Ali’i / Chiefs / Governance | Page 10

March 1, 2025 by Peter T Young 1 Comment

Royal Hawaiian Band

The “King’s Band” had its beginning in 1836, it continues today; founded by King Kamehameha III, it became a staple of daily life by performing for state occasions, funerals and marching in parades.

The band accompanied reigning monarchs on frequent trips to the neighbor islands and brought their music to remote destinations of the kingdom such as Kalaupapa on the island of Molokai.

In 1848, Band members signed contracts to serve, noting they “agree to serve under the orders of William Merseburgh, the captain appointed by His Majesty … (and) to meet from time to time for the purpose of practicing and improvement in instrumental music.”

“We agree to play for the king and for the other officers of the government whenever called on by our captain for such reasonable compensation as he shall award, not less than one dollar nor more than three dollars per man for any time not to exceed one day.” (Hawaiian Star, September 22, 1906)

In the 1880s, the Royal Hawaiian Band played concerts twice a week in Queen Emma Square. “One of our pleasant diversions was to go to and hear Captain Berger’s band play at Emma Square every Saturday afternoon. … we all went and sat in the carriage just outside the park. There was usually a crowd there, as it was very popular.” (Sutherland Journal)

When the Provisional Government under Sanford B Dole in the wake of the Overthrow demanded a loyalty oath of all employees, the musicians of the Royal Hawaiian Band, renamed Government Band, refused to do so, an act of courage celebrated in Ellen Prendergast’s “Mele ‘ai pohaku” (The Stone Eating Song,) also known as “Kaulana nā pua” (“Famous are the Flowers (Children.”) (RoyalHawaiianBand)

The bandmembers then organized into the “Pana Lāhui Hawaiʻi”, “The Hawaiian National Band”, which under the leadership of José Liborno went to the United States to drum up support for the Queen and for Hawaiʻi’s continuing independence. (RoyalHawaiianBand)

One notable bandmaster was Heinrich (Henri or Henry) Berger. He came from Prussia at the request of Kamehameha V, who asked Emperor Wilhelm I to send a conductor. On June 3, 1872, Berger arrived in Honolulu on board the steamer “Mohongo” and one week later conducted his first public concerts.

It took him just two months to receive this accolade from the “Pacific Commercial Advertiser”: “The Band, under the able direction of Mr. Berger, has resumed the practice initiated two years ago by the band of the Austrian frigate Donau…”

“The neighborhood of Emma Square looked quite lively for an hour or so on Thursday afternoon where lots of people in carriages and on foot had assembled to hear the really fine sounds of the ‘Hawaiian Military Band.’”

“As was remarked by one of the Honolulu delegation in the Assembly when the appropriation for the support of the military was under discussion: ‘The band is by far the best part of the army.’” (Atlantic Times)

After four years, Berger returned to Germany, had himself released from his duties in the Prussian military and then came back to Hawaiʻi for good. He gave 32,000 concerts, composed 250 Hawaiian songs, some of which are still being sung around the world, and 1,000 other tunes.

He wrote down indigenous hymns that had until then only been passed on orally. And on Sundays, taking turns with his friend, Queen Liliʻuokalani; he played the organ in Kawaiahaʻo Church. Lili’uokalani was a formidable composer in her own right. Her song, “Aloha ‘Oe” (Farewell to Thee), became world-famous. Berger had arranged it for her.

During the Second Wilcox Rebellion of 1895, Berger had to find new, mostly non-Hawaiian musicians. He was commanded by the now Republic of Hawaiʻi to give concerts in order to soothe the agitated mood of the citizenry.

As the twentieth century rolled around, things began to normalize, at least on the surface. The Band regained its former royal name and would perpetuate cherished traditions close to the hearts not only of many Hawaiians but of a good number of locals and visitors alike. (RoyalHawaiianBand)

The Royal Hawaiian Band was a cornerstone of the monarch and the essence of music of Hawaiʻi’s monarchy and continues the tradition of keeping Hawaiian marches and band arrangements alive by including several of these compositions among its repertoire. (AssociationOfHawaiianCivicClubs)

During its long history, band leaders included an escaped American slave, a Portuguese, a New Zealander, a Prussian and a German from Weimar. (SI-edu)

Today, the Royal Hawaiian Band is an agency of the City and County of Honolulu and is the only full-time municipal band in the United States. The Band is made up of 40 full-time positions and functions as a concert band, a marching band and a glee club ensemble.

The band performs and marches in over 300 concerts and parades each year including: city, state and military functions; schools, community centers, shopping malls, retirement communities, graduations and private events. Weekly public performances are held on Fridays at ʻIolani Palace and Sundays at the Kapiʻolani Park Bandstand.

February 18, 2025 by Peter T Young Leave a Comment

Liliʻuokalani Protestant Church

The queen was fond of the congregation – which once numbered in the thousands, according to church records – and donated hymnals, cut-glass chandeliers and a seven-dial, universal-calendar clock. The church was renamed for Liliʻuokalani in 1975.

But we are getting ahead of ourselves, let’s step back.

Over the course of a little over 40-years (1820-1863) (the “Missionary Period”,) about 184-men and women in twelve Companies served in Hawaiʻi to carry out the mission of the American Board of Commissioners for Foreign Missions (ABCFM) in the Hawaiian Islands.

The Prudential Committee of the ABCFM gave the following instructions to these missionaries: “Your mission is a mission of mercy, and your work is to be wholly a labor of love. … Your views are not to be limited to a low, narrow scale, but you are to open your hearts wide, and set your marks high.”

“You are to aim at nothing short of covering these islands with fruitful fields, and pleasant dwellings and schools and churches, and of Christian civilization.” (The Friend) Reverend John S Emerson and his new bride Ursula Sophia Newell Emerson were part of the Fifth Company of missionaries.

Emerson was born December 28, 1800 in Chester, New Hampshire; he descended from a branch of the Emerson family emigrating from England and settling in Haverhill, Massachusetts, in 1652. Emerson left home at the age of 15 and started his studies preparing for college, and subsequently graduated from Dartmouth College, Hanover, New Hampshire, in 1826.

After graduating, like so many of the Alumni of American colleges, he became a teacher before entering upon his theological studies. These were pursued for three years at Andover, where he graduated in 1830. He anticipated becoming a missionary in India, but, yielded to a special call from the Sandwich Islands.

He married Ursula on October 25, 1831 in the old parsonage of Nelson, among the New Hampshire hills, where her father, Rev. Gad Newell, was the pastor from 1794 to 1859. They left for the Islands a month after their wedding (November 20, 1831) and spent almost six months on board ship – arriving in the Islands May 17, 1832.

“Very soon after his arrival the ‘general meeting’ of the Mission assigned Mr and Mrs Emerson, to the station of Waialua, on Oʻahu.” (The Friend, April 1867) Waialua stretched along the coast for 30-miles with a population of 8,000. They sailed from Honolulu on a small schooner to get there.

On July 24, 1832 they formed the Congregational Church at Waialua, Oahu’s second oldest Hawaiian church. The first facility (first of four) was a hale pili (thatched house,) dedicated on September 25, 1832 (it was situated at what is today the site of Haleʻiwa Joe’s on the corner of Kamehameha Highway and Haleʻiwa Road.)

“From the commencement of his labors at Waialua, he endeavored to interest his people in the diligent reading and study of the Bible. He had so arranged the reading of the Bible, that his people were accustomed to read the entire Bible through once in about three years.”

“In the daily morning prayer-meeting which has been kept up for many years, at the church, and which he usually attended, he would read and comment on the chapters for the day. We recollect, some months ago to have asked an old Hawaiian, belonging to the Waialua church, how many times he had read the Bible through. His reply was “eiwa” (nine!)” (The Friend, April 1867)

The government selected a spot for a second church to replace the first one. An adobe building, about 100-feet by about 50-feet was built around 1840-1841 on what is now the cemetery area of the present church property.

Emerson served the Church until 1842 when he took a position as professor at the Lahainaluna Seminary on Maui, and also served as pastor of the Church at Kāʻanapali. He published five volumes of elementary works, three of them in the Hawaiian language, and, while at Lahainaluna, was joint author, with Rev. Artemas Bishop, of an “English Hawaiian Dictionary,” based on Webster’s abridgment (Lahainaluna, 1845.) He later returned to Waialua and served the congregation until 1846.

Service to the people was equally shared by Ursula. “We are also much impressed by the well-drawn character of Ursula Newell Emerson, whose lovable personality, together with her bountiful, untiring hospitality, is a treasured memory in Hawaiʻi. She nobly rounded out the work of her husband”. (The Friend, October 1928)

A third church was built of wood in 1890 on the present location and it was this building that Queen Liliʻuokalani worshipped in when she stayed at her beach home along the banks of the Anahulu River.

“Our famous clock was donated to the church by Queen Liliʻuokalani on January 1, 1892. The clock is 32 inches in diameter, with seven functions and hands, one (of) which made one revolution every 16 years!”

“The uniqueness of this one-of-a-kind clock, is that the numerals on the clock dial telling the time were replaced with the letters of L-I-L-I-U-O-K-A-L-A-N-I, the queen’s name.” (Church Moderator Kuulei Kaio, Star-Bulletin)

The present church building was built after the wooden one was declared unsafe. In 1960, the fourth (and present) church made of cement was started. This new building was dedicated on June 11, 1961. (Later renovations were completed in 1985.)

Theodore Alameda Vierra was the architect for the present church. He was born on the Big Island in 1902 to an Azorean born Portuguese father and Hawaiian-Scottish mother. He graduated from Kamehameha Schools as president of his class in 1919, graduated from college in San Francisco and later won a scholarship to Harvard University School of Architecture. Vierra was the first native Hawaiian to be admitted to the American Institute of Architecture. (HHF)

The weather vane at the top of the church steeple is in the form of an ʻIwa bird (frigate) in full flight with a fish in its mouth. Haleʻiwa was the name of the seminary that the Emersons established in the area and the village was eventually named Haleʻiwa (house of the ʻIwa bird.)

ʻIwa is also the name of a slender leafed fern and there are 2 of these leaves at base of the vane. The religious connotation is brought together with the fish in its mouth. “Follow me and I will make you fishers of men. The Kingdom of Heaven is like a net that was cast into the sea gathered many kinds.” (Lots of information here from the Church website.)

February 16, 2025 by Peter T Young Leave a Comment

Pāhonu

Honu neʻe pū ka ʻāina
The land moves like the turtle.
(Land passes slowly but inexorably from owner to heir.)
(Pukui)

From its earliest period of occupation, the Waimānalo Bay region was an extensive agricultural area, featuring taro farms that used the traditional Hawaiian loʻi (pondfield) cultivation system.

Taro was grown in the lowlands, irrigated with water from Waimānalo Stream, as well as on terraced sections that were watered by the small streams and springs flowing out of the Koʻolau Range.

These terraced sections extended for nearly 2-miles in a semicircle at the foot of the mountains around the broad base of the Waimānalo valley. By the 1850s, the area’s fertile soil provided not only taro but also breadfruit, mountain apple, kukui and coconut trees, sweet potatoes and sugar cane. (NPS)

In addition to the agrarian-based economy, several fishing villages dotted the bay’s shoreline. Two of the best-known villages in the area were Kaupō and Kukui. Kaupō was on a small peninsula opposite Mānana Island (Rabbit Island) and just northwest of Makapuʻu Beach Park (where Sea Life Park is located.)

The village may have been depopulated during the early-1800s and probably was repopulated during the early-1850s when a disastrous smallpox epidemic struck Honolulu and Hawaiians settled temporarily in the Waimānalo Bay region to escape its ravages.

The small fishing village of Kukui was further northwest, along the bay in the Kaiona Beach vicinity near Pāhonu Pond (‘Turtle enclosure’) – a prehistoric walled enclosure where it is said that turtles were kept for the use of Hawaiian chieftains. (NPS)

Before we go there, let’s look at some findings of Dr Marion Kelly where she speaks of three main technological advances resulting in food production intensification in pre-contact Hawai‘i: (a) walled fishponds, (b) terraced pondfields with their irrigation systems and (c) systematic dry-land field cultivation organized by vegetation zones.

The Hawaiian walled fishpond stands as a technological achievement unmatched elsewhere in island Oceania. Hawaiians built rock-walled enclosures in near shore waters, to raise fish for their communities and families. It is believed these were first built around the fifteenth-century.

The general term for a fishpond is loko (pond), or more specifically, loko iʻa (fishpond). Loko iʻa were used for the fattening and storing of fish for food and also as a source for kapu (forbidden) fish.

Samuel Kamakau points out that “one can see that they were built as government projects by chiefs, for it was a very big task to build one, (and) commoners could not have done it (singly, or without co-ordination.)” Chiefs had the power to command a labor force large enough to transport the tons of rock required and to construct such great walls.

The fishponds just described refer to aquaculture to grow fish – they were found throughout the Islands; however, at Waimānalo, Oʻahu, the only remaining aquaculture of green sea turtle known to have been carried out by the early-Hawaiians involved a coastal pond named Pāhonu that was used to maintain turtles until they were ready to be eaten. (NOAA)

The green sea turtle is the principal marine turtle species in the Hawaiian Islands. Common names used in the Hawaiian Archipelago include honu, green turtle and green sea turtle. They are herbivorous, feeding primarily on seagrasses and algae. This diet is thought to give them greenish-colored fat, from which they take their name. (NOAA)

In Hawaiʻi, as throughout Polynesia and other islands in the pacific, sea turtles have always been a traditional part of the local culture and have historically been revered as special and sacred beings. (Luna)

“There was once a chief who was so fond of turtle meat that he ordered a sea wall be built to keep captured turtles from escaping. Every turtle caught by a fisherman was put into this enclosure. No one else was allowed to partake of turtle meat under penalty of death. No one dared to eat turtle as long as the old chief lived.” (Pukui; Maly)

Kikuchi in his “Hawaiian Aquaculture Systems,” notes that “An early visitor to Waikiki area remarked that the ruling chief of Oʻahu, Kahekili, ‘mentioned also some others where he had a quantity of turtle.’”

“… We walked back to Mr. Castle’s house, where we sat on a long bench outside, facing the sea. There Aiona told me the story of Pa-honu, an enclosure for turtles that was once located back of Mrs. Wall’s present home.” (Pukui; Maly)

Pāhonu, the offshore pond (500 feet long, 50 feet wide,) is just south of Kaiona Beach Park fronting the shoreline; a line of stones, submerged at high tide, but visible at low tide, notes its location. (Pukui)

Kaiona Beach Park, a small four-acre park at the south end of Waimānalo Bay, is a popular camping site that has also been used for many years as a community boat anchorage.

In 1998, residents of Waimānalo built a boat ramp in the south end of the park, the only paved ramp in Waimānalo. They also placed a monument to Hawaiian fishers from their community near the ramp. Kaiona means “attractive sea. (Clark)

The beachfront residence named Pāhonu inland of the pond was used from 1980 to 1988 as the base of operations for the popular television series, Magnum PI. A surf site borders a small channel through the reef and is also known as Magnums. (Ulukau) The ‘Magnum’ house has been removed and other houses are it its place.

Next to Pāhonu is Kaʻakaupapa (shallows at the right.) The old saying of this place was, “Papa ke kānaka, papa nā mea a pau”—“Multitudes of people, multitudes of gods, all in multitudes.” (Aiona, Informant, Sept. 14, 1939; Cultural Surveys)

Nearby is the Shriners Club, a private clubhouse that opened on April 20, 1931. Popularly known as Shriners Beach, it is used for a wide variety of events, including wedding receptions, birthday parties and other social gatherings. (Clark)

The green turtle is listed as endangered by the International Union for the Conservation of Nature. In 1978, the Hawaiian population of the green turtle was listed as threatened under the U.S. Endangered Species Act of 1973. NOAA Fisheries and the U.S. Fish and Wildlife Service (USFWS) have joint jurisdiction for green sea turtles.

State and Federal laws prohibit harassing, harming, killing, or keeping sea turtles in captivity without a permit allowing these activities for research or educational purposes. Divers should be aware that riding turtles is illegal and puts these animals under stress.

February 15, 2025 by Peter T Young Leave a Comment

‘Him of the Low, Sweet Voice’

Failing health for some months past made it seem advisable that King Kalākaua should seek to regain it by a voyage to the more bracing climate of California, and inspired with this hope, he left his kingdom in November last (1890.) The voyage and change of circumstances at first seemed to benefit him. (Privy Council)

“The United States steamer Charleston, with King Kalākaua, of Hawaii, on board, entered the harbor at 11 o’clock this morning. Colonel McFarlane, chamberlain to King Kalākaua, stated that the king visited California for the benefit of his health and eyesight, which is somewhat impaired.”

“The king would probably remain in California five or six weeks, and during that period would visit the southern part of the state, but would not go east. The king is accompanied only by Colonel McFarlane and a few servants.” (Los Angeles Herald, December 5, 1890)

“King Kalākaua left the Charleston in the Admiral’s barge late this afternoon, and a few minutes later arrived at the Clay-street wharf.”

“Great crowds of people surrounded the landing-place, and as the King left the barge he bowed right and left in acknowledgment of the cheers which were given by the spectators.”

“King Kalākaua immediately entered a carriage, drawn by four horses, and was driven to the Palace Hotel, where a reception was given him, which was attended by Governor Waterman, Mayor Pond, representatives of the commercial organizations, and a number of prominent citizens.” (Sacramento Daily Union, December 5, 1890)

On December 18, the Daily Alta California announced that local favorites from San Francisco and Oakland would be competing in the baseball game, which would be held December 20 at the Haight Street grounds, where the bleachers could seat 14,000 fans.

“His Royal Highness King Kalākaua has promised to be present, which in itself should insure the presence of a large gathering, as the King has not shown himself to the multitude since his arrival on these shores.” (Daily Alta, December 18, 1890) That Saturday turned out to be a beautiful sunny day.

The Haight Street grounds’ park band escorted the two teams, the All-Californians and the Picked Nine, from the clubhouse around the grandstand and bleachers. The bench of the Picked Nine was draped with the American flag, while that of the All-Californians displayed the Hawaiian colors.

The king and his party arrived at 2:15 pm. The band played ‘Hawaii Ponoʻi’ and the game began. Despite a triple by Picked Nine right fielder Ebright, the All-Californians won 12-8. The king did not stay for the whole game. He was a sick man suffering from kidney disease. (San Jose Mercury News)

Then, the sad news …

“The announcement yesterday of the death of King Kalākaua fell like a clap of thunder from the skies. Although we all knew that he was not a well man when he left here and that he had in his system a most insidious disease …”

“… yet the reports of the decided improvement in his health from the voyage over and the bracing climate of California deceived us as to his frail hold on life.” (Pacific Commercial Advertiser, January 30, 1891)

“He passed away at exactly 2:35 pm of Tuesday, January 20, 1891, and there were present at his bedside, on the right of His Majesty, Rev. J. Sanders Reed, Col. Macfarlane, and Admiral Brown; on the left Col. Baker, Kalua, and Kahikina …”

“… and at the foot of the bed Consul McKinley, Mrs. Swan, and Fleet Surgeon Woods. Grouped around were Lieut Dyer, Hon. CR. Bishop, Mr Godfrey Rhodes, Judge Hart, Senator GE Whitney, Mrs. McKinley, Mrs. Price, Mrs Reed, and the Hon Claus Spreckels.”

His body was returned to the Island on the USS Charleston …

“The sad duty of taking care of the remains and bringing them to the kingdom devolved on Admiral Brown, who was especially delegated by President Harrison to take the tidings of the monarch’s sudden decease to his beloved subjects.” (Pacific Commercial Advertiser, January 30, 1891)

“At 8:15 am yesterday the Diamond Head telephone announced the arrival of the USS Charleston, Admiral Brown, off Coco Head, with the American and Hawaiian flags at half mast. Half an hour later, the ship appeared off the harbor, dressed in mourning.” (Pacific Commercial Advertiser, January 30, 1891)

“The reign of our departed King was memorable as an era of remarkable and increasing prosperity. In the seventeen years of his reign, now closed, this nation has made rapid strides in its material industries, education, and the arts of civilization.”

“But death comes alike to King and Commoner, and the seventh Sovereign of Hawaii is gone to join the roll of the illustrious dead. We humbly bow to the Will of God.” (Privy Council)

“When the widowed Queen, Kapiʻolani, took leave of the American officers who had brought the body to its native land, she was much touched by the remark of Admiral Brown that he could never forget the musical beauty of the late King’s voice.”

“With the poetic fancy innate in all Hawaiians, she replied, ‘From henceforth, when you think of him, call him not Kalākaua, but say ‘him of the low, sweet voice.’”

“Kalākaua I was buried with great state on February 15th, 1891, another guest in that mausoleum which is so fast filling with the mortal remains of Hawaiian royalty. His sister Liliʻuokalani reigns in his stead, and follows worthily the best traditions of sovereignty, inspired doubtless by what she saw when in 1887 she was present at the Jubilee of our own gracious Queen.” (Gowen)

Body of Kalakaua lying in state-PP-25-6-008-00001

Funeral of King Kalakaua, February 15, 1891. The photo was taken at the corner of King and Fort streets

Funeral procession of Kalakaua passing along King Street between Fort and Bethel

Kalakaua Funeral-Iolani_Palace-PP-25-6-011-00001

King Kalakaua on USS Charleston from Honolulu to San Francisco seeking health-Nov 28 1890

Landing_of_Kalakaua's_body_from_the_USS_Charleston-Jan_29,_1891

Mourners crowded at King Kalakaua's funeral at Mauna Ala

Public mourners crowded at King Kalakaua's funeral at Mauna Ala-PP-25-6-006

February 12, 2025 by Peter T Young Leave a Comment

Keliʻiponi

Although Kalākaua had been elected and serving as King since 1874, upon returning from a trip around the world, in 1883, it was determined that Hawaiʻi’s King should also be properly crowned.

“ʻIolani Palace, the new building of that name, had been completed the previous year, and a large pavilion had been erected immediately in front of it for the celebration of the coronation. This was exclusively for the accommodation of the royal family …”

“… but there was adjacent thereto a sort of amphitheatre, capable of holding ten thousand persons, intended for the occupation of the people.” (Liliʻuokalani)

The design of the pavilion and amphitheater was entrusted to Messrs. Buchman and Rupprecht, two artists who had recently arrived in the Islands. The whole thing was considered the “finest specimen of this kind of work that has ever been produced in Honolulu.” (HABS)

“On Monday, 12th February, the imposing ceremony of the Coronation of their Majesties the King and Queen of the Hawaiian Islands took place at ʻIolani Palace.”

“Like a mechanical transformation scene to take place at an appointed minute, so did the sun burst forth as the clock struck twelve, and immediately after their Majesties had been crowned.” (Pacific Commercial Advertiser, February 17, 1883)

“Prince Kawānanakoa presented the Crowns; the President of the Legislative Assembly then took the King’s Crown and raised It up before the people and placed it in the hands of the Chancellor, saying: ‘I present this Crown to the rightful King of these Islands, approved by Acts of the Legislative Assembly in the Legislature of the Kingdom assembled of the years 1880 and 1882.’”

“The Chancellor then placed it in the King’s hands, saying this Crown of pure gold to adorn the high station wherein thou hast been placed. The King then raised up the Crown and placed it upon his head.”

“The Chancellor then took the second Crown and placed it in the King’s hands, who rose and placed it upon the Queen’s head who reverently bowed her head on receiving it, the King saying” ‘I place this Crown upon your head, to share the honors of my throne.’”

“His Majesty wore the white uniform of the Guards, with a white helmet, and plume of white, red, and blue. He wore the Grand Cordon, Star and Collar of the Order of Kamehameha I; the Star of the Imperial Order of the Chrysanthemum of Japan; the Star of the Order Michael and St. George of England; the Star of the Order of Conception of Portugal and the Star of the Order of Hawaiʻi.”

“The sword of State placed in the King’s hands as the ensign of Justice and Mercy, is an exact counterpart of that of England. It has a straight blade, of fine Damascus steel inlaid in gold with the Hawaiian coat of arms surmounted by the crown and bearing the motto of the realm.“

“A Coronation Pavilion (Keliʻiponi) for King Kalākaua had been constructed for the ceremonies; the pavilion was surrounded by a spacious Amphitheatre for the accommodation of the spectators of the ceremony. The outer walls were adorned with the armorial bearings of Spain, Portugal, Belgium, Great Britain, France, Peru, Hawaiʻi, Chile, Japan, China, Norway and Sweden.”

“In addition to the 4,000 people that were comfortably seated within the Amphitheatre and on the platform, there were crowds of spectators extending to the Palace gates on either side, principally Hawaiians.”

On the outside of the octagonal Pavilion, each of the eight uprights supporting the roof are ornamented with shields emblazoned on them, representing Russia, Netherlands, United States, Hawaii, Germany, Austria, Italy and Holland. (Pacific Commercial Advertiser, February 17, 1883)

“The dome of the building … was ornamented on each of the eight sides with colored shields displaying the coats-of-arms of one of each of the eight great nations of the world, America occupying the central position, Great Britain to right of centre, Germany to left of centre, the others on the panelled fronts prepared on the remaining five sides.”

“Flags of the different nations surmounted the shields the whole being surrounded with wreaths and circles of the native leaves.” (Hawaiian Gazette, February 14, 1883)

The Pavilion (approximately 25-feet in diameter) was about 50-feet from the stairway to the Palace and was connected to it by a platform; on the interior, each of the eight sides bore the name of one of the respective Kings of Hawaiʻi, from Kamehameha I to Kalākaua, painted in gold letters. (HABS)

“(O)n the veranda of the palace on the one side were seated the officers of the vessels of war in the port, and on the other persons of rank or position who had not been otherwise assigned to stations.” (Liliʻuokalani)

Following the coronation festivities, “The Pavilion in which His Majesty was crowned has been moved to the west side of the Palace, and now stands as a permanent ornament to the grounds.” (Pacific Commercial Advertiser, April 21, 1883)

Three years later, in November 1886, Kalākaua threw another large celebration in honor of his fiftieth birthday, and the Jubilee activities included the usual lūʻau, hula and a grand ball. The Royal Hawaiian Band played from the pavilion. (HABS)