Images of Old Hawaiʻi

by Peter T Young 1 Comment

The Mess

Early Honolulu was not a city of Clubs; although residents of various nationalities had started several, their existence has not been of long duration. The British, Germans and Americans each had their respective club houses.

In 1852, the British first opened their “Mess” rooms (it was not called a “Club” back then;) it started in a one-story wooden building off of Maunakea street, which was reached by a lane leading to the rear of the premises known as Liberty Hall (also known as Bugle Alley.)

The original Mess consisted of fourteen members; they were Stephen Spencer, WA Cooper, SH Cooper, Robert Moffitt, Dr Richard H Smythe, James E Chapman, JK Dallison, William Webster, John Janion, Charles Gordon Hopkins, H Fosbrooke, James Almon and Thomas Harding.

William L Green was the head of the Mess; he was prominent in official, civic and social life, and was for a time acting British Commissioner and Consul General, and President of the Chamber of Commerce of Honolulu.

The Mess was what might have been termed “movable” property; about 2-years after its Maunakea Street location, it moved to an old building on Alakea Street, and moved again to a building on Adams Lane.

In 1861, the Mess moved from Adams Lane further up the road to a 2-story building (that had been originally built for a club house) facing on Union street.

Mess membership declined down to only 4 in 1865; through the persistent efforts of two of these four members, the Mess was kept together and in a few months later had regained its strength.

By July 1867, the Mess had more members and was renamed “The British Club.”  Member subscriptions were sought, so the club could purchase its own premises.

Fifteen members (some of Honolulu’s notables of the day) subscribed to the purchase fund: Stephen Spencer, Archibald S Cleghorn, H Prendergast, Robert Moffitt, J Bollman, Thomas Cummins, James I Dowsett, Wm L Green, John Ritson, HA Widemann, John Montgomery, Robert Stirling, John O Dominis, Dr FW Hutchinson and Dr Robert McKibbin.

A charter of incorporation under the name of “The British Club” was granted in 1879; charter members were Thomas Cummins, Henry May and Archibald S Cleghorn.

Club life in the earlier days was somewhat different to what it is now; the club house was used as a home where members spent their evenings in a social manner and receiving their friends.

This club has had the honor of entertaining several distinguished and prominent visitors during its existence; among them was the Duke of Edinburgh, who visited Hawaii in 1869.

Kings Kamehameha IV & V were frequent visitors to the club; Kalākaua and his brother Leleiōhoku, were reportedly members, as were members of the diplomatic corps.

At one time, a faction of Club members considered selling their property and leasing the “Paki” premises, formerly the home of Bernice Pauahi Bishop and Charles R Bishop (also known as the Arlington Hotel.)  The move was overruled.

Later, the Club purchased the former Cleghorn property on Emma Street (Princess Kaʻiulani, daughter of the Cleghorns, was born there in 1875.)  Another prior owner was James Campbell, who bought the home from the Cleghorns and lived there for a number of years.

The Club later merged with the University Club (1930.)  Organized in 1905, the University Club was an exclusive association that admitted members who had graduated from recognized Universities, including military academies.

The club was “an organization that would tend to cement the business interests of Hawaiʻi,” it soon evolved into a business center that provided meeting, reading, entertainment and dining room facilities to its members and to groups with business connections.  (ASCE)

In 1961, a new club house was built; it was designed by Vladimir Ossipoff (he received a Hawaiʻi Society AIA award for its design.)

To keep the Club going, while at the same time constructing the new structure, they built the new around the old (losing only one day of Club operations during the final construction/move.  The lawn and terrace mark where the old club house once stood.)

Starting as a Gentlemen’s club (for whites,) the racial policy was scrapped in 1968 (Philip Ching and Asa Akinaka joined the club;) in 1983 (under a threat of legislative action,) the Club voted to admit women (in 1984, Andrea L Simpson was the first woman member.)

Oh, in 1892, “British” in the club’s name was changed to “Pacific.” At that time, the older members of the club were outvoted by the newer and later members. (The members at the time of the renaming it “The Pacific Club” had representatives of several nationalities.)  The Pacific Club is the oldest organization of its kind in the United States west of the Mississippi River. (Lots of info here from Thrum.)

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Princess Kaʻiulani … Engaged?

On October 16, 1875, a child was born to Princess Likelike (the youngest sister of King Kalākaua) and Archibald Cleghorn.  The child, the only direct descendant of the Kalākaua dynasty, was named Victoria Kawekiu Kaʻiulani Lunalilo Kalaninui Ahilapalapa.

On March 9, 1891, Princess Kaʻiulani was duly appointed and proclaimed heir apparent to the Hawaiian throne.

Kaʻiulani inherited 10-acres of land in Waikīkī from her godmother, Princess Ruth Keʻelikōlani.  Originally called Auaukai, Kaʻiulani’s mother named it ʻĀinahau.

The family built a two-story home on the estate.  At first, the home was used only as a country estate, but Princess Kaʻiulani’s family loved it so much, it soon became their full time residence.  As many as fifty peacocks, favorites of the young Princess, were allowed to roam freely on the grounds.

At the age of 13, Princess Kaʻiulani sailed to Europe to begin her education abroad; she spent the next 8 years studying and traveling in Europe.

Reports and rumors of Kaʻiulani’s engagement to various men have been reported over the years.  It depends on whether you believe what you read in the newspapers or books – and which one you believe – to determine if the answer to the question posed in the title is true.

Clive Davies

Newspaper reports in 1893 noted Clive Davies and Kaʻiulani were engaged.  Clive Davies is the son of Theophilus Davies.  Not only was the senior Davies’ firm, Theo H Davies, one of the Hawaiʻi Big Five, he personally served as guardian to Princess Kaʻiulani while she was studying in England (Davies had a home in Nuʻuanu called “Craigside;” he had another home in England, “Sundown.”)

George Davies

Later, in 1897, newspaper accounts note George Davies, another son of Theo H Davies (Kaʻiulani guardian while she studied in England,) was engaged to the Princess.

David Kawānanakoa

A New York Times announcement in early 1898, stated, Prince David Laʻamea Kahalepouli Kinoiki Kawānanakoa (Koa) Piʻikoi, a descendant of the sister of Kalākaua’s wife, Queen Kapiʻolani, was engaged to marry Kaʻiulani – his cousin.

David was the first child of his father High Chief David Kahalepouli Piʻikoi, from Kauaʻi Island, and his mother Victoria Kūhiō Kinoiki Kekaulike.  His younger brothers were Edward Keliʻiahonui (Prince Edward) (1869–1887) and Jonah Kūhiō Kalanianaʻole (Prince Kūhiō) (1871–1922.)

Adding credibility to this announcement, reportedly, Queen Kapiʻolani gave Princess Kaʻiulani’s an engagement necklace in anticipation of the marriage between Kaʻiulani and Koa. It was originally a gift to Queen Kapiʻolani from King Kalākaua for their wedding anniversary.

Putnam Bradlee Strong

In late-summer 1898, newspaper reports stated Kaʻiulani was engaged to Captain Putman Strong, son of New York ex-Mayor Strong.

Andrew Adams

Later in 1898, reports suggested Kaʻiulani was engaged to Andrew Adams, son of a railroad engineer. He was previously a member of the staff of the Providence (Rhode Island) Journal and had moved to Hawaiʻi and worked at the Hawaiian Star in Honolulu.

James G Blain Jr.

An 1899 report has a cryptic reference that James Blain Jr was “at one time engaged to be married to Kaʻiulani”.  Somewhat surprising, since his father, James Blain, worked to bind the kingdom more closely to the US, suggesting Hawaiʻi should become an American protectorate.  Some suggest Blain was involved with the ultimate annexation of Hawaiʻi by the US.

International

German: Reportedly, in a letter to Queen Liliʻuokalani, Kaʻiulani wrote: “I could have married an enormously rich German Count, but I could not care for him. I feel it would be wrong if I married a man I did not love, I should be perfectly unhappy, and we should not agree, and instead of being an example to the married women of today, I should become like one of them, merely a woman of fashion and most likely a flirt. I hope I am not expressing myself too strongly but I feel I must speak out to you and there must be perfect confidence between you and me, dear Aunt.” (KaiulaniProject, June 22, 1894)

Japanese: King Kalākaua proposed a royal marriage to the throne of Japan. The proposal was a matrimonial relationship between Princess Kaʻiulani and a young Japanese Prince, Komatsu, during a private meeting. At that time, the offer was neither accepted nor rejected. Prince Komatsu himself had written King Kalākaua, formally thanking him but at the same time, stating that a marriage had already been arranged for him when he was very young. (ufl-edu)

Scottish:  Of course, there is one more lingering message from the rumor mill – folks still suggest there was something going on between Kaʻiulani and Robert Louis Stevenson.

Stevenson made several trips to the Kingdom of Hawaiʻi and became a good friend of King David Kalākaua, with whom Stevenson spent much time. Stevenson also became good friends with Kaʻiulani, also of Scottish heritage.

Historians have debated the true nature of their relationship as to whether or not they had romantic feelings for each other. Because of the age difference, such stories have often been discredited.  (Treasure Island – eBook)

Kaʻiulani never married.

While attending a wedding at Parker Ranch at Waimea on the Big Island, Kaʻiulani got caught in a cold Waimea rain while riding on horseback, she became ill; she and her family returned to O‘ahu.

Tragically, after a two-month illness, Kaʻiulani died at ʻĀinahau on March 6, 1899, at age 23.  It is said that the night she died, her peacocks screamed so loud that people could hear them miles away and knew that she had died.

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Kapa Moe

Hawaiian bark cloth was originally called kapa which literally translates to “the beaten thing.” Kapa was used for clothing, bed covers, items of trade and gift items, indicators of wealth and status and objects of ceremonial or religious events. (Romanchak)

Clothing consisted of three main items of apparel: the pāʻū or skirt for the women, the malo or loincloth for men and the Kihei or shawl for members of both sexes. (Romanchak)

Most kapa was made from the inner bark of the wauke plant (paper mulberry) because it made soft, white kapa. The bark is stripped, soaked, and then compressed into sheets with special patterned wooden beaters and finally dyed and decorated.

To make kapa, Hawaiian women used wooden mallets to pound the strips of bark together to form sheets of various sizes, textures, and thicknesses.

The kapa sheets were then decorated with stamps and painted with brushes made from the seed of the hala (pandanus) tree; kapa was colored by native dyes and decorated with block printing. (Arthur)

For bed covers, Hawaiian women made kapa moe consisting of five sheets of kapa. The top sheet was decorated, but the four sheets underneath were plain white kapa. The set of five sheets were sewn together on one side with thread made with strips of kapa. (Arthur)

The top layer was known as the kilohana, it was colored and decorated with pigments; the collective name for the inner kapa sheets was ‘iho.’ (Brigham) The loose-leaf design allowed the user to choose how many layers needed on a given night.

“(T)apa moe (sleeping cloth), made principally for the chiefs, who use it to wrap themselves in at night, while they sleep. It is generally three or four yards square, very thick, being formed of several layers of common tapa, cemented with gum, and beaten with a grooved mallet till they are closely interwoven. The colour is various, either white, yellow, brown or black according to the fancy of its owner.” (Brigham)

“During the ordinary summer weather along the coast the native use of the kapa moe in a close grass house would have been impossible to a white man, so warm is this covering. Sleeping in an open cave on the summit of Mauna Loa (13,675 ft) …”

“… I could not bear a kapa moe over my ordinary clothes, although water was freezing in the calabashes at my feet. In the morning the bedmaking in a native house consisted in carefully folding the kapa moe and putting it in a safe place.” (Brigham)

A notable kapa moe belonging to Princess Kaʻiulani was installed at the Art of the Pacific gallery at the Los Angeles County Museum of Art (not currently on public view.) it is described as an unusually large five-layer kapa moe.

Kaeppler noted that the design of Kaʻiulani’s kapa moe may metaphorically incorporate the saying, “He aliʻi ke aloha, he kilohana e paʻa ai,” “Love is like a chief, the best prize to hold fast to,” in honor of Kaʻiulani. One corner of an underside white layer of the kapa is signed “Kaiulani.”

Kapa moe were gradually replaced by blankets. Later, another bed cover, the Hawaiian quilt, came into regular use.

The wives of American missionaries introduced the patchwork quilts and their construction to Hawaiians. The first missionary women arrived in 1820, and were warmly welcomed by some of the highest-ranking Hawaiian men and women.

Lucy Thurston, the wife of Asa, one of the first missionaries, recorded in her journal: “Monday morning, April 3rd (1820,) the first sewing circle was formed that the sun ever looked down upon in his Hawaiian realm. Kalākua, queen-dowager was directress.”

“She requested all the seven white ladies to take seats with them on mats, on the deck of the Thaddeus. Mrs. Holman and Mrs. Ruggles were executive officers to ply the scissors and prepare the work….The four native women of distinction were furnished with calico patchwork to sew – a new employment to them.” (Thurston)

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“I Love The Flower That Constantly Attracts”

It’s the national flower of the Philippines (they call it ‘sampaguita,’ there) – it’s also one of the three national flowers in Indonesia, (the other two are the moon orchid and the giant padma.)

In Cambodia, the flower is used as an offering to Buddha. In India, it’s sacred to the god Vishnu and used in religious ceremonies. In China, the flower is processed and used as the main ingredient in jasmine tea.

In Oman, it features prominently on a child’s first birthday. Flowers are sprinkled on the child’s head by other children while chanting “hol hol” (the Arabic word for one year.)

It’s known as Jasminum sambac, a species of jasmine from the olive family (native to South and Southeast Asia.) It is known as the Arabian jasmine in English. (Other countries have other names for it.) The flowers are also used for perfumes.

“Plants that wake when others sleep. Timid jasmine buds that keep their fragrance to themselves all day, but when the sunlight dies away, let the delicious secret out, to every breeze that roams about.” (Thomas More, 16th Century)

The plant was introduced to Europe in the early 16th Century, although its existence had been known about for some time by then. It probably came into Hawaiʻi in the 1800s.

In Hawaiʻi, the flowers are woven into lei (it takes about 125 buds to make a single strand.)

It was the favorite flower of Princess Kaʻiulani. Kaʻiulani liked birds, too … especially peacocks.

The name of her birds (peacock – pīkake) carried over to become the name we use in Hawaiʻi for these flowers – the Pīkake.

Mapu ia ke ala o ka pīkake
I ka o aheahe a ka makani
Aloha aʻe au i ka pua ʻume mau

The fragrance of the pīkake is wafted
By a gentle blowing of the wind
I love the flower that constantly attracts
(Flanagan and Raymond)

Click here for a fabulous rendition of Lei Pīkake by Hapa:
http://www.youtube.com/watch?v=AI92r0rkxuw

While attending a wedding at Waimea on the Big Island, Kaʻiulani got caught in a cold Waimea rain while riding on horseback with her friends, Helen and Eva Parker (daughters of Samuel Parker.) She became ill; she and her family returned to O‘ahu.

After a two-month illness, Kaʻiulani died at ʻĀinahau on March 6, 1899, at age 23. It is said that the night she died, her peacocks screamed so loud that people could hear them miles away and knew that she had died.

Princess Kaʻiulani’s mother was Princess Miriam Kapili Kekauluohi Likelike (sister of King Kalākaua and Queen Liliʻuokalani) and her father was Scottish businessman and horticulturist Archibald Scott Cleghorn, who later became Governor of Oʻahu.

In his writings, Robert Louis Stevenson endearingly recalled that Princess Victoria Kaʻiulani was “…more beautiful than the fairest flower.

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by Peter T Young Leave a Comment

Robert Louis Stevenson

Starting in 1888, Robert Lewis Stevenson (born in Edinburgh Scotland on November 13th 1850,) the famous author of popular works such as ‘Treasure Island’ and ‘Strange Case of Dr Jekyll and Mr Hyde,’ began a tour of the South Pacific, visiting Tahiti and the Marquesas.

For nearly ten years his health had been declining; he was told by his doctor to travel there because the climate was good for his bad health.

On January 24, 1889, he arrived in Honolulu and spent the first six months of that year in the Hawaiian Islands (he later settled and lived in Samoa.)

Here, the renowned author found time for writing, completing The Master of Ballantrae and The Wrong Box and starting others during his short stay.

Stevenson visited Kalaupapa (shortly after Damien’s death) and later wrote of the good work of Father Damien (now Saint Damien.)  He also travelled to Kona on the Big Island (the setting for most of his short story “The Bottle Imp.”)

On Oʻahu, Stevenson was introduced to the King Kalākaua and others in the royal family by fellow Scotsman, Archibald Cleghorn.  Stevenson established a fast friendship with the royal family and spent a lot of time with his good friend King Kalākaua.

In 1889, Stevenson wrote a poem, “To Kalakaua:”

“The Silver Ship, my King – that was her name
In the bright islands whence your fathers came –
The Silver Ship, at rest from winds and tides,
Below your palace in your harbour rides:
And the seafarers, sitting safe on shore,
Like eager merchants count their treasures o’er.
One gift they find, one strange and lovely thing,
Now doubly precious since it pleased a king.

The right, my liege, is ancient as the lyre
For bards to give to kings what kings admire.
‘Tis mine to offer for Apollo’s sake;
And since the gift is fitting, yours to take.
To golden hands the golden pearl I bring:
The ocean jewel to the island king.”

Stevenson also befriended Princess Kaʻiulani (daughter of Princess Likelike and Archibald Cleghorn – and the King’s niece) and was a frequent guest at her home, ʻĀinahau, in Waikīkī.

It was Stevenson who first referred to Kaʻiulani as “the island rose” in a poem he wrote for her and inscribed in her autograph book – Stevenson’s poem, “To Princess Kaiulani:”

“Forth from her land to mine she goes,
The Island maid, the Island rose;
Light of heart and bright of face:
The daughter of a double race.

Her islands here, in Southern sun,
Shall mourn their Kaiulani gone,
And I, in her dear banyan shade,
Look vainly for my little maid.

But our Scots islands far away
Shall glitter with unwonted day,
And cast for once their tempests by
To smile in Kaiulani’s eye.”

When Kaʻiulani left for boarding school in England at the age of 13, Stevenson had several of his books bound specially for her (she was away from the Islands for nine years.)

Later in 1889, he and his extended family traveled to Samoa where they decided to build a house and settle.  He took the native name Tusitala (Samoan for “Teller of Tales”, i.e. a storyteller).

He returned to Hawaiʻi in 1893 for a short stay at the San Souci Hotel in Waikīkī (a beachfront resort that opened in 1884 offering private cottages.)  It gained fame, after he wrote about staying there for five weeks.

Stevenson’s remarks in the guest book note: “If anyone desires such old-fashioned things as lovely scenery, quiet, pure air, clean sea water, good food, and heavenly sunsets hung out before their eyes over the Pacific and the distant hills of Waianae, I recommend him cordially to the Sans Souci.”

With turmoil at the time in the Hawaiian Islands and health concerns on his part, Stevenson returned to Samoa where on December 3, 1894, he passed away at the age of 44.