Hawaii | Page 360 | Images of Old Hawaiʻi

April 25, 2018 by Peter T Young 4 Comments

Watumulls

Jhamandas Watumull, originally from Hyderabad, Sindh (in what became Pakistan), the son of a brick contractor, was one of the first people of Indian descent to come to Hawai‘i.

Jhamandas left his home as a young boy of 14 to earn a living and help his disabled father. His mother sold her jewelry to buy his passage to the Philippines.

Jhamandas stayed with an older brother and worked in Manila’s textile mills. He opened a small import shop in Manila that specialized in imports from the Orient with his partner Rochiram Dharamdas. The shop attracted American troops stationed in the Philippines and business was good.

In 1913, when the troops were withdrawn from the Philippines and moved to Hawai‘i, the two partners decided to follow them and explore business opportunities.

A year later, Dharamdas opened a branch of ‘Dharamdas and Watumulls’ on Hotel Street in Honolulu. Unfortunately, two years later, Dharamdas died of cholera and the store became Jhamandas’ responsibility.

Unable to leave the Manila business for long, he decided to send his younger brother, Gobindram (GJ), to take care of the Honolulu store, which was renamed ‘East India Store’

GJ settled in Hawaii and, in 1922, married Ellen Jensen, an American music teacher. (IPAHawaii and Sharma)

Ellen’s sister, Elsie Jensen, traveled to Hawaii in 1928 to visit her. Elsie then started working at Watumull’s East India Store as a window display designer.

Watumull’s later commissioned Elsie to create hand-painted floral designs on silk for interior decoration. Her clothing designs would come later. (Honolulu)

During the following years, Jhamandas spent much time travelling looking for merchandise and visiting his family in Sind. Though he returned to Hawaii often, he could not make it his home as his wife Radhibai did not want to live in a foreign country.

The initial years in Hawaii were difficult and trying. As the first Indian businessmen in Hawaii, they faced many setbacks, discrimination and daunting immigration laws, including denial of citizenship to GJ although he was married to an American. His wife, Ellen, lost her American citizenship because she had married a British East Indian subject.

As time passed, the East India Store flourished, selling raw silk goods and ‘aloha shirts’ on the island, turning into a major department store, before eventually opening additional branch stores in Waikiki and the downtown Honolulu area.

They opened the Leilani Gift Shop, and introduced their coordinated Hawaiian wear for the entire family – men’s and boys’ shirts and women’s and girls’ muumuus in matching authentic island prints. The shop also sold Hawaiian gifts and souvenirs and imported goods from the Far East.

After the Partition of India in 1947, Jhamandas and his family left Sind and moved to Bombay, India. The family celebrated India’s independence in faraway Hawaii by serving refreshments at an extended Open House and offering a 10 per cent discount on all purchases at the Waikiki branch of the East India Store.

The proceeds of the day’s business were donated to Indian charities. Later the Watumulls helped install a statue of Mahatma Gandhi in Kapiolani Park on Waikiki beach in Honolulu.

In 1954, there were a total of eight Watumull stores. Rejecting a consultant’s advice to change the “tourist-oriented” names of his stores like Leilani Gift Shop and focus on mainland-type goods, they opened more “tourist-oriented’ stores.

During the next 20 years, the number of stores increased to 29 and included East India Stores, Aloha Fashions, Malihini Gifts and Leilani Gift Shops.

The business became among the top 250 businesses of Hawai‘i. Over time, the Watumull stores have all closed down; one remains at the Ala Moana Center.

The Watumull family also set up several local philanthropic and educational institutions, including the Rama Watumull Fund, the J. Watumull Estate, and the Watumull Foundation.

The Watumulls are also involved in considerable charitable work in India — a hospital and an engineering college in Mumbai, a school in Pune and the funding of a Global Hospital in Mt. Abu. . (Lots of information here is from Hope, Honolulu, Watumull, Allen and Sharma.)

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East India Store window decorated for Indian independence-SAADA

Photograph of window display of one of the Watumull stores. Image credited to Salart Studios-SAADA

Gulab Watumull speaking with customers. Photo credited to Honolulu Star-Bulletin.-SAADA

Gulab Watumull, the son of Jhamandas Watumull-SAADA

Watumull-family-Honolulu

‘Watumull’s Might’ in Indian Home magazine-SAADA

Watumull’s Advertisement (1987)-SAADA

April 24, 2018 by Peter T Young 1 Comment

Keakealani School

Peter Lee, an enterprising pioneer with an eye to the future, tried to popularize the Punalu‘u-Pahala route to Kilauea Volcano, a noted attraction, then and now.

“The wonderful volcano of Kīlauea, on the island of Hawaii, is the great attractive of visitors. It is the only crater in the world that is constantly in action, and that can be safely approached at all times to the very edge of the precipice which encloses the boiling lava.”

“To reach Kīlauea necessitates a passage of thirty hours from Honolulu in a fine steamer to Hilo or Punalu‘u, then a ride of thirty
miles in coaches takes visitors to a fine hotel, which overlooks the molten lava lake. It is a sight that will repay the effort and expense incurred ten times over, and one that will never be forgotten.” (Whitney)

In 1891, Lee built a 24-mile wagon road from Pahala to Kilauea, following by seven years the construction of a hotel at Punalu‘u. (NPS) However, the construction of the Volcano Road from Hilo had also begun.

With the completion of the Hilo to Volcano Road in 1894, four-horse stagecoaches came into the picture, reducing the travel time from Hilo from two days to six and one-half hours, and Hilo became the principal departure point for Kilauea. (NPS)

Lee later sold to the new owners of the Volcano House and then managed both hotels for them. Lee would remain as manager of the Volcano House until 1898.

Lee established a home on land near the center of the ʻŌlaʻa Summer Lots 29-Mile subdivision, which later become Volcano Village.

Noting the need for a school there, in 1914, Peter Lee donated a one-acre site on Haunani Road (named for one of his daughters) to the Territory of Hawai‘i for a “school to teach the children of the region”.

In 1915 the first school building was constructed – a classic one-room structure, along with a teacher’s cottage, small garage, and water tank. The school was named “Keakealani School” in honor of another of Lee’s daughters. (VSAC DEA)

In 1934 the growing student population called for larger facilities and the present two-room building was constructed and the teachers’ cottage and garage demolished, which left the layout we see there today.

In the late 1930s the Kennedy Family, who owned the property abutting the school site to the Hilo side, donated 2.25 acres to the Territory to increase the site to its current 3.25 acres.

In addition to the two-room building, the property consists of a grassy field with a few open-sided, temporary shelters. (VSAC DEA)

By Executive Order No. 1040 dated November 27, 1943, control of the subject property was placed in the Territorial Department of Public Instruction, now the Department of Education (DOE).

“The Hawaii Visitors Bureau won’t admit it. Mainland tourists basking in the sun at Waikiki beach won’t believe it. But kerosene and electric heaters are used to warm the tootsies of some 100 youngsters who attend classes in several public schools here in this island paradise when the mercury takes a nose dive.”

“Mrs Antonio Short, principal of KeaKealani school in the volcano area on the island of Hawaii, explained that ‘some days during the winter we keep our heaters burning all day and have frosty windows, like real Christmas weather.’”

“‘Frost ‘fell’ on our school yard twice in five years, and the temperature sometimes gets as low as 32 degrees,’ Mrs Short said. ‘Most of the youngsters even have to wear sweaters and coats until 10 am on cold days. And if it gets much worse, the youngsters will have to wear shoes all the time.’” (The Times, Shreveport, December 16, 1956)

DOE operated a public school on the site until 1973, when the students were transferred to Mountain View Elementary School. Until 2010, DOE used the facility as an outdoor education center for elementary students on the island of Hawaii.

Budgetary constraints caused DOE to terminate this program, and the facility was subsequently licensed on a year-to-year basis to Volcano School of Arts and Sciences (Volcano School), a public charter school, commencing on July 1, 2010. (DLNR)

Volcano School used the facility as its middle school campus, and received a $618,000 grant-in-aid from the 2011 Legislature to expand the facility to better accommodate its middle school program.

DOE and Volcano School subsequently executed a Lease Agreement effective as of August 1, 2012 that specifies that the premises shall be used for a charter school (consistent with the purpose of the executive order). (DLNR)

This allows the school to consolidate its grades K-4 classes, which are currently located on Old Volcano Rd., with its grades 5-8 classes so the school’s students will be together on one campus. (KHON2)

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Keakealani_School rendering

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April 23, 2018 by Peter T Young Leave a Comment

Lāhainā Banyan Tree

By the time the Pioneer Company arrived (1820,) Kamehameha I had died (1819) and the centuries-old kapu system had been abolished, through the actions of King Kamehameha II (Liholiho, his son,) with encouragement by his father’s wives, Queens Kaʻahumanu and Keōpūolani (Liholiho’s mother.)) Keōpūolani later decided to move to Maui.

A few years later the Second Company arrived; “On the 26th of May (1823) we heard that the barge (Cleopatra’s Barge, or “Haʻaheo o Hawaiʻi,” Pride of Hawaiʻi) was about to sail for Lahaina, with the old queen (Keōpūolani) and princess (Nāhiʻenaʻena;) and that the queen was desirous to have missionaries to accompany her”.

“A meeting was called to consult whether it was expedient to establish a mission at Lahaina. The mission was determined on, and Mr S (Stewart) was appointed to go: he chose Mr R (Richards) for his companion … On the 28th we embarked on the mighty ocean again, which we had left so lately.” (Betsey Stockton Journal)

Keōpūolani is said to have been the first convert of the missionaries in the Islands, receiving baptism from Rev. William Ellis in Lāhainā on September 16, 1823. Keōpūolani was spoken of “with admiration on account of her amiable temper and mild behavior”. (William Richards) She was ill and died shortly after her baptism.

The tenth ABCFM Company arrived in the Islands on September 24, 1842 on the Sarah Abagail from Boston. On board were Rev George Berkeley Rowell (1815-1884) and wife Malvina Jerusha Chapin (1816-1901) and Physician James William Smith (1810–1887) and wife Melicent Knapp Smith (1816–1891.) They were assigned to the station on Kauai.

Born in Stamford, Connecticut in 1810 to a farm family, James William Smith became a school teacher at 17, and had a religious conversion at 19. He studied religion for about 3-years until he became ill in 1834 and was unable to complete his studies to enter the ministry.

Their son, William Owen Smith, born at Kōloa, Kauai, was educated at Rev David Dole’s school at Kōloa, later attending Punahou School in Honolulu; Smith left school to go to work on a sugar plantation for three years to learn the sugar industry, working in the boiling house in winter and in the fields in summer.

Smith was Sheriff of Kauai for two years and Maui for two years. He later became a lawyer and state legislator.

On April 24, 1873, while serving as Sheriff on Maui, WO Smith planted Lāhainā’s Indian Banyan to commemorate the 50th anniversary of the first Protestant mission in Lāhainā.

After settling in, the tree slowly sent branches outward from its trunk. From the branches, a series of aerial roots descended towards the earth. Some of them touched the ground and dug in, growing larger until eventually turning into trunks themselves.

Over the years, Lahaina residents encouraged the symmetrical growth of the tree by hanging large glass jars filled with water on the aerial roots that they wanted to grow into a trunk. In time, what was once a small sapling matured into a monumental behemoth.

It now stands over 60 feet high, has 16 major trunks in addition to the massive original and shades nearly two-thirds of an acre. Maui County Arborist Committee carefully maintains the health and shape of this majestic tree.

It is the largest banyan tree in the entire United States. In recent times, the courthouse square was renamed ‘Banyan Tree Park’ in its honor. Lāhainā Restoration Foundation takes care of the park grounds. (Lāhainā Restoration Foundation)

An interesting side note to Queen Lili‘uokalani’s legal matters relate to the role and relationship she had with WO Smith.

During the revolutionary period, Smith was one of the thirteen members of the Committee of Safety that overthrew the rule of Queen Liliʻuokalani (January 17, 1893) and established the Provisional Government.

He then served on the executive council of the Provisional Government and was sent to Washington DC when the proposed Organic Act for the Government of Hawaiʻi was pending before Congress.

When not filling public office, Mr. Smith had been engaged in private law practice and was affiliated with various law firms during his long career.

Smith and his firm wrote the will for Princess Pauahi Bishop that created the Bishop Estate. As a result of this, Pauahi recommended to Queen Liliʻuokalani that he write her will for the Liliʻuokalani Trust (which he did.)

On the November 30, 1915, Jonah Kūhiō Kalaniana‘ole, on his own behalf filed a bill in equity averring mental weakness on the part of Queen Lili‘uokalani. (Hawaii Supreme Court)

WO Smith represented the Queen in the case. The case made it to the Hawai‘i Supreme Court; the Supreme court held that the presumption of competency prevailed in favor of the Queen.

The Supreme court also found, “We think it is clear, therefore, that Kalaniana‘ole, as sole complainant, may not maintain the suit since he has no interest in the subject-matter.” The queen won the case.

Speaking of his relationship with the Queen, Smith said, “One of the gratifying experiences of my life was that after the trying period which led up to the overthrow of the monarchy and the withdrawal of Queen Liliʻuokalani, the Queen sent for me to prepare a will and deed of trust of her property and appointed me one of her trustees”. (Nellist)

Smith was also a trustee of the Bernice Pauahi Bishop Estate from 1884-1886 and 1897-1929, the Lunalilo Estate, the Alexander Young Estate and the Children’s Hospital.

The land that Kūhiō made claim to helped to form the Lili‘uokalani Trust, “a private operating foundation founded in 1909, for the benefit of orphan and destitute children with preference given to Native Hawaiian children.”

“A diversified portfolio of real estate, marketable securities and private investments provides the resources to support mission-related programs and activities.” (Lili‘uokalani Trust)

Author Evelyn Cook noted in a newspaper interview related to the book she wrote about WO Smith’s father, ‘100 Years of Healing: The Legacy of a Kauai Missionary Doctor’, “Today, the prince is worshipped, and WO Smith is vilified. But who is the hero and villain? People don’t know their own history.” (Command)

Click HERE for more Information on the Lāhainā Banyan Tree.

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Banyan Tree located in courthouse square in the center of Lahaina

Banyan_Tree,_Courtyard,_Lahaina,_Maui,_photograph_by_Brother_Bertram

The only image of Cleopatra’s Barge in Hawaii – here at Lahaina, Maui

Keopuolani

James William Smith

Mrs (Melicent Knapp) Smith

Banyan-Tree-Lahaina

Banyan_Tree-walkway

Banyan_Tree-trunk

Banyan_Tree_Park_(8625010921)

Banyan_Plaque

Banyan_Tree

William_Owen_Smith

Bernice_Pauahi_Bishop,_San_Francisco,_1875

Liliuokalani_in_1917

April 22, 2018 by Peter T Young Leave a Comment

Hanailoia

Owing to the importance of the harbor of Honolulu, its central position in the Island chain and its increasing population, the principal chiefs and councilors convinced Kauikeaouli (Kamehameha III) to move the seat of government from Lāhainā to Honolulu. (Taylor)

By 1843, the decision was made to permanently place a palace in Honolulu. At about that time, Governor Mataio Kekūanāoʻa was building a house for his daughter (Princess Victoria Kamāmalu.)

Victoria Kamāmalu was the sister of Prince Alexander Liholiho and Prince Lot Kamehameha, who afterwards became, respectively, Kamehameha IV and Kamehameha V. Her mother, the High Chiefess Kīnaʻu, the Premier of the kingdom, was a half-sister of Kamehameha III, all being descendants of Kamehameha I. (Taylor)

The original coral block and wooden building called Hanailoia was built in July 1844 on the grounds of the present ʻIolani Palace. (Thrum) It has been said that in olden times a large heiau or temple existed on this spot, the name of which was Ka‘ahaimauli.

“The flight of stone steps leading to the hall, is just completed. Underneath the building is a deep cellar and outside of that, below the spacious verandah, the floor of which is raised six feet from the ground, are extensive accommodations for the guards and household servant.”

“The main-hall occupies the entire depth of the house, but disfigured at one end by an enclosed flight of stairs leading to the upper rooms.”

“On either side of the hall are lofty and spacious apartments of larger size, with broad and high windows reaching to the floor, and so constructed that they can be thrown entirely up, and give free access to the verandah, which entirely encircles the house.”

“The view from the upper story is very fine. It commands an extensive prospect, not only of the town, but the mountains and vallies, and seaward. It is divided into two rooms, and is, we believe, designed for smoking and lounging, during the heat of the day …”

“… for which, from its elevated position and coolness, the mountain breezes sweeping most delightfully through it, it is admirably calculated. With an eye to our own comfort, we could not help thinking what a nice editorial sanctum it would make.”

“The whole house, from its massive walls and deep verandah, must necessarily be very cool, in the hottest weather. The governor intends to lay out the grounds with taste, planting them with trees, &c, and has already prepared several wells to give the necessary supply of water.” (Polynesian, November 9, 1844)

“To a person who has ever visited any of the abodes of European sovereigns, such a term (‘palace’) would at once convey an idea of regal magnificence; but the residence of the Hawaiian monarch produces nothing that is superfluous, or even splendid.”

“On the contrary, every thing about it is plain, even to plebeianism, and induces a visitor to think that he may be treading the apartments of a chief rather than the palace of a sovereign. The grounds on which it stands cover between two and three acres, and are inclosed with a heavy wall of rough coral.”

“A visitor enters on the south side, between lodges occupied by sleepy sentinels. A small but beautiful grove of trees wave their stately foliage on either side of the path leading up to the royal apartments, and their cool shade reminds one of the groves of the Academy and the Lyceum, where so many of the old masters read, studied, and rambled.”

“A few steps bring you in front of the palace proper. It has a very simple, rustic appearance. The walls are composed of coral procured from the reefs along the shore of the harbor. The ground-plan covers an area of seventy-four feet by forty-four. The building is a story and a half high.”

“A noble piazza, eight or ten feet wide, and raised a few feet above the ground, entirely surrounds the building. The chief apartment is the one in which the king holds his levees. In the centre of the eastern wall of the apartment stood the chair of state. Its unpretending aspect led me to invest it rather with republican simplicity than monarchical aristocracy.” (Bates)

Various residences were placed around the grounds, the Palace being used principally for state purposes. ‘Hoihoikea’ was the name given to the large, old-fashioned, livable cottage erected in the grounds a little to ewa and mauka of the old palace, in which Kamehameha III, Kamehameha IV, and Kamehameha V resided. (Taylor)

The former Hanailoia, named Hale Ali‘i, was the palace used by Kings Kamehameha III, IV, V and Lunalilo. However, when Alexander Liholiho (Kamehameha IV) died November 30, 1863, his older brother Lot Kapuāiwa (Kamehameha V) became King and he considered a name change.

Minutes of the December 7, 1863 Privy Council note that Chancellor EH Allen “expressed the wish of the King to give a name to the Palace and that he wished it should be called St Alexander Palace.”

“After some discussion, Mr Wyllie moved that the following resolution be passed. … (However) after duly considering the Question, they would prefer the ‘‘Iolani Palace’ to the ‘Alexander Palace’ but that they respectfully defer to His Majesty right to give to his own Palace what ever name may best please himself.”

The minutes reflect that shortly thereafter, Acting Chamberlain, John O Dominis wrote, “I am ordered by His Majesty to inform You that he has styled His residence ‘‘Iolani Palace’ and you are instructed so to record it in the Minutes of the Privy Council.” (Privy Council, December 7, 1863)

So, Hanailoia was not only Honolulu’s first royal Palace, it was also the first ʻIolani Palace (although the Privy Council minutes refer to it as ‘ʻIolani Hale Ali‘i.’) It was torn down in 1878 to make way for the present ʻIolani Palace.

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White building in the front is old royal Mausoleum-Pohukaina. Wooden building behind it is original ʻIolani Palace

Old_Iolani_Palace_and_adjacent_premises,_ca._1850s

The old palace, which was built in 1845 and was replaced by Iolani Palace in 1882

Palace_of_King_Kamehameha_III,_from_the_harbor_(c._1853)

Hale_Aliʻi_with_Royal_Guards_(before 1879

Hale_Aliʻi_in_1857

Hale_Alii_illustration

Former_Iolani_Palace-before-1879

Pohukaina-in_front_of_Hale_Alii-original_Iolani_Palace-1850s

‘Io, the Endemic Hawaiian Hawk

April 21, 2018 by Peter T Young 3 Comments

Cyclorama

On May 1, 1893, nearly five months after the overthrow of the Hawaiian constitutional monarchy, the Chicago World’s Fair opened its doors. This fair was a celebration of the 400th anniversary of Christopher Columbus’s arrival in the New World.

At the fair, a road called the Midway Plaisance showcased different ethnic villages and performances, including Hawai‘i’s.

The Midway Plaisance of the Chicago World’s Columbian Exposition packed amusements along a mile-long strip and segregated them from the main exposition or the ‘White City’. (Imada)

The Hawaiian exhibit at the World’s Columbian Exhibition in Chicago in 1893 was organized by settler Hawaiians who were rallying for American annexation and trying to encourage tourism and more white settlement in the Islands. (Kamehiro)

“Between the Chinese Theatre and the Ferris Wheel stood the cyclorama (a large pictorial representation encircling the spectator and often having real objects as a foreground) of the greatest active volcano in the northern hemisphere.”

“In front of the pavilion was a heroic statue of Pele, the Hawaiian goddess of fire, made by Mrs (Ellen Rankin) Copp, the sculptor, and under the canopy a choir of Kanak musicians sang to the public, evoking much applause.”

“The crater of the volcano is 800 feet deep and 2 miles across. It is a lake of bubbling and thunderous lava set in the side of Mona Loa, a mountain 15,000 feet high. The station for the spectator of the picture was a heap of lava which had exuded and solidified in the center of the crater.”

“A priest climbed the cliffs that rimmed the scene and chanted an invocation to Pele, and his form added to the realism of the effects. The mountain peak and the Pacific Ocean, the baleful fires of the never slumbering volcano, the mists and lava floods, all conspired to make a great picture.” (The Inter Ocean, Chicago, January 7, 1894)

Circling the walls within are some 22,000 square feet or nearly half an acre of canvas, whereon is depicted ‘the inferno of the Pacific,’ the largest volcano on the face of the earth.

While not without merit, it does not compare with the other as a panoramic painting, the effect being largely produced by electric lights, pyrotechnics, and other mechanical contrivances.

The point of observation is in the very heart of the crater, and not on its brow where thousands of travellers have stood. Gazing upward and around, the spectator is encompassed with a hissing, bubbling sea of lava, with tongues of flame and clouds of steam rising from fathomless pits to overhanging crags and masses of rock.

All this is expressed with studied but not with artistic realism, fragments of rock being blended with painted cliffs on which are dummies and painted figures, presumably intended for tourists, while flashlights in various colors, with detonation of bombs and crackers, imitate in showman fashion the awful grandeur of an eruption. (Chicagology)

Such was Hawai‘i’s participation in the Chicago World’s Columbian Exposition in 1893.

The volcano concession also advertised the first hula troupe to perform at a world fair, accentuating the shift in the character of Native Hawaiian displays in international exhibitions from sovereign, historically-situated, and modern self-presentation to feminized, exotic, tourist curiosity.

Jennie Wilson, whose mother is a native Hawaiian, and an unknown companion, performing at the 1893 Columbian Exposition in Chicago at the Midway Plaisance in an exhibit called the” South Seas Islanders.”

This was the first time the hula was performed in the mainland of the United States. She and her group inadvertently contributed to the bad reputation of the hula with the ‘come-on’ song they were required to sing to urge audiences to see the ‘naughty hula.’ (Chicagology)

Besides the Hawai‘i cyclorama, there were five other rotunda panoramas represented at World Columbian Exposition: Gettysburg (Philippoteaux studio), Jerusalem On The Day Of The Crucifixion (Reed & Gross), Chicago Fire panorama (Reed & Gross), Bernese Oberland,(import from Switzerland), and Battle Of Chattanooga (Eugen Bracht studio, Berlin).

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