Images of Old Hawaiʻi

by Peter T Young Leave a Comment

Kalo (Taro)

Hawaiian traditions describe the birth of the islands and the life that exists on them in terms of genealogical accounts.

All natural forms of the environment are believed to be embodiments of gods and deities.  From godly forces the Hawaiian Islands are born of Wākea (the expanse of the sky‐father) and Papahānaumoku (Papa who gave birth to the islands).

Wākea and Papa are credited for being the parents of the first man, Hāloa, the ancestor of all people.  Commoners and aliʻi were all descended from the same ancestors, Wākea (sky father) and Papa (earth mother.)

It is from this genealogical line that Hawaiians address the environment and it forms the basis of the Hawaiian system of land use.

“The first born son of Wākea was of premature birth (keiki alualu) and was given the name Hāloa-naka. The little thing died, however, and its body was buried in the ground at one end of the house.  After a while from the child’s body shot up a taro plant, the leaf of which was named lau-kapa-lili, quivering leaf; but the stem was given the name Hāloa.  After that another child was born to them, whom they called Hāloa, from the stalk of the taro. He is the progenitor of all the peoples of earth.” (Malo)

“The first Hāloa, born to Wākea and Ho‘ohokukalani, became the taro plant. His younger brother, also named Haloa, became the ancestor of the people.  In this way, taro was the elder brother and man the younger–both being children of the same parents.”

“Because our chiefs were of the senior line, they were referred to in respect and affection as “kalo kanu o ka aina” (The taro grown in the homeland) by the junior branches of the family.”(Handy-Pukui)

In pre-Captain Cook times, taro played a vital role in Hawaiian culture. It was not only the Hawaiians’ staple food but the cultivation of kalo was at the very core of Hawaiian culture and identity.

The early Hawaiians probably planted kalo in marshes near the mouths of rivers. Over years of progressive expansion of kalo lo‘i (flooded taro patches) up slopes and along rivers, kalo cultivation in Hawai‘i reached a unique level of engineering and sustainable sophistication.

The Hawaiian concept of family, ‘ohana, is derived from the word ‘ohā (Fig., offspring, youngsters,) the axillary shoots of kalo that sprout from the main corm, the makua (parent.)  Huli, cut from the tops of mauka, and ‘ohā are then used for replanting to regenerate the cycle of kalo production.

Kalo lo‘i systems are typically a set of adjoining terraces that are typically reinforced with stone walls and soil berms. Wetland taro thrives on flooded conditions, and cool, circulating water is optimal for taro growth, thus a system may include one or more irrigation ditches, or ‘auwai, to divert water into and out of the planting area.  (McElroy)

In 6 to 12 months, depending upon plant variety along with soil and water conditions, the taro is generally ready to harvest. Each parent tuber produces from two to 15 ʻohā, side tubers of corms, up to 6 inches in diameter.

Kalo patches are variously named on the basis of size, shape, planting method and other factors. Mo‘o ai are narrow strips of planted kalo, much longer than they are wide. Mo‘o kaupapa lo‘i are long rows of lo‘i or wet kalo patches. Other types of wet planting mounds include pu‘epu‘e hou and kipi or kipikipi. Of the wetland methods, lo‘i was most frequently occurring form.

Taro or Kalo has been a traditional form of food sustenance and nutrition, particularly in ancient Hawaiian culture.  Reportedly, it is the world’s fourteenth most-consumed vegetable.  All parts of the plant are eaten, including poi, table taro (the cooked corm,) taro chips and luau leaf.

Kalo starch is one of the most nutritious, easily digested food.  Kalo corms are high in carbohydrate in the form of starch and low in fat and protein, similar to many other root crops.

The starch is 98.8 percent digestible, a quality attributed to its granule size, which is a tenth that of potato, making it ideal for people with digestive difficulties.

The corm is an excellent source of potassium (higher than banana), carbohydrate for energy and fiber. When eaten regularly, kalo corm provides a good source of calcium and iron. Kalo leaves (lū‘au leaves) are eaten as a vegetable.

The staple of the ancient Hawaiian people, poi, is a gentle food, hypoallergenic, gluten free and easily digestible. It has saved the lives of babies who have been allergic to everything else. Poi is just about for everyone – from the health-challenged to the super-fit endurance athlete. (Bishop Museum)

Kalo, like other plants in its family, is considered poisonous when raw because its tissues contain an acrid component; thorough steaming or boiling eliminates this and allows it to be eaten.

It is estimated that at the peak of kalo production, areas under its cultivation covered more than 20,000-acres (about 31 square miles) over six islands.

Since the early to mid-1800s, kalo cultivation and the demand for kalo has markedly declined, and many of the ceremonial, medicinal and upland kalo cultivars became neglected and were lost.

In the last 200 years, Waipi‘o has experienced many changes: new ownership of the land, assimilation of other ethnic groups into the indigenous Hawaiian population and the shift from subsistence taro farming to market production.  (UH)

In 1900, it was estimated that about 1,280 acres were being used for kalo production.  By 1907, rice had become a major crop, occupying about 10,000 acres.

At that time, Chinese farmers were growing about half the kalo crop and milling 80 percent of the poi. By 1937, the major kalo growers were Japanese.

With the outbreak of World War II in 1941, demand for kalo declined and production dropped to 920 acres.  Today, less than 400 acres of kalo are planted.

The 21st Annual East Maui Taro Festival will be held in Hana, Maui, 9 am – 5 pm, April 20-21, 2013, Hana Ballpark – Hauoli Road & Uakea Street.  Hawaiian entertainment & Hula, 20 Food Booths, 50 Arts & Crafts Booths, an Info Tent for non-profits, an Ag Tent & Farmers Market and hands-on Cultural demos such as poi-pounding, kapa cloth making, creating Hawaiian musical instruments, lauhala weaving. Family-friendly and no admission charge.

The image shows a couple of men pounding poi.   (Lots of information here from CTAHR.)   In addition, I have added some other related images in a folder of like name in the Photos section on my Facebook and Google+ pages.

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by Peter T Young Leave a Comment

Portuguese in Hawaiʻi

Reportedly, the first Portuguese in Hawai’i were sailors that came on the Eleanora in 1790.  It is believed the first Portuguese nationals to live in the Hawaiian kingdom sailed through on whalers, as early as 1794, and jumped ship.

The first recorded Portuguese visitor was John Elliot de Castro, who sailed to Hawaiʻi in 1814.  During his days in Hawaiʻi he became a retainer of King Kamehameha I, serving as his personal physician and as member of the royal court.

After two years in Hawaiʻi, he sailed off to the island of Sitka, Alaska and joined the Russian-American Company under Alexander Baranov, working as a commercial agent.

Later, Whitney notes, “In (1828,) extensive fields of cane were grown in and about Honolulu, and mills were erected in Nuuanu Valley and at Waikapu, Maui. At the latter place, a Portugese, named Antonio Silva, is spoken of as the pioneer sugar planter.”

For 50 years after these early visitors arrived, Portuguese sailors came ashore alone or in small groups, jumping ship to enjoy Hawaiian life and turning their backs on the rough life aboard whalers and other vessels.

The 1853 population of the Hawaiian Islands was 73,134, including 2,119 foreigners, of these, reportedly 86 were Portuguese.  Hawaiians referred to the Portuguese as “Pokiki.”

Eventually several hundred Portuguese made the Islands their home.  Many of the settlers came from Madeira Islands (about half the size of Oʻahu,) off the coast of Africa.  They also came from the Azores, nine islands between Portugal and the US, and about 1½-times the size of Oʻahu.

The reciprocity treaty in 1875 between the Kingdom of Hawaiʻi and the United States opened the US sugar market to Hawaiʻi and greatly increased the demand for workers.

Jacinto Pereira (also known as Jason Perry,) a Portuguese citizen and owner of a dry goods store in Honolulu, suggested in 1876 that Hawaiʻi’s government look for sugar labor from Madeira where farmers were succumbing to a severe economic depression fostered by a blight that decimated vineyards and the wine industry.

At that time, about 400-Portuguese, a large number of whom formerly served as seamen on whaling vessels, lived in Hawaiʻi.  Then, the numbers grew.

São Miguel in the eastern Azores was also chosen as a source of labor. In 1878, the first Portuguese immigrant laborers to Honolulu arrived on the German ship Priscilla. At least one hundred men, women and children arrived to work on the sugar plantations. That year marked the beginning of the mass migration of Portuguese to Hawaiʻi, which continued until the end of the century.

In 1879 in Hawaiʻi, Portuguese musicians (Madeira Islanders) played on “strange instruments, which are a kind of cross between a guitar and a banjo, but which produce very sweet music” (this Madeiran guitar, the machete, was destined to become known as the Hawaiian ʻukulele.)  (Hawaiian Gazette – September 3, 1879)

On his world tour, in 1881, King David Kalākaua visited Portugal and was entertained in royal fashion by Portugal’s King Dom Luis. That year two ships delivered over 800-men, women and children from São Miguel.  The next year a treaty of immigration and friendship was signed between Portugal and the Hawaiian Kingdom.

Migration to Hawaiʻi became popular to escape poverty and a harsh military system. The dream of settling in islands that looked like home drew workers away from offers to labor in the fields of Brazil and urban seaports of the US.

Mass immigration of the Portuguese to Hawaiʻi also came from New England and California as Portuguese came to replace Chinese workers who left plantations to open stores and work in the trades.

While Chinese and Japanese workers had come as single men, whole families came from Portugal (reportedly, forty-two percent of the early Portuguese emigrants were men, 19% women and 39% children.)

The sponsoring of Portuguese immigration to Hawaiʻi was ceased in 1888 due to its high cost and the success of efforts to recruit Japanese workers. Almost 12,000-people had moved from Madeira or São Miguel, Azores to Hawaiʻi by that time.

Many continued to be employed by the plantations even after their contracts had been fulfilled.  Others, however, sought to take up independent work and turned especially to farming and ranching.  Between 1890 and 1910, many Portuguese left Hawaiʻi and migrated to California, primarily the Bay Area.

The Portuguese have given Hawaiʻi many traditions.  In music – they brought the ʻukulele and steel-string guitar.  Try to image Hawaiʻi without sausage (linguiça,) malasada (malassada) or sweet bread (pão doce) … or Frank De Lima.

The image shows the early influence the Portuguese had on Hawaiian music and hula – the ʻukulele.  I added a couple of other images in a folder of like name in the Photos section on my Facebook and Google+ pages.

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David Malo

David Malo, one of the early native Hawaiian scholars, was the son of Aoao and his wife Heone, and was born in Keauhou, North Kona Hawai‘i; his father had been soldier in the army of Kamehameha I.

The exact year of his birth is not known, but it was about 1793, around the time of Vancouver’s second visit to the islands.

During his early life Malo was connected with the high chief Kuakini (Governor Adams,) who was a brother of Queen Ka‘ahumanu.

In 1823, Malo moved to Lāhainā, Maui where he learned to read and write. Malo soon converted to Christianity and was given the baptismal name of David.

In 1831, he entered Lahainaluna High School (at about the age of 38;) the school opened with twenty-five students, under the leadership of Reverend Lorrin Andrews – he graduated in the class of 1835.  

From about 1835, he started writing notes on the Hawaiian religion and cultural history, along with other members of the school and instructor Sheldon Dibble.

Malo came to be regarded as the great authority and repository of Hawaiian lore and was in great demand as a story-teller of the old-time traditions, mele, and genealogies, and as a master in arrangements of the hula.

The law which first established a national school system was the “Statute for the Regulation of Schools” which was enacted on October 15, 1840, and was reenacted, with some important amendments, on May 21, 1841.

Malo was appointed as the general school agent for Maui; he was then voted to be in charge of all the general school agents, therefore becoming the first superintendent of schools of the Hawaiian kingdom (where he served at least until the middle of 1845.

He was described as “tall and of spare frame, active, energetic, a good man of business, eloquent of speech, independent in his utterances.”

“He was of a type of mind inclined to be jealous and quick to resent any seeming slight in the way of disparagement or injustice that might be shown to his people or nation, and was one who held tenaciously to the doctrine of national integrity and independence.”

After being ordained to the Christian ministry, he settled down in the seaside village of Kalepolepo on East Maui where he remained until his death in October 1853.

His book, Hawaiian antiquities (Moolelo Hawaii – 1898,) addressed the genealogies, traditions and beliefs of the people of Hawai‘i.

In the “Narrative of the United States Exploring Expedition,” Admiral Wilkes (1840,) commenting on books about Hawai‘i, said, “(s)ome of them are by native authors.  Of these I cannot pass at least one without naming him.”

“This is David Malo, who is highly esteemed by all who know him, and who lends the missionaries his aid, in mind as well as example, in ameliorating the condition of his people and checking licentiousness.”

“At the same time he sets an example of industry, by farming with his own hands, and manufactures from his own sugar cane an excellent molasses.”

In the introduction to his book, the trustees of Bishop Museum acknowledge they “are rendering an important service to all Polynesian scholars.”

They also suggest the book “form(s) a valuable contribution not only to Hawaiian archaeology, but also to Polynesian ethnology in general.”

Click here for a link to the book that you may download (I downloaded it, did an Optical Character Recognition and use it all the time in learning more about Hawai‘i.)

© 2013 Hoʻokuleana LLC

by Peter T Young Leave a Comment

Waikīkī – Kauhale O Hoʻokipa

We are happy to announce that Native Hawaiian Hospitality Association (NaHHA,) serving as the sponsor for the Waikīkī – Kauhale O Hoʻokipa Scenic Byway, has retained Hoʻokuleana LLC to assist in the application, designation and planning processes for the Byway through the Hawaiʻi Scenic Byway Program.

The Hawaiʻi Scenic Byways Program is designed to complement the National Scenic Byways Program, a nationwide effort to identify, promote, manage and invest in roadways that are the most significant in their region with regard to these scenic, historic, recreational, cultural, archeological and natural qualities.

The purpose of the Hawai`i Scenic Byways Program is to formally designate Hawaiʻi Scenic Byways and to establish and implement Corridor Management Plans (CMPs) for our corridors.

The Hawaii Scenic Byways Program identifies and recognizes:
• roads that “tell a story” that is special;
• roads with outstanding scenic, cultural, recreational, archaeological, natural and historic qualities; and
• roads that will benefit from a coordinated strategy for tourism and economic development

First, the name – it is not only descriptive of the meaning and feeling of Waikīkī as we know it today, it is also a metaphor of Waikīkī in traditional (ancient Hawaiian) times, at multiple levels.

In ancient times, a ‘kauhale’ was a cluster of structures [a living compound.]  The traditional Hawaiian home was the kauhale (Lit., plural house;) this was a group of structures forming the homestead – with each building serving a specific purpose.

Literally, ‘Waikīkī – Kauhale O Hoʻokipa’ translates to ‘Waikīkī – Home of Hospitality.’  But, this context of “Home” can expand and also represent the community of Waikīkī.

Starting with Māʻilikūkahi, who ruled in the 1400-1500s (at about the same time Christopher Columbus crossed the Atlantic,) Waikīkī became the Royal Center for Oʻahu’s ruling Aliʻi.  It remained as such, through Kamehameha I.

The Royal Centers were areas selected by the Ali‘i for their residences and Ali‘i often moved between several residences throughout the year.  The Royal Centers were selected for their abundance of resources (water, fishing, fertile land, etc) and recreation opportunities, with good surfing and canoe-landing sites being favored.

The Scenic Byways program serves to identify “Intrinsic Qualities” along the corridor; these include Scenic, Natural, Historic, Cultural, Archaeological and Recreational.

These intrinsic qualities break into two clusters:
“Land” (Scenic, Natural and Recreational,) and
“People” (Historic, Cultural and Archaeological)

Sites and Stories of Waikīkī, as illustrated through its Intrinsic Qualities, help tell the stories of the Land (‘Āina) and its People from the earliest beginnings of Hawai‘i to today.  Waikīkī – Kauhale O Hoʻokipa will be incorporating several core story themes:
• Royal Residences
• Visitor Industry
• Military
• Natural/Geologic
• Socio-Economic-Political
• Side Trips

Although many of the sites and structures of Waikīkī from the ancient times are long gone, many of these pre-contact Hawaiian places, environment, people, history and culture still convey the sense of earlier importance through continued use of original place names for areas, streets, surf sites, symbols, etc and other references to these people, places and times.  Though gone, they are not forgotten and continue to express the ways of the past.

Through the telling of stories of Waikīkī (and a goal of the establishment of a Scenic Byway (and dream of NaHHA founder, George Kanahele,)) we help to restore Hawaiianness to Waikīkī in a positive, productive and respectful way.

The sense of place of Waikīkī lies within these stories, under the overarching contexts of “Aloha” and “Hoʻokipa” (Hospitality.)

“Waikīkī’s significance is as a place of history, not destination.” (George Kanahele)  Restoring some of Waikīkī’s historical and cultural integrity through Waikīkī – Kauhale O Hoʻokipa Scenic Byway will help to illustrate “I ka wā mamua, ka wā mahope” (The future is in the past.)

This is our third Scenic Byway opportunity.  We also assisted the Kona Sponsor of “Royal Footsteps Along the Kona Coast” with their Corridor Management Plan (the first approved in the State,) as well as helping the Kōloa Sponsor of Holo Holo Kōloa Scenic Byway with their permits and CMP.

In addition to each of those receiving Historic Preservation Commendations from Historic Hawaiʻi Foundation, the Kona project also received the Environment/Preservation Award from the American Planning Association-Hawaiʻi Chapter and the Pualu Award for Culture & History from the Kona-Kohala Chamber of Commerce.

For more information on this project, you can click the following link for a background summary of Waikīkī,  the Scenic Byway Program and the many stories that are told along its roadways.

Click here for more information on the Waikīkī – Kauhale O Hoʻokipa

The image shows our theme image, theme statement and mission/vision – ultimately, we see this Scenic Byway helping to “Restore Hawaiianness to Waikīkī.”

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Aliʻiolani Hale

By 1866, the need for a new courthouse government building in the Hawaiian Kingdom was apparent.  The old courthouse, completed in 1852, accommodated not only the judicial needs, but also served as the reception hall for diplomatic ceremonies and official social functions.

The legislature appropriated funds towards a new palace and a new government building. Delays ensued.  Plans for a new palace were postponed, but the new courthouse moved forward.

On February 19, 1872, Kamehameha V laid the cornerstone for the new building.

The use of concrete blocks, a fairly new building material, “infinitely superior for both durability and ornament,” was recommended and accepted by Public Works.  (The coral foundation supports concrete block bearing walls varying in thickness from 17″ to 22″.)

To increase the work force, convicts were brought from the prison and made to labor on the project. In 1874, during the reign of King Kalākaua, the building was finally completed.

Lively events characterized Aliʻiolani Hale’s first year. Already designated as the home of the Legislature, in May of 1874, the Judiciary Department also moved into the new government building.

In July, the Law Library took up residence on the second floor with “3,000 law books and 2,000 scientific books.” By September, Aliʻiolani Hale housed the first National Museum in the Hawaiian Kingdom.

An appeal made to the public requested the donation of artifacts: “Old Hawaiian ornaments and utensils, Hawaiian minerals and preserved zoological specimens are particularly desired.”

CJ Lyons made scientific use of the building late that year as an observation site for the transit of Venus. The transits of Venus occur only four times in 243 years, and at that time, this astronomical event was the best known means of determining the dimensions of our planetary system.

Aliʻiolani Hale played a role in the Wilcox insurrection. Unhappy with the changes in the constitution of 1887, the young hapa-Hawaiian, Robert Wilcox, and several hundred armed men marched into the neighborhood on the morning of July 30, 1889.

At 6 am, twelve of the men took over Aliʻiolani Hale, and the rest moved into the ʻIolani Palace yard. By noon, volleys of rifle shots were exchanged between Wilcox’s men and government forces.

Wilcox’s men, stationed in the Palace yard, were surrounded by the government troops whose sharpshooters were placed in nearby buildings, including the tower of Kawaiahaʻo church.

The rebellion came to a halt when government authorities hurled homemade dynamite bombs into the Palace yard scattering the rebellious constituent.

In the small room beneath the clock tower, often used as an artist’s studio at Aliʻiolani Hale, a sculptor was working on a bust of Kalākaua. He reported, on that day, that stray bullets created “a disturbing background” for his artistic endeavor.

Seeking to abolish the Hawaiian Monarchy, the Committee of Public Safety took over Aliʻiolani Hale on January 17, 1893. Here, was the reading of the declaration of the Provisional Government of the Hawaiian Islands during the Revolution of 1893.

The Honolulu Rifles, a volunteer group of men who supported the Committee of Safety, assembled there in opposition to the loyalist guard stationed across King Street at the Palace.  With horse blankets and boxes of hard tack, the Honolulu Rifles camped in the halls of Aliʻiolani Hale.

Queen Liliʻuokalani, in order to avoid violence, abrogated the monarchy and the troops did not engage in armed conflict. After the establishment of the Republic of Hawaiʻi, most likely to disassociate the new government with the monarchy, the new officials renamed Aliʻiolani Hale, “The Judiciary Building.” The legislature then moved to ʻIolani Palace which was renamed the “Executive Building.”

Hawaiʻi almost lost Aliʻiolani Hale in 1937 when the territorial planning board drafted plans to demolish the structure and build a new Judiciary Building. Former Chief Justice and Governor Walter Frear strongly opposed the idea, and the Honolulu Advertiser picked up the torch in support of Frear announcing that “The Old Judiciary Building is threatened by the march of progress.”

Instead of demolition, repairs and plans for a new wing were approved. Construction began in March of 1941, but was considerably hampered by the bombing of Pearl Harbor in December. The new wing was finally completed in 1944, the same year that Martial law was lifted. In 1949, a second story was added to the new wing to complete the structure that stands today as Aliʻiolani Hale.

By 1951, the building, even with the new wing, was overcrowded and not providing adequate space for the needs of a growing Judiciary. In 1960, it was recommended that a new court building be constructed and that Aliʻiolani Hale retain the Supreme Court, the Land Court, the Administrative Offices, and the Law Library.

In 1965, the interior of the building was refurbished at a cost exceeding the total expenditures for the building in 1874.

Today, Aliʻiolani Hale houses the Supreme Court of Hawaiʻi, the court administration offices, a law library and the Judiciary History Center.

While decisions are made affecting the present and future of Hawaiʻi by the Supreme Court, the Judiciary History Center interprets over 200 years of law and judicial history in the Hawaiian Islands.

From Monarchy to statehood, Aliʻiolani Hale has faithfully served the people of Hawaiʻi. Kings and queens have walked its halls. Revolutions have been lost and won around it. Sensational cases have been tried in its courtrooms. Since 1874, Supreme Court rulings affecting the future of Hawaiʻi and its people have been decided within its walls.

Open to the general public, the History Center reflects the unique legal and judicial history of our islands from the days of kapu to the present.

The inspiration and information here is from the Judiciary History Center (as well as the National Register.)  The image shows Aliʻiolani Hale in 1875 (before the Kamehameha Statue.)  In addition, I have included other images in a folder of like name in the Photos section on my Facebook and Google+ pages.

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