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June 15, 2017 by Peter T Young Leave a Comment

Sword of Kaluiki

The following are excerpts from Kalākaua’s ‘The Legends and Myths of Hawaii’ titled ‘Iron Knife.’ It speaks of early Japanese visitors to the Islands and the Japanese captain’s sword – the time frame is about the 1300s – it also includes an attempt “to consolidate under one general government the several islands of the Hawaiian group.”

“(A) Japanese vessel that had been dismantled by a typhoon, driven toward the North American coast until it encountered the northwest trade-winds, and then helplessly blown southward to the coast of Maui.”

“It was late in the afternoon that word had been brought to Wakalana that a strange vessel was approaching the coast. As it was high out of water and drifting broadside before the wind, it appeared to be of great size, and little disposition was shown by the people to go out in their canoes to meet the mysterious monster.”

“Wakalana hastened to the beach, and, after watching the vessel intently for some time, saw that it was drifting slowly toward the rocky coast to the westward. Seaman enough to know that certain destruction awaited it in that direction, Wakalana hastily manned a stout canoe and started out to sea in pursuit.”

“The waters were rough and his progress was slow, but he succeeded in reaching the vessel a few minutes after it struck the cliffs and was dashed in pieces. Seizing whatever they could find to assist them in floating, those on board leaped into the sea.”

“It was hazardous to approach the wreck too nearly, but Wakalana succeeded in rescuing from the waves and returning to Wailuku with five persons, but not before he saw the last fragment of the wreck disappear in the abyss of raging waters.”

“There is nothing in the names preserved, either of the vessel or its rescued passengers, to indicate their nationality. The name of the vessel is given as Mamala, which in the Hawaiian might mean a wreck or fragment.”

“The name of the captain was Kaluiki-a-Manu; the four others were called Neleike, Malaea, Haakoa and Hika – all names of Hawaiian construction. Two of them – Neleike and Malaea – were women, the former being the sister of the captain.”

“They landed almost without clothing, and the only novelties upon their persons were the rings and bracelets of the women, and a sword in the belt of the captain, with which he had thoughtlessly leaped into the sea from the sinking vessel.”

“They were half-famished and weak, and by gestures expressed their gratitude to Wakalana for his gallantry in rescuing them, and asked for food and water. Both were provided in abundance, and two houses were set apart for their occupation.”

“They attracted great attention, and people came from all parts of the island to see the white strangers. It was noted with astonishment by the natives that these men and women ate from the same vessels, and that nothing was especially tabu to either sex; but Wakalana explained that their gods doubtless permitted such freedom, and they should therefore not be rebuked for their apparent disregard of Hawaiian custom.”

“The comfort of the strangers was made the especial care of Wakalana, and they soon became not only reconciled but apparently content with their situation. But the kindness of the chief, however commendable, was not altogether unselfish.”

“He was charmed with the bright eyes and fair face of Neleike, the sister of the captain. He found a pleasure that was new to him in teaching her to speak his language, and almost the first use she made of oia was to say ‘yes’ with it when he asked her to become his wife.”

“Her marriage was followed by that of Malaea to a native chief, and of her brother and his two male companions to native women of good family. And here, as well as anywhere, it may be mentioned that, through her son Alooia …”

“… Neleike became the progenitor of a family which for generations showed the marks of her blood, and that the descendants of the others were plentiful thereafter, not only on Maui but in the neighborhood of Waimalo, on the island of Oahu.”

“The object of the rescued Japanese which attracted most attention was the sword accidentally preserved by the captain. No such terrible knife had ever before been seen or dreamed of by the natives.”

“They had pahoas, or daggers of wood or ivory, and knives of sharply broken flint and sharks’ teeth; they had stone adzes, axes, hatchets and hammers, with which they could fell trees, hollow canoes from tree-trunks, build houses, manufacture implements of war and industry, and hew stone of softer composition …”

“… they had spears and javelins with points of seasoned wood hard enough to splinter a bone; but iron and other metals had for ages been practically unknown to their race …”

“… and the long, sharp sword of the captain, harder than bone or seasoned wood, and from its polished surface throwing defiantly back the bright rays of the sun, engaged their ceaseless wonder and admiration.”

“As an ornament they regarded it with longing, and when they learned that it was a weapon of war .they felt that the arm that wielded it in battle must be unconquerable.”

“The captain did not see fit to disabuse the minds of the superstitious natives in their disposition to attribute a power of almost unlimited slaughter to the simple weapon. On the contrary, he rarely exhibited it except to distinguished chiefs, and in a few months it began to be mentioned as a sacred gift of the gods and pledge of victory to him who possessed it.”

“Nor was the knowledge of the existence of a talisman so wonderful long confined to the windward side of Maui. The fame of the terrible weapon spread from Hana to Ka‘anapali, and thence to the other islands of the group; …”

“… and if but few of the many who came to learn the truth of the report were favored with a view of the sword, all saw, at least, the strange people who were pointed out as the bearers of it from an unknown land, and the story of its powers was readily accepted.”

“But he who possessed it did not come as a conqueror, and, as he showed no disposition to use it offensively, the weapon ceased to be regarded with alarm.”

“(Hawai‘i Island ruling Chief) Kalaunui (Kalaunuiohua) and his army of conquest, last seen on their way to Maui in a fleet of two thousand canoes.”

“Wakalana had gone to the general defence with a force of eight hundred men, including Kaluiki, the Japanese captain, upon whose presence great reliance was placed by the warriors of Wailuku, if not by Wakalana himself.” But the Mauians, greatly outnumbered, were defeated and driven back to the hills.

“(Kualu, a young Chief from Hawai‘i Island)) hewed his way through the battling throng until he stood face to face with Kaluiki, the white captain, in whose hand was the shining blade which had so nerved the arms of the warriors of Wailuku.”

“With a blow of his battle-axe he struck the sword from the upraised hand of the strange warrior. As it fell to the earth he placed his foot upon it, and yielded no ground until the tide of battle swept around and past him, forcing to retreat the last to present a hostile front of the army of the captive king of Maui.”

“Left alone for a moment by the wild pursuit of the flying enemy, Kualu hurriedly stooped and thrust the sword into the earth, pressing it downward until the hilt was covered; then, placing a large rock upon the spot, he left the field, numbering, as he went, his paces to the wall behind which the Mauians had sought protection. … The victory was complete.”

Kuala later “removed the stone, and the next moment pulled from the earth and handed to Wa‘ahia the iron blade. She grasped it eagerly, and, with a hasty glance at its bright blade glistening in the starlight, wrapped it securely in a piece of kappa”.

“Elated with his successes (from Maui to Oahu,) and deeming himself invincible, Kalaunui next prepared for a descent upon Kauai and the conquest of the entire group.”

“The mō’ī of that island was Kukona, the fourth in descent from the great Laʻamaikahiki. Kalaunui recognized that the defensive resources of Kauai were not to be despised, but he as greatly underrated the military abilities of Kukona as he overrated his own, and therefore did not doubt the result.” Kalauniu’s forces were defeated and he was captured.

“Wa‘ahia announced that the price of the knife must be the liberation of Kalaunui, and was astonished at the promptness with which the terms were accepted.”

“A few hours later Wa‘ahia re-embarked for Kauai, taking with her, securely wrapped in a number of kapa folds, the sword of Kaluiki. She reached Kōloa within the time promised, and, proceeding to the palace, delivered to the king, in person and alone, the glittering blade which rumor had clothed with extraordinary sanctity and power.”

“The return of their captive king was joyously celebrated by the people of Hawaii, and a few days after Kapapa (daughter of Kalaunui) became the willing wife of Kualu.”

“The sword of Kaluiki, the ransom of a king, remained for some generations with the descendants of Kukona; but what became of it in the end tradition fails to tell.” (Kalākaua)

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Filed Under: Hawaiian Traditions Tagged With: Hawaii, Kaluiki, Sword

June 4, 2017 by Peter T Young Leave a Comment

Along Ali‘i Drive

Current archaeological research indicates that from ca. AD 1000 to 1200 permanent settlement was in the windward areas of Hawai‘i Island, where rainfall was sufficient for successful growing of crops near the shore, population gradually spread throughout these windward areas during these centuries.

By the A.D. 1200s-1300s, it seems likely that Kona or parts of Kona had formed into a small settlement(s) with a ruler, local chiefs and commoners. Oral histories indicate that other settlements existed on the island, with Hilo and Hamakua (the later controlled by Waipi‘o) and several in Kohala of note. Small national heiau were present at this time.

Most historians estimate that Pa‘ao came to Hawai‘i (reportedly from Tahiti) around AD 1300. He arrived with his warriors, priests (kahunas) and new rulers (ali‘i). Pa‘ao is credited as initiating and/or expanding the kapu system of social structure, religion and order in Hawai‘i.

In the A.D. 1400s-1500s, the island became unified under the Pili line of rulers; based in Waipi‘o on the Hāmākua coast. In the time of the ruler ‘Umi-a-Liloa, ca. A.D. 1490-1525, the Royal Center was moved from Waipi‘o and Royal Centers in Kona became of importance.

From Kailua-Kona to Keauhou covers the entire length of Ali‘i Drive, seven miles of roadway and over seven centuries of Hawaiian Royalty archaeological, historic and cultural traditions that have shaped Hawai‘i into what it is today.

The focal point of Hawaiian social order and kapu was the ali‘i, or royal class. From this highborn group came the ruler-caretakers of the islands. The Ali‘i of Hawai‘i achieved such envied status primarily through strong genealogical connections.

In the centuries prior to 1778, several large and densely populated Royal Centers were located along the shoreline between Kailua and Hōnaunau.

According to archaeological reports and cultural traditions, there were seven Royal Centers in use in Kona and four that existed along what is now Ali‘i Drive on the Kona Coast, circa A.D. 1600-1800:

  1. Kamakahonu, Kailua – Occupied by Kamehameha I between 1813 and 1819.
  2. Hōlualoa – Area with numerous heiau and good surf. Associated with Keolonahihi in the ca. 1300, Keakamahana and Keakealaniwahine in ca. 1600 and Kamehameha I in the 18th Century.
  3. Kahalu‘u – Complex of multiple heiau surrounding Kahalu‘u Bay.
  4. Keauhou – This area is noted for the largest hōlua slide in Hawai‘i called Kaneaka, the surfing area called Kaulu, and numerous heiau.

The Royal Centers were areas selected by the ali‘i for their residences and ali‘i often moved between several residences throughout the year. The Royal Centers were selected for their abundance of resources and recreation opportunities, with good surfing and canoe-landing sites being favored.

With Kamehameha’s death in 1819, Liholiho (his son) and Ka‘ahumanu (his widow) assumed control of the kingdom. Shortly thereafter, the capital of the kingdom was moved from Hawai‘i Island, never to return.

In the absence of the king, high chief Kuakini (brother of Ka‘ahumanu) was eventually appointed governor of Hawai‘i Island and became an extremely powerful figure on the island. Kuakini resided primarily in Kailua Village. Here, the missionaries arrived in 1820, establishing a station where Kuakini and his many subjects lived.

On July 18, 1823, Ellis and his missionary companions traveled via the ala loa or ancient foot trail near the coast. There are a number of documentary resources (i.e. Māhele records, journal accounts, and survey documentation) that place the ancient ala loa in the vicinity of the “Government Road”, now known as Ali‘i Drive.

Along the seven-mile stretch of land between Kailua to Keauhou, Ellis counted 610 houses and 19 heiau, and estimated the uplands contained another 100 houses.

Allowing five persons to a house, Ellis and his companions estimated that there were 3,550 persons in the area. Ellis` narratives provide readers with further descriptions of the communities through which the group passed; he notes (segments of text relating to the coastal area:)

“Leaving Kairua (Kailua), we passed on through the villages thickly scattered along the shore to the southward.. The country around looked unusually green and cheerful, owing to the frequent rains, which, for some months past, have fallen on this side of the island. Even the barren lava, over which we travelled, seemed to veil its sterility beneath frequent tufts of tall waving grass, or spreading shrubs and flowers.”

In 1882, Queen Kapi‘olani brought four trees to Kona. Two were reportedly cuttings from a banyan tree at ‘Iolani Palace where they had been presented by royals from India. One banyan was planted at Hulihee Palace and later, in 1906, the Maguire family transplanted one that now stands near the entrance to Kailua Pier.

The other two trees were Moreton Bay Figs. One was planted at Holualoa Bay to mark the site where canoes were blessed and launched and it recently met its demise. The second was a gift from the Queen to Alexander Burgess and he planted it fronting his beach house – the present site of the Banyan Court Mall.

Today, Ali‘i Drive is a perfect setting for walking, running or biking, for the casual to competitive. Mile markers pace individual performance and guide exercisers along its level, picturesque course.

Historic Kailua Village also hosts renowned international sporting events (Hawaiian International Billfish Tournament, Ironman Triathlon Championship and Queen Lili‘uokalani Long Distance Canoe Races.)

Beautiful views and sweeping vistas make for pleasant drives; turn a corner and you move quickly from a strong lava flow shoreline to crystal clear white sand beaches, then quickly back again.

Historic sites once covered much of the Kailua to Keauhou section of the Kona Coast. It is important for us to honor the Ali‘i by maintaining, enhancing and interpreting the remaining ancestral inheritance.

By whatever means (vehicle, transit, bicycle or on foot,) following the footsteps of ancient royalty and embracing the scenic beauty, natural and archaeological features, historic sites, associated cultural traditions and recreational opportunities will give the traveler a greater appreciation and understanding of Hawai‘i’s past and sense of place in the world.

Click HERE to view/download for more information on Along Ali‘i Drive.

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Hapaialii-Keeku-Heiau (Keauhou Resort)
Hapaialii-Keeku-Heiau (Keauhou Resort)
Keauhou_to_Kailua-Aerial
Keauhou_to_Kailua-Aerial
Kailua-Kona with Hualalai, Hulihee Palace and Church, 1852-WLA_haa_James_Gay_Sawkins-WC
Kailua-Kona with Hualalai, Hulihee Palace and Church, 1852-WLA_haa_James_Gay_Sawkins-WC
kamehameha_at_kamakahonu-(heberkane)
kamehameha_at_kamakahonu-(heberkane)
Ahuena_Heiau-Cloris-Sketch-1816
Ahuena_Heiau-Cloris-Sketch-1816
Kailua-Baker-Photo-1908
Kailua-Baker-Photo-1908
Pa_o_Umi-LSY
Pa_o_Umi-LSY
Hulihee_Kailua-WC
Hulihee_Kailua-WC
Princess Keelikōlani's hale pili (grass house) in Kailua, Kona, Hawai‘i. ca 1883_Hulihee_Palace-WC
Princess Keelikōlani’s hale pili (grass house) in Kailua, Kona, Hawai‘i. ca 1883_Hulihee_Palace-WC
Mokuaikaua_Curch_Kona_1900-WC
Mokuaikaua_Curch_Kona_1900-WC
Laniakea-LSY
Laniakea-LSY
Kamoa_Point,_Kona_Circa_1890-WC
Kamoa_Point,_Kona_Circa_1890-WC
King_Kalakaua_House_Kahaluu-WC
King_Kalakaua_House_Kahaluu-WC
Holua
Holua
Kuamo'o_Burials_in_lava_rock-WC
Kuamo’o_Burials_in_lava_rock-WC
DaughtersOfHawaii-KamIIIBirthday-03-17-11
DaughtersOfHawaii-KamIIIBirthday-03-17-11
Alii Drive Interpretive Sign
Alii Drive Interpretive Sign
Royal_Footsteps_Map
Royal_Footsteps_Map

Filed Under: Buildings, Missionaries / Churches / Religious Buildings, Hawaiian Traditions, Place Names, Prominent People, Economy, General, Ali'i / Chiefs / Governance Tagged With: Hawaii, Hawaii Island, Alii Drive

May 28, 2017 by Peter T Young 2 Comments

Margaret Aiu’s Hula Studio

She was born Margaret Maiki Souza on May 28, 1925 in Honolulu, the daughter of Peter Charles Souza and Cecilia Pai‘ohe Gilman Souza.

Hānai (adopted) to her maternal grandaunt Cecilia Rose Mahoe and John William Kealoha, she grew up in Palolo Valley (she considered them her grandparents.) (Chun; Carnes)

She was educated at St Francis Convent School and lived with the sisters. She later lived with another grandaunt, Helen Pamaieulu Ha‘o Correa (her Tutu,) in Pauoa Valley.

She turned to hula at about the age of 14 or 15.

“Hula of the day of the kings was just a memory to some of the old timers. The old hula lived only in the talent of a few masters. Fortunately, these were training a small number in spite of the odds against their every putting their learning to good use.” (Lake; Advertiser; Chun; Carnes)

She was trained in a full range of the ancient and traditional hula. In 1943, at the age of 18, she graduated (‘uniki) as an ‘olapa (dancer.)

For 8-years she entertained at the Club Pago Pago (now the site of the Japanese Cultural Center on Beretania) – and continued to study, learn dances and seek mentorship for several hula masters. She later married Boniface Aiu.

A devout Christian, she encountered difficulty on practicing traditional rituals and prayers to Laka, the goddess of hula. Her Tutu helped her reconcile the Christian and Hawaiian beliefs and practices and was able to find peace with ancient practices and her own Christianity. Weeks)

She was also studying to become a nurse. But with the encouragement from others, she began to teach hula to the Hawaiian Society at Blessed Sacrament Church. They gave performances at the church and elsewhere.

She formed Margaret Aiu’s Hula Studio. Her students learned Hawaiian genealogies, culture, mannerisms, legends, poetry and the ‘beauties of our own Hawai‘i.’ (Ariyoshi; Chun: Carnes)

The demand for instruction increased. She employed a new teaching style that departed from traditional recital and memorization and incorporated written references, with a blackboard in the studio and student testing.

“She was a successful teacher and many of her graduates went on the become noted kumu hula. She coined the phrase ‘hula is life,’ the concept of ‘hula brothers and sisters,’ and the practice of keeping hula books: writing down motions, lyrics and notes on each hula. … She was as innovative as she was traditional.” (Weeks)

“She really brought back the love and respect for hula and the interest in learning, lei making, costuming, research, history, language and methodology. She was acknowledged by many people as a hula academic responsible for the modern renaissance of hula.” (Daughter Coline Aiu; Chun: Carnes)

In 1952, she received permission from her teachers to change the name of her dance studio to Hālau Hula O Maiki. (However a sign painter reversed some of the wording to read ‘Hula Hālau O Maiki.’)

She later married Haywood Kahauanu Lake, a noted singer, arranger and song-writer, with whom she performed.

She kept it, however in 1974 the studio moved and the sign was corrected. During that year, she was employed by Paradise Park in Mānoa Valley to supervise all their Hawaiian cultural activities.

She held regular, ongoing classes for dancers at all levels, from young to old and from beginner to advanced, with hundreds of students enrolled at any time in different classes.

She welcomed any who were interested in the dance, regardless of age, race, background, or ability, encouraging each student to experience “the art of Hawaiian dance, expressing all that we see, hear, smell, touch, taste and feel.” (Nogelmeier)

After twenty years of teaching in her hālau, Maiki advertised a special class for kumu hula in 1972, apparently the first time such an opportunity had been offered publicly.

Some were critical about the appropriateness of such an open invitation, but the kumu class attracted a large group of high-caliber students, intensely dedicated to the hula and motivated to undergo the rigors of traditional training.

The Papa Lehua, with a graduating class of twenty-six, was the first of many groups of kumu to eventually emerge from Maiki’s “hula university,” as some called it. (Nogelmeier)

Every subsequent kumu class, each named for one of the plant forms in the hula, produced more new kumu hula, all having been trained in the art of the dance and in Maiki’s particular style of instruction. (Nogelmeier)

Recognized as the ‘Mother of Hawaiian Renaissance,’ she graduated 42 first-generation kumu hula, who in turn have graduated 34 second-generation ‘grandchildren.’ (Cazimero)

The list of graduates of Hālau Hula O Maiki includes may of Hawai‘i’s prominent entertainers and kumu hula.

Maiki could be a tough teacher, scolding, cajoling, explaining. “She was all those things, depending on what she had to be. When you were her student, you were also her child; she was your mother.” (Chang; Enomoto, Star Bulletin)

“When we had problems, many went to her before their own parents; that’s how tight the bond was. If she felt we needed to be scolded, she scolded us unmercifully. And it wasn’t privately like a counselor; it was in front of the family. Boom! Right between eyes.”

“Sometimes I left class drained physically, sometimes absolutely drained emotionally; that’s what Maiki did. And, like in any Hawaiian family, she had her favorites, her punahele.” (Chang; Enomoto, Star Bulletin)

The three symbolic virtues of faith, hope and love were the guiding principles of Lake’s life. “Embracing these values, the devoted kumu hula overcame personal and professional challenges to establish her dream, a dance academy built on classic Hawaiian traditions and practice.

Lake not only was a forerunner, she also was a conduit through which the mastery of ‘Iolani Luahine, Mary Kawena Pukui and Lokalia Montgomery was passed on. (Sunderland; Midweek)

Margaret Maiki Aiu Souza Lake died on June 19, 1984 at the age of 59. “Maiki left a legacy of the place of the hālau in the imparting of the whole art and tradition of learning the hula.”

“The place of beginning to learn is not on the dance floor but before the altar, where the offerings are put in place, and where the student comes into the presence of spiritual love and power.” (Ariyoshi)

“Through the Hula we are endowed with great Heritage.” (Aiu) We “are reminded of how special her legacy has become to all who know and learn to dance the hula. This is why hula is life.” (Ariyoshi)

Here is more on Maiki:

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Maiki Aiu performs during her 1948 uniki ceremony-Ariyoshi
Maiki Aiu performs during her 1948 uniki ceremony-Ariyoshi

Filed Under: Hawaiian Traditions, Prominent People Tagged With: Hawaii, Hula, Maiki Aiu Lake

May 25, 2017 by Peter T Young 1 Comment

Aqua Marine

The area along the coast at the foot of Leahi (Diamond Head) between Waikiki and Kupikipiki (commonly called Black Point) is an area known as Kaluahole (‘the āhole fish cavern.’) Kaluahole is a noted place in several legends associated with the area.

In one story of Aiai, son of Kūulakai (a god who controlled all the gods of the sea,) following his father’s instructions “… traveled about the islands establishing fishing stations (ko‘a) at fishing grounds (ko‘a aina) …”

“… where fish were accustomed to feed and setting up altars (ku‘ula) upon which to lay, as offerings to the fishing gods, two fish from the first catch one for the male, the other for the female aumakua. Some accounts give Aiai a son named Puniaiki who is a fish kupua and trickster and helps his father set up fishing stations.”

“On Oahu, Aiai lands at Makapu‘u and makes the stone Malei the fish stone for the uhu fish of that place. Other stones are set up at grounds for different kinds of fish. The uhu is the common fish as far as Hanauma.”

“At Ka-lua-hole the ahole fish run. The fish still spawn about a round sandstone (called Ponahakeone) which Aiai placed outside Kahuahui …” (Beckwith)

Ponahakeone is offshore of Kaluahole … “In 1834, during the time of Kaomi, a malihini shark came to Waikiki in search of food. When he reached Kaʻalawai and Kaluaahole, he was refused by the guardian sharks of that place (ka poʻe kamaʻaina kiaʻi o ia wahi)…”

“… and then he came to Kapua, where the guardians of Waikiki were, and argued with them. They decided to kill him and to leave visible proof of it, so they forced his head into a cleft in the rocks at Kukaʻiunahi, makai of Kupalaha.” (Kamakau; Maly)

This is where Sanford B Dole had a beach bungalow – he called it Aqua Marine. (It’s about where the Le‘ahi Beach Park is situated.)

A portion of Royal Patent Grant 3219 was deeded in June 1879 to Kahololio. The grant consisted of all the land at Kaluahole and comprised 19 acres. In 1889 Kahololio sold +/- 15 acres of the grant lands to Sanford B. Dole.

Between 1892 and 1912, Dole deeded various parcels to George Beckley which eventually were subdivided into various lots and identified as portions of an estate known as “Aqua Marine” and the “Beckley Tract”. (Dye)

“Where the road leaves Kapiolani Park on the east, it passes a few houses and then comes out on an open space skirting the ocean. This is low and level at first, but further on rises to higher ground, whence the views seaward, south and west, are genuine Vistas of Hawaii.”

“The lapis-lazuli of the deep sea, starred with the sails of passing vessels, breaks into turbulent foam where it meets the outer reef, and ‘sliding its snow-white and swift avalanches’ into the inner lagoon …”

“… the waters, taking their tone from the corals below and the skies above, now break forth into an extravaganza of color as they hasten in subdued merriment to the shore of yellow sand.”

“‘In stillness far away, like phantoms, rise the bills of Waianae,’ while the bald-headed summit of Diamond Head looms up behind, almost over you, with startling distinct ness, but with a benignant and fatherly expression withal.”

“Besides this ideal environment, Aqua-Marine enjoys some substantial advantages as well. This strip of land between the road and the shore is divided into ten large lots, varying in size from half to three-quarters of an acre, each one fronting makai on the sea and mauka on the road for from 100 to 150 feet.”

“Government water is laid on along the fronts of these lots on the road. The sea-bathing is not very good as regards the footing on account of the coral, but can be improved by dynamite; as regards the sea-water it is first-class.”

“The trade winds are not shut out by Diamond Head, but, sweeping around the south east side of the bluff, blow freshly across these lots from the sea, the wind being perceptibly cooled by its passage over the water and carrying with it the tonic quality of the salt spray.”

“The reef is a famous fishing ground, and the fish are free to those who can circumvent them. Shellfish are abundant and ambrosial.”

“The road skirting these lots is being extended by the Park Association, and further on has been carried high up along the face of the bluff, giving a wide and beautiful outlook. It is to be continued around Diamond Head returning to the Park on its mauka side and when finished will be one of the most picturesque drives near Honolulu, abounding in a great variety of delicious views.”

“The tramway is to be extended through the Park, which will bring it within a live minutes’ walk from Aqua Marine. If the Oahu Railroad is extended in this direction according to its preliminary surveys, it will come within a few rods of these lots, which would bring them within fifteen minutes of Honolulu.” (Pacific Commercial Advertiser, February 5, 1892)

“‘Aqua Marine’ at Diamond Head is one of the prettiest places on the Island. Situated on high ground, one is enabled to command a magnificent view of the picturesque landscape and the lighthouse in the distance only adds fresh beauty to an entrancing spot.”

“The Doles are thinking of living at their bungalow all the year round, for the sea air agrees so well with the Judge’s health. The Emma street house is large and comfortable, but little ‘Aqua Marine’ is always occupied the greater part of the year.”

“If the family conclude to live there permanently many changes will be made to the home. The grounds are rapidly being improved and the large trees already planted by Judge Dole are making a fine showing.” (Evening Bulletin, January 14, 1905)

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Sanford Dole beach house at Kaluahole, Diamond Head-1905
Sanford Dole beach house at Kaluahole, Diamond Head-1905
Downtown_Honolulu-Map-1892-portion
Downtown_Honolulu-Map-1892-portion
Honolulu_Harbor_to_Diamond_Head-Wall-Reg1690 (1893) - Waikiki_portion-portion
Honolulu_Harbor_to_Diamond_Head-Wall-Reg1690 (1893) – Waikiki_portion-portion
Honolulu_Harbor-Diamond_Head-Monsarrat-Reg1910 (1897)-portion
Honolulu_Harbor-Diamond_Head-Monsarrat-Reg1910 (1897)-portion

Filed Under: Economy, General, Buildings, Hawaiian Traditions, Place Names, Prominent People Tagged With: Sanford Ballard Dole, Aqua Marine, Kaluahole, Hawaii, Leahi, Diamond Head, Sanford Dole, Dole

May 20, 2017 by Peter T Young Leave a Comment

Pele and the Missionaries

“Had Vulcan employed ten thousand giant Cyclops, each with a steam engine of one thousand horse-power, blowing anthracite coal for smelting mountain minerals, or heaving up and hammering to pieces rocks and hills, their united efforts would but begin to compare with the work of Pele here.”

“Though our mission had now been in the islands nearly four years, yet some of the people of Puna and Hilo were as much afraid of the palapala, as they had been of Pele. Some retained their superstitious regard to the volcanic deities.”

“Some, in their self-complacency, questioned or doubted whether any benefit equal to the trouble, could be obtained by attention to missionary instruction.” (Hiram Bingham)

“Tho’ we do not dispair of benefiting the adults, many of whom are susceptible of religious and moral impressions, & some of whom we hope have already been brought into the kingdom of our Lord, yet generally speaking …”

“… this class of persons are so inveterately addicted to their ancient customs, and so deeply immersed in low and vicious habits, that it is to the rising generation we principally look for the subjects of the transforming grace of God.” (Thurston & Bishop, 1825)

“So far from renouncing their belief in the former Gods of Hawai‘i, it is supposed that more than two thirds adhere to them in some measure, and sacrifice unto them in private.”

“This is more especially the case in the remote parts of the island, where Pele, the god of Volcanoes, has a great number of votaries. Such in brief is the present condition of this people among whom we dwell.” (Thurston & Bishop, 1825)

“Many of the natives still believe that a deity exists in the volcano by the name of Pele. Some tried to dissuade Kapiʻolani from going up to the volcano. They told her that Pele would kill her & eat her up if she went there. She replied that she would go, & if Pele killed & ate her up, they might continue to worship Pele; but if not, i.e., if she returned unhurt, then they must turn to the worship of the true God.”

“Nothing very material occurred during the remainder of the way, except that at every place where they encamped for the night, Kapiʻolani’s first request would be to unite in prayer, to express her gratitude to the Most High for his loving kindness to her through the day. (Goodrich & Ruggles, 1825)

“Taking my field as a whole it has not differed much the past year in its general characteristics from previous years. Perhaps the long spell of warm & pleasant weather may be an exception. For this some believe, right or wrong, we are indebted to Madame Pele who has been most lavish even to prodigality of her warming & burning influences.” (Lyons, 1857)

“The volcano of Kīlauea is always in action. Its lake of lava and brimstone rolls and surges from age to age. Sometimes these fires are sluggish, and one might feel safe in pitching his tent upon the floor of the crater.”

“Again the ponderous masses of hardened lava, in appearance like vast coal-beds, are broken up by the surging floods below, and tossed hither and thither, while the great bellows of Jehovah blows upon these hills and cones and ridges of solidified rocks, and melts them down into seas and lakes and streams of liquid fire.” (Titus Coan)

“There is a remarkable variety in the volcanic productions of Hawaii, – a variety as to texture, form and size, from the vast mountain and extended plain, to the fine drawn and most delicate vitreous fibre, the rough clinker, the smooth stream, the basaltic rock, and masses compact and hard as granite or flint, and the pumice or porous scoria, or cinders, which, when hot, probably formed a scum or foam on the surface of the denser molten mass.” (Hiram Bingham)

“Steam and gases are constantly issuing from a thousand holes and fissures over the crater, but scarcely a spark of fire is to be seen by day or night. In fact Mother Pele has buried her fires, stopped her forges, extinguished her lamps and retired within the deep recesses of her infernal caverns.”

“Is she dead? Does she sleep? or has she only closed her adamantine doors, and with Pluto and Vulcan descended to the fiery bowels of the earth to prepare with deeper secrecy her magazines of wrath which shall one day burst forth with more desolating terror?”

“To us it is a lonely idea that the volcano should become extinct; for we confess that her mutterings, her thunderings, her flashings, the smoke of her nostrils and the shaking of her rocky ribs are music, beauty, sublimity and grandeur to us. They seem so like the voice of Almighty God, so like the footsteps of Deity.” (Lydia Bingham Coan)

“A mighty current instantly overflowed, and they ran for their lives before the molten flood, and ascended from the surface of the abyss to the lofty rim with heartfelt thanksgiving to their great Deliverer. This proves the real danger of meddling with Pele’s palace and trifling with her power.”

“Had this occurred in the days of unbroken superstition, it would doubtless have been ascribed to the anger of that false deity, and multiplied her worshippers.”

“But now such a deliverance was justly ascribed to the care and power of Jehovah, the knowledge of whose attributes displayed in the works of creation, providence, and grace, has introduced the Hawaiian race into a new life.” (Hiram Bingham)

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'Kilauea_Volcano',_oil_on_canvas_painting_by_William_Pinkney_Toler,_c._1860s
‘Kilauea_Volcano’,_oil_on_canvas_painting_by_William_Pinkney_Toler,_c._1860s

Filed Under: General, Ali'i / Chiefs / Governance, Missionaries / Churches / Religious Buildings, Hawaiian Traditions, Place Names Tagged With: Missionaries, Hawaii, Hawaii Island, Pele, Kilauea

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