Hawaiian Traditions | Page 58 | Images of Old Hawaiʻi

November 17, 2018 by Peter T Young Leave a Comment

Makāluapuna

According to oral tradition, Piʻilani unified the entire island of Maui, bringing together under one rule the formerly-competing eastern (Hāna) and western (Wailuku) multi-district kingdoms of the Island. In the 1500s, Chief Piʻilani (“stairway to heaven”) ruled in peace and prosperity.

The traditional moku (district) of Kāʻanapali consisted of five major stream valleys Honokōwai, Kahana, Honokahua, Honolua and Honokōhau).

Six West Maui bays were a place Pi‘Ilani frequented. Collectively, these picturesque and productive bays are called Nā Hono A Piʻilani, The Bays of Piʻilani (aka Honoapiʻilani.)

From South to North they are: Honokōwai (bay drawing fresh water), Honokeana (cave bay), Honokahua (sites bay,) Honolua (two bays), Honokōhau (bay drawing dew) and Hononana (animated bay).

All were extensively terraced for wet taro (loʻi) in early historic and later times. Honokahua Valley has been described as having loʻi lands. Sweet potatoes were reportedly grown between the Honokohau and Kahakuloa Ahupuaʻa.

Oneloa and Honokahua Bays were once joined as one larger bay. However, during the time of Honolua eruptions (Pleistocene Period, 2.6-million to 11,700 years ago), lava formed Makāluapuna Point (Lit., spring hole (as for planting taro)), creating two bays. (Kyselka & Lanteman)

The pineapple plantation village of Honokahua was behind Makāluapuna Point. Farther up, the double lines of Norfolk pines was the plantation house of Pineapple Hill. (Kyselka & Lanteman)

Makāluapuna Point has an interesting lava formation that has earned the name, Dragon’s Teeth. It is a unique lava flow that was influenced by high waves as the ancient lava flow hit the ocean.

The wave energy at the time of the flowing lava was strong enough to curl up the edges of the lava before it cooled leaving these unique giant tooth-like structures.

In addition, there is a labyrinth. Labyrinths are tools for walking meditation and spiritual growth. They are based on patterns that date back thousands of years and have roots in many cultures and traditions.

What seems like a maze or simple ring of concentric circles is actually a pattern with a purpose. The many turns on the labyrinth’s one path reflect the journey of life, which involves changes of direction, transition, realization and attainment.

Makāluapuna Point on the Kapalua coast is the home of Maui’s largest labyrinth. Built by an anonymous builder, the white coral labyrinth was constructed as a peace project in 2005. (Schumacher, Lāhainā News)

In 1962, Maui Land & Pineapple Company, Inc. was formed when Baldwin Packers merged with Maui Pineapple Company. Maui Land & Pine created the wholly-owned subsidiary named Kapalua Land Company, Ltd., which conceived of and developed the master-planned Kapalua Resort featuring the Kapalua Bay Hotel at the shore of Honokahua ahupuaʻa.

The hotel opened in 1978, beginning the change of the former ranch and pineapple lands of Honokahua into a world-class destination resort complex.

Mauka of Makāluapuna Point, starting in 1987, to prepare for proposed ocean-side construction of the Ritz Carlton at Kapalua more than 900 ancestral native Hawaiian burials were excavated from sand dunes at Honokahua, Maui. When the extent of the burials became more widely known, native Hawaiians from around the state staged protests.

Eventually a plan was devised in September 1989 for the proper reburial of the native Hawaiian remains disinterred. Associated with that, the state paid $6-million for a perpetual preservation easement and restoration of the burial site. A 14-acre site is now a historical and cultural landmark.

In addition, as a result of this, Hawaiʻi’s burial treatment law, passed in 1990, gives unmarked burials, most of which are native Hawaiian, the same protection as modern cemeteries. The law:
• Burial Sites Program was set up within DLNR’s Historic Preservation Division
• Burial Councils were set up at Kaua’i-Ni’ihau, O’ahu, Maui-Lānaʻi, Molokaʻi and Big Island
• Procedures to deal with the inadvertent discovery of human skeletal remains were established
• If human remains are found during a construction project, construction, there stops and if the remains appear to have been buried 50 or more years, procedures were established to preserve them in place or relocate them
• Provided penalties for unauthorized alteration, excavation or destruction of unmarked burial sites

“Honokahua changed the history of Hawaiʻi. They have set precedent that we will never ever go back to this complacency and complete disregard for the iwi of our kupuna.”

“Honokahua has created the laws, Honokahua is the law, this stands as the kahili (feather standard, a sign of royalty) for all burial sites from here on to perpetuity. This is the battleground, this is the piko (navel, umbilical cord) of these new laws.” (Naeole, DLNR)

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November 7, 2018 by Peter T Young Leave a Comment

Waiakue Kaikuono

“Waiakue Kaikuono (Waiakue Bay), as it is called by the natives, comprises a spacious harbour, formed by a reef of coral rocks, of about half-a-mile in breadth, through which there is a channel three-quarters of a mile wide, with a depth of water throughout, of about eleven fathoms.” (Hill, 1856)

“Incidently, Hilo Bay was once almost called Vancouver Bay. Vancouver, whose name was given to the great island in British Columbia, and to a fine city in BC and another in southern Washington, was a visitor to Hawaii on several occasions.”

“The men of his party wanted to give Vancouver’s name to Hilo Bay. But somehow it didn’t take.” (Edwards; Honolulu Advertiser, April 29, 1951) It was later referred to as Byron’s Bay and ultimately, Hilo Bay.

“Hilo is a famous sea-shore resort on this island, and from Honolulu by a direct sea route the distance is estimated to be almost one hundred and ninety-two miles, and a steamer of moderate speed can accomplish the trip in almost twenty-four hours.”

“On the map Hilo Bay is frequently marked Byron’s Bay, after Captain Lord Byron, who was the first to make an accurate survey of it, which he did in 1825.” (Hall, 1898)

“Lord Byron, the cousin and successor of the poet (George Gordon Byron), and a very different man, commanding HBM Frigate Blonde, was commissioned by his majesty to convey the bodies of the king and queen (Liholiho and Kamamalu) and the survivors of their suite back to their country.” (Bingham)

“During the voyage Liliha and Kekuanaoa were baptized at their own request by the chaplain, Lord Byron standing as sponsor.” (Taylor)

Actually some suggest its traditional name is Waiakea Bay. “The proper native name for Hilo Bay is Waiakea, but as is quite natural, it is called from the town itself.” (Hall, 1898) “The best landing is at Waiakea, which gives its name to the bay, although it has been called Hilo and Byron’s Bay.”

“The latter name was conferred on it, in compliment to Lord Byron, by Kaahumanu; but the native appellation cannot be set aside, and the bay is now scarcely known among the natives when called Byron’s.” (Wilkes, 1845)

“Excellent water is to be had in abundance, and with great ease, within the mouth of the Wailuku river; but it requires some care in passing in and out the river when the surf is high.” (Wilkes, 1845)

“Lord Byron, with his scientific corps, visited Hila, the great crater of Kilauea, and Kealakahua Bay, and caused accurate surveys to be made of Waikiki Bay, Honolulu harbor, and Hilo Bay, which has since been often called Byron’s Bay.” (Bingham)

“Hilo Bay has an excellent harbor, and if commerce needs it, can be rendered safe and commodious by a breakwater which runs out from the shore to Cocoanut Island. There is room for a whole navy here, if necessary, and the water is deep enough for the largest ship afloat.”

“The town is well laid out and very pretty. One can see great stretches of cane fields all yellow and green, and the tall, graceful cocoa palms with their plumy branches. As the roads in Hilo are not very good, one must either go about on foot or on horseback.” (Hall, 1898)

“Lord Byron drew up the first laws printed and published in Honolulu, being regulations for the harbor of Honolulu. … and by his advice the chiefs began more active measures for suppression of vices which were destroying their race, and for promoting education.”

“The American missionaries, who were still more or less under suspicion, were indebted to him for removing the last doubts as to their mission and motives; telling the natives that these people taught the same religion as that recommended to them by Vancouver, teachers of which he had promised to send them on his return to England, if possible.” (Taylor)

“Before leaving the islands, Lord Byron set up a memorial of Capt. Cook, almost half a century from the time of his death. On the hill of ancient lava, at the head of Kealakekua Bay, and one hundred and fifty rods from the place where that navigator fell …”

“… and near where he was dissected, he erected, on a heap of rough, volcanic stones, a small shaft, or pillar of wood, with a small plate attached”. (Bingham)

In the late 19th century, the growing sugar industry in East Hawai‘i demanded a better and more protected port, and a breakwater was constructed on Blonde Reef to shield ships from rough waters as they entered Hilo Harbor.

In 1908, construction began on a breakwater along the shallow reef, beginning at the shoreline east of Kūhīo Bay. The breakwater was completed in 1929 and extended roughly halfway across the bay. In 1912, contracts were awarded to construct Kūhiō Wharf, to dredge the approach to the new wharf, and to lay railroad track into the new harbor facility.

Work was completed at Kūhiō Wharf, Pier 1 in 1916. Pier 1 was a 1,400-foot long by 150-foot wide wharf with a wooden storage shed. By 1917, a mechanical conveyor for bagged sugar with derricks for loading ships, was constructed.

In 1923, Pier 2 was constructed just west of Pier 1. Additional dredging was conducted in Kūhiō Bay as part of the construction. By 1927, Pier 3 was added on the west side of Pier 2.

Between 1927 and 1928, the approach to Pier 3 was dredged and the pier was widened. In 1929, the 10,080-foot long rubble mound breakwater was completed.

Contrary to urban legend, the Hilo breakwater was not built as a tsunami protection barrier for Hilo; it was built to dissipate general wave energy and reduce wave action in the protected bay, providing calm water within the bay and protection for mooring and operating in the bay.

In fact, in 1946, Hilo was struck by a tsunami generated by an earthquake in the Aleutian Islands; it was struck again in 1960 by a tsunami generated by the great Chilean earthquake – both tsunami overtopped the breakwater and Hilo sustained significant damage, including to the breakwater.

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October 29, 2018 by Peter T Young 1 Comment

Palaoa

O kane ia Waiʻoloi, O ka wahine ia Waiʻololā
Hanau ka Palaoa noho i kai
Kiaʻi ia e ka ʻAoa noho i uka

Male the narrow waters, female for the broad waters
Born is the Palaoa (whale) living in the ocean
Guarded by the ʻAoa (sandlewood) that grew in the forest

O ke kaʻina a palaoa e kaʻi nei
E kuwili O haʻahaʻa i ka moana

The procession of whales leading forward
To spin to the depths of the sea.
(Kumulipo)

The Hawaiian Chant of Creation, known as the Kumulipo, is a genealogical creation chant composed in Hawaii for the chief, Ka-’I-i-mamao, about the eighteenth century, comprising more than 2,000 lines.

It contains 2,000 names representing 812 generations the sum of linear time in that history is about 22,300 years, or roughly one precession of the equinoxes dating back to around 21,000 BC. (Rubellite Kawena Kinney Johnson)

The koholā or whale was formerly called the palaoa. (Malo) “The whale is the largest ocean creature and a majestic manifestation of Kanaloa.

From the ivory of this creature. The highly prized ‘Palaoa’ or whale-tooth pendant is carved. This palaoa was only worn by ali‘i of highest rank.” (Kanahele)

The scarcity of the palaoa and its connection to Kanaloa brought mana to the carver, to the pendant itself and eventually to the wearer of the pendant.

The aliʻi who possessed this kinolau or body form of the great God would himself/herself acquire the characteristics, intelligence and knowledge of the God. Therefore it would be advantageous for any aliʻi to secure the ivory whale-tooth of this Kanaloa body form. (KIRC)

In the ocean, outside lay a belt called kai-kohola, where swim the whales, monsters of the sea; beyond this lay the deep ocean, moana.

If any large fish – such as a whale – or a log strapped with iron, should be cast ashore, it was to be offered to the gods, (ie, it was to be given to the priests for the use of the king). The whale was not taken by Hawaiian fishermen. (Malo)

The whale species hunted in the 19th century were primarily the North Pacific right, the humpback, the fin and the gray whale; they also caught blue and sperm whale. The right and humpback are baleen species; rather than teeth, baleen plates filter food from water.

Whaling was an integral part of the development of many countries in the early nineteenth century. Whale blubber produced oil that lit the lamps and greased the machines of many of the most “modern” inventions of the time. It was said that whale oil was the illumination and lubrication of the Industrial Revolution. (Bishop Museum)

As the traditional hunting grounds of the Atlantic began to be fished out, whalers turned to the plentiful waters of the Pacific. Some of the most bountiful harvesting grounds were found off the coast of Japan.

Japan’s ports however, were closed to foreign vessels; Hawai‘i became a perfect destination for these whaling fleets needing a place to dock, replenish supplies, repair the ships and rest the crews,.

Whalers began arriving in Hawai‘i in 1819, and by 1822 over sixty ships were docking annually. Honolulu, Lāhainā and Kōloa were the primary anchorage areas for the whalers. By 1846, the number of whaling ships arriving in Hawai‘i had reached 596-ships.

The sailors, and their ships needed supplies, food, tools, liquor and many more commodities that often newly arrived “businessmen” were ready to supply. Hawai‘i became a “gold rush” town that attracted people of all types.

Some of the most influential businesses in modern Hawaiian history got their start from the capitalist opportunities of this period. Hawai‘i also saw the loss of young Hawaiian men who traveled aboard these ships to the northwest coast of America and other destinations. (Bishop Museum)

The whale at Bishop Museum, unlike those that were caught for their oil, is actually a sperm whale. It was the first specimen installed in Hawaiian Hall in December of 1901 and has hung there ever since. It is over 55 feet long and weighs over two tons. (Bishop Museum)

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October 13, 2018 by Peter T Young 1 Comment

Moʻomomi

Kaumaha i ka naulu Kaluakoi.
Laden with the summer showers is Kaluakoi.
(Kaluakoi gets rain only in the summer time.) (McElroy)

Kaluakoʻi is the largest ahupuaʻa, or land division, on the island of Molokai. With regard to ahupuaʻa, Lyons asserts that, “in populous portions the sub-division was very minute” (1875.)

Consequently, the size of the Kaluakoʻi ahupuaʻa would suggest a small population for this part of Molokai, a situation borne out by the archaeological record.

The ahupuaʻa of Kaluakoʻi literally means, the “the adze pit.” In this ahupuaʻa, high quality basalt was used to make adzes and other tools. It is well known that lithic quarries occurred on select sites in the area, notably on the summit of Maunaloa at ʻAmikopala, and on northwest Molokai at Moʻomomi and ʻIlio Point. (McElroy)

West Molokai is roughly two million years old and its long dormancy has allowed a deep lateritic soil to develop that covers most of the region. “The Desert Strip,” was coined by Chester Wentworth, who described this extensive dune system as a “barren windswept country in which eolian features are developed with exceptional clarity and vigor”.

The dominant northeast trade winds have blown sand from Moʻomomi almost completely across the northwest corner of the island creating an expansive stretch of sand dunes. The Hawaiians called this same area Keonelele, or “the flying sand.”

The main part of the Moʻomomi Dunes probably was formed during the latest ice age, when sea level was low and the reefs now submerged offshore were dry and feeding sand into the wind. Since then, slightly acidic rain has cemented some of the sand into hard limestone. (McElroy)

A recent study found that 40% of Molokai families’ food came from subsistence activities. The Hoʻolehua Hawaiian Homestead community on Molokai relies heavily for subsistence on the inshore marine resources of the Moʻomomi fishery, which falls within a twelve-mile stretch of coastline along Molokai’s north shore. (Kohala Center)

Coastal fisheries are facing severe depletion and overexploitation on a global scale and Hawai‘i is no exception.

Hui Malama o Moʻomomi cares for the land and nearshore waters along the Moʻomomi Coast on the island of Molokai. Protection of this place is to assure a reliable food source; as the community is very much subsistence-based, the ocean is their “ice box.”

Co-founder of the Hui Malama o Moʻomomi, Mac Poepoe, led the way toward educating others about the coastal resources found in Moʻomomi Bay and pono (proper) behaviors that ensure not only familial but community subsistence.

Poepoe established Hui Mālama o Moʻomomi in 1993 in order to teach younger generations the ancient practices of traditional Hawaiian fishing and how to become responsible marine citizens.

It is a local marine subsistence/sustainability grassroots organization, assisting with management on the state’s Hawaiian Homelands. The Hui oversees marine subsistence gathering and sustainability practices.

Important management lessons to learn from this are to recognize natural rhythms, do not disturb basic renewal processes, monitor (moon, season, habitat, etc) and understand the resource. As a foundation to this, we need to recognize the interconnected link between the land and the ocean.

Community-based management in the Mo‘omomi area involves observational processes and problem-solving strategies for the purpose of conservation. The system is not articulated in the manner of Western science, but relies instead on mental models.

These models foster a practical understanding of local inshore resource dynamics by the fishing community and, thus, lend credibility to unwritten standards for fishing conduct. The “code of conduct” is concerned with how people fish rather than how much they catch. (Poepoe)

Through Poepoe’s efforts, almost single-handedly, they rejuvenated Moʻomomi Beach by controlling erosion, reintroduced native plants and monitored fish populations. The beach is now rich with vegetation, and the moi are as big as small-kid time. (Cooke)

A code of conduct on appropriate behavior was designed to be true to Hawaiian values, to consider the community’s culture and be biologically sound for resource sustainability.
• Rule 1 – Take only what you need. Share your catch with others.
• Rule 2 – Reserve inshore areas for children and novice swimmers and fishermen.
• Rule 3 – Education. Utilize traditional practices and science-based methods.
• Rule 4 – Community governing board.
• Rule 5 – Malama. Care for the land; care for the people; care for all things; understand the land with the ocean.

Community members are joining with state officials to develop a designation for Molokai’s north shoreline that would sustainably support marine resources, protect traditional fishing practices, prohibit commercial harvest and facilitate community involvement in resource management decisions. (Molokai Dispatch)

The group is looking to organize a Community-based Subsistence Fishing Area along the Northwest Coast of Molokai, including Moʻomomi.

Nearby land-based management is underway through The Nature Conservancy (TNC.) Mo‘omomi Preserve was established in June of 1988 to protect the most intact coastal sand dune ecosystem in the main Hawaiian Islands.

The westernmost coastline of the preserve is characterized by sea cliffs; the remainder of the two‐mile long coastline consists of windswept sand beaches, and dunes.

The upper dune area of the preserve is known as Keonelele, “the flying sands”. Portions of the preserve dunes are lithified (sand dunes that become solidified) and are distinct in geological appearance and native strand. (TNC)

Moʻomomi is a nesting location for wedge-tailed shearwater seabirds, or ʻuaʻu kani in Hawaiian. TNC is taking an active role in protecting these ground-nesting birds from feral cats and dogs, as well as promoting scientific study.

Moʻomomi is a breeding and nesting area for the Hawaiian green sea turtle, or honu in Hawaiian, and they are actively monitored by TNC staff and volunteers. It is believed that the females return to lay eggs on the same beach where she was hatched and may live as long as 100 years, though its life span is not known for sure. (McElroy)

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Cave at Moomomi Preserve, Molokai

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Kawa’aloa Beach Mo’omomi Moloka’i-kyle

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October 6, 2018 by Peter T Young Leave a Comment

Hula in Relation to Planting and Harvest

“Hula dancing was enjoyed everywhere during these festivities commemorating Lono. Some ancient hula chants may be interpreted as rain-making incantations. Here are several verses that refer to Hilo, one of the rainiest inhabited localities on the island of Hawaii: Hi‘u o Lani

“Heaven magic, fetch a Hilo-pour from heaven!
Morn’ cloud-buds, look! They swell in the East.
The rain-cloud parts, Hilo is deluged with rain,
The Hilo of King Hana-kahi.

Surf breaks, stirs the mire of Pi’ilani;
The bones of Hilo are broken
By the blows of the rain.
Ghostly the rain-scud of Hilo in heaven;

The cloud-forms of Pua-lani grow and thicken.
The rain-priest bestirs him now to go forth,
Forth to observe the stab and thrust of the rain,
The rain that clings to the roof of Hilo.”

(”Pua-Iani (Sky-flower) was the god who was seen as the rosy clouds of morning, a sign of rain.”)

“Laka, the goddess of the wildwood who was patron of the hula, was said to have been the wife and sister of Lana. The lines that follow are from the chant that dedicated the altar of the Halau Hula (Hall of Hula) in which the sacred and traditional hula was taught.”

“On the altar Laka was represented by a block of lama (which means light) wood covered by a yellow tapa cloth, and its decorations consisted of wild growth from the uplands …”

“… fragrant maile, orange-red and flamelike blossoms of ‘ie‘ie, deep red flowers of hala-pepe, scarlet blossoms of lehua which are like little pompoms, pinkish red mountain apples (‘ōhi‘a ‘ai) , many varieties of fern, flowers of hibiscus and hau, red-orange ‘ilima flowers, ti plants, bananas, and breadfruits.”

“According to Kawena Pukui there were five of the above which must be used without fail : (1) ‘Ōhi‘a lehua (branch and blooms); (2) hala pepe (branch and blossom); (3) maile (any kind); (4) ‘ie‘ie (branch with blossom); and (5) palapalai fern. Other foliage and flowers were used when available.”

“Possibly the origin of hula dancing, which is fundamentally a treading motion of the feet accompanied by rhythmical swinging of the hips and hand gestures …”

“… which express the words of the chant while the shoulders and head are held in poise, is to be found in the treading (hehi) of the earth in a newly made taro patch, or lo‘i (to make it hard and watertight) as described by Kamakau.”

“The day chosen for the treading was a holiday. Men, women and children attended. The owner of the patch provided beforehand an abundance of vegetables, pork, and fish. On the day of treading the new loti was flooded.”

“No one, not even the chief or chiefess, was too kapu (sacred) to tread the soil in the patch. It was a festive day-every man, woman and child decked himself with leaves and worked with all his might, tramping here and there, stirring the mud with his feet, dancing, rejoicing, shouting, reveling, and indulging in all sorts of sport.”

“This tramping and hardening of the surface was done so that the water would not sink away into the soil, but remain to circulate around the stalks of the taro when planted. The planting was done next day, for by then the mud had settled to the bottom of the lo‘i.”

“Laka is sometimes referred to as male, sometimes as female. Such contradictions are not inconsistent in Hawaiian thinking, for a nature god may be male in one form and female in another.”

“Ku-ka-‘ōhi‘a-laka is male. He is embodied in the ‘ōhi‘a lehua trees in the rain forest, and was worshiped as a rain god. He was also ‘god of the hula dance’, ‘He is the male god worshiped in the hula dance.”

“That is why the altar in the dance hall is not complete without a branch of red lehua blossoms.’ But as we have seen above, Laka on the hula altar, a block of lama wood, was a woman, the sister and wife of Lono.”

“Emerson identifies Lono (the god of rain) with Laka, Laka’s body, it is said, was the fragrant foliage of the mountains, the wild ginger, the fern, the maile, the ilima ti.”

“It is obvious that Laka, Lono’s wife, and hula dancing were intimately associated with the idea of rain and abundance of growing things.”

“Kane, with whom taro planting and the origin of taro were associated, was, along with Ku, Lono, and Laka, identified with rain.”

“In a series of prayers used at the decorating of the hula altar with greenery from the uplands: ‘On the highest pinnacle great Lono-of-Kane (Lono-nui-a -Kane) will hear.’”

“Later the prayer addresses Kane-of-Lono (Kane-o-Lono). Kane is also addressed as Kane-i-ka-pahu‘a, which may be translated “Kane-the-thruster” or “Kane-the-dancer.” Kane-i-ka-pahu-wai is “Kane with-a-calabash-of-water,” which he pours out on the earth below. This of course is “Kane-of-the-water-of-life,” who was invoked in prayers of the harvest festival.”

“Hula dances and recitatives were performed in honor of the high chief or mo‘i, and in honor of his first-born. It was the mo‘i who played the role of Lono in the Makahiki festival, and during the Makahiki the mo‘i was entertained with hula dancing and chanting.”

“We have an interesting description of a hula performed by planters, the Hula pu niu. This is a hula for farmers. It is done thus …”

“… In the evening the men are all told that they are going to farm, then in the early morning the kumu hula begins his dance, at the time of dancing there are some gourd instruments and the puniu (coconut drum) covered with the skin of the kala fish.”

“These are played at the hula and then taken to the field. Sometimes the larger instruments are taken, sometimes only the puniu, covered with the skin of the kala fish.”

“While the men work they are silent, and after they are finished they have another hula. The men go to the mountain for maile, palai ferns, awapuhi, and ‘ie‘ie.”

“When they return home, a banner (pahu hae) is taken ahead and the men walk in single file behind it. Thus they go till they reach the hula house. And because of this it is called a farmer’s hula.” (All from Handy, Handy & Pukui)

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