















by Peter T Young Leave a Comment
by Peter T Young Leave a Comment
“Fifty thousand years ago, a meteorite came crashing to Earth near what is now Winslow, Arizona, gouging a six-story-deep crater that is named for a Philadelphia mining engineer and Law School graduate, Daniel Barringer L’1882.” (University of Pennsylvania)
Daniel Moreau Barringer was born in Raleigh, North Carolina, May 25, 1860. “It is generally recognized that my father, Daniel Moreau Barringer, by proving that Coon Butte, as it was then known, was caused by a collision between the earth and a celestial body, founded that branch of meteoritics dealing with craters.” (Brandon Barringer)
The Barringer Crater Company, founded in 1903 is a family-owned enterprise dedicated to the preservation and promotion of the Barringer Meteorite Crater.
The company is now in the sixth generation and continues to promote Barringer’s pioneering research of the Crater, becoming the first scientifically proven meteorite impact crater on Earth. (Barringer Crater Company)
“The United States Geological Survey Bulletin 1220 lists 110 impact craters or suspects. Included in Category 6, “Structures for which more data are required for classification”, is “Ka-imu-hoku, Hawaii”. This listing is based on John Davis Buddhue’s (1947) note “A Possible Meteorite Crater in the Hawaiian Islands”. This, in turn, is based on Dr. Kenneth P. Emory’s (1924) references.”
Barringer’s son, Brandon, “met Dr. Emory at the Bishop Museum in Honolulu and learned from him that the names Ka-hoku-nui (The Large Star) and Ka-imuhoku (The Star Oven) were among a hundred or so given him by Mrs. Awila Shaw, a blind native who was over seventy at the time and who had moved to Lahaina on the island of Maui.”
“Dr. Emory had been told that Ka-imu-hoku (The Star Oven) got its name because it was “a place where the meteor fell” and “a pit in the sand where a meteor fell”, while Ka-hoku-nui (The Large Star) was so named because “a meteor fell nearby” (Buddhue 1947, Emory 1924).”
“His map locates them on a beach on the northeast shore of the island, some 500 and 200 yards respectively west of the delta of the stream issuing from the great Maunelai gorge.”
“We flew to Lanai from Honolulu on January 31, 1967, in a small single-engine Cessna of the Royal Hawaiian Air Service. The pilot flew low over the beach on which Ka-hoku-nui is located, and we could see no trace of a circular formation anywhere in the reported vicinity of Ka-imu-hoku.”
“Later, we drove near the beach on a good road and covered its three-fourths of a mile carefully on foot. At Ka-hoku-nui, which seems to refer to a point rather than to the whole beach, there is a large Geodetic Survey marker. Twenty to thirty yards behind the beach from this marker to beyond the mouth of the Halulu gorge, 500 yards to the west, there is a dirt road.”
“Through Mr. and Mrs. Wallace Au, who run the Lanai Inn where we spent the night, we talked to Mr. Susumu Nishimura, who came to the island in 1915 and heard many stories from a blind native lay preacher named Alika, who was also well over seventy then, but gave no such account.” (Barringer)
The 1923 Geological Survey Map (scale 1/62500, 50-ft contour intervals), the 1936 Geologic and Topographic map of Harold T. Stearns (1940) and a current road map all show Ka-hoku-nui at this spot, but none show Ka-imu-hoku or any feature where it was supposed to be.”
“A survey by air and on the ground revealed no depression at the place supposedly called Ka-imu-hoku, Hawaiian for “The Star Oven,” on the island of Lanai. It had been reported as a “pit in the sand” or “the place where a meteor fell.” Reasons are given for believing the name was based on native observation of a nineteenth-century fireball.” (Barringer)
“The fact that we found no meteoric material nor any sign of impact may not be conclusive. The fact that none was found in constructing this road directly through the supposed location of the ‘crater’ would seem at least very significant.”
“So is, I feel, the naming of the beach or point for a ‘large star’. A meteorite would hardly be associated with a star by the natives.”
“It seems likely that the locality and the imagined depression got their names from a fireball thought to have been seen to fall there in the nineteenth century, but which actually fell, if it reached the surface of the earth, scores of miles to the north in the Pacific Ocean.”
“Our hope of promoting this ‘crater’ from suspected to proven impact origin was obviously disappointed. On the contrary, it should, we feel, be eliminated from any list of suspects. (Barringer)
But is that the end of the story?
Consider this … “Some say that should a person die and is buried at the edge of a river, or a spring, or a watercourse, then his soul will enter another body such as a shark’s, or an eel’s, or any other living body of the sea.”
“Those that are buried by a body of fresh water will enter that stream and become a large okuhekuhe or tailed-lizard; and if buried on dry land, then they will enter the body of an owl, and such like.”
“These things which are entered by the souls of men become guides to their friends who are living. This is what the soul which has entered these things would do: It would proceed and enter his friend, and when it has possessed him, the soul would eat regular food until satisfied, then go back. And he would repeatedly do that.”
“And this friend, should he have any trouble on land, such as war, then the owl would lead him to a place of safety; and if in fresh water, the lizard and such like would keep him safe; and if the trouble is in the ocean, the shark and such like would care for him. This is one reason why a great many people are prohibited from eating many things.”
“Another thing: The soul also lives on a dry plain after the death of the body; and such places are called ka leina a ka uhane (the casting-off place of the soul). “
“This name applies to wherever in Hawaii nei people lived. Following are the places where the souls live … for the Lanai people, at Hokunui … All these places are known as the casting-off places of souls. Should a soul get to any of these places it will be impossible for it come back again.” (Fornander V)
And, more directly to the prospect of a crater (Kaimuhoku) at Kahokunui … “It is said in the traditions of these islands from before, that there were many people, and that there were many battles which destroyed them in those days. There was much destruction in the time of Kahekili, here on Oahu.”
“It was the battle called Poloku, of which it is said that the waters of Niuhelewai were clogged to the uplands because of the great numbers of people who died in the battle.”
“It is from the battle that the house of Kaualua at Moanalua was built the bones of the people were the posts of the house, and the fence around it was all bones. It was the same with the battle at lao Wailuku, that battle was called Kepaniwai as the waters of lao were clogged with the men killed there.”
“It was the same at Kahokunui on Lanai. The deep pit was filled with many men killed in the battle called Kalaehohoma …” (Maakuia, Kaopuaua, Honolulu Mar. 18. 1862. [Maly translator; Hanohano Lanai])
by Peter T Young Leave a Comment
“This is the place,” and joy seemed to fill all.
Elder Johnson then suggested that it should be called the Valley of Ephraim (a name that President Lewis had suggested to Brigham Young a few weeks before) and that the city be called Joseph. All agreed. (Britsch)
But we are getting ahead of ourselves, let’s step back.
In September 1850, Elder Charles C. Rich, one of the Church’s Twelve Apostles (the leading councils of the Church are the First Presidency and the Quorum of the Twelve Apostles), visited a group of Mormon gold miners who were working on the American River near Sacramento, California.
Rich suggested to them that it would be well for them to spend the winter, when mining had to stop, on missions to the Sandwich Islands (Hawaiʻi) because expenses were smaller in Honolulu than they were in the gold fields of California.
The next day eight miners were ordained to fill missions to Hawaiʻi, others were added and the whole group sailed for the islands. They arrived on December 12, 1850, the first group of Latter-day Saints missionaries to set foot on that land. (Britsch)
On October 17th, 1853, a special committee made a trip to Lānaʻi to inspect the ahupua‘a (native land division) of PāIāwai, which belonged to the chief Levi Ha‘alelea. On November 2nd, 1853, the committee reported back to Brigham Young in Utah, that:
“…They found the place well adapted in many respects for this purpose, the soil being good, the situation a central one and having ready intercourse with the two principal markets, Honolulu and Lahaina, and sufficiently isolated to be comparatively free from the surrounding evil influences…” (Maly)
In August 1854, Elder Ephraim Green (1807-1874), a Latter-day Saint missionary to Hawaiʻi, moved to Pālāwai Basin on Lānaʻi with the intention of establishing a new settlement. Ephraim Green described laying out the city on October 3, 1854 as follows:
“I tuck my cumpas and commenst to lay out a town at the fut of the mountain and laid out one stret runing south to the sea three mildes to a fine litle harbour whare we land out boats hear we intendt to build a (storehouse) to leave our produse. I then laid out three more streats thruing (turning) the town in to blocks fore acres each with the streats fore rods wide. This is a butiful location for a town.”
“This valley is supposed to be of sufficient altitude to admit the growth of wheat, corn, sweet potatoes; with many of the tropical fruits, and we hope that it will prove sufficiently moist to admit of the cultivation of the coffee and grape.” ((Lewis to Young; Britsch)
“We are situated on this Island, nearly two thousand feet above the level of the sea, in a beautiful valley containing three thousand acres of land. Here we catch the mountain breeze and the climate is beautiful and healthy. In many places in this country as high and alleviated as this, the rain makes it disagreeable. But here there is no inconvenience felt on that account. Only some times there is a lack for the want of it.” (Maly)
Over the next year the pioneers planted an amazing variety of seeds, slips, and starts. The list included wheat, oats, barley, grapes, sweet potatoes and Irish potatoes, beans of several kinds, peas, squash, pumpkins, bananas, corn, melons, peaches, plums, quinces, pears, tomatoes, cabbage, and “many kinds of garden seed.” (Britisch)
But, the weather, particularly the rainfall, had serious consequences – sometimes there was too much, most of the time there was too little. A spring was about 1-mile from where they lived and farmed.
“… there is not a single stream or spring in this district, and it is with much difficulty that the people manage to get enough drinking water. Sometimes they have brought water from Lāhainā, and lugged it four miles from the beach to their homes in Pālāwai valley.” (Gibson)
“The threatenings of war in Utah in 1857 induced every white Mormon Elder to return home. The native church was left to its own guidance.”
“The Utah Elders invariably told the natives that they did not come to establish themselves here, like the missionaries, but simply to teach them what they felt to be the truth, and then go their way to teach others.” (Gibson, Pacific Commercial Advertiser, October 24, 1861)
Walter Murray Gibson was sent on a mission by Brigham Young to the Far East and came to the Hawaiian Islands in 1861. He subsequently declared himself the “Chief President of the Islands of the Sea and of the Hawaiian Islands, for the Church of the Latter Day Saints.”
The Church sent a group to investigate Gibson’s activities. Upon arrival to the island of Lanai, Joseph F Smith described the situation as follows:
“We found that he had ordained twelve apostles. High priests, seventys, elders, bishops, and “priestesses of temples,” all of whom had to pay a certain sum corresponding to the various degrees of honor bestowed upon them….”
“Gibson had bought the district of Palawai (6,000 acres) by the donation of the Saints, assuring them he was doing it all for them for the Church. He persuaded them to give all they had to the Church and made it a test of fellowship….”
“Brothers Benson and Snow required him to sign the land over to the Church as it was deeded to him and his heirs. This he flatly refused to do informing them he should take his own course.”
Gibson was excommunicated from the Church, although he retained the land which was purchased under the auspices of the Church. (Mormon Sites)
In later years, Pālāwai Basin was planted in pineapple. In 2004, the Mormon Pacific Historical Society and the Mormon Historic Sites Foundation erected a monument to the Pālāwai Saints paying tribute to those early members who established the first gathering place for Mormons in Hawaiʻi.
by Peter T Young Leave a Comment
“The pineapple is quite beautiful as it grows. When it is little and you look down into it as I did into the corn when I painted it – it is very handsome – and later when it is big and has not turned ripe it is a wonderful green and purple sort of color – very beautiful among its foliage …” (Georgia O’Keeffe; Saville)
James Drummond Dole founded Hawaiian Pineapple Company in 1901. Within a few years pineapple production at Wahiawa had increased that Dole planned a cannery at Iwilei, near the shipping facilities of Honolulu Harbor.
Later (1922,) Dole bought the Island of Lānaʻi and transformed it into the largest pineapple plantation in the world, with 20,000 farmed acres and a planned plantation village to house more than a thousand workers and their families.
The ad agency for Dole was looking for something special for a national magazine advertising campaign; in exchange for an all-expense-paid trip, they asked Georgia O’Keeffe to submit two paintings from Hawai‘i. She was also free to paint for herself.
The second of seven children of Wisconsin dairy farmers, Georgia Totto O’Keeffe (November 15, 1887 – March 6, 1986) knew by age ten that she wanted to become an artist. In 1908, she won a prize for a still-life oil painting. After a short hiatus, she painted in earnest and in 1917 held her first solo show (organized by Alfred Stieglitz, her future husband.)
O’Keeffe became one of the greatest female artists of the 20th century. Best known for her still-life paintings, she painted natural settings at their most basic: large-scale flowers, bones and landscapes.
On January 30, 1939, O’Keeffe and Stieglitz headed to New York’s Grand Central Station to start the trip. Nine days later, she stepped off the Lurline, was draped with ʻilima and crown flower lei and found herself in the Islands. (Stelle)
She spent her first month in Hawai‘i on O‘ahu. After 2-weeks, she finally saw a pineapple field; it was “all sharp and silvery stretching for miles off to the beautiful irregular mountains. … I was astonished – it was so beautiful.” (O’Keeffe; Steele)
On March 10, she moved to Maui and ended up in Hāna. “This seems to be the best yet. The trip over by plane was fine – I will be off in the far away some where – but every one says is the good place. The flying was very good and I am fine – 9 in the morning on a new island seems good – Wish you could see it.” (Postcard, O’Keeffe to Stieglitz, March 10, 1939; Saville)
She was hosted by the Willis Jennings family (he was manager of the Hāna sugar plantation;) “You would laugh to see where I am now – almost at the end of the road on Maui – a little sugar plantation town – at the managers house – the only white family for 60 miles and it is different as the man in Honolulu told me it would be – The mans wife is not at home but his daughter is”. (Letter, O’Keeffe to Stieglitz, March 12, 1939; Saville)
Twelve-year-old Patricia Jennings became her companion and guide for the next ten days. “The road to Hāna was there, but not paved all the way. We always took a picnic lunch because you never knew how long it would take.” (Patricia Jennings; Tarleton)
O’Keeffe would drive the family car to favorite island sites with Patricia, then send the girl off to amuse herself while she painted. The one exception was when a sudden ‘Īao Valley shower made them retreat to the car. Patricia watched, without speaking, enthralled by the brush in her hand, the effortless glide of oil paints onto canvas. (Tarleton)
“It is hard to tell about the islands—the people have a kind of gentleness that isn’t usual on the mainland. I feel that my tempo must definitely change to put down anything of what is here—I don’t know whether I can or not—but it is certainly a different world—and I am glad I came.” (O’Keeffe to Stieglitz, March 12, 1939; Saville)
From Hāna she spent a few days in Wailuku, then, headed to Volcano on the Big Island. “We drove about hundred and 75 miles—part of it through as tropical woods as I have seen—about a third of it along the sea—then up to the top of the volcano where they left me at the (Volcano House) hotel – It was a good day” (O’Keeffe to Stieglitz, March 31, 1939; Saville)
“I didn’t care for that place. I don’t like steam coming out of the earth and holes in the road where the earth has opened up and not closed properly – and great bumps about a foot high where the pavement just rose up and didn’t go down.” (O’Keeffe to Stieglitz, March 31, 1939; Saville) She soon left the Volcano area and headed to the Kona Inn.
“I guess we did this area of the island pretty thoroughly – First we watched fishermen bringing in their net of fish in a little bay -what beautiful fish – every color and many queer shapes – very very beautiful color – the men swim and dive about – have quite a time gathering their net in.” (O’Keeffe to Stieglitz, April 3, 1939; Saville)
“All day I was driving over here (Hilo) from Kona Inn and it was a wonderful day – Warm and lovely and blue this morning – the loveliest part the Parker Ranch – quite like (New Mexico) but it is high and the lower part of the island – shore line and sea floating off in space like a map far below with no edge where it went off into the sky – sky became water and water became sky – and all so delicate and lovely – It was as beautiful as anything I’ve ever seen.” (O’Keeffe to Stieglitz, April 9, 1939; Saville)
She returned briefly to O‘ahu and sailed for California on the Matsonia on April 14. More than six months after her arrival in Hawaiʻi, O’Keeffe had produced 20-paintings, not one included a pineapple and she subsequently “submitted depictions of a papaya tree and the spiky blossom of a lobster’s claw heliconia” for the Dole ads.
Some creative ad copy featuring the heliconia noted, “Hospitable Hawaiʻi cannot send you its abundance of flowers or its sunshine. But it sends you something reminiscent of both – golden fragrant Dole Pineapple Juice”;– it ran nationally in Vogue and the Saturday Evening Post. (Yagi)
For the other ad, “(t)actful Art Director Charles Coiner,” as Time Magazine reported in 1940, “spouted to Painter O’Keeffe about the beauty of pineapples in bud, urg(ing) her to give the pineapple a break. He phoned Honolulu, had a budding plant put aboard the Clipper.”
“Thirty-six hours later the plant was delivered to the O’Keeffe studio in Manhattan. ‘It’s beautiful, I never knew that,’ exclaimed Artist O’Keeffe… She promptly painted it, and Dole got a pineapple picture after all.” (Yagi)
A year after her Hawaiʻi trip, in 1940, she bought a house at Ghost Ranch, in New Mexico. After Stieglitz died in 1946, she settled his estate and moved to New Mexico permanently. There in the wilderness and isolation she continued to paint, and she remained in New Mexico until her death at the age of 98. (Steele)
There is an interesting side note to this story; one day, I received an unrelated FB message asking about Willis Jennings (Patricia’s father.) Unrelated to that, earlier that same day, I received word that Patricia Jennings Morriss Caldwell had just passed away at the age of 87. Patricia Jennings is the mother of my HPA classmate, Lex Morriss.
by Peter T Young Leave a Comment
In ancient times, the windward coast of the island of Lānai was home to many native residents. Maunalei Valley had the only perennial stream on the island and a system of loʻi kalo (taro pond field terraces) supplied taro to the surrounding community.
Sheltered coves, fronted by a barrier reef, provided the residents with access to important fisheries, and allowed for the development of loko iʻa (fishponds), in which various species of fish were cultivated, and available to native tenants, even when the ocean was too rough for the canoes to venture out to sea. (Lānai Culture and Heritage Center)
There was once a time in the year 1900 when Keōmoku was the island’s population center, and over 1,000 workers flocked to the town to work in the area’s fledgling sugar plantation.
The plantation built a large community with houses, stores, an inn, a sugar mill and hospital. However, with inadequate finances and water shortages, the plantation failed and closed in March 1901.
In 1903, the Hawaiian families of Lānai joined an association of Hawaiian churches and began construction of a wooden church at Keōmoku. Dedicated on October 4, 1903, the full name of the church was “Ka Lanakila o ka Mālamalama Hoʻomana Naʻauao o Hawaii.”
Ka Lanakila services were performed solely in the Hawaiian language, and structured in three distinct Sunday services, Kula Euanelio, Hālāwai Haipule and Kula Sabati. Families arrived at church before 10 am and remained there through 1 pm.
Also in those early days, no work was allowed on Lāpule (Sunday), so families prepared all food the day prior to service, and then returned home for a quiet day of rest and reflection.
By 1930, the population of Keōmoku Village had mostly moved to the uplands with the development of more extensive ranching operations and the Dole Pineapple Plantation, though Ka Lanakila church remained in regular use until 1951, when Reverend Daniel Kaopuiki, Sr. and his wife, Hattie Kaenaokalani Kaopuiki relocated from Keōmoku to Lānai City.
The town faltered with the closing of the plantation, and in the 1950s the town’s last resident moved to Lānai City. The population of Lānai rapidly declined to around 125 individuals.
By 1954, Ka Lanakila was abandoned and decommissioned as a church, and the land was returned to the owner, the Hawaiian Pineapple Co. In the late 1980s, a restoration project was begun, and large sections of the church wood work were removed and replaced.
Unfortunately, the work was left incomplete, and over the next 20-plus years, siltation buried the footings of the church, and posts and piers below the church rotted. Framing, walls and roofing materials also rotted, and the floors began to sink.
Following lengthy discussions with elder Hawaiians of Lānai – to assess whether Ka Lanakila should be allowed to collapse or if it should be stabilized – it was decided that this historic feature should be cared for.
The Agape Foundation Charitable Trust and Office of Hawaiian Affairs provided major funding for the project, community members and state-wide partners offered support, and Castle & Cooke Resorts, LLC granted a right of entry agreement to the Lānai Culture & Heritage Center to undertake the stabilization work which was begun in October 2010.
While no longer considered a “formal” church by the elder Hawaiian members of Lānai’s community, the building continues to hold a special place in the hearts and minds of the people, who, since its closing in 1951, continued to make visits to Ka Lanakila Church and tried to care for the site.
Several of the Kūpuna (elders) and their ‘ohana (families) hope to once again hold an occasional service at Ka Lanakila, and encourage its respectful use for family gatherings and educational purposes. This historic wooden church is a connection with earlier time in Lānai’s history, and is the last physical structure of what was once the most significant settlement on the island.
The building is 24-feet wide by 40-feet long. Ka Lanakila Church is the last wooden structure existing in the former Keōmoku Village.
Hoʻomana Naʻauao o Hawaiʻi was the first independent Hawaiian Christian organization in the Islands; it was founded by John Kekipi in 1889.
He named his denomination “Hoʻomana Naʻauao,” which non-members translate as meaning “reasonable service.” Its mother church, Ke Alaula oka Mālamalama, is in Honolulu. (Lots of information here from Lānai Culture and Heritage Center; Maly.)