Images of Old Hawaiʻi

by Peter T Young 2 Comments

Muʻolaulani

Princess Ruth Keʻelikōlani and then Princess Lili‘uokalani built houses on opposite sides of what today is Pua Lane in Kapālama – Ke‘eilokalani was there first with her home Mauna Kalama; Ke‘elikōlani’s Kapālama residence would be joined in 1885 by Princess Lili‘uokalani’s palace called Mu‘olaulani. (Kam)

Mauna Kamala was bounded by Asylum Road (now called Pālama Street) on the northwest, King Street to the southwest and what today is Pua Lane on the southeast. Kanoa Lane today bisects the Mauna Kamala site, though it did not extend to Pālama Street when Princess Ruth’s house was located there.

Lili‘uokalani bought her Kapalama property on December 3, 1884; it had been the property of Simon Ka‘ai (and another subsequent owner).

Sunday, March 29, 1885, Lili‘uokalani moved into her Kapālama home. She recorded in her diary that day: “This is the day that I am supposed to take possession of this house—I think that I shall call it Muolaulani.”

Mu‘olaulani may have been named in honor of Princess Ruth Ke‘elikōlani. Mu‘olaulani is the name used for her in an 1861 set of songs titled “He Inoa Ka Haku o Hawaii,” listed with her half-brothers Kapuāiwa [Kamehameha V] and ‘Iolani [Kamehameha IV] and half-sister Kalohelani [Kamamalu]. (Kam) Likewise, an article in Ke Au Okoa (February 16, 1871) has a heading, “The birthday of Muolaulani”.

The residence consisted of two single-story wings forming an L-shaped footprint. The wing facing King Street featured a ten-foot deep veranda that stretched across the 100-foot wide front face of the building (around the same width as the Diamond Head face of ‘Iolani Palace) and a similar one on the back face.

The other wing, set at a right angle to the main wing, ran perpendicular to King Street. It, too, was 100 feet in length with a veranda facing southeast toward Diamond Head.

Soon after its opening, Lili‘uokalani composed a song in May 1885, simply titled “Nohea I Mu‘olaulani,” to praise her new suburban home:

He mea nui ke aloha
Ke hiki mai i oʻu nei
Meheʻo kuʻu lei kaimana ala
Kāhiko o kuʻu kino

Kuʻu lei popohe i ka laʻi
Nohea i Muʻolaulani
Ka beauty lā he mau ia
No nā kau a kau

This great love of yours
Has come here to me
It is like my diamond necklace
To adorn my person

My lei so shapely in the calm
Handsome at Muʻolaulani
It is a beauty, always a thing forever
For all seasons

The Hawaiian Gazette (May 27, 1885) notes the reception at Lili‘uokalani’s new home: “HRH Princess Liliuokalani held the first reception in her charming residence at Palama on the afternoon of the 21st inst. The band was stationed on the grounds and played a number of choice selections during the reception hours. The Princess received in person being however assisted, in providing for the comfort of the many callers, by Mrs CB Wilson and Mrs Junins Kaae.”

With the death of Mary Dominis (Lili‘uokalani’s mother-in-law) on April 23, 1889, Liliuokalani and her husband John Dominis moved from Mu‘okalani to Washington Place. Lili‘uokalani would occasionally visited/inspected the Mu‘olaulani property.

On one of those occasions, it was to meet with Robert Wilcox. The heading of a subsequent newspaper article implicates Lili‘uokalani in the Wilcox Rebellion, “Residence of Heir Apparent the Starting Point of the Rebel March”.

That article noted, “R. W. Wilcox, the leader of the revolution, and Albert Loomenn, the Belgian, Wilcox’s first lieutenant, were brought up inside Police Court this morning and charged with treason during the past three months, more particularly on July 29th and 30th.” (Daily Bulletin, August 2, 1889)

In a subsequent statement of AF Judd, Chief Justice of the Hawai‘i Supreme Court, Judd noted, “Liliuokalani disavowed to me her knowledge or connivance with Wilcox’s plans, but the fact that the armed party under Wilcox assembled at her own house in the suburbs and started from there to the Palace, gives credence to the belief that she knew of it.”

“I tried Wilcox for conspiracy to commit treason and had to discharge one Hawaiian jury for violent conduct while in the jury box. The second jury acquitted him in spite of his own testimony admitting all the acts which constituted conspiracy.”

“The testimony of that trial showed that Kalakaua was a party to the conspiracy, and only because he was afraid that it would not be successful he failed to go to the palace and promulgate the constitution.” (United States Congressional Serial Set, Volume 4052)

Lili‘uokalani later leased Mu‘olaulani. “Maj. A.G.S. Hawes, the British Commissioner, has taken Liliuokalani’s Palama residence for five years.” (Kam; Hawaiian Star, July 13, 1895)

In May 1897, Hawes would announce a major event: ““The Britannic Majesty’s Commissioner and Consul-General extends a general invitation to the celebration of Queen Victoria’s birthday on May 24th from 3:30 to 6:30 p.m. at his Palama residence.”

The events in Hawai‘i celebrating Queen Victoria’s Diamond Jubilee, recognizing the sixtieth year of her reign, rose to a crescendo on Friday evening, June 25, 1897, when music and merry-making once again graced the rooms of Mu‘olaulani:

“The reception and ball given by the Commissioner were a proper end of the Jubilee festivities. . . “

“The Commissioner occupies the Palama residence of Queen Liliuokalani and the handsome rooms of that dwelling were decorated in a very artistic manner by lady friends of the genial host.”

“A magnificent floral structure, representing the crown of Hawaii in emblematic colors had been sent to the Commissioner by the retainers of Queen Liliuokalani, at her special request, and had a prominent place in the library …”

“Exquisite refreshments were served during the evening and when the doors of Mr. Hawes residence closed he was again voted by all his guests the host par excellence of Hawaii-nei.”

Hawes died and was replaced by WJ Kenny, Esq. who served as acting British Commissioner and Consul-General. The passing of Hawes also resulted in a renegotiation of the lease of Mu‘olaulani.

The Evening Bulletin reported on Friday, November 12, 1897, that Kenny would “likely occupy the premises of the late Commissioner Hawes at Palama. Negotiations to that end were practically concluded today. Mr. Hawes’ lease of the place will run nearly four years longer, it having been originally made out for five years.” Kenny allowed the Honolulu Cricket Club to use the Mu‘olaulani grounds to practice. (Kam)

Annexation of Hawai‘i to the US on August 19 1898 changed the status of the foreign consulates. William Robert Hoare was recognized as the British Consul at Honolulu. He continued to British tradition and took Mu‘olaulani as his home. His lease there ended on July 8, 1901.

In August 1901, The Honolulu Republican announced the new use for the property: “The old British Consulate, opposite the Dowsett homestead on the Palama road, is now being used as a Japanese hotel.”

Later, the “site of the planning of the Wilcox Rebellion of 1889 had become the rally place for Wilcox’s party in 1903. In early 1904, Mu‘olaulani, a gathering place for the Home Rule party, saw the formation of a new precinct club of the rival Democratic party ‘at the present abode of F. J. Testa at Muolaulani.’” (Kam)

By 1906 Mu‘olaulani was divided into fourteen separate residences and labeled as a tenement (back them “tenement” was used to refer to any property rented to multiple families). (Kam)

In 1911 the Hawai‘i Territorial Senate received a resolution from the Board of Supervisors of the City and County of Honolulu proposing: “that those premises situate at Kapalama, lying on the Waikiki side of Pua Lane, and known as ‘Liliuokalani Premises’, should be made a park for the use of people living in that locality.” The request was ultimately tabled by House of Representatives, ending any further consideration. (Kam)

Lili‘uokalani died at Washington Place on November 11, 1917, and Mu‘olaulani passed to her trust.

Instead of a park marking the location of the Mu‘olaulani, Building 2 of Mayor Wright Homes housing project sits on the former site of the Kapālama residence of Queen Lili‘uokalani.

A service station and building supply store now occupy the King Street frontage of the queen’s property and is still owned by her trust. (The inspiration and information for this summary came from writing by Ralph Kam.)

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Hawaiʻi State Capitol

Prior to contact (1778,) Royal Centers served as the rulers’ residence and governing location.  Aliʻi moved between several residences throughout the year; each served as his Royal Center and place of governance.

Typically such Royal Centers contained the ruler’s residence, residences of high chiefs, a major heiau (which became increasing larger in size in the AD 1600s-1700s,) other heiau and often a refuge area (puʻuhonua).

The Royal Centers were selected for their abundance of resources and recreation opportunities, with good surfing and canoe-landing sites being favored.

On August 21, 1959 Hawaiʻi became the 50th state.

Today, we reference the location of the governing seat as the ‘capital’ and official statehouse as its ‘capitol.’

The present Hawaiʻi capitol building opened in 1969.  Prior to that time, from about 1893 to 1969, ʻIolani Palace served as the statehouse.

After the overthrow in 1893, the Provisional Government first established its offices in the Aliʻiolani Hale; after a few months, the governmental offices were transferred to ʻIolani Palace (that later building’s name was temporarily changed to the “Executive Building” – the name “ʻIolani Palace” was restored by the  Legislature in 1935.)  (NPS)

The former throne room had been used for sessions of the Territorial House of Representatives. The state dining room was used as the chamber of the Territorial Senate. The private apartment of Kalākaua and later Liliʻuokalani was used as the Governor’s office.  (NPS)

The location of the present Capitol was selected in 1944. In 1959, an advisory committee was formed.  They selected the Honolulu firm of Belt, Lemmon & Lo and the San Francisco firm of John Carl Warnecke & Associates to design the new state capitol.

Their design was approved by the Legislature in 1961; construction commenced in November 1965.  The building opened on March 16, 1969, replacing the former statehouse, ʻIolani Palace.

To quote from an address given by Governor John A. Burns, “The open sea, the open sky, the open doorway, open arms and open hearts – these are the symbols of our Hawaiian heritage. In this great State Capitol there are no doors at the grand entrances which open toward the mountains and toward the sea. There is no roof or dome to separate its vast inner court from the heavens and from the same eternal stars which guided the first voyagers to the primeval beauty of these shores.”

“It is by means of the striking architecture of this new structure that Hawaii cries out to the nations of the Pacific and of the world, this message: We are a free people……we are an open society……we welcome all visitors to our island home. We invite all to watch our legislative deliberations; to study our administrative affairs; to see the examples of racial brotherhood in our rich cultures; to view our schools, churches, homes, businesses, our people, our children; to share in our burdens and our self-sorrows as well as our delights and our pleasures. We welcome you! E Komo Mai! Come In! The house is yours!”

The building is full of symbolism: the perimeter pool represents the ocean surrounding the islands; the 40-concrete columns are shaped like coconut trees; the conical chambers infer the volcanic origins of the Islands; and the open, airy central ground floor suggests the Islands’ open society and acceptance of our natural and cultural environment.

There are eight columns in the front and back of the building; groups of eight mini-columns on the balcony that surrounds the fourth floor; and eight panels on the doors leading to the Governor’s and Lieutenant Governor’s chambers – all symbolic of the eight main islands.

The Hawaiʻi State Capitol is a five-story building with an open central courtyard. According to the architects, “The center of the building, surrounded by a ring of columns, is a great entrance well open on all sides at ground level and reaching upward through four floors of open galleries to the crown canopy and the open sky. Visitors can walk directly into the spectators’ galleries overlooking the House and Senate chambers situated at ground level, and they can reach any of the upper floors by elevators.”

Caucus rooms, clerks’ and attorneys’ offices, a library, a public hearing room, and suite for the President are at the Chamber level. The three legislative office floors (2-4) are of similar design, with peripheral offices for the legislators.

The suites for the Governor and Lieutenant Governor are on the uppermost floors, overlooking the sea on the outside and the courtyard on the inside. Public circulation on the upper floors is through lanais that overlook the court. Parking is provided in the basement.

The Capitol building is a structure of steel reinforced concrete and structural steel. The building is rectangular with dimensions of 360 feet x 270 feet (although it is often referred to as the “Square Building on Beretania.”)  It is 100-feet high.  (Lots of info here from NPS.)

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by Peter T Young 1 Comment

Panama-Pacific International Exposition

In 1903 President Theodore Roosevelt announced that the U.S. would complete a canal across the Isthmus of Panama, begun years earlier by a French company.

The canal would cut 8,000 miles off the distance ships had to travel from the east coast to the west. No canal of this scale had been built before, and many said it could not be done.

At the turn of the 20th Century, San Francisco was the largest and wealthiest city on the west coast of the United States. In 1906, a disastrous earthquake struck San Francisco. The ensuing fire was more devastating than the Chicago fire of 1871.

Less than 10 years after most of San Francisco was destroyed, the proud city was rebuilt and its people were ready to hold a party, one designed to dazzle the world and showcase the new city.

Even as San Francisco was rebuilding after the earthquake, local boosters promoted the city in a competition to host a world’s fair that would celebrate the completion of the Panama Canal.

The new San Francisco was the perfect choice, and Congress selected the city over several other aspirants, including New Orleans and San Diego.

In order to build this grand fair, over 630 acres of bayfront tidal marsh, extending three miles from Fort Mason to east of the Golden Gate (today’s Marina District and Crissy Field), were filled.

On this new land, 31 nations from around the world and many US states built exhibit halls, connected by 47-miles of walkways. There were so many attractions that it was said it would take years to see them all.

Locals simply called it ‘The Fair.’

For nine months in 1915, the Presidio’s bayfront and much of today’s Marina District was the site of a grand celebration of human spirit and ingenuity. Hosted to celebrate the completion of the Panama Canal, the Panama-Pacific International Exposition reflected the ascendancy of the US to the world stage and was a milestone in San Francisco history.

Over 18-million people visited the fair; strolling down wide boulevards, attending scientific and educational presentations, “travelling” to international pavilions and enjoying thrilling displays of sports, racing, music and art. The fair promoted technological and motor advancements.

It was the first world’s fair to demonstrate a transcontinental telephone call, to promote wireless telegraphy and to endorse the use of the automobile. Each day, the fair highlighted special events and exhibits, each with their own popular souvenirs.

The fair was so large and spread out over such a length of land that it was virtually impossible for any visitors to successfully see it all, even over the course of several visits.

The Panama-Pacific International Exposition looked to the future for innovation. Things we take for granted today – cars, airplanes, telephones, and movies – were in their infancy and were shown off at the fair, and some well-known technological luminaries were involved in the fair.

Henry Ford, who brought mass production to American manufacturing and made the automobile affordable to middle class society, built an actual Model T assembly line at the fair. Fords were produced three hours a day, six days a week.

New farming and agricultural technologies were also introduced at the fair. Luther Burbank, creator of many new kinds of plants including the Burbank potato, Santa Rosa plum, Shasta daisy, and the fire poppy, was in charge of the Horticulture Palace.

Author Laura Ingalls Wilder was particularly impressed with new dairy techniques. She wrote, ‘I saw…cows being milked with a milk machine. And it milked them clean and the cows did not object in the least.’

The scale and design of the fair were exceptional. The Palace of Machinery, the largest structure in the world at the time, was the first building to have a plane fly through it. The Horticulture Palace had a glass dome larger than Saint Peter’s Basilica in Rome.

The Tower of Jewels reached 40 stories skyward and held 102,000 pieces of multicolored cut glass that sparkled by day and were illuminated by intense electric lights at night. When the fog came in, 48 spotlights of seven different colors illuminated the sky to look like the northern lights.

The physical structures of the fair were built to be temporary. Most were torn down shortly after the fair closed. However, a few reminders of the fair remain. The railway tunnel under Fort Mason and the San Francisco Yacht Harbor still exist, and the shape of an old race track may be seen on perimeter of the grass Crissy airfield.

The most impressive remnant of all is the Palace of Fine Arts. This landmark, much loved by San Franciscans and visitors from around the world, was spared demolition and was restored and reinforced in the 1960s. It continues to dazzle many millions of people each year. (NPS)

A few agencies and municipalities purchased the smaller buildings that could be transported by boat to new locations. San Mateo County purchased the Ohio Building; Marin County purchased the Wisconsin and Virginia Buildings; the army maintained the Oregon Building on its Presidio location as a military clubhouse.

Some of the larger buildings that were too big to move, like the Tower of Jewels, were disassembled and sold to scavengers. Unfortunately, because the fair buildings were only constructed of plaster, faux travertine and chicken wire, they did not last as long as permanent buildings; once the buildings reached a serious level of deterioration, they were demolished. (NPS)

One of the most popular attractions at the Exposition was a daily show at the Hawaiian Pavilion featuring Hawaiian musicians and hula dancers. It’s where millions of people heard the ‘ukulele for the first time. (Mushet)

“Kamehameha Day at the exposition, or Hawaii Day as they called it here, was all that had been hoped for it. There was splendid weather; the water pageant and the singing of Hawaiian music made a deep sentimental and esthetic effect, and the program as a whole drew tremendous crowds.” (Hawaiian Gazette, June 15, 1915)

At the corner of what is now Baker Street and Marina Boulevard in San Francisco’s Marina District was where the Hawaiian Pavilion stood during the Panama-Pacific International Exposition.

These Hawaiian shows had the highest attendance at the entire fair and launched a Hawaiian cultural craze that influenced everything from American music, to movies, to fashion. (Mushet)

“The hugely popular Hawaii pavilion … showcased Hawaiian music and hula dancing, and was the unofficial launching pad for ukulele-mania.” Hapa-haole songs were featured in the Hawaii exhibits.

“After the expo, Tin Pan Alley and jazz writers and musicians took interest in the cheery little instrument. Songs such as “Ukulele Lady” and “Oh, How She Could Yacki Hacki Wicki Wacki Woo (That’s Love in Honolulu)” were published in sheet-music format.”

“Guitar maker CF Martin & Co. built more ukuleles in 1926 than in any previous year. But the uke’s popularity, along with Martin’s production of the instrument, dwindled in the 1930s.” (San Francisco Examiner)

Everyone began writing hapa-haole songs, and in 1916, hapa-haole recordings outsold other types of music. Over the decades they were written in all popular styles—from ragtime, to 30’s swing, to 60s surf-rock. (Ethnic Dance Festival, 2015)

The Panama Pacific International Exposition closed in November 1915. It succeeded in buoying the spirits and economy of San Francisco, and also resulted in effective trade relationships between the US and other nations of the world. (Lots of information here is from NPS.)

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Pan-Pacific, 1915; San Francisco-PP-19-8-006-00001
Pan-Pacific, 1915; San Francisco-PP-19-8-006-00001
Panama-Pacific Exposition-1915-LOC
Panama-Pacific Exposition-1915-LOC
Pan-Pacific, 1915; San Francisco-PP-19-8-005-00001
Pan-Pacific, 1915; San Francisco-PP-19-8-005-00001
Pan-Pacific, 1915; San Francisco-PP-19-7-020-00001
Pan-Pacific, 1915; San Francisco-PP-19-7-020-00001
Pan-Pacific, 1915; San Francisco-PP-19-8-004-00001
Pan-Pacific, 1915; San Francisco-PP-19-8-004-00001
Pan-Pacific, 1915; San Francisco-PP-19-7-009-00001
Pan-Pacific, 1915; San Francisco-PP-19-7-009-00001
Pan-Pacific, 1915; San Francisco-PP-19-7-008-00001
Pan-Pacific, 1915; San Francisco-PP-19-7-008-00001
Pan-Pacific, 1915; San Francisco-PP-19-7-003-00001
Pan-Pacific, 1915; San Francisco-PP-19-7-003-00001
Panama-Pacific Exposition - 1915-LOC
Panama-Pacific Exposition – 1915-LOC
Pan-Pacific, 1915; San Francisco-PP-19-8-017-00001
Pan-Pacific, 1915; San Francisco-PP-19-8-017-00001
Palace of Fine Arts - originally constructed for the 1915 Panama-Pacific Exposition
Palace of Fine Arts – originally constructed for the 1915 Panama-Pacific Exposition
Palace of Fine Arts-originally constructed for the 1915 Panama-Pacific Exposition
Palace of Fine Arts-originally constructed for the 1915 Panama-Pacific Exposition
Aeroplane view main group of exhibit palaces Panama-Pacific International Exposition
Aeroplane view main group of exhibit palaces Panama-Pacific International Exposition

by Peter T Young Leave a Comment

Occidental Hotel

Edward HF Wolter was one of the military officers who helped Hawai‘i in the stirring closing years of the 19th century, during the Revolutionary period, aiding in obtaining annexation to the  United States for the islands; he then got into real estate as a builder and real estate operator.

Born on February 22, 1854, at Sprackensehl, Provinz Hanover, Germany, Wolter was the son of Jurgen H. C. and Sophia M. E. Wolter. He obtained his education in the  schools of Brisbane, Queensland, Australia, and arrived in Honolulu on Oct. 7, 1881, acquiring a part ownership in Olowalu sugar plantation.  From 1882 to 1885 he served as a plantation overseer.

He accepted a position as hotel manager in 1885 and resigned in 1913, after almost thirty years of service, to enter the building and real estate business.  He also has served as a supervisor for the city and county of Honolulu.

His career as a military officer in Hawaii began during the reign of King Kalakaua and was continued through the regime of Queen Liliuokalani, the  Republic of Hawaii under President Dole and latterly in the National Guard of Hawaii, in the 298th US Infantry. (Nellist)

Then, an announcement of the construction of the Occidental Hotel was made in 1896, under ‘Local and General News:’ “Major EHF Wolter contemplates erecting a grand lodging house in place of the McDowell place on the corner of King and Alakea street.”

“If the dilapidated buildings on the other corners could be torn down a great improvement would be made.” (The Independent, October 3, 1896)

The Occidental, long popular as a modestly-priced hotel and rooming house on the makai-Waikīkī corner of Alakea and South King Streets, was built in 1896.

With its lathe and plaster exterior, iron-railed second-floor balcony grillwork, potted plants, and dormered-mansard roof and cupola, the Occidental remained substantially unchanged while Honolulu grew up around it.

In 1900 EHF Wolter presided as manager; room rates by the day in the two-and one-half story structure ran from $1.00 to $2.00, with “a substantial reduction in prices when taken by the month.”  (Scott)

The fire inspection report for 1900 noted that “the walls were full of openings; there was a ‘poor chimney’ and no bar ….”

By 1904 proprietor Wolter had added a bistro where straight goods were a specialty and a barber shop for good measure. The new $1.25 daily rates were “the lowest in the city for a refined hostelry.” 

On the King Street side of the hotel stood Fred Harrison’s Hawaiian Marble Works adjoining Spanton and Lund, sign painters and paperhangers. (Scott)

“The valuable piece of property at the corner-of King and Alakea streets, now owned by EHF Wolter, is likely to be thrown into litigation in the very near future unless an amicable agreement is reached between the present possessor of the land and Mrs. Robert Wilcox, who claims ownership of the corner by reason of an alleged defective title.”  (Hawaiian Star, November 5, 1896)

“The land was originally deeded by the King to Rieves, a kamaaina of Hawaii. At the death of Rieves the land was deeded to his six children, so Mrs. Wilcox contends.  Two of these signed off in favor of a third.”

“The land passed out of the Rieves family and has been transferred numerous times until bought in by Wolter at a public auction sale.”  (Hawaiian Star, November 5, 1896)

“Now Mrs. Wilcox claims to have proof that the land never legally passed out of the Rieves family. Her grandfather was one of the two who did not come in for his share of the property. She insists that it has been handed down to her by her ancestors and that Mr. Wolter’s title is defective.”  (Hawaiian Star, November 5, 1896)

“Mrs. Wilcox has retained WR Castle as her attorney and he will Institute suit or the recovery of the property unless Mr. Wolter agrees to settle.  LA Thurston is Mr. Wolter’s counsel. It is said that the present owner has shown some inclination to compromise. The property is worth about $12,000.”  (Hawaiian Star, November 5, 1896)

“Mr. Wolter is erecting a large building on the premises to be known as the Occidental hotel. It extends back half a block and has fully fifty feet front on King. Construction on the building has been temporarily stopped by the Government, the claim being that it is not as nearly fire proof as it should be.”  (Hawaiian Star, November 5, 1896)

“Mr Wolter is thinking of making a three story building of the Occidental Hotel.  (Hawaiian Star, October 27, 1898)

The “box-like, durable Occidental Hotel, its original cupola still intact, appeared somewhat out of place in downtown Honolulu” in 1940.

“The old hostel, at the makai Waikiki corner of South King and Alakea Streets, had recently been renovated and small shops occupied the ground floor with the upper two stories given over to furnished rooms.” (Scott)

Wolter’s son, Henry Wolter, took over the property after his father’s death in 1928.  He redeveloped the site of the Occidental Hotel (demolished in October 1950) with a 2-story office building that was ready for occupancy in 1951. (Star Bulletin, March 2, 1951)

On the curbstone in front of the Wolter Building, corner of King and Alakea, circular indentations show the location of hitching rings used to tether horses at the old Occidental Hotel.

Forty years ago a couple of the rings remained; now there are only the iron stubs of one or two shanks that fastened the rings to the stone (not concrete) curb.

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by Peter T Young 1 Comment

“Excuse my back”

Conversation at Waikīkī: “I see Ed Sawtelle’s back” “I didn’t know he had been away” “I said that I see Ed Sawtelle’s back’s the best known back in Honolulu. I want to see the face in front of the back for once.”

“Ed Sawtelle doesn’t need to say ‘Excuse my back’ when he sits at the console of the great Robert Morton Organ in the Waikīkī Theater: that tall swaying silhouette under the proscenium lights is his signature.  (Blanding, Honolulu Star-Bulletin, March 27, 1954)

Born in Cambridge, Massachusetts, Sawtelle is a graduate of Harvard, where he majored in music, and a graduate of the New England Conservatory of Music where he studied under two of the nation’s outstanding authorities, Professor Henry Dunham and Professor Wallace Goodrich.

For some time, Sawtelle was with the Boston Symphony, and for three years was accompanist with the Boston Opera House. He entered the theatrical field in New York, and has been organist and musical director in theaters in San Francisco, Los Angeles, Denver, Atlanta, and Boston.

For many years, Sawtelle was associated with the Robert Morton Organ Company demonstrating and installing theatrical organs. In this particular field he was considered one at the greatest authorities in the country.

Sawtelle first came to Hawaiʻi in 1922 as organist at the opening of the Princess Theater. While here he was organist at the Hawaiʻi Theater, and went to Hilo to open the Palace Theater as organist and musical director. He returned to Honolulu to open the new Waikīkī Theater.

Leaving Hawaii in 1929, Sawtelle was featured on the radio in San Francisco, Los Angeles and New York. A concert tour took him through the major centers of the nation.

Mrs. Sawtelle returned to Honolulu with her husband. She, too, is noted in the field of music, having appeared throughout the country on concert tour as Carmen Prentice, mezzo-soprano.

Not only did Sawtelle supervise the building of the Hammond organ for the Waikīkī Theater, but he brought it to Honolulu with him, and has supervised the installation at the new playhouse.  (Honolulu Advertiser, August 20, 1936)

As organist for the Consolidated Amusement Company since 1922 with only a break of seven years from 1929 to 1936, Ed meant “moods, memories and music” to Honolulu audiences.

During the war years his audiences extended far beyond the limits of the movie palaces to little lonely atolls in the deep Pacific, to hospitals and observation posts in the Islands, and to ships at sea as his Star Dust Serenade went out over the airwaves to reach and sooth the homesick hearts of men and women in the service.   (Blanding, Honolulu Star-Bulletin, March 27, 1954)

Starting in 1937, Sawtelle played the new organ at intermissions and on weekly live radio broadcasts heard throughout the Pacific during World War II. For a time, Sawtelle played two shows a day, seven days a week. He eventually retired in 1955, but a succession of organists carried on the tradition through 1997.

The 1,353-seat Waikīkī Theater opened with great fanfare on August 20, 1936.  “This first-class theatre survived as a single-screen house its entire life.”  (TheatresOfHawaii)   Dickey created an environment as charming and artificial as the image on the screen.  (Charlot)

In 1939, the Waikīkī Theatre was equipped with a Robert Morton theatre organ, which had originally been installed (with a twin console) in the Hawaiʻi Theatre in 1929.  (Peterson)

“No theater in the world has a more picturesque setting than Waikīkī.  Situated on the beach at Waikīkī, it stands on the site where once Hawaiʻi’s royalty played.  The playhouse now becomes a glorious new addition to the beach made famous in song and story.  It is the new center of activity of that district which long been the mecca of travelers from the world over.”  (Honolulu Advertiser; Alder)

“Inside the theater, it felt as if you were in a tropical paradise. A full-colored rainbow arched over the curtains that hid the screen. Along the side walls, there were palm trees that reached from floor to ceiling and lush jungle plants, which appeared absolutely real to my child’s eyes.”

“Then, a distinguished gentleman named Ed Sawtelle would appear and sit down at a large organ console, located just below and in front of the stage, and begin a concert that filled the hall with rolling music that vibrated off the walls.”  (Richard Kelley)

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