Buildings | Page 31 | Images of Old Hawaiʻi

February 1, 2020 by Peter T Young 3 Comments

Seaside Hotel

What we think of today as the “Royal Hawaiian Hotel” actually is the second hotel of like name (the first one was in downtown Honolulu – the location of the State Art Museum and office) and, the site of the present Royal Hawaiian used to be the home of the Seaside Hotel.

But there was a link between the site and the hotel’s name. In the 1890s, the Seaside Hotel was a beach annex to the Royal Hawaiian Hotel located at Richards and Hotel streets.

There is now another “Seaside Hotel” in Waikīkī, but that’s different from the hotel we are discussing here. That other “Seaside” was built in 1970 and has been used by United Airlines as a perk for employees and company retirees.

This Seaside was really on the water and until the Royal Hawaiian took its place, it was one of the earliest hotels in Waikīkī.

It was situated on 10 coconut-covered oceanfront acres on one of the best parts of Waikīkī Beach (Kamehameha V (and others) had a residence here, on land known as Helumoa.)

It was the only Honolulu hotel where guests were accommodated in separate and distinct cottages (bungalows and tent houses.) Each was named for prominent people who stayed there (one was the Alice Roosevelt Longworth cottage – named for Teddy Roosevelt’s cigar-smoking daughter.)

It was marveled as “folksy, family-style living”) and it was a favorite of author, Jack London, who noted, “The older I grow, the oftener I come back, and the longer I stay.” (SagaOfSandwichIslands)

In 1907, the Seaside Hotel opened on the property, and was later acquired by Alexander Young’s Territorial Hotel Company, which operated the Alexander Young hotel in downtown Honolulu.

In 1924, the Seaside Hotel’s lease of the land at Helumoa was soon to expire and the land’s owners (Bishop Estate) put out a request for proposals to build a hotel.

Matson Navigation Co. had big plans to build luxury ocean liners to bring wealthy tourists to Hawaiʻi. But, they needed a hotel equally lavish at Waikīkī.

Soon Matson’s luxury ocean liner and its 650 wealthy passengers would be arriving in Honolulu every two weeks and the two largest hotels, the Alexander Hotel and the Moana, could not accommodate all of them. The availability of the Bishop Estate land began putting wheels into motion.

In March 1925, William Roth, Manager of Matson Navigation Company, his wife Lurline (whose maiden name was Matson) and Mrs. William Matson, the widow of the founder of Matson Navigation Company, arrived in Honolulu for a three-week stay so that Roth could attend the annual Matson conference.

Famous New York-based architect Charles V. Wetmore also arrived in Honolulu at the invitation of Matson Navigation Company leadership.

Wetmore advised Matson Navigation that “Honolulu is one of the wonder spots of the world, and it should have a hotel that is as much of an attraction as the city itself.”

Castle & Cooke, Matson Navigation and the Territorial Hotel Company successfully proposed a plan to build a luxury hotel, with 400 rooms, at a cost of $2 million on the parcel of Waikīkī beach to be leased from the Bishop Estate.

The ground-breaking ceremony took place on July 26, 1925, before a building permit was issued or a contract was signed with the building contractor, Ralph Wooley. By the time the contract was executed on September 5, 1925, some three hundred men were already at work.

The building permit still was not signed by August, and the City withheld granting it unless the building codes were first revised (high rises were not, then, permitted.) The planning commission did not want to revise the building code to allow high rises on Waikīkī beach.

The City and County Board of Supervisors disregarded their concerns and allowed the increase in heights. This would forever change the landscape of Waikīkī, as the decision also allowed much taller highrises to be built in the area.

The opening of the Waikīkī Royal Hawaiian on February 1, 1927, ushered in a new era of luxurious resort travel to Hawai‘i. The six-story, 400-room structure was fashioned in a Spanish-Moorish style, popular during the period and influenced by screen star Rudolph Valentino.

The Honolulu Star-Bulletin described the newly opened Royal Hawaiian as “the first resort hostelry in America.”

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Seaside-Hotel-(SagaOfSandwichIslands)-1916

Royal_Hawaiian_Hotel-original_wooden_structure-1900

Seaside_Hotel-(SagaOfSandwichIslands)-1903

Guests walking toward Seaside office and entry-(SagaOfSandwichIslands)-1913

Seaside-lanai-(SagaOfSandwichIslands)-1913

Royal Hawaiian Hotel-screened_patio-HSA-1890

Waikiki-fronting_old-Seaside_Hotel-seawall-1915

Cocoa-Nut_Grove,_and_Residence_of_the_Late_King_Kamehameha_V.,_at_Waikiki,_Oahu-before-1875

BVD-14-1-31-41-Bertha Young residence and Royal Hawaiian hotel_150w-KamehamehaSchoolsArchives

Helumoa_Summer House of King Kamehameha V, Waikiki-(eBay)-1873

Bellmen_at_Porte_Cochere-(honoluluadvertiser)-1927

Coconut Grove during the hotel's construction (HHF) (1925)

Dancers are from the Dan Wallace Hula Studio in the Royal Hawaiian Hotel-(HSA)-1950s-PP-33-5-023

Royal_Hawaiian_oceanside_construction-(HSA-HHF)-1926

Seaside_Hotel-noted-(Moana_Hotel-Apuakehau_Stream-marshland_behind)-1920

January 23, 2020 by Peter T Young 1 Comment

Old Plantation

Curtis Ward was born in Kentucky and arrived in Hawaiʻi in 1853, when whaling in the Pacific was at its peak. Curtis worked at the Royal Custom House, which monitored commercial activity at Honolulu Harbor for the kingdom.

Victoria Robinson was born in Nu’uanu in 1846, the daughter of English shipbuilder, James Robinson and his wife Rebecca, a woman of Hawaiian ancestry whose chiefly lineage had roots in Kaʻū, Hilo and Honokowai, Maui.

Ward started a livery with headquarters on Queen Street and expanded into the business of transporting cargo on horse-pulled wagons. The size of Ward’s work force became just as big as the harbor’s other major player, James Robinson & Co. (Victoria’s father.)

When tensions began to rise between the American North and South in the late-1850s, Ward would defend his Southern heritage. As a result, Ward’s home, named “Dixie,” was often stoned by Northern sailors. (Hustace)

Curtis and Victoria married in 1865 and for many years they made their home near Honolulu Harbor on property presently occupied by the Davies Pacific Center.

Seven daughters were born during these years: Mary Elizabeth, Kulamanu, May, Einei, Lucy, Kathleen and Lani.

As was common for many young married couples of English and Hawaiian ancestry during this period, the Wards socialized comfortably with Honolulu’s expatriate British families, as well as with members of the various Royal families.

This was a period of considerable turbulence in Hawaiian political affairs, and Curtis and Victoria joined with their friends in resisting the rising power of the sugar barons and firmly opposed reciprocity with the United States. (Ward Centers)

Even in later years, Victoria Ward held to her political convictions and remained a loyal friend and supporter of Liliʻuokalani after the overthrow of the monarchy in 1893. (Ward Centers)

Then, the Wards bought land on what was then the outskirts of Honolulu, eventually acquiring over 100-acres of land running from Thomas Square on King Street down to the ocean.

They built the “Old Plantation” in 1882, a stately, Southern-style home on the mauka portion of the property. It featured an artesian well, vegetable and flower gardens, a large pond stocked with fish, and extensive pasturage for horses and cattle. Self-sufficient as a working farm, Old Plantation was surrounded by a vast coconut grove.

In 1882, Curtis Ward died at age 53, leaving Victoria to raise seven daughters and manage the estate.

The Blaisdell Center has been in operation since 1964 and in 1994 was remodeled and expanded. The Blaisdell Center complex includes a multi-purpose Arena, Exhibition Hall, Galleria, Concert Hall, meeting rooms and parking structure.

In 2002, Chicago-based General Growth Properties Inc (owner of Ala Moana Center) closed on an agreement to buy Victoria Ward Ltd., giving it control of one of the state’s largest private landowners and operator of a growing retail complex in Kakaʻako.

In 2010, General Growth spun off its development properties as the Howard Hughes Corporation and is working on plans for the creation/redevelopment of an urban master planned community in Kakaʻako. (OHA and Kamehameha Schools are other large landowners in Kakaʻako.)

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19580108 – Ward Estate (looking out driveway toward King Street. The daughters of Curtis P. Ward, gentleman from Kentucky who built Old Plantation, once romped on this lanai. SB BW by Terry Luke.
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January 15, 2020 by Peter T Young 1 Comment

Look for the Mamo Hidden Under a Rock

Hawaiʻi’s capitol – the “Square Building” on Beretania, although it’s actually 360-feet x 270-feet – is full of symbolism.

In the words of Governor John A Burns, “The open sea, the open sky, the open doorway, open arms and open hearts – these are the symbols of our Hawaiian heritage … there are no doors at the grand entrances … there is no roof or dome to separate its vast inner court from the heavens … We welcome you! E Komo Mai! Come In! The house is yours!”

The perimeter pool represents the ocean surrounding the islands; the 40-concrete columns are shaped like coconut trees; the conical House and Senate chambers infer the volcanic origins of the Islands; and the open, airy central ground floor suggests the Islands’ open society and acceptance of our natural and cultural environment.

In 1959, an advisory committee was formed. They selected the Honolulu firm of Belt, Lemmon & Lo and the San Francisco firm of John Carl Warnecke & Associates to design the new state capitol.

Their design was approved by the Legislature in 1961; construction commenced in November 1965. The building opened on March 16, 1969, replacing the former statehouse, ʻIolani Palace.

A notable capitol feature central on the ground floor is the tiled mosaic “Aquarius.” The tile work is based on a painting of the same name by Tadashi Sato; the mosaic is circular (36-feet in diameter.)

Sato, the eldest of six children of Japanese immigrants who came to work on Maui’s pineapple plantations, was born (1923) and raised on Maui and attended King Kamehameha III School and graduated from Lahainaluna.

He perfected his artistic skills over the next several decades, studying in Japan and New York and eventually became recognized as a member of the abstract expressionist movement and known for his abstract and semi-abstract paintings, mosaics and murals.

He is described as “an artist with a tranquil spirit, at peace with his place in the world, who eloquently used his brush to speak about what is most true and enduring in that world”. (Maui Council)

Tadashi Sato was an artist of international stature whose work has hung in places such as New York’s Museum of Modern Art, the Guggenheim and Whitney, and the Willard Gallery. Aquarius is still arguably his most famous work of art.

A lot of Sato’s work goes back to recollections of the reflection of sky, submerged rocks and sparkling colors in the tide pools and coastline where he fished near Nakalele Point in West Maui. (Keiko Sato, his sister)

Standing on the upper floors of the capitol, looking down on the Aquarius mosaic, gives a view much like what Sato saw from the coastal cliffs of West Maui looking down on the shoreline and tidepools below.

In 1965, Sato was honored by President Lyndon Johnson at the White House Festival of Arts, alongside Georgia O’Keeffe, Jackson Pollock and other American artists. In 1984, he was named a Living Treasure of Hawai’i by the Honpa Hongwanji Mission of Hawaiʻi.

Exposure to the elements in the open air of the capitol took its toll on the mosaic. It has been replaced twice since its initial installation.

In 1988, the mosaic was replaced because it was subject to ponding water and it lacked accommodation for expansion and contraction. These factors lead to cracking, heaving and failure of the tiles and mortar bed. (SFCA)

Again, in 2005, a new set of the approximate 600,000-tiles replaced the former and a new system of drains, expansion joints, mortar bed and thicker tiles increased the mosaic’s durability and improved it significantly. (SFCA)

Coincidental, but symbolic of the diversity of cultures in Hawaiʻi, in this most recent replacement/repair, a crew of six (Hawaiian, Filipino and Portuguese (from Hawaiʻi,) and German, Polish and Italian (from abroad)) set the new tiles in place.

Fifty-seven different colors of various shades of blue, green and white tiles make up the Aquarius mosaic.

However, it was at this time a new color was added; the Italian added a single red tile to the mosaic.

Several sources incorrectly suggest the tile is representative of the artist’s signature. These folks also note you should search the mosaic for the single red tile.

However, as noted in the title of this piece, and continuing the symbolism at the capitol, folks at the State Foundation on Culture and the Arts feel Sato would prefer you look for the Mamo hidden under a rock. (The Mamo is the Hawaiian Sergeant reef fish.)

Today is opening day of the legislature. Take the time to look at Tadashi Sato’s design … and see what you can find. (Tadashi Sato died in 2005.)

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State Capitol. Mosaic by Tadashi Sato. From The Top-The view from the top of the Capitol. Star-Bulletin photo by Warren R. Roll on March 19, 1970. Ran on Thursday, March 19, 1970.

January 9, 2020 by Peter T Young Leave a Comment

Honolulu Courthouse

Up to late-1840s, the Judiciary found quarters in other people’s houses.

At the end of 1846 the King’s Privy Council resolved to authorize funds and have Governor Kekūanāoʻa’s stone house within the old fort of Honolulu “be turned into a court house for the foreign judges and Hopkins’ house for a district court house, said houses however to be put in good condition.” Back then this was at the water’s edge.

An act to organize the judiciary department of the Hawaiian Islands was passed in September, 1847. It set up a superior court and otherwise assembled the machinery of law and order.

Beginning early in 1851, as a combined courthouse and jail, work was soon halted “on account of the depth of water found upon the foundation rock, which rendered it impracticable to proceed.”

When work was recommenced in June, the jail had been dropped and the plans for the new building called only for one that would “serve the purposes of the Legislative Assembly, as well as for holding the Courts.”

In October, sixty prisoners were used to cut coral blocks for the Courthouse. One night while staying in houses near their work place (in order to take advantage of a low tide very early in the morning,) forty men overpowered the guards and seized the gun batteries overlooking Honolulu.

Loaded cannon were trained on prominent buildings. But the prisoners lacked fire to set off the pieces. The prisoners were captured and order was restored in the morning.

On July 5, 1852, the superior court of the Kingdom of Hawaiʻi met for the first time. At the time, it was the second largest building in the kingdom and served concurrently as a courthouse, parliament house and civic center.

Judge Lee opened the session of the superior court with an address in which he asked those in attendance to “pause a moment, as we meet for the first time in this temple dedicated to justice, and reflect upon our duties as lawyers, as jurors, and as judges.”

In concluding his address, Judge Lee referred briefly to the new courthouse: “I well remember when I landed on these shores, now nearly six years ago, the court met in an old grass house, floored with mats, without benches, seats or comforts of any kind …”

“… with one corner partitioned off with calico, for judge’s office, clerk’s office, police court, and jury room, standing on the very ground where now stands this substantial edifice erected at a cost of upwards of forty thousand dollars, and which would do credit to any land.”

He continued, “Justice in a grass house is as precious as justice in one of coral, but no one can fail to agree with me, that the latter with all its comforts and conveniences is greatly to be preferred, inasmuch as it tends to promote that dignity and propriety of manners so essential to secure a proper respect for the law and its administration.”

“May this Hall ever be the temple of Justice – may its wall ever echo with the accents of truth – may its high roof ever look down upon us in the faithful discharge of our duties — and may the blessing of Him who builded the Heavens and whose throne is the fountain of all justice ever rest upon us.”

When the court house was built, the city gained a new and bigger set of public rooms. The result was that the chambers dedicated to the government’s judicial and legislative processes were the scene of a variety of private and community functions.

In addition to its official function as a courthouse and legislative hall, the building was frequently used for public meetings. The congregation of the Second Foreign Church of Honolulu announced it would use the new court house for its services.

Among the more colorful events to be held at the courthouse were the festivities given during the reign of King Kamehameha IV. On November 13, 1856, the Chinese merchants of Honolulu and Lāhaina combined to give a grand ball to their majesties King Kamehameha IV and Queen Emma, in honor of their recent marriage.

Almost the last official action to take place in the courthouse was the special session of legislature, called for February 12, 1874, to elect a successor to King Lunalilo, who had died without having designated an heir to the throne.

Lunalilo himself had been elected king in this building on January 8, 1873, after Kamehameha V died without issue and without having proclaimed an heir on December 11 of the preceding year.

In accordance with the provisions of the constitution in cases where the previous occupant of the throne failed to nominate or proclaim a successor, the cabinet of the late king called a meeting of the legislative assembly to “elect by ballot some native alii of the kingdom as successor to the throne.” Such a meeting was ordered by the cabinet for noon Feb. 12.

With the Court and Legislative functions in the old Courthouse ended, the regular session of the legislature for 1874 met on April 30, 1874 in the legislative hall of the new government building – Aliʻiolani Hale.

The old Courthouse was advertised for sale at auction in the Pacific Commercial Advertiser of May 9, 1874. The courthouse property was sold to H. Hackfeld & Co., predecessor of American Factors, Ltd. (AmFac – one of Hawaiʻi’s Big Five,) at the upset price of $20,000. As reported by the Hawaiian Gazette, “It is the best business stand in Honolulu.”

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December 11, 2019 by Peter T Young 4 Comments

Spencecliff

Their father, Spencer Fullerton Weaver Sr, was one of the nation’s leading architects in the 1920s. Known as Major Weaver; among many other projects, his firm designed the Waldorf-Astoria, the Hotel Pierre in New York City, the Biltmore Hotels in Los Angeles and Florida, and the Breakers in Palm Beach. He designed and owned the Park Land and Lexington Hotels in New York.

Their mother, Emily Maloney Stokes Weaver, was a noted tennis player; she won two national indoor tennis doubles championships in 1914 (with Clare Cassel) and 1918 (with Eleanor Goss Lanning.)

The family lived in an apartment on Park Avenue, New York and had a country estate known as ‘Spencecliff,’ in East Hampton, Long Island, NY. (washington-edu)

But that ‘Spencecliff’ is not the basis for this story – this story is about the partnership of brothers Spence and Cliff and the Hawaiʻi business they founded, Spencecliff Restaurants.

Queen’s Surf (with its Barefoot Bar,) Tahitian Lanai, Coco’s, Tiki Tops, Fisherman’s Wharf, Senor Popo’s, Trader Vic’s, Kelly’s, South Seas, Ranch House … the list goes on and on.

It was a family operation, run by brothers Spencer (Spence) Fullerton Weaver Jr (May 18, 1911 – Aug 30, 1996) and Clifton (Cliff) Stokes Weaver (Jan 7, 1917 – Jan 23, 1992.)

After a couple visits to the Islands, the boys moved and later, intrigued by the fleet of hot dog trucks in Long Island, they got into the food service business with a half-dozen ‘Swanky Franky’ hot dog carts in 1939; then, later set up a stand at Ena Road and Ala Moana in Waikīkī.

Then came the Patio Restaurant downtown and the Snowflake Bakery; the Weavers also had a catering contract to feed five-thousand at Hickam.

After service in World War II, they formed the Spencecliff Corporation; it grew, and over the next few decades dominated the restaurant scene.

They opened the Sky Room (1948) at the airport terminal at John Rogers Field (now Honolulu International Airport.) In addition to the pre-flight airport presence, Spencecliff catered the food to airline passengers on ten major airlines, including American, JAL, Canadian Pacific, Qantas and Air New Zealand.

At one time, the Spencecliff operation included 50-restaurants, cabarets, coffee shops and snack bars in Hawaiʻi, almost exclusively on the island of Oʻahu. It also operated two hotels, three bakeries and a catering service in Hawaiʻi and two hotels in Tahiti. There were more than 1,500 employees.

Spence Weaver would later be inducted into the Hawaii Restaurant Association’s First Annual Hall of Fame in 2007.

One of the most famous of their operations was the Queen’s Surf (acquired in 1949.) They converted the former home of heir to Fleischmann’s Yeast fortune, Christian Holmes (Holmes also owned Coconut Island,) and turned it into Queen’s Surf; the home was originally build in 1914 by WK Seering of International Harvester Co.

Later (1971,) the property was condemned and Queen’s Surf and the neighboring Kodak Hula Show were evicted and the Waikīkī beachfront area was turned into a public park.

In addition, to the nightclub, there were coffee shops – lots of them – as well as other family-favorites.

Spencecliff was renowned for taking care of its employees, many of whom served for decades. Reportedly, each employee would receive personalized card and a birthday cake from the company bakery the day before their birthday, then were given the day off on their birthday.

All was not happy for the family; in 1958, Cliff’s 15-year-old son, Billy was killed in a tiger shark attack off the Mokulua Islands, on the Windward side.

Then their ownership in the restaurant operations came to an end. In the mid-1980s, increased rents and high interest rates affected Spencecliff’s bottom line; on July 14, 1986, they sold the operation to the Japanese firm, Nittaku Enterprises Co, for $6-million.

Unfortunately, the new owners didn’t have the same understanding/appreciation for the operations and it slowly disappeared.

Gone are the familiar favorites we used to enjoy. On the windward side, Tiki Tops was a family regular; and the ride over the Pali often took us to Fisherman’s Wharf (and its treasure chest for the kids.)

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