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March 14, 2013 by Peter T Young Leave a Comment

Waikīkī – Kauhale O Hoʻokipa

We are happy to announce that Native Hawaiian Hospitality Association (NaHHA,) serving as the sponsor for the Waikīkī – Kauhale O Hoʻokipa Scenic Byway, has retained Hoʻokuleana LLC to assist in the application, designation and planning processes for the Byway through the Hawaiʻi Scenic Byway Program.

The Hawaiʻi Scenic Byways Program is designed to complement the National Scenic Byways Program, a nationwide effort to identify, promote, manage and invest in roadways that are the most significant in their region with regard to these scenic, historic, recreational, cultural, archeological and natural qualities.

The purpose of the Hawai`i Scenic Byways Program is to formally designate Hawaiʻi Scenic Byways and to establish and implement Corridor Management Plans (CMPs) for our corridors.

The Hawaii Scenic Byways Program identifies and recognizes:
• roads that “tell a story” that is special;
• roads with outstanding scenic, cultural, recreational, archaeological, natural and historic qualities; and
• roads that will benefit from a coordinated strategy for tourism and economic development

First, the name – it is not only descriptive of the meaning and feeling of Waikīkī as we know it today, it is also a metaphor of Waikīkī in traditional (ancient Hawaiian) times, at multiple levels.

In ancient times, a ‘kauhale’ was a cluster of structures [a living compound.]  The traditional Hawaiian home was the kauhale (Lit., plural house;) this was a group of structures forming the homestead – with each building serving a specific purpose.

Literally, ‘Waikīkī – Kauhale O Hoʻokipa’ translates to ‘Waikīkī – Home of Hospitality.’  But, this context of “Home” can expand and also represent the community of Waikīkī.

Starting with Māʻilikūkahi, who ruled in the 1400-1500s (at about the same time Christopher Columbus crossed the Atlantic,) Waikīkī became the Royal Center for Oʻahu’s ruling Aliʻi.  It remained as such, through Kamehameha I.

The Royal Centers were areas selected by the Ali‘i for their residences and Ali‘i often moved between several residences throughout the year.  The Royal Centers were selected for their abundance of resources (water, fishing, fertile land, etc) and recreation opportunities, with good surfing and canoe-landing sites being favored.

The Scenic Byways program serves to identify “Intrinsic Qualities” along the corridor; these include Scenic, Natural, Historic, Cultural, Archaeological and Recreational.

These intrinsic qualities break into two clusters:
“Land” (Scenic, Natural and Recreational,) and
“People” (Historic, Cultural and Archaeological)

Sites and Stories of Waikīkī, as illustrated through its Intrinsic Qualities, help tell the stories of the Land (‘Āina) and its People from the earliest beginnings of Hawai‘i to today.  Waikīkī – Kauhale O Hoʻokipa will be incorporating several core story themes:
• Royal Residences
• Visitor Industry
• Military
• Natural/Geologic
• Socio-Economic-Political
• Side Trips

Although many of the sites and structures of Waikīkī from the ancient times are long gone, many of these pre-contact Hawaiian places, environment, people, history and culture still convey the sense of earlier importance through continued use of original place names for areas, streets, surf sites, symbols, etc and other references to these people, places and times.  Though gone, they are not forgotten and continue to express the ways of the past.

Through the telling of stories of Waikīkī (and a goal of the establishment of a Scenic Byway (and dream of NaHHA founder, George Kanahele,)) we help to restore Hawaiianness to Waikīkī in a positive, productive and respectful way.

The sense of place of Waikīkī lies within these stories, under the overarching contexts of “Aloha” and “Hoʻokipa” (Hospitality.)

“Waikīkī’s significance is as a place of history, not destination.” (George Kanahele)  Restoring some of Waikīkī’s historical and cultural integrity through Waikīkī – Kauhale O Hoʻokipa Scenic Byway will help to illustrate “I ka wā mamua, ka wā mahope” (The future is in the past.)

This is our third Scenic Byway opportunity.  We also assisted the Kona Sponsor of “Royal Footsteps Along the Kona Coast” with their Corridor Management Plan (the first approved in the State,) as well as helping the Kōloa Sponsor of Holo Holo Kōloa Scenic Byway with their permits and CMP.

In addition to each of those receiving Historic Preservation Commendations from Historic Hawaiʻi Foundation, the Kona project also received the Environment/Preservation Award from the American Planning Association-Hawaiʻi Chapter and the Pualu Award for Culture & History from the Kona-Kohala Chamber of Commerce.

For more information on this project, you can click the following link for a background summary of Waikīkī,  the Scenic Byway Program and the many stories that are told along its roadways.

Click here for more information on the Waikīkī – Kauhale O Hoʻokipa

The image shows our theme image, theme statement and mission/vision – ultimately, we see this Scenic Byway helping to “Restore Hawaiianness to Waikīkī.”

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© 2013 Hoʻokuleana LLC

Filed Under: Place Names, Economy, General Tagged With: Hawaii, Waikiki, Oahu, Kamehameha, Mailikukahi, Waikiki - Kauhale O Hookipa, Scenic Byway, Native Hawaiian Hospitality Association

February 6, 2013 by Peter T Young Leave a Comment

Na Pōhaku Ola Kapaemahu A Kapuni – The Healing (Wizard) Stones of Kapaemahu

Pōhaku or stones are believed to hold mana or spiritual power. Pōhaku are featured in shrines as manifestations of ʻaumakua (family guardians,) akua (deities) and ʻuhane (spirits.) Throughout the islands are famous and named pōhaku which figure prominently in healing and health.

At Waikīkī, Oʻahu on Kūhiō Beach Hawaiian legend says Na Pōhaku Ola Kapaemahu A Kapuni were placed here in tribute to four soothsayers, Kapaemahu, Kahaloa, Kapuni and Kinohi, who came from Tahiti to Hawaiʻi (long before the reign of Oʻahu’s chief Kakuhihewa in the 16th century.)

Kapaemahu was the leader of the four and honored for his ability to cast aside carnality and care for both men and women. Kapuni was said to envelop his patients with his mana. While Kinohi was the clairvoyant diagnostician, Kahaloa— whose name means “long breath”—was said to be able to breathe life into her patients.

The art of healing they practiced is known in the Islands as la‘au lapa‘au. In this practice, plants and animals from the land and sea, which are known to have healing properties, are combined with great wisdom to treat the ailing.

They gained fame and popularity because they were able to cure the sick by laying their hands upon them. Before they returned to Tahiti, they asked the people to erect four large pōhaku as a permanent reminder of their visit and the cures they had accomplished.

Legend says that these stones were brought into Waikīkī from Waiʻalae Avenue in Kaimuki, nearly two miles away. Waikīkī was a marshland devoid of any large stones. These stones are basaltic, the same type of stone found in Kaimukī.

On the night of Kāne (the night that the moon rises at dawn,) the people began to move the rocks from Kaimukī to Kūhiō Beach.  During a month-long ceremony, the healers are said to have transferred their names — Kapaemahu, Kahaloa, Kapuni and Kinohi — and or spiritual power, to the stones.

One of the pōhaku used to rest where the surf would roll onto the beach known to surfers as “Baby Queens”, the second pōhaku would be found on the ʻEwa side of ʻApuakehau Stream (site of Royal Hawaiian Hotel), and the last two pōhaku once sat above the water line fronting Ulukou (near the site of the present Moana Hotel.)

It was not until the first decade of the 1900s that Gov. Archibald Cleghorn discovered two stones on his property and two on an adjacent property.

Recognizing their significance, Cleghorn had them excavated and placed together on his estate with the stipulation that they should not be moved.

However, in 1941, the estate land was leased out for the building of a bowling alley.   Upon the bowling alley’s demolition, in 1958, the stones were identified and repaired.  (They were used in the building’s foundation.)

Then, in 1963, they were relocated to Kūhiō Beach.  In 1980, the stones were moved again, approximately 50 feet mauka (toward the mountains) from their 1963 location.

Finally, in 1997, action began to create a permanent and more appropriate home for the stones.  Cultural historian and great-great-grandson of Archibald Cleghorn, Manu Boyd, reportedly said, “The value and meaning of the stones had faded over time with the changing values and mores of the day. Then, their importance was remembered and embraced by people who wanted to restore them.”

For years, committed individuals collaborated on plans to create a wahi pana (sacred place) where Na Pohaku could be honored and protected.  This wahi pana (or legendary site) was restored with the Assistance of Papa Henry Auwae and the Queen Emma Foundation 1997.

In addition to the many involved with the restoration, a delegation from Tahiti was present for the final ceremonies. These individuals blessed the stones with wild basil, traditionally used for cleansing, and presented a small stone from Tahiti named Ta‘ahu ea as a ho‘okupu (offering). That stone is now set on top of the altar in front of Na Pohaku.

Following the direction of Papa Auwae, four plants with medicinal value were added to the site—ma‘o (Hawaiian cotton), ‘ohe (bamboo), makahala (wild tobacco) and naupaka kahakai (beach naupaka).

The group Na Haumana La‘au Lapa‘au O Papa Auwae is the adoptive caretaker of Na Pōhaku. Babette Galang, who studied la‘au lapa‘au under Auwae, explained, “We were advised by Papa Auwae before his passing that we were to malama [take care of] the site.”

The image shows Na Pōhaku Ola Kapaemahu A Kapuni.  Lots of information here from Karyl Reynolds.  In addition, I have included other images in a folder of like name in the Photos section on my Facebook and Google+ pages.

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© 2013 Hoʻokuleana LLC

Filed Under: Place Names, Hawaiian Traditions Tagged With: Hawaii, Waikiki, Oahu, Healing Stones, Na Pōhaku Ola Kapaemahu A Kapuni, Wizard Stones

December 20, 2012 by Peter T Young Leave a Comment

Puʻukoholā Heiau, Kawaihae, South Kohala, Hawaiʻi

One of the most famous heiau in Hawaiʻi is Puʻukoholā Heiau (“whale hill”,) a significant structure (224-feet by 100-feet) with walled ends, and open and terraced on the makai side – sitting above the Kohala shoreline.

In the 1780s, there were warring factions were fighting for control. The island of Hawaiʻi was in internal struggle when one of the aliʻi nui, Kalaniʻōpuʻu, died.

He passed his title to his son Kīwalaʻo and named his nephew, Kamehameha, keeper of the family war god, Kūkaʻilimoku.

Kīwalaʻo, the new ali‘I, then bestowed gifts of land to his uncle Keawemauhili, but left his own half-brother, Keōua Kuʻahuʻula, with nothing.

Kīwalaʻo was later killed in battle, setting off a power struggle between Keōua, Keawemauhili and Kamehameha.  The 1782 Battle of Mokuʻōhai gave Kamehameha control of the West and North sides of the island of Hawaiʻi.

By 1790, the island of Hawaiʻi was under multiple rule; Kamehameha (ruler of Kohala, Kona and Hāmākua regions) successfully invaded Maui, Lānaʻi and Molokaʻi.

While on Molokaʻi, he sent an emissary to the famous kahuna (priest, soothsayer,) Kapoukahi, to determine how he could conquer all of the island of Hawaiʻi.  Kapoukahi prophesized that war would end if Kamehameha constructed a heiau dedicated to the war god Kū at Puʻukohola.

Called back to Hawaiʻi by an invasion of Kohala by his cousin, Keōua (ruler of Kaʻū and part of Puna,) Kamehameha fought more battles without gaining a decisive victory.

One part of the legend stated that Kamehameha first intended to refurbish and rededicate Mailekini heiau, on the lower slope. But Kapoukahi, who had joined Kamehameha’s staff as royal architect, suggested that a new heiau on the summit would be more appropriate and provide greater benefits.

According to Thrum, Kapoukahi instructed Kamehameha “to build a large heiau for his god at Puʻukoholā, adjoining the old heiau of Mailekini.”

Thrum continues: “Of Mailekini heiau little of its history is learned, or what connection, if any, it had in its working with Puʻukoholā within two hundred feet above it. In early days it was said that traces of an underground passage existed, though it was difficult to tell whether or not the two temples were connected by it. … A tradition is current that this was the one that Kamehameha set out to rebuild that he might be successful in war, but on the advice of Kapoukahi he transferred his labors to the upper one of Puʻukoholā.”

According to Samuel Kamakau, Kamehameha “…summoned his counselors and younger brothers, chiefs of the family and chiefs of the guard, all the chiefs, lesser chiefs, and commoners of the whole district. Not one was allowed to be absent except the women. . . .The building of the heiau of Puʻu-koholā was, as in ancient times, directed by an expert … by a member of the class called hulihonua who knew the configuration of the earth (called kuhikuhi puʻuone) …”

“When it came to the building of Puʻu-koholā no one, not even a tabu chief, was excused from the work of carrying stone. Kamehameha himself labored with the rest. The only exception was the high tabu chief Ke-aliʻi-maikaʻi [Kamehameha’s younger brother]. …”

“Thus Kamehameha and the chiefs labored until the heiau was completed, with its fence of images (paehumu) and oracle tower (anuʻunuʻu), with all its walls outside and the hole for the bones of sacrifice. He brought down the ʻōhiʻa tree for the haku ʻōhiʻa and erected the shelter house (hale malu) of ʻōhiʻa wood for Kū-kaʻili-moku according to the rule laid down for the kahuna class of Pā‘ao.”

According to Historian Kuykendall, basing his information on Kamakau and Fornander, in 1790: “The building of this heiau was a great and arduous undertaking. Priests were everywhere about; they selected the site, determined the orientation, the dimensions, and the arrangement of the structure, and at every stage performed the ritualistic ceremonies without which the work could not be acceptable to the gods.”

Recalling the words of Kapoukahi, Puʻukoholā Heiau was being used by Kamehameha to secure unification of the Hawaiian Islands (at the same time that George Washington was serving as the US’s first president (1790.)

Many of the stones on Puʻukoholā Heiau are believed to have come from Pololu Valley. It is storied that Kamehameha and his men formed a human chain nearly 20 miles long and passed the stones one person to another all the way to the heiau site.

After completing the heiau in 1791, Kamehameha invited Keōua to come to Kawaihae to make peace.  However, as Keōua was about to step ashore, he was attacked and killed by one of Kamehameha’s chiefs.

With Keōua dead, and his supporters captured or slain, Kamehameha became King of Hawaiʻi island, an event that according to prophesy eventually led to the conquest and consolidation of the islands under the rule of Kamehameha I.

In early 1795, Kamehameha took Maui, Lānaʻi, and Molokaʻi. With the conquest of Oʻahu that year, Kamehameha succeeded in bringing all the islands, but Kauaʻi, under his control. In 1810, Kaumualiʻi, that island’s paramount chief, acknowledged Kamehameha’s supremacy, completing the consolidation of the islands into the Kingdom of Hawai’i.

Puʻukoholā Heiau was designated as a Historical Landmark by the Hawaiian Territorial Government in 1928.

The Queen Emma Foundation donated 34 acres of land in 1972, encompassing Puʻukoholā Heiau and the John Young Homestead, making it possible for the establishment of Puʻukoholā Heiau National Historic Site.

Through an act of Congress on August 17, 1972, this site became one of the chosen few to be recognized as one of our nation’s crown jewels and national treasures, to be preserved and protected for future generations.

The image shows Puʻukoholā Heiau in 1890; in addition, I have added some other images in a folder of like name in the Photos section on my Facebook and Google+ pages.

http://www.facebook.com/peter.t.young.hawaii

http://plus.google.com/108947657421184863425

© 2012 Hoʻokuleana LLC

Filed Under: Hawaiian Traditions, Place Names Tagged With: Keoua, South Kohala, Kawaihae, Puukohola, Hawaii, Kamehameha

August 11, 2012 by Peter T Young Leave a Comment

Kapi‘olani Park

Kapi‘olani Park was dedicated and named by King Kalākaua to honor his wife, Queen Kapi‘olani.  It was the first public park in the Hawaiian Islands.

The park was dedicated as “a place of innocent refreshment for all who wish to leave the dust of the town street.”

Scotsman Archibald Cleghorn, Governor of Oʻahu and father of Princess Kaʻiulani, was tasked to come up with the design for the park.

Characterized from the beginning as “swamp land in a desert,” Kapiʻolani Park became a park specifically because it wasn’t considered suitable for anything else, and because of its peculiar climate – it’s one of the few places on Oahu where rain almost never falls.

An important part of the initial park was its oval horse race track.  King Kalākaua reportedly liked gambling on horse racing and in 1872 he helped form The Hawaiian Jockey Club (this organized the sport according to the rules that governed races elsewhere.)

In the wet winter of 1876, horseracing enthusiasts from Honolulu asked King Kalākaua to find a dry course for their popular races. King Kalākaua chose an unoccupied dry plain at the foot of Diamond Head.

On June 11, 1877, Kapiʻolani Park was dedicated.

Nearby wetlands and stream provided a diversity of scenery and activity.  Picnicking took place on the banks of streams; trails and bridges over the waterway added to the restful ambiance.

Back in the late-1800s and early-1900s, a lagoon in Kapiʻolani Park contained many islands and islets. The largest was called Makee’s Island (named after James Makee, a Scottish whaling ship captain and the Kapiʻolani Park Association’s first president.)

Makee’s Island started near the corner of Waikīkī Road and Makee Road. (Later, Waikīkī Road was renamed Kalākaua Avenue and a portion of Makee Road joined Kapahulu Road to become Kapahulu Avenue.)

The island, shaped like a long rectangle, was over 700-feet long and 100-feet wide. On it was the first Kapiʻolani Park bandstand, a wooden gazebo-like structure.

The Royal Hawaiian Band performed there on Sunday afternoons and occasionally had night concerts.

At that time, Waikīkī was a popular retreat for the royal families, merchants of Honolulu and visitors.  They were attracted by the long white sand beach, the protective reef and the proximity to Honolulu.  Then, there were relatively few visitor accommodations.

Initially, people would convert their homes and rent rooms.  Finally, in 1893, the first famous Waikīkī hotel opened, “Sans Souci.”  It became one of the first beach resorts (that end of Waikīkī is still called “Sans Souci Beach” – makai of Kapiʻolani Park.)

At the turn of the century, more hotels began to spring up in Waikīkī – starting with the Moana Hotel in 1901, the Royal Hawaiian in 1927 and others.

In the early years, the park’s primary attractions were an exotic bird collection and horse racing, especially the running of the Rosita Cup, held annually on King Kamehameha Day.

Peacocks, trees and palms were added to the park, with plantings obtained from Golden Gate Park in San Francisco. Roads and trolley lines were extended to include “Waikīkī Road at Makee” (Kalākaua and Kapahulu Avenues.)

Then the zoo component started to expand.  During 1914 to 1916, more animals were exhibited at Kapiʻolani Park. The first animals included a monkey, a honey bear and some lion cubs. In 1916, Daisy, a friendly African elephant, arrived in Honolulu.

In 1947, the Honolulu Zoo master plan was approved to occupy the triangle of Kapiʻolani Park lying between Kapahulu Avenue, Monsarrat Avenue and Paki Street.

Nestled near the Zoo is the Waikīkī Shell, a venue for outdoor concerts and large gatherings (it was home to the now retired Kodak Hula Show.)

Likewise, sports activities also expanded.  Polo was introduced and baseball was played, in addition to tennis courts, field laid out for soccer and rugby and a continuous path for walkers and joggers.

This area now includes Kapiʻolani Park, Waikīkī Zoo, Waikīkī Shell, Waikīkī War Memorial Natatorium and Waikīkī Aquarium.

The image shows Kapiʻolani Park in about 1900.  The carriages are lined along the race track and a polo game is going on in the center.  I have also added other images and maps on Kapiʻolani Park in a folder of like name in the Photos section on my Facebook page.

http://www.facebook.com/peter.t.young.hawaii

© 2012 Hoʻokuleana LLC

Filed Under: Economy, General, Place Names Tagged With: Kapiolani Park, Hawaii, King Kalakaua, Kaiulani, San Souci

July 21, 2012 by Peter T Young Leave a Comment

Laukanaka Ka Hula … “A Multitude of Hula Groups Gather” – Prince Lot Hula Festival

The 35th Annual Prince Lot Hula Festival is taking place at Moanalua Gardens on Saturday, July 21, 2012, from 9 am to 4 pm, hosted by the Moanalua Gardens Foundation (MGF.)

The largest non-competitive hula event in Hawai‘i, the festival is held each year to honor Prince Lot Kapua‘iwa who reprised the once banned hula in the district of Moanalua.

“Our theme is based on a traditional ‘oli that talks about groups of hula people coming together to celebrate hula.  Our theme Laukanaka Ka Hula … “A Multitude of Hula Groups Gather” speaks to people from all over who appreciate and love all aspects of hula.,” said Alika Jamile, MGF Executive Director and President.

“Our opening ceremonies will include a special ho‘ike (show) in honor of noted kūpuna who have made important contributions to our Hawaiian culture and the hula,” Jamile stated.

“Some of Hawai‘i’s most celebrated hula hālau will be invited to next year’s festival,” said Alika Jamile, MGF Executive Director and President.  “In 2012, we plan on adding more cultural activities and workshops to enhance the experience for visitors and local residents alike,” Jamile said.

The event will feature both hula kāhiko (ancient) hula and chant, and ‘auana (modern) hula performances.  Dancers will perform on one of the few remaining pa hula (hula mounds) in Hawai‘i.

Local food and refreshments will be available for purchase throughout the day. Limited edition tee shirts and a souvenir button will be on sale. Proceeds from these merchandise sales will help cover the costs of the festival.

Festival sponsors and supporters include the Hawaii Tourism Authority, State Foundation on Culture and the Arts, the Office of Hawaiian Affairs, the City and County of Honolulu, the National Endowment for the Arts, Aloha Pacific Credit Union, Hawaiian Airlines, Kamehameha Schools, ING Direct, Servco Foundation, the Hawai‘i Visitors and Convention Bureau, the O‘ahu Visitors Bureau, the Honolulu Star Advertiser, MidWeek and other businesses.

A non-profit organization founded in 1970, Moanalua Gardens Foundation (MGF) is committed to preserving and perpetuating the native culture, environment, and people of Hawai‘i through education, celebration and stewardship of Kamananui Valley and Moanalua Gardens.

Named in memory of King Kamehameha V, Prince Lot, the festival was founded in 1978 by MGF and now attracts up to 10,000 residents and visitors each year.

Moanalua was a favorite recreation spot for Prince Lot, who is credited with reviving the hula in the district of Moanalua. His summer cottage can be found on the gardens’ grounds.

There is no charge to attend the festival, however, a button donation to MGF is requested to raise funds to support the event.

The public, and visitors, are welcome and encouraged to bring their beach chairs and mats and enjoy the fun, food and festivities under the shady monkeypod trees of Moanalua Gardens.

In addition to the festival announcement here, I have posted some images from Moanalua Gardens Foundation on last year’s Prince Lot Hula Festival in a folder of like name in the Photos section on my Facebook page.

http://www.facebook.com/peter.t.young.hawaii

Filed Under: Hawaiian Traditions, Place Names Tagged With: Hawaii, Kamehameha V, Moanalua Gardens

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Images of Old Hawaiʻi

People, places, and events in Hawaiʻi’s past come alive through text and media in “Images of Old Hawaiʻi.” These posts are informal historic summaries presented for personal, non-commercial, and educational purposes.

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