Palace Theater | Images of Old Hawaiʻi

Conversation at Waikīkī: “I see Ed Sawtelle’s back” “I didn’t know he had been away” “I said that I see Ed Sawtelle’s back’s the best known back in Honolulu. I want to see the face in front of the back for once.”

“Ed Sawtelle doesn’t need to say ‘Excuse my back’ when he sits at the console of the great Robert Morton Organ in the Waikīkī Theater: that tall swaying silhouette under the proscenium lights is his signature. (Blanding, Honolulu Star-Bulletin, March 27, 1954)

Born in Cambridge, Massachusetts, Sawtelle is a graduate of Harvard, where he majored in music, and a graduate of the New England Conservatory of Music where he studied under two of the nation’s outstanding authorities, Professor Henry Dunham and Professor Wallace Goodrich.

For some time, Sawtelle was with the Boston Symphony, and for three years was accompanist with the Boston Opera House. He entered the theatrical field in New York, and has been organist and musical director in theaters in San Francisco, Los Angeles, Denver, Atlanta, and Boston.

For many years, Sawtelle was associated with the Robert Morton Organ Company demonstrating and installing theatrical organs. In this particular field he was considered one at the greatest authorities in the country.

Sawtelle first came to Hawaiʻi in 1922 as organist at the opening of the Princess Theater. While here he was organist at the Hawaiʻi Theater, and went to Hilo to open the Palace Theater as organist and musical director. He returned to Honolulu to open the new Waikīkī Theater.

Leaving Hawaii in 1929, Sawtelle was featured on the radio in San Francisco, Los Angeles and New York. A concert tour took him through the major centers of the nation.

Mrs. Sawtelle returned to Honolulu with her husband. She, too, is noted in the field of music, having appeared throughout the country on concert tour as Carmen Prentice, mezzo-soprano.

Not only did Sawtelle supervise the building of the Hammond organ for the Waikīkī Theater, but he brought it to Honolulu with him, and has supervised the installation at the new playhouse. (Honolulu Advertiser, August 20, 1936)

As organist for the Consolidated Amusement Company since 1922 with only a break of seven years from 1929 to 1936, Ed meant “moods, memories and music” to Honolulu audiences.

During the war years his audiences extended far beyond the limits of the movie palaces to little lonely atolls in the deep Pacific, to hospitals and observation posts in the Islands, and to ships at sea as his Star Dust Serenade went out over the airwaves to reach and sooth the homesick hearts of men and women in the service. (Blanding, Honolulu Star-Bulletin, March 27, 1954)

Starting in 1937, Sawtelle played the new organ at intermissions and on weekly live radio broadcasts heard throughout the Pacific during World War II. For a time, Sawtelle played two shows a day, seven days a week. He eventually retired in 1955, but a succession of organists carried on the tradition through 1997.

The 1,353-seat Waikīkī Theater opened with great fanfare on August 20, 1936. “This first-class theatre survived as a single-screen house its entire life.” (TheatresOfHawaii) Dickey created an environment as charming and artificial as the image on the screen. (Charlot)

In 1939, the Waikīkī Theatre was equipped with a Robert Morton theatre organ, which had originally been installed (with a twin console) in the Hawaiʻi Theatre in 1929. (Peterson)

“No theater in the world has a more picturesque setting than Waikīkī. Situated on the beach at Waikīkī, it stands on the site where once Hawaiʻi’s royalty played. The playhouse now becomes a glorious new addition to the beach made famous in song and story. It is the new center of activity of that district which long been the mecca of travelers from the world over.” (Honolulu Advertiser; Alder)

“Inside the theater, it felt as if you were in a tropical paradise. A full-colored rainbow arched over the curtains that hid the screen. Along the side walls, there were palm trees that reached from floor to ceiling and lush jungle plants, which appeared absolutely real to my child’s eyes.”

“Then, a distinguished gentleman named Ed Sawtelle would appear and sit down at a large organ console, located just below and in front of the stage, and begin a concert that filled the hall with rolling music that vibrated off the walls.” (Richard Kelley)

Bakers Beach, in Hilo Bay between Reeds Bay and Pier 3 is named for prominent Hilo businessman Adam Baker. It’s manmade; the coral rubble and sand are spoil materials from the dredging operations that enlarged the Hilo Harbor basin. They were deposited on the shore here between 1925 and 1930.

The newly created beach fronted Baker’s three-story house; with its beautiful lawns, rock gardens and large fruit and shade trees, it was a famous landmark. Baker was the son of John Timoteo Baker, the last appointed governor of the Big Island under the Hawaiian monarchy. (Clark)

“When Adam Baker and some of the oriental moving picture managers approached the Sheriff and asked for the needed permit for Sunday shows, he turned his back to their request and answered, ‘There’s nothing doin’ …”

“And ‘nothing doin’’ it was for July 4, the first Sunday on which the law was in effect, despite the tearful pleas of the theater men, who saw many dimes and quarters going astray, amid the holiday crowd in town, because there were no movies to be seen.” (Hawaiian Gazette, July 13, 1915)

That didn’t stop Baker in the theater business; with the Empire across the street and the Gaiety and others nearby, on October 26, 1925, at 6:30 pm, the New Palace opened its doors to an eager crowd, showing its first movie at 7:30, ‘Don Q: Son of Zorro,’ starring Douglas Fairbanks. Also shown were the short films ‘The Clodhopper’ and ‘Traps and Troubles.’ (Haleamau)

The New Palace Theater, part of a small family of theaters owned and operated by Adam Charles Baker (1881-1948) was built at the peak of the heyday for American movie palaces.

Baker’s New Palace was built on a scale that had never been seen outside of Honolulu. The original stadium seating arrangement on a sloped floor, predating stadium seating in modern theaters, accommodated 800 seats and allowed for unobstructed sight lines.

The building was constructed of redwood imported from the Pacific Northwest. (Valentine) Fourteen huge redwood columns supported the wooden roof trusses which span the entire width of the building.

Designed and built in the days before electronic sound amplification systems, the Palace boasts excellent natural acoustics for live musical groups and drama.

The early shows were silent films; in 1929, a 3-manual (keyboards,) 7-rank (sets of pipes) Robert-Morton pipe organ was built in Van Nuys, California, shipped and installed in the Palace Theater. Shortly after, Johnny DeMello became the house organist, accompanying the silent films and giving other performances.

The Empire was first to exhibit a talkie, ‘The Voice of the City,’ in Hilo on October 9, 1929. The New Palace’s first talkie, shown on October, 16, was ‘Mary Pickford’s Coquette’ (Pickford’s talkie debut). Management of the two theaters decided to take turns exhibiting silent and talkie movies. (Haleamau)

In 1931, The Palace Theater was sold to Consolidated Amusements, Ltd and closed shortly thereafter for renovation; Consolidated began showing first run movies. Baker continued on as the New Palace’s assistant manager, but retired on January 9, 1932, to travel.

By December 10, 1937, the Palace became not only the first theater, but the first building on the island to be fully air-conditioned when WA Ramsay Ltd., installed a Carrier system.

The Palace would close for renovation once more on April 25, 1940, after that night’s showing of ‘All Women Have Secrets’ (the movie debut of Jeanne Cagney, younger sister of James). It reopened on May 26, 1940. (Haleamau)

That year, the pipe organ (and Johnny DeMello) moved from the Palace Theater to the Hilo Theater (which opened on April 25, 1940 with 1,037 seats.) A few years later (1946,) a massive tsunami hit the Hilo Theater and damaged the organ console.

Johnny returned to Honolulu and in 1955 he was appointed house organist at the Waikiki Theatre and played there until his retirement in 1978.

The organ console was removed and sent to Honolulu for repairs. Unfortunately, in 1960, a second tsunami hit Hilo, and the Hilo Theater. The organ console was washed over the seats to the auditorium back wall where it broke apart.

Hilo Theater closed for good following the tsunami and the building was demolished in 1965. The Palace Theater survived the two tsunami. However, in 1984, Palace Theater closed and was used as Consolidated Theaters’ storage of the highly flammable film in a vault.

In 1990, the building was acquired from Consolidated and structural repairs were undertaken. For the past 10+ years, the non-profit ‘Friends of the Palace Theater’ has worked to restore and upgrade the theater building.

And, through numerous grants, business and individual donations, and a lot of hard work, the theater is open with independent films, concerts and other live performances. (Fundraising and further restoration are ongoing.) (Lots of information here is from Hilo Palace and Haleamau.)

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