forbade eating with women (ʻAi Noa, or free eating.)”  (Kamakau)

“The custom of the tabu upon free eating was kept up because in old days it was believed that the ruler who did not proclaim the tabu had not long to rule….The tabu eating was a fixed law for chiefs and commoners, not because they would die by eating tabu things, but in order to keep a distinction between things permissible to all people and those dedicated to the gods”. (Kamakau)

Kekuaokalani, Liholiho’s cousin, opposed the abolition of the kapu system and assumed the responsibility of leading those who opposed its abolition. These included priests, some courtiers, and the traditional territorial chiefs of the middle rank.
 
Kekuaokalani demanded that Liholiho withdraw his edict on abolition of the kapu system.  (If the kapu fell, the war god would lose its potency.)  (Daws)

Kamehameha II refused.  After attempts to settle peacefully, “Friendly means have failed; it is for you to act now,” and Keōpūolani then ordered Kalanimōku to prepare for war on Kekuaokalani. Arms and ammunition were given out that evening to everyone who was trained in warfare, and feather capes and helmets distributed.  (Kamakau)

The two powerful cousins engaged at the final Hawaiian battle of Kuamoʻo.

In December 1819, just seven months after the death of Kamehameha I, the allies of his two opposing heirs met in battle on the jagged lava fields south of Keauhou Bay.  Liholiho had more men, more weapons and more wealth to ensure his victory. He sent his prime minister, Kalanimōku, to defeat his stubborn cousin.

Kekuaokalani marched up the Kona Coast from Kaʻawaloa and met his enemies at Lekeleke, just south of Keauhou.  The first encounter went in favor of Kekuaokalani. At Lekeleke, the king’s army suffered a temporary defeat.

Regrouping his warriors, Kalanimōku fought back and trapped the rebels farther south along the shore in the ahupuaʻa of Kuamoʻo.    (Kona Historical Society)

Kekuaokalani showed conspicuous courage during the entire battle. He kept on advancing and even when shot in the leg he fought on bravely until afternoon, when he was surrounded and shot in the chest and died facing his enemies.  (Kamakau)

His wife Manono fought and died at his side.

Liholiho ordered the bodies of his men to be buried beneath the terraced graves at Lekeleke; Kekuaokalani’s dead warriors were buried there, as well, and Liholiho pardoned all surviving rebels. It was estimated that hundreds of people were killed in this battle, the last fought in Kona.

The burial ground of the fallen warriors of the battle of Kuamoʻo is at Lekeleke at the southern terminus of the present day Aliʻi Drive.

The battle of Kuamoʻo effectively crushed any hope of reviving traditional Hawaiian religion and its accompanying kapu system.  This changed the course of their civilization and ended the kapu system (and the ancient organized religion,) and made way for the transformation to Christianity and westernization.

Liholiho and the others did not know that at the time that the kapu was broken and battle was waged, the first of the Protestant missionaries were on the ocean on their way to the Islands.

 On October 23, 1819, the Pioneer Company of American Protestant missionaries from the northeast US set sail on the Thaddeus; after 164-days at sea, on April 4, 1820, the Thaddeus arrived and anchored at Kailua-Kona.

These included two Ordained Preachers, Hiram Bingham and his wife Sybil and Asa Thurston and his wife Lucy; two Teachers, Mr. Samuel Whitney and his wife Mercy and Samuel Ruggles and his wife Mary; a Doctor, Thomas Holman and his wife Lucia; a Printer, Elisha Loomis and his wife Maria; and a Farmer, Daniel Chamberlain, his wife and five children.

With the missionaries were four Hawaiian students from the Foreign Mission School, Thomas Hopu, William Kanui, John Honoliʻi and Prince Humehume (son of Kauaʻi’s King Kaumuali‘i.)

Within five years of the missionaries’ arrival, a dozen chiefs had sought Christian baptism and church membership, including the king’s regent Kaʻahumanu.  The Hawaiian people followed their native leaders, accepting the missionaries as their new priestly class.  The process culminated in Hawaiian King Kamehameha III’s adoption of Christianity and a Biblically-based constitution in 1840.  (Schulz)

Over the course of a little over 40-years (1820-1863) (the “Missionary Period”,) about 184-men and women in twelve Companies served in Hawaiʻi to carry out the mission of the ABCFM in the Hawaiian Islands.

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Kaulana Nā Pua

The “King’s Band” (later known as the Royal Hawaiian Band) had its beginning in 1836; it continues today.  Founded by King Kamehameha III, it became a part of daily life by performing for the public, state occasions, funerals and marching in parades.

The band accompanied reigning monarchs of the time on frequent trips to the neighbor islands and brought their music to remote destinations of the kingdom, such as the Hansen’s Disease settlement at Kalaupapa on the island of Molokai.

“The King’s Band” members in 1848 signed contracts to serve in the band, noting they “agree to serve under the orders of William Merseburgh, the captain appointed by His Majesty … (and) to meet from time to time for the purpose of practicing and improvement in instrumental music.”

“We agree to play for the king and for the other officers of the government whenever called on by our captain for such reasonable compensation as he shall award, not less than one dollar nor more than three dollars per man for any time not to exceed one day.”  (Hawaiian Star, September 22, 1906)

In the 1880s, the Royal Hawaiian Band played concerts twice a week in Queen Emma Square.

“One of our pleasant diversions was to go to and hear Captain Berger’s band play at Emma Square every Saturday afternoon.  … we all went and sat in the carriage just outside the park.  There was usually a crowd there, as it was very popular.”  (Sutherland Journal)

After the 1893 overthrow of Queen Lili’uokalani, the Provisional Government under Sanford B Dole demanded a loyalty oath of all employees, including the musicians of the Royal Hawaiian Band.

Under a revised name, ‘Government Band,’ the musicians refused to do so; the striking bandsmen persuaded Ellen Kekoaohiwaikalani Wright Prendergast, a friend of Liliʻuokalani, to capture their feelings of anguish and pain in a song.  (Nordyke, HJH)

She composed Kaulana Na Pua o Hawaii, also known as Kaulana Na Pua (“Famous are the Flowers (Children.)”)

Click HERE for a rendition of Kaulana Nā Pua by Makaha Sons.

The band was told they would end up eating rocks if they didn’t swear allegiance, a threat that inspired one of the song’s verses: “Ua lawa makou i ka pōhaku, I ka ai kamahao o ka ʻāina,” which translates, “We are satisfied with the rocks, The wondrous food of the land” (also giving the song the name Mele Ai Pōhaku: The Stone Eating Song.)

The song is rich in kaona, hidden meanings, and its sweet melody belies the passions embedded in it. The band members then organized into the “Pana Lāhui Hawaiʻi”, “The Hawaiian National Band”, which under the leadership of José Liborno went to the United States to drum up support for the Queen and for Hawaiʻi’s continuing independence. (RoyalHawaiianBand)

The “Mele Aloha ʻĀina” song first appeared in Hawaiʻi Holomua on March 25, 1893, under the title “He Inoa No Na Keiki O Ka Bana Lahui” (A Namesong for the Children of the National Band).  (Stillman, HJH)

The credit line in the May 12, 1893 printing of the lyrics for “Kaulana Na Pua” also contains a date: February 10, 1893, barely one month after the overthrow of the monarchy.  (Stillman, HJH)

The song was sung on February 1, 1894, the royalist anniversary of the resignation of Royal Hawaiian Band members who had relinquished their jobs rather than sign an oath of loyalty to the Republic of Hawaiʻi. (Nordyke, HJH)

The lyrics mention four sacred chiefs that represent the major islands of the Hawaiian chain: Keawe of the Big Island of Hawaiʻi, Piʻilani of Maui, Mano of Kauaʻi and Kākuhihewa of Oʻahu. The words are treated with a spiritual tone of reverence and respect.  (Nordyke, HJH)

“Kaulana Na Pua” serves as a voice for the native Hawaiians in their protest against loss of self-determination and sovereignty. The powerful and reverent song symbolizes a pride of culture and a plea for understanding.  (Nordyke, HJH)

Today, the Royal Hawaiian Band is an agency of the City and County of Honolulu and is the only full-time municipal band in the United States.

The band performs and marches in concerts and parades each year including: city, state, and military functions; schools, community centers, shopping malls, retirement communities, graduations, and private events.

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