Pua Akala | Images of Old Hawaiʻi

Hawaiian bogs occur primarily in montane zones as isolated small patches on flat or gently sloping topography in high rainfall areas in cloud forests and other wet forests on all of the high islands between 3,500-5,500 feet elevation.

These bogs also occur in the subalpine zone at 7,446 feet elevation on Maui, and as a low-elevation bog at 2,120 fee) on Kauai. Soils remain saturated on a shallow to deep layer of peat, underlain by an impervious basal clay layer that impedes drainage.

Two bogs are believed to have formed in former small lakes, one along the Wailuku River, Hawai‘i (Treeless bog), the other the subalpine bog on East Maui (Flat Top bog). The low-elevation bog on Kauai occurs on shallow, poorly drained acidic peat. (NatureServe Explorer)

The Treeless Bog was a large, open bog that lacked woody vegetation. Annual precipitation in this part of the island ranges from approximately 100-200 inches per year, but we had no rainfall data for the individual sites. (Wakeley, 1994)

All of the following is a description crossing the bog by Wm E. Oleson (with D Howard Hitchcock), October 20, 1884, as noted in the Guest Book from Pua Akala, typed by June Humme …

I left Hilo for the purpose of exploring the bed of the Wailuku, and for a tramp for health reasons.

Rode on ‘Grit’ from Hilo to Fuka Maui falls, sending the horse back to Hilo, and starting from that point on foot with four strong school boys, Kapewa from Waipio, Aina from Kohala, Haalilio from Waimanu, and Sidney Smith from Kaawaloa.

We packed our food and clothing on our backs. At noon we struck a trail into the woods above the point where the ‘56 lava stream came into the river, and after walking an hour or more, came to what I suppose was the Honolii stream.

We worked up-stream with great difficulty, water very deep, banks very high, and the land on both sides quite swampy.

At last we left the stream and followed my pocket compass in a southerly direction right through the swamp. Night came on with us when in the boggiest place and we camped under the lee of a fallen tree.

It had rained all the afternoon and we hadn’t a dry thing in the company. After vainly trying to light a fire, using up all but three matches, we crouched down in the rain and cold with a vivid realization that we were out on a tramp.

Next morning early we kept on through the swamp and in half an hour came to the Wailuku. If I were an Englishman I would say that the swamp is the ‘nastiest’ place on Hawaii.

It is like a jungle, and one feels that it takes about a minute a step to get through the tangle of ie ie and to pull one’s feet out of the bog.

If one wants to find out what a victory of mind over matter is, he can find no better proof at the adage is true and in what sense it is true, than by an hour’s pull through this miserable swamp.

We stripped and partially dried our clothes on the rocks of the Wailuku, and at about eight oclock started up river with new courage and an emphatic purpose not to leave the stream to follow the most inviting trail.

At night we made a fern hut and then took our three matches and stood around to see what the result would be of their lighting. No, 1 lighted but burned out before igniting the dry fern leaves. No. 2 wouldn’t light at all. No. 3 made a sickly sputter, and then went out.

We turned in, with wet clothes again, but with the mountain wind blowing right at us, so that this second night was not exactly like unto the first! To cap the climax it poured torrents all night long, and we huddled up like frogs, each in his own pool, and waited for the day.

In the morning we wrung about a bucket of water out of each blanket, and something less from each garment, and shivering and rheumatic we started again for the source of the river. We did some famous climbing, hanging by finger-nails over undesirable places, and ’chinning’ it in one especially difficult place.

Garments failed to stand the strain of so much soaking, and stretching, and gradually separated, so that on finally reaching the edge of the woods, and the source of the river, we felt quite unpresentable.

Three of us went to work on a hut for the night’s camping, getting wood for our fire and grass for our bedding, while the other two went on to Puakala for matches and a supply of edibles, ours having suffered from being too much diluted.

It was not long before Mr. Edw. Hitchcock with extra mules came over and took our entire party to Puakala, for the first time in three days showing us a bright fire and giving us the luxury of dry clothes.

There are occasions when a man doesn’t care whether his clothes and slippers were made for another man, and this was such an occasion.

I am profoundly thankful that inasmuch as there is a Wailuku river and an adjoining swamp, there is also such a hospitable home as Puakala, and such good Samaritans as the Hitchcocks. The original Samaritan just happened across the needy man in the parable, but this Hitchcock Samaritan came out with horses to search for the needy ones.

One thing I want to caution all hapless travelers through the swamp against, and that is, don’t let the host roast you out with his rousing fires, when once you reach Puakala.

The contrast is too overcoming, and after such an experience one needs to get used to fires, as the starving man does to food before he can get back to his normal condition of enduring ordinary supplies of each.

My impressions are that there is such a thing as the Wailuku River, and that it has one source about a mile to the southwest of Puakala, that it has some three or four other sources to the south extending as far as Hale Aloha …

… but that I shall probably never trace any of the other sources unless I get a government appointment and can afford to do the job by proxy. (Wm E. Oleson with D Howard Hitchcock, October 20, 1884, as noted in the Guest Book from Pua Akala, typed by June Humme)

The Polynesian settlers of Hawai‘i brought with them their primary plants used for food and other uses, and four animals, the moa (chicken), ‘īlio (dog), pua‘a (pig), and, inadvertently, the ‘iole (rat). The first three animals were the primary meat of the Hawaiians.

It wasn’t until the arrival of Captain Vancouver in 1793 that cattle were introduced to Hawai‘i. Vancouver dropped one bull and one cow at Kawaihae, and took the remaining five cows to Kealakekua as a gift for King Kamehameha I. The bull died, so it was lucky that a year later Captain Vancouver returned with more cattle, four bulls and eight cows.

A 10 year kapu (taboo) was placed on introduced cattle to feed on the rich green grasslands of Hawai‘i Island. These first cattle, or bullocks, were longhorn cattle and soon grew very wild. The first “ranchers” were bullock hunters, who rode to the uplands of Mauna Kea to shoot cattle or trap them in pits. (DLNR) The meat was used for food and the hides for export.

By the 1820s, there were as many as 30,000 head of cattle on the islands. Historically, agriculture has played a large role in the economy of the island, and the Islands as a whole. During the 19th and 20th centuries, the main industries were sugar cultivation and cattle ranching. (FWS)

As early as 1831, portions of the land on the slopes of Mauna Kea and neighboring forest lands were being worked by Daniel Castle; and, later, by the Castle and Hitchcock brothers for lumber milling and bullock hunting operations. (Kumu Pono)

The Hitchcock brothers, David Howard Hitchcock and Edward Griffin Hitchcock, were the sons of Harvey Rexford and Rebecca (Howard) Hitchcock, American Protestant missionaries who arrived with the 5^th Company of ABCFM missionaries.

In 1875, the Hitchcock brothers purchased the ‘O‘ōkala sugar plantation. In addition, DH Hitchcock was a land surveyor whose work focused not only on parcels of land being sold, but also on land divisions.

In 1883, the Hitchcock brothers built a house at Puakala at the upper boundary of the ahupua‘a, described as being “heavily timbered with ohia, koa, and other Hawaiian woods. Wild cattle and hogs abound in the upper woods”. (Tuggle)

“The house is built almost entirely of Koa sawed in the neighborhood … it was put up by Messrs. Devereaux and Tenny, and was finished in July”. (Pua ‘Ākala Guest Book, Oct 16, 1883)

“But Puakala – what of that? It is situated in the hollow of an amphi-theatre of hills. The hills to the west are mostly barren of trees, but well covered … Puaakala grows the finest of koa wood found on the islands. It is far handsomer than mahogany, some of it beautifully dark, some knotted and some curly.”

“The cattle are fast destroying the koa trees with other trees of the original forests … Of this wood, then, the house is built. The boards were sawed by hand and excellently well done, straight and true.”

“There has been no attempt at planing the lumber except for the doors, and this little handwork sends the polish out and shows the hard smooth grain of the wood. The wide boards are battened to keep out the cold, but cracks enough are left to keep the air always fresh and sweet.”

“At one end of the living-room is a capacious stone fire-place 3 x 4 feet. The opposite end of the building is divided into two sleeping rooms.”

“But the sleeping capacity of the house is not limited to these two bed-rooms, for there is an attic and the living room has lounges and a cot-bed to be used in emergencies. In the fire-place a fire is kept burning day and night.” (Paradise of the Pacific, January 1890)

The private koa-plank cabin known as Pua ‘Ākala (also referred to as Puakala) was used as an aristocratic hunting retreat. (Mills) The cabin was in the area known as Puakala or Kapuakala, a place at the upper edge of Papa‘ikou and is also the name of a watercourse in the area. The Hitchcock family mountain home eventually became known as Pua ‘Ākala Ranch. (Tuggle)

When staying at their mountain home at Pua ‘Ākala, the Hitchcocks hunted wild cattle and pigs, and “the occasional bills of fare written in the [guest] book by appreciative guests always included roast beef, usually pork as well”. (Tuggle)

As described by Kingdom land surveyor, ED Baldwin, “we … headed for Puu Oo, where we found the trail leading around the mountain towards Waimea, which we followed, reaching Puakala – Hitchcock’s mountain house – at five o’clock P.M.”

“This house is sixteen and a half miles in a direct line from Hilo, but about thirty-five by the trail. The Hitchcocks had kindly invited us to make this point our headquarters.”

“What a surprise it was to find, at this distance, such a large comfortable house, built of solid koa, all of which had been sawed out by hand! It was surely mountain luxury to lay off in comfortable rocking chairs before the large, open, old-fashioned fireplace. The elevation at this point is 6,325 feet. …”

“We lived high and well at Puakala; neither did our six cooks spoil the broth; but a specialty from each one helped to swell the bill of fare each meal. One made such fine biscuit, another such soup, another veal pies, another oyster fritters, and another still hit the climax by making akala (wild raspberry) pies.” (Baldwin, Kumupono)

An 1887 entry in the guest book of their mountain house recounts: “A series of hunts ⎯ all successful ⎯ gave the usual spice to the stay here of a short nine days.”

“No thrilling encounters with wild bulls this time but several racy runs after cattle resulted in a total of four bulls, three cows, three yearlings, killed ⎯ two heifers and two small bulls captured ⎯ (one since escaped) with a boar or lean sow shot here and there.” (D Howard Hitchcock, Tuggle)

By the end of the century, there were at least two major ranches in the upper Hakalau Forest area. Kukaiau Ranch was started by Charles Notley in 1887 and was shortly thereafter sold to John M. Horner. By 1929, it covered 35,000 acres between 2,300 to 7,600 feet.

The other ranch was Pu‘u ‘Ō‘ō Ranch, which covered 23,000 acres between 5,000 to 6,500 feet. John Baker started the ranch in 1896. (Tuggle)

In 1902, William ‘Willie’ Herbert Shipman secured leases on the lands of Pāpa‘ikou, Makahanaloa and other Hilo District lands, which were incorporated into the Pu‘u ‘Ō‘ō ranching operation. (Kumu Pono)

WH Shipman was born on December 17, 1854, at Lahaina, Maui to William Cornelius Shipman and Jane Stobie Shipman. Willie’s parents had signed up as missionaries destined for Micronesia. They stopped over at Lāhaina, Maui because his mother was due to deliver within 2 months. His parents then took a mission station in Kaʻū, Hawaiʻi, based in Waiʻōhinu.

In 1920, WH Shipman, leasing Pi‘ihonua and operating out of Pu‘u ‘Ō‘ō, extended his lease on Makahanaloa, and added the uplands of Pauka‘a and Pāpa‘ikou (the Pua‘ākala house and ranch of the Hitchcocks), to his Pu‘u ‘Ō‘ō Ranch operation. (Kumu Pono)

Pua ‘Ākala Ranch served as a satellite operation to Pu‘u ‘Ō‘ō Ranch. (Roy Shipman Blackshear, Tuggle) WH Shipman, Ltd sold its interest in the Pu‘u ‘Ō‘ō parcel in the 1970s. (Kumu Pono)

Pua ‘Ākala cabin and the surrounding property are now part of the Hakalau Forest National Wildlife Refuge. The Refuge notes “The cabin is well-suited as a location for interpreting the refuge’s forest resources and Hawaii’s unique history.”

“The cabin’s ties with the land survey and divisions, missionary families, politicians, hunting, Koa forests, birds of the forest, and current management strategies provides a wealth of interpretive materials. It is frequently visited by special use permit holders as they lead guided tours on the refuge.” (Messer)

David Howard (D Howard) Hitchcock, son of David Howard (David) Hitchcock and grandson of American missionaries, has ties to Pua ‘Ākala. He is perhaps one of the most important and loved artists from Hawaiʻi. Although born and raised in Hawaiʻi, he left the islands to study art in San Francisco and Paris.

Before his formal training abroad, Hitchcock was inspired by other Volcano School painters and was encouraged by Jules Tavernier to endeavor life as an artist. Hitchcock admits to following Tavernier and Joseph Strong around, ‘like a parasite.’ (NPS HAVO)

“Hitchcock was early hailed as ‘our island painter’ and his early canvases met an enthusiastic reception in Hilo and Honolulu. The Honolulu press commented on them at length. His early work, up to his European trip in 1890, shows great indebtedness to (Jules) Tavernier…” (Forbes)

He spoke fluent Hawaiian and traveled extensively throughout the islands, documenting the natural and cultural features in a sketch book and photographs, which he converted into paintings. During his long career he completed more than 1200 paintings, published 700 photographs. (Messer)

D Howard Hitchcock’s lasting mark at Pua ‘Ākala Ranch was a “charming study of akala berries” on a door which survives, well-preserved, in the possession of one of the Shipman descendants. (Roy Shipman Blackshear, Tuggle)

As described 1922 by Charmian London, wife of Jack London, “Puaakala, roofed in red corrugated iron, was otherwise even more picturesque, more hand-made in appearance than the PuuOO eyrie, even the washing-bowl and the bath-tub being dubbed out of koa. …”

“That night, when I shut the koa panel that was my bedroom door, I became aware that Gauguin had not been the only young painter who left his mark upon wood.”

“I found on the inner side an oil, manifestly not new, of a spray of akala berries and leaves. It had been done … by Howard Hitchcock, who has since attracted much attention by his fine canvases of Hawaii.” (Our Hawaii, London) (D Howard Hitchcock painted it on July 13, 1885.)

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