Images of Old Hawaiʻi

  • Home
  • About
  • Categories
    • Ali’i / Chiefs / Governance
    • American Protestant Mission
    • Buildings
    • Collections
    • Economy
    • Missionaries / Churches / Religious Buildings
    • General
    • Hawaiian Traditions
    • Other Summaries
    • Mayflower Summaries
    • Mayflower Full Summaries
    • Military
    • Place Names
    • Prominent People
    • Schools
    • Sailing, Shipping & Shipwrecks
    • Voyage of the Thaddeus
  • Collections
  • Contact
  • Follow
You are here: Home / Hawaiian Traditions / Hula in Relation to Planting and Harvest

October 6, 2018 by Peter T Young Leave a Comment

Hula in Relation to Planting and Harvest

“Hula dancing was enjoyed everywhere during these festivities commemorating Lono. Some ancient hula chants may be interpreted as rain-making incantations. Here are several verses that refer to Hilo, one of the rainiest inhabited localities on the island of Hawaii: Hi‘u o Lani

“Heaven magic, fetch a Hilo-pour from heaven!
Morn’ cloud-buds, look! They swell in the East.
The rain-cloud parts, Hilo is deluged with rain,
The Hilo of King Hana-kahi.

Surf breaks, stirs the mire of Pi’ilani;
The bones of Hilo are broken
By the blows of the rain.
Ghostly the rain-scud of Hilo in heaven;

The cloud-forms of Pua-lani grow and thicken.
The rain-priest bestirs him now to go forth,
Forth to observe the stab and thrust of the rain,
The rain that clings to the roof of Hilo.”

(”Pua-Iani (Sky-flower) was the god who was seen as the rosy clouds of morning, a sign of rain.”)

“Laka, the goddess of the wildwood who was patron of the hula, was said to have been the wife and sister of Lana. The lines that follow are from the chant that dedicated the altar of the Halau Hula (Hall of Hula) in which the sacred and traditional hula was taught.”

“On the altar Laka was represented by a block of lama (which means light) wood covered by a yellow tapa cloth, and its decorations consisted of wild growth from the uplands …”

“… fragrant maile, orange-red and flamelike blossoms of ‘ie‘ie, deep red flowers of hala-pepe, scarlet blossoms of lehua which are like little pompoms, pinkish red mountain apples (‘ōhi‘a ‘ai) , many varieties of fern, flowers of hibiscus and hau, red-orange ‘ilima flowers, ti plants, bananas, and breadfruits.”

“According to Kawena Pukui there were five of the above which must be used without fail : (1) ‘Ōhi‘a lehua (branch and blooms); (2) hala pepe (branch and blossom); (3) maile (any kind); (4) ‘ie‘ie (branch with blossom); and (5) palapalai fern. Other foliage and flowers were used when available.”

“Possibly the origin of hula dancing, which is fundamentally a treading motion of the feet accompanied by rhythmical swinging of the hips and hand gestures …”

“… which express the words of the chant while the shoulders and head are held in poise, is to be found in the treading (hehi) of the earth in a newly made taro patch, or lo‘i (to make it hard and watertight) as described by Kamakau.”

“The day chosen for the treading was a holiday. Men, women and children attended. The owner of the patch provided beforehand an abundance of vegetables, pork, and fish. On the day of treading the new loti was flooded.”

“No one, not even the chief or chiefess, was too kapu (sacred) to tread the soil in the patch. It was a festive day-every man, woman and child decked himself with leaves and worked with all his might, tramping here and there, stirring the mud with his feet, dancing, rejoicing, shouting, reveling, and indulging in all sorts of sport.”

“This tramping and hardening of the surface was done so that the water would not sink away into the soil, but remain to circulate around the stalks of the taro when planted. The planting was done next day, for by then the mud had settled to the bottom of the lo‘i.”

“Laka is sometimes referred to as male, sometimes as female. Such contradictions are not inconsistent in Hawaiian thinking, for a nature god may be male in one form and female in another.”

“Ku-ka-‘ōhi‘a-laka is male. He is embodied in the ‘ōhi‘a lehua trees in the rain forest, and was worshiped as a rain god. He was also ‘god of the hula dance’, ‘He is the male god worshiped in the hula dance.”

“That is why the altar in the dance hall is not complete without a branch of red lehua blossoms.’ But as we have seen above, Laka on the hula altar, a block of lama wood, was a woman, the sister and wife of Lono.”

“Emerson identifies Lono (the god of rain) with Laka, Laka’s body, it is said, was the fragrant foliage of the mountains, the wild ginger, the fern, the maile, the ilima ti.”

“It is obvious that Laka, Lono’s wife, and hula dancing were intimately associated with the idea of rain and abundance of growing things.”

“Kane, with whom taro planting and the origin of taro were associated, was, along with Ku, Lono, and Laka, identified with rain.”

“In a series of prayers used at the decorating of the hula altar with greenery from the uplands: ‘On the highest pinnacle great Lono-of-Kane (Lono-nui-a -Kane) will hear.’”

“Later the prayer addresses Kane-of-Lono (Kane-o-Lono). Kane is also addressed as Kane-i-ka-pahu‘a, which may be translated “Kane-the-thruster” or “Kane-the-dancer.” Kane-i-ka-pahu-wai is “Kane with-a-calabash-of-water,” which he pours out on the earth below. This of course is “Kane-of-the-water-of-life,” who was invoked in prayers of the harvest festival.”

“Hula dances and recitatives were performed in honor of the high chief or mo‘i, and in honor of his first-born. It was the mo‘i who played the role of Lono in the Makahiki festival, and during the Makahiki the mo‘i was entertained with hula dancing and chanting.”

“We have an interesting description of a hula performed by planters, the Hula pu niu. This is a hula for farmers. It is done thus …”

“… In the evening the men are all told that they are going to farm, then in the early morning the kumu hula begins his dance, at the time of dancing there are some gourd instruments and the puniu (coconut drum) covered with the skin of the kala fish.”

“These are played at the hula and then taken to the field. Sometimes the larger instruments are taken, sometimes only the puniu, covered with the skin of the kala fish.”

“While the men work they are silent, and after they are finished they have another hula. The men go to the mountain for maile, palai ferns, awapuhi, and ‘ie‘ie.”

“When they return home, a banner (pahu hae) is taken ahead and the men walk in single file behind it. Thus they go till they reach the hula house. And because of this it is called a farmer’s hula.” (All from Handy, Handy & Pukui)

Follow Peter T Young on Facebook 

Follow Peter T Young on Google+ 

Follow Peter T Young on LinkedIn  

Follow Peter T Young on Blogger

© 2018 Hoʻokuleana LLC

Jean_Augustin_Franquelin_(after_Louis_Choris),_Danse_des_femmes_dans_les_iles_Sandwich_(1822)
Jean_Augustin_Franquelin_(after_Louis_Choris),_Danse_des_femmes_dans_les_iles_Sandwich_(1822)
Danse_des_hommes_dans_les_iles_Sandwich._Lith.e_par_Franquelin_d'apres_Choris._Lith._de_Langlume_i_de_l'Abbaye._Paris,_1822
Danse_des_hommes_dans_les_iles_Sandwich._Lith.e_par_Franquelin_d’apres_Choris._Lith._de_Langlume_i_de_l’Abbaye._Paris,_1822
Danse_des_femmes_dans_les_iles_Sandwich._Dess._et_lith._par_Choris._Lith._de_Langlume-1816
Danse_des_femmes_dans_les_iles_Sandwich._Dess._et_lith._par_Choris._Lith._de_Langlume-1816
Four_Views_of_a_Man_Dancing-Webber-(BishopMuseum)-1780
Four_Views_of_a_Man_Dancing-Webber-(BishopMuseum)-1780

Share this:

  • Click to email a link to a friend (Opens in new window) Email
  • Click to print (Opens in new window) Print
  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on X (Opens in new window) X
  • Click to share on LinkedIn (Opens in new window) LinkedIn
  • Click to share on Reddit (Opens in new window) Reddit
  • Click to share on Tumblr (Opens in new window) Tumblr
  • Click to share on Pocket (Opens in new window) Pocket
  • Click to share on Pinterest (Opens in new window) Pinterest

Like this:

Like Loading...

Related

Filed Under: Hawaiian Traditions Tagged With: Hawaii, Hula, Lono, Laka

Leave your comment here:Cancel reply

Images of Old Hawaiʻi

People, places, and events in Hawaiʻi’s past come alive through text and media in “Images of Old Hawaiʻi.” These posts are informal historic summaries presented for personal, non-commercial, and educational purposes.

Info@Hookuleana.com

Connect with Us

  • Email
  • Facebook
  • LinkedIn
  • Twitter
  • YouTube

Recent Posts

  • Barefoot Football
  • Arthur Akinaka
  • Food Administration
  • Lanai City Schools
  • Happy Mother’s Day!
  • 250 Years Ago … Green Mountain Boys
  • Rock Silo to Bell Tower

Categories

  • Economy
  • Voyage of the Thaddeus
  • Mayflower Summaries
  • American Revolution
  • General
  • Ali'i / Chiefs / Governance
  • Buildings
  • Missionaries / Churches / Religious Buildings
  • Hawaiian Traditions
  • Military
  • Place Names
  • Prominent People
  • Schools
  • Sailing, Shipping & Shipwrecks

Tags

Albatross Al Capone Ane Keohokalole Archibald Campbell Bernice Pauahi Bishop Charles Reed Bishop Downtown Honolulu Eruption Founder's Day George Patton Great Wall of Kuakini Green Sea Turtle Hawaii Hawaii Island Hermes Hilo Holoikauaua Honolulu Isaac Davis James Robinson Kamae Kamaeokalani Kamanawa Kameeiamoku Kamehameha Schools Lalani Village Lava Flow Lelia Byrd Liliuokalani Mao Math Mauna Loa Midway Monk Seal Northwestern Hawaiian Islands Oahu Papahanaumokuakea Marine National Monument Pearl Pualani Mossman Queen Liliuokalani Thomas Jaggar Volcano Waikiki Wake Wisdom

Hoʻokuleana LLC

Hoʻokuleana LLC is a Planning and Consulting firm assisting property owners with Land Use Planning efforts, including Environmental Review, Entitlement Process, Permitting, Community Outreach, etc. We are uniquely positioned to assist you in a variety of needs.

Info@Hookuleana.com

Copyright © 2012-2024 Peter T Young, Hoʻokuleana LLC

 

Loading Comments...
 

    %d