General | Page 248 | Images of Old Hawaiʻi

March 11, 2016 by Peter T Young 4 Comments

Kona Coast

“Her name was Woman … Her other name was Excitement … She belonged to Hawaiʻi’s Kona Coast like the surf riders and the beach bums.”

Whoa, let’s look back …

Richard Allen Boone was born June 18, 1917 in Los Angeles County, California; his father was a descendant of Squire Boone who was the younger brother of frontiersman Daniel Boone. Like Daniel Boone, Richard Boone had a heroic side: was an aerial gunner in the Navy during World War II. (Bloom)

Following the war, he studied with the New York Actors Studio on the GI Bill. In 1947 he made his Broadway debut with Judith Anderson’s Medea, and made his motion picture debut in 1951 in The Halls of Montezuma.

His career in motion pictures, often cast as a western badman (City of Badmen, The Siege at Red River, Man Without a Star, Robber’s Roost, Ten Wanted Men, Star in the Dust, The Tall T, Big Jake, The Shootist and Hombre) or the good guy (Dragnet, The Alamo, The War Lord and The Raid.) (ancestry)

In 1957, Have Gun-Will Travel (with Boone as Paladin) made its TV debut, and soon became one of the most popular programs of the fifties. It ranked in the top five almost immediately and after that trailed only Gunsmoke and Wagon Train for the rest of its run. The theme song, co-written by star Boone, even became a hit single.

Boone moved to and became a permanent resident of Honolulu in 1965 and was a regular commuter between Honolulu and Hollywood. He “considers himself the world’s most satisfied actor – because he can afford the luxury of living in the Hawaiian Islands and working in Hollywood”. (Chicago Tribune, October 35, 1968)

While living on Oʻahu, it was Boone who helped persuade Leonard Freeman to film Hawaiʻi Five-O exclusively in Hawaiʻi. Prior to that, Freeman had planned to do “establishing” location shots in Hawaii but principal production in southern California.

Boone and others convinced Freeman that the islands could offer all necessary support for a major TV series and would provide an authenticity otherwise unobtainable. (Correa)

Then, in 1967, Boone (with Vera Miles, Joan Blondell, Kent Smith, Duane Eddy and a bunch of folks from Kona) filmed ‘Kona Coast,’ a pilot that he hoped CBS would adopt as a series. (Instead, CBS chose Hawaii Five-O.) (It was released in 1968 – with its premier in the Kona Theater.)

“Kona Coast” was an adventure story about a Honolulu charter-boat captain (‘Sam Moran,’ played by Boone) who leads fishing expeditions and later hunts down the man responsible for his daughter’s death.

It did not receive favorable reviews; “… most of Kona Coast utilizes actual locations and this is the film’s single greatest asset.” (Pfeiffer)

Kona Coast Movie Trailer

Kona Coast Movie Preview

The story often takes you to a bar, Akamai Barnes (run by a man of the same name – in real life it was later the Red Pants; today, it’s a vacant lot under the banyan tree on Aliʻi Drive in the middle of Kailua Bay.)

Later (1970,) the bar was the scene of a brawl – “Chuck Norwood pulled a .45-caliber handgun and shot and killed another man. Although he claimed he blacked out and does not remember what happened, he was convicted of second-degree murder and sentenced to 35-years in prison.”

“Norwood, 48, was elected to one of the 13 seats on Hawaiʻi’s Board of Education (1984.) While in prison, Norwood attended classes at Leeward Community College. In 1975, he was paroled and elected student body president.” (Reading Eagle, November 7, 1984) Norwood served back to back two terms (1976-1977) as Associated Students of the University of Hawaiʻi president.

In 1971, Richard Boone moved to his wife’s hometown of St Augustine, Florida where he taught acting classes at Flagler College. Richard Boone died January 10, 1981 in St Augustine of throat cancer. At the time of his death, he was serving as cultural ambassador for the State of Florida.

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Kona Coast Movie Poster

Kona Coast Movie Promo

Boone-Sam Moran-Kona Coast

Kona Coast Scene

Kona Theater

Boone-Paladin-Have Gun, Will Travel

Wire Paladin Card

March 9, 2016 by Peter T Young Leave a Comment

Tax Maps

The earliest known tax records, dating from approximately six thousand years B.C., are in the form of clay tablets found in the ancient city-state of Lagash in modern day Iraq, just northwest of the Tigris and Euphrates Rivers.

The king used a tax system called bala, which meant “rotation.” The assessors would focus on one area of the city-state, assessing and taxing one area each month, thereby breaking down the arduous task into more manageable components.

Ancient Egypt had a thriving culture that began around 5,000 B.C. and lasted thousands of years. Taxes were levied against the value of grain, cattle, oil, beer and land. (Carlson)

Hawaiʻi is geographically an archipelago. It consists of eight main islands, plus a chain of islands extending 1,100-miles to the northwest. Johnston Atoll (Kalama), Palmyra Island and Kingman Reef to the south of Hawaiʻi were part of the Kingdom of Hawaiʻi, but the Admission Act excluded these from the geographical boundaries of the State of Hawaiʻi. (Van Dyke)

Papahānaumokuākea (Northwestern Hawaiian Islands) consists of all islands, atolls, reefs and shoals in the Hawaiian Archipelago northwest of Kauaʻi and Niʻihau.

All islands, atolls, reefs and shoals in the Hawaiian Archipelago, except for the Midway Islands, are included in the State of Hawaiʻi under the Admission Act, the State Constitution and the Hawaiʻi Revised Statutes.

The origin of county government within the American context is found in the Organic Act (June 14, 1900) which created the Territory of Hawaiʻi and which gave it the authority to establish municipalities.

The Territorial Legislature made a first attempt at creation of the four counties in 1903 (Act 31;) however, in 1904, the Territorial Supreme Court voided that effort on procedural grounds. The Legislature’s second attempt in 1905, “The County Act” (Act 39,) was successful, though it required an override of a veto by the Territorial Governor. (Konishi)

The City and County of Honolulu consists of the island of Oʻahu, all other islands not included in any other county and adjacent waters thereto. (Legislative Reference Bureau) Essentially, this means the City and County of Honolulu (“Honolulu”) covers all of Oʻahu (and its surrounding islets) plus the Northwestern Hawaiian Islands (except Midway.)

A mapping effort was initiated in 1917 with the appropriation Act. A Branch was created for the purpose of making maps for the use of the tax assessors.

In 1932, a comprehensive plan for a coordinated mapping system was adopted. Its project included the mapping of the entire land area of the Islands, drawing all tax maps on sheets of uniform size and the creation of a key system.

The key system provided for the accounting of all properties based on location, boundaries, area and ownership identified through its Tax Map Key. (In Hawaiʻi roads are not given Tax Map Key (TMK) designations.) (kauai-gov)

The state was divided and numbered into four tax districts (effectively each County) – First: City & County of Honolulu (Island of Oʻahu;) Second: Maui County, including Molokai, Lānaʻi, Kahoʻolawe (Kalawao County, though a County, is not recognized as a tax Division;) Third: Hawaiʻi County; and Fourth: Kauai County, including Niʻihau, Lehua, Kaula. (Only the main Hawaiian Islands have Tax Maps.)

Each district is divided and numbered into zones (there are up to 9 zones in each district;) tax map zones are divided into sections (there are up to 9 sections in each zone – earlier mapping had the section represented by respective ahupuaʻa;) sections are divided into plats; finally, individual parcels are identified in each plat. (Soehren)

Generally, there is a pattern that the zone numbering follows relative to each Island. For instance in Hawaiʻi County, the zone numbering starts in Puna (Zone 1,) and the numbering is counter-clockwise around the perimeter of the Island (Zone 2 is South Hilo, Zone 3 is North Hilo, Zone 4 is Hāmākua, etc.)

Likewise, generally, the sections follow a numbering pattern starting with Section 1 at zone boundary nearest the prior numbered zone and section numbers sequentially increase across the zone to the next zone common boundary.

The Tax Map Key is a sequence of numbers representing the respective district – zone – section – plat and parcel (with subsequent legislation and creation of condominiums, these are followed by the assigned condominium unit number.)

While driving in rural areas, you might notice the multiple digits in hyphenated street addresses – two digits, a hyphen separator, followed by up to four digits.

The preceding 2-digits represent the zone and section (respectively) of the tax map that the property is situated in. I grew up at 44-453 Kāneʻohe Bay Drive on Oʻahu – that means the property is in zone 4, section 4 of the First District.

The property Tax Map Key is typically written as: (1) 4-4-006:014 (District 1; Zone 4; Section 4; Plat 6; Parcel 14 – if this was a condominium, the sequence would be followed by the assigned tax map unit number.)

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Tax Maps-State

Tax Map-Kauai

Tax-Map-Oahu

Tax-Map-Maui

Tax Map-Hawaii

March 6, 2016 by Peter T Young 1 Comment

Pulu

Hāpuʻu is an endemic tree fern found in wet forests in association with mature ʻōhiʻa at elevations from about 1,000-feet to 6,000-feet.

The tree can range from heights to about 7-35 feet. The fronds rise up high to about thirty feet or more and are 3-9 feet in diameter. The long green fronds of the tree grow to be about 12 feet long.

Young stems were formerly used to make hats; the starchy core has been used for cooking and laundry, the outer fibrous part to line or form baskets for plants. (Pukui) The edible starch in the core of the trunk and the young leaves were eaten during the time of famine. (KSBE)

The young unfurled fronds are densely covered with soft golden colored, wool-like fibers called pulu; Hawaiians stuffed bodies of their dead with pulu after removing vital organs. (Pukui)

Later, pulu became a commodity, “Pulu, or fern down, is also an important and staple article of export. This soft, yellow, silken down, gathered from the exhaustless fern fields of Hilo and Puna, is much used in California for upholstery as a substitute for feathers, wool and hair.” (Titus Coan, March 5, 1858)

“The pulu of commerce is obtained from this fern, and is extensively used … in the making of beds and mattresses, and stuffing of sofas and chairs.” (Baxley, 1865)

“More than two hundred thousand pounds of this article has been shipped from Hilo during the past year. Men, women, and children engage in collecting it, and many of our usual villages are deserted for months at a time while the people are collecting pulu in the jungle.” (Titus Coan, March 5, 1858)

“(O)nly a small quantity, a few ounces, is found on each plant, the growth of about four years. The labor of gathering pulu was slow and tedious. When picked it was wet and had to be brought down to the lowlands to be dried. The natives were employed in gathering it, men, women and children, living for weeks at a time in the mountains, in crude shelter huts.” (Thrum, 1929)

“In the early sixties (1860s) the business of picking and packing pulu had become so important that trails cut by the many natives thus employed opened the crater country far more than ever before.” (Bingham; Holmes)

“In the natural state the pulu forms a snuff-colored silken envelope for the young and tender branches of the fern, which grow from the top of the stalk or trunk, forming beautiful scrolls until of sufficient strength to supersede the older branches and leaves that droop on all sides like graceful plumes.”

“In gathering pulu the natives cut from the top of the fern trunk the tender scrolls in mass, then strip off the soft fibrous wrapper that protects them, which they loosen by picking, and expose for several weeks on platforms to the rain and sun.”

“From two to four pounds are gathered from a full-sized tree. When perfectly cleansed and dry, it is bagged and sometimes baled for shipping, and is much sought after for the California market.” (Baxley, 1865)

“I have ridden through vast fields of this species of fern in the vicinity of the volcano Kilauea, that extended as far as the eye could see.”

“On the edges of these fields nearest the volcanoes the lava has flowed and covered large tracks, forming plateaus upon which the natives have built pleasant hamlets, and are carrying on a lucrative business in gathering and drying the pulu for shipment to San Francisco, where it is extensively used for filling mattresses.”

“From a single fern they gather a tuft about the size of a man’s hand and spread it on the grass and lava banks, where it is thoroughly dried, then bagged and transferred on the backs of mules to the sea coasts. There it is pressed in bales for shipment like cotton.” (The Pulu for Mattresses, Scientific American, August 23, 1862; Uyeoka)

“The most remarkable of the gigantic ferns of this belt are the great tree-ferns, with branches four or five feet long. At the foot of these trees is found a soft, feather-like substance, called pulu which forms an article of considerable trade. It is used extensively in California for bedding …” (The Merchants’ Magazine and Commercial Review, October 1, 1864; Uyeoka)

“(P)ulu gatherers, who are scattered through the forests in all directions, from one to three miles from the volcano;” making “the wilderness of Kilauea”” one of his “stations in pastoral tours.”

“From Kilauea I went about ten miles, into the highland forests of Hawaii, where there was another camp of about sixty pulu gatherers. This camp is a romantic one. It is a little opening of field lava and sand, one-fourth of a mile in diameter, nearly circular, and surrounded by tall forests and jungle.” (Coan, Missionary Herald, 1864-1865)

Pulu picking could be dangerous, “As I followed a path made by the pulu-pickers through the dense forest, I came upon a large hole on the edge of the path which proved to be the entrance to a cave of great depth.”

“The path had been turned to one side to avoid it, and in the dark it would be exceedingly dangerous. Such holes are common in this part of Puna, and natives occasionally disappear mysteriously. Brushing through the bushes I came to a precipice forming the edge of a crater nearly three quarters of a mile in diameter and seven hundred feet deep.” (Brigham, 1868)

Likewise the market for pulu changed, “Those who have used it, however, are substituting hair or straw on account of the unhealthiness of the pulu, which, from its heat, has the same ill effects as feathers, and it popularly thought to increase rheumatism.”

“It has been recently exported to China in considerable quantities, and it is not improbable that as the demand from California decreases that from China will increase. The natives are largely engaged in gathering it, and are employed more or less by the Chinese merchants of Honolulu …” (The Merchants’ Magazine and Commercial Review, October 1, 1864; Uyeoka)

“According to the customs tables, the last year of pulu exports was 1884, with but 465 pounds, the two years previous being without any, so that practically the life of the industry had an existence of but thirty-one years (with exports) ranging generally from 200,000 to 649,000 pounds.” (Thrum, 1929)

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Tree Fern Pulu Fiber

Hapuu_pulu_tree_fern_(Cibotium_glaucum)-WC

cibotium_species-tree fern-pulu

Hawaiian Tree Fern Pulu Fiber

Hapuu_pulu_tree_fern_(Cibotium_glaucum)_WC

Cibotium glaucum ‘Hapu Apulu’

Cibotium_glaucum_(Hapu’u_pulu)

March 4, 2016 by Peter T Young Leave a Comment

Mailable Matter

In early colonial times, correspondents depended on friends, merchants, and Native Americans to carry messages among the colonies. In 1639, Richard Fairbanks’ tavern in Boston was designated the first official repository of mail brought from or sent overseas (consistent with the European practice of using coffee houses and taverns as mail stations.)

On July 26, 1775 (shortly after the Battles of Lexington and Concord (April 19, 1775,) the first military engagements of the American Revolutionary War,) members of the Second Continental Congress agreed that a Postmaster General be appointed for the United Colonies. That year, Benjamin Franklin was appointed the first Postmaster General of the Postal Service.

A couple years later (January 20, 1778,) Captain James Cook, made ‘contact’ with the Islands and anchored his ships near the mouth of the Waimea River on Kauai’s southwestern shore. After a couple of weeks, there, they headed to the west coast of North America.

Like early mail exchange in the American Colonies, following Cook’s contact, mail in Hawaiʻi was handled privately by employing forwarders or by making arrangements directly with a ship captain; most letters were folded inward and sealed so the address could be written on the blank outer side. (HawaiianStamps)

Hawaiʻi and the United States agreed on a ‘Treaty of Friendship, Commerce and Navigation and Extradition, December 20, 1849;’ among other things, Article 15 of the Treaty created an arrangement for delivery of mail. (State Department)

“Whereas a treaty of friendship, commerce, and navigation, between the United States of America and his Majesty the King of the Hawaiian Islands, was concluded and signed at Washington, on the twentieth day of December, in the year of our Lord one thousand eight hundred and forty-nine”.

“Mail arrangements – So soon as steam or other mail packets under the flag of either of the contracting parties shall have commenced running between their respective ports of entry, the contracting parties agree to receive at the post-offices of those ports all mailable matter, and to forward it as directed …”

“All mailable matter destined for the Hawaiian Islands shall be received at the several post-offices in the United States, and forwarded to San Francisco, or other ports on the Pacific coast of the United States, whence the postmasters shall despatch it by the regular mail packets to Honolulu …”

“It shall be optional to prepay the postage on letters in either country, but postage on printed sheets and newspapers shall in all cases be prepaid. The respective post-office departments of the contracting parties shall in their accounts, which are to be adjusted annually, be credited with all dead letters returned.” (US Statutes at Large and Treaties, 1845-1851)

On November 2, 1850, The Polynesian, “Official Journal of the Hawaiian Government,” announced it was keeping a letter bag open to receive letters and promised to place on board reliable vessels any letters deposited in its letter bag.

By 1850, almost all mail was being sent to/from Hawaiʻi via San Francisco to enter the mail stream there and be carried in the US mail via Panama to New York. (HawaiianStamps)

Hawaiʻi opened a post office at Honolulu and Henry Martyn Whitney (who worked at the Polynesian) was appointed Postmaster of Honolulu (December 22, 1850.) The location of the new post office was at the office of The Polynesian. (Whitney later left the Polynesian and started his own newspaper, the Pacific Commercial Advertiser (forerunner of Honolulu Advertiser.))

During the fifty years of Hawaii’s independent postal system from 1850 to 1900, the post office occupied three premises: a room in The Polynesian Office (1850-1854;) rooms in Honolulu Hale, situated next door to The Polynesian Office (1854-1871;) and about half of the ground floor in the “New Post Office” (Kamehameha V Post Office, 1871-1922,) situated on the former site of The Polynesian Office.

On June 14, 1900, the Kamehameha V Post Office officially became a unit of the United States Post Office (the year that Hawaii became a Territory of the US.)

In 1922, the United States Post Office was moved to the Federal building and control of the old building was returned to the Territory of Hawaii. It was remodeled as a postal substation and for use as the Territorial Tax office. (NPS)

When Whitney was postmaster, he conceived and produced Hawaiʻi’s first stamps, issued in 1851 (the stamps are now called ‘Hawaiian Missionaries,’ all printed locally by letterpress at the Government Printing Office.

The stamps were in three denominations: a 2-cent stamp paid the newspaper rate, a 5-cent stamp paid the rate for regular mail to the United States, and a 13-cent stamp paid the rate to the US East Coast.

The first three stamps in the issue were announced for sale on October 1, 1851, at the Honolulu and Lahaina post offices. By early April, 1852, the fourth stamp was printed to correct confusion and state clearly the 13¢ value was to pay both Hawaiian and United States postage through to any East Coast United States destination.

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Folded Letter to C Brewer-October 18, 1850

First-day cover of The Polynesian letter bag – postmarked November 2, 1850

Henry_Martyn_Whitney_WC

Henry_Martyn_Whitney-WC

Polynesian-Merchant_Street-Emmert-1854

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Hawaii_stamp_5c_1851

Hawaii_stamp_13c_1851

Pacific-Henry_Whitney-1890

Kamehameha_V_Post_Office_(NPS)

Kamehameha_V_Post_Office-(WC)

Kamehameha_V_Post_Office-plaque

March 3, 2016 by Peter T Young 1 Comment

Hole Hole Bushi

“Kane wa kachiken
Washa horehoreyo
Ase to namida no
Tomokasegi”

“My husband cuts the cane stalks
And I trim the leaves
With sweat and tears we both work
For our means.”

Japanese laborers quickly comprised the majority of Hawaiian sugar plantation workers after their large-scale importation as contract workers in 1885. (Oxford Press)

Their folk songs provide good examples of the intersection between local work/life and the global connection which the workers clearly perceived after arriving.

While many are songs of lamentation, others reflect a rapid adaptation to a new society in which other ethnic groups were arranged in untidy hierarchical order–the origins of a unique multicultural social order dominated by an oligarchy of white planters. (Oxford Press)

From 1885-1924, about 200,000 Japanese came to Hawai‘i to work on the sugar plantations. (Kim) By 1900, the Japanese population, about 40% of the total, was the largest ethnic group in Hawai‘i. (Densho)

Many of those Issei women, first generation of Japanese immigrants, came as picture brides and found themselves working long hours in the canefields.

The men cut the cane; the women’s work was to strip the leaves from sugar cane stalks so that it produces more juice while providing fertilizer for the growing plant.

These women sang songs about work and the dilemmas of plantation life. The songs, called Hole Hole Bushi, used old Japanese folk tunes, and mixed Hawaiian and Japanese words for dramatic lyrics. (Kim)

Hole Hole Bushi is a hybrid term that combines the Japanese word for tune (bushi) with a Hawaiian term describing the stripping the leaves off of sugar cane (hole.) Issei women composed and sung a repertoire of these songs, set to familiar Japanese melodies, which expressed their hardships, disappointments, and hopes. (Kim)

Hole Hole Bushi is a folk song which Issei (first-generation Japanese overseas emigrants) who immigrated to Hawai‘i at the end of the 19th century, sang at their work in the sugarcane fields. (Nakahara)

Folk songs are short stories from the souls of common people. Some, like Mexican corridos or Scottish ballads, reworked in the Appalachias, are stories of tragic or heroic episodes. Others, like the African American blues, reach from a difficult present back into slavery and forward into a troubled future. (Oxford Press)

Japanese workers in Hawaii’s plantations created their own versions, in form more like their traditional tanka or haiku poetry.

These Holehole Bushi describe the experiences of one particular group caught in the global movements of capital, empire, and labor during the late nineteenth and early twentieth centuries. (Oxford Press)

The name “Hole Hole Bushi,” first appears in Saishin Hawai Annai (The Latest Hawai‘i Guide) by Namitarō Murasaki (1920.) “Hole-hole Bushi” is described as one of Hawai‘i’s specialties to see, as in the following:

“Honolulu is a song-less town. One rarely hears singing except through a phonograph or overhearing a spree coming out of a restaurant. Of course, new popular songs are imported every time Japanese ships come into port. But these songs are sung only at tea houses for the time being, and mostly disappear before they spread outside.”

“Nevertheless, if you go to the countryside, you can still hear the loud singing of a tune saturated with a sorrowful mood. That is “Hole-hole Bushi”—a distinctive feature in Hawai‘i.” (Nakahara)

The lyrics are mostly in Japanese with Hawaiian and English words mixed in, and follow a poetic form with lines of 7+7+7+5 syllables. The texts cover a wide range of topics, from the hardships of field labor and uncertainty in life to the relationships between men and women, name-calling and gossip.

Around 1930, the lives of the Issei improved, and many moved to cities. The Hole Hole Bushi which had been sung in the field disappeared, and, in its place, lively-sounding versions of Hole Hole Bushi were performed in Japanese tea houses.

During the Second World War, the government banned Japanese cultural activities. After the war, however, the great success of the Nisei troops in the fight received admiration. However, Hole Hole Bushi was never performed; for the Issei, Hole Hole Bushi had become an embarrassment. (Nakahara)

Hole Hole Bushi performed by Allison Arakawa at Japanese American National Museum: