Missionaries / Churches / Religious Buildings | Page 16

October 11, 2023 by Peter T Young Leave a Comment

Polynesian Cultural Center

“The Mormons are said to have commenced their mission in 1850. Their converts are scattered over all the islands. They number about nine per cent of all those who in the census returns have reported their religious affiliations. This mission owns a small sugar plantation at Laie, on the island of Oʻahu.” (The Friend, December 1902)

The Mormon mission purchased approximately 6,000-acres of land in Lāʻie in 1865; at the time, sugar production was growing in scale; in addition to farming for food for the mission, the Lāʻie land was considered to have a good potential for growing sugar cane.

In 1867, the first sugar cane was planted and was later expanded with the Lāʻie Plantation. Sugar provided the positive economic impact and gave financial support to the Mormon Church in Hawaiʻi. However, in the 1920s, the plantation had financial problems and the Church later leased sugar lands to Kahuku Plantation Company.

As the Lāʻie sugar industry declined, tourism to Hawaiʻi was growing,

Looking for new sources of revenue to the Church and its members, they looked to exploit the tourism market through the ‘hukilau’ at Lāʻie Bay (visitors pulling (huki) an arced net with leaves (lau) from the beach -to pull [a] rope with ti leaves [and a net attached.])

Each hukilau attracted several hundred tourists from Honolulu. After the tourists helped pull the nets and the fish to shore, the residents of Lāʻie entertained them with songs, dances, activities, storytelling and feasting. (Webb)

Then, in 1955, the Mormons started the “Church College of Hawaiʻi” (CCH) in Lāʻie (in 1974, the school changed its name to Brigham Young University-Hawaiʻi Campus (BYU-Hawaiʻi.) Church officials looked for ways to provide jobs for the growing student population.

The success of the hukilau and the diversity and number of Polynesian students at the College led to expanded entertainment, including free tram rides to the nearby temple grounds.

In 1959 students and faculty at the Church College of Hawaiʻi organized the “Polynesian Institute” (later renamed “Polynesian Panorama”) and took the show on the road. CCH students performed first at the International Market Place, then put on larger performances in the Kaiser Hawaiian Dome in Waikīkī.

Two years of shuttling Church College students back and forth to Waikiki for performances convinced decision-makers that a spirited, tourist-oriented Polynesian revue with a student cast was definitely marketable. And although some argued that La’ie was too far from Honolulu, others insisted that the success of the hukilau demonstrated that they could draw audiences large enough to make the venture profitable. (Webb)

The Polynesian Cultural Center (PCC) was born.

Over 100 “labor missionaries” volunteered to help build the Polynesian Cultural Center’s original 39 structures on a 12-acre site that had previously been planted in taro. Skilled artisans and original materials from the South Pacific were imported to ensure the authenticity of the village houses.

When it opened on October 12, 1963, the PCC adopted some of the successes of the hukilau. The general pattern of cultural activities, a sumptuous meal and a culminating performance of songs and dances became the basic PCC program. Many of those who performed at the hukilau became part of the Center’s original cast. (Webb)

Since opening, million of visitors have been introduced to the Polynesian people, their arts and customs, and tens of thousands of BYU-Hawaiʻi students have helped finance their educational objectives while working as the friendly guides, performers and other PCC employees serving people from all over the world.

Each of the major Polynesian cultures has its own section, centered on a traditional village. Hourly performances and cultural learning experiences take place in these villages. Villages include: Hawaii, Samoa, Aotearoa (present-day New Zealand,) Fiji, Tahiti, Tonga and the Marquesas Islands.

In addition to the villages, the PCC has a special exhibit dedicated to Rapa Nui (Easter Island or Isla de Pascua) and a tribute to the 1850s LDS mission.

Over the years, the program and PCC footprint expanded. An amphitheater built in 1975 now seats almost 2,800 guests. A 1,000-seat restaurant opened in 1979, and IMAX films, shopping plaza and other features were added.

Now, there are things to do and shows to see, day and night (with Kamaʻaina rates).

October 7, 2023 by Peter T Young Leave a Comment

Third Outrage at Lāhainā

In the mid-1820s and early-1830s, several clashes (writers of the time referred to them as ‘ourtages’) happened that included the missionaries, merchants and whalers.

In 1825, an assault was made upon the house and family of Mr. Richards, by the riotous crew of the English whaleship Daniel, then lying at anchor off the town of Lāhainā; and that Capt Buckle, the master of that ship, evidently connived at the assault, (if he did not directly promote it,) and is therefore justly responsible for it (the First Outrage at Lahaina.)

About a year afterwards, a similar attempt to abrogate the laws of that place was made by the crews of several English and American whale-ships in concert, who doubtless acted with the connivance of their captains.

The sailors threatened to kill Mr. Richards; but he was providentially absent from the islands, on important business of the mission. They went in a body to his house to demolish it; but found it carefully guarded by the natives.

They then took away his hogs and poultry, which were at some distance from the house, and were probably the only property belonging to him, on which the rioters could lay their hands.

They continued several days in the town, trampling on the rights of the natives, breaking open houses, and committing other indignities (the Second Outrage at Lahaina.)

In a letter from Hoapili, Governor of Maui, to Kaʻahumanu, Regent (October 24, 1827,) Hoapili described the Third Outrage of Lāhainā:

“Love to you Elisabeth Kaahumanu.”

“This is the word which I have to declare to you. We have recently been in difficulty; we here of Maui. No one else is involved, I alone.—It was my own personal resolution.”

“This is the ground of the difficulty which you are to consider – a strict regard to God: because you and we had said, the women must not go on board the ships for the purposes of prostitution. I have strictly observed this word of ours.”

“There have recently gone off secretly several women for purposes of lewdness, Nakoko and Mikabako and others, whose names I do not know.”

“When I heard by the people, that the ship had got possession of the women, then I requested the commander of the ship (the John Palmer,) captain Clark (Elisha Clarke,) to return to me the women. He would not consent: – he ridiculed what I said.”

“That day passed; next morning I urged him again; three times I insisted on it.”

“He said to me: Your efforts are vain. It is not right. It is not thus in Great Britain. It is not right for you to withhold women from Englishmen. Do not keep back the women, that go in the bad way; otherwise a man of war will come and destroy you all.”

“Then I replied; I do not at all regard what you have said. There is but one thing that is right in my view – that you send me back the women: – but understand, if you do not return them, I shall detain you here on shore, till we get the women. Then you may go to the ship.”

“My requirement was not at all complied with.”

“Then I sent men to take the boat. The boat was detained by me; and the foreigner was detained by me, here on shore. He said to me, this place will be full of ships; and Maui shall be free from tabu, or entirely burnt, so that not a cluster of houses shall be left. My ship is ready to fire upon you this night.”

“I replied, if the guns of your ship fire, I will take care of you. You and I and my chief will go together to another place. If your men fire from the ship, we the people of the island will remain quiet, but if the people of the ship land here on shore to fight us, then my people will fight them.”

“You and I will sit still, and let your people and mine do the fighting. I will take care of you. If you do not give me back the women, you and I will dwell here on shore, and you shall not return to your vessel. I have but one desire and that is the return hither of the women. I ended.”

“We continued together from the early to the latter part of the evening, when the cannon of the ship were fired.”

(Five balls were discharged, all in the direction of the mission house. Capt. Clark afterwards asserted that he ordered his men to fire over the mission house, and not at it. One ball passed very near the roof.) (Tracy)

“Mr. Richards had come to me saying, ‘I have come to promote reconciliation, out of love to you and out of love to them.’ Mr. Richards inquired of me ‘What is your design?’ I replied, my only design is, that the women be returned. We were persuaded to yield by Mr. Richards. I therefore sent back the foreigner; but did not obtain the women.”

“These are my thoughts concerning the recent doing in this place belonging to your king. It is nearly right perhaps, it is nearly wrong perhaps. He said to me, I shall sail to Oahu. Boki and the consul will come and fight us.”

“Where are you? Look out well for Nakoko and those with her, and if you can get them, send them back here to Maui; and if the vessel does not anchor, then give directions to Pelekaluhi. It is ended. Love to you all, Hoapiri – Kane.” (Missionary Herald)

Edward_T._Perkins,_Rear_View_of_Lahaina,_1854-WC

Two cannon balls fired at the home of Rev. William Richards in Lahaina-HSA-PP-37-2-007

September 29, 2023 by Peter T Young Leave a Comment

Maui No Ka Oi

Several have asked about historical information on Lahaina and West Maui. Here is a repeat of something I posted a while ago – its focus is on West Maui.

West Maui was considered a ‘window to the world’ because this area has seen the comings and goings of rival chiefs, kings, missionaries, whalers, government officials, the military, sugar and pineapple plantation owners, early labor immigrants, celebrities and travelers for centuries.

This ‘window’ is a metaphor. As a ‘window to the world,’ the stories of West Maui give a bigger perspective of the world, than we would otherwise have, and helps us to expand our view and broaden our understanding of the world.

History tells us much about a community – what it is and where it has come from. West Maui has a rich history dating back to the times of: Pre-contact Hawaiʻi; Hawaiian Monarchy; American Protestant Missionaries; Whaling industry; Sugar and Pineapple Plantations; and Evolution of the West Maui Community.

Each successive passage of an era has added to the cultural richness of the community. And through the tireless efforts of numerous organizations and individuals in the community, much has been done to preserve the historic character of West Maui town and to restore historic sites.

The island of Maui is divided into twelve moku; Kāʻanapali, Lāhainā, Wailuku, Hāmākuapoko, Hāmākualoa, Koʻolau, Hāna, Kīpahulu, Kaupō, Kahikinui, Honuaʻula and Kula. Two of these, Kāʻanapali and Lāhainā make up West Maui.

Probably there is no portion of our Valley Isle, around which gathers so much historic value as West Maui. It was the former capital and favorite residence of kings and chiefs.

After serving for centuries as Royal Center to ruling chiefs, West Maui was selected by Kamehameha III and his chiefs to be the seat of government; here the first Hawaiian constitution was drafted and the first legislature was convened.

Hawai‘i’s whaling era began in 1819 when two New England ships became the first whaling ships to arrive in the Hawaiian Islands. Over the next two decades, the Pacific whaling fleet nearly quadrupled in size and in the record year of 1846, 736-whaling ships arrived in Hawai’i.

Although Honolulu was originally the port most favored by the whalers, West Maui often surpassed it in the number of recorded visits, particularly from about 1840 to 1855.

Lāhainā Roads, also called the Lāhainā Roadstead is a channel between the islands of Maui and Lānai (and to a lesser extent, Molokai and Kahoʻolawe) making it a sheltered anchorage.

The central location of the Hawaiian Islands between the continent and Japan whaling grounds brought many whaling ships to the Islands. Whalers needed food and the islands supplied this need from its fertile lands.

Between the 1820s and the 1860s, the Lāhainā Roadstead was the principal anchorage of the American Pacific whaling fleet. One reason why so many whalers preferred West Maui to other ports was that by anchoring in a roadstead from half a mile to a mile from shore they could control their crews better than when in a harbor.

Another factor to affect the change, growth and social structure of West Maui was the arrival of the first missionaries in the islands during 1820.

The first missionaries to be established at Lāhainā, the Rev. CS Stewart and the Rev. William Richards, arrived in 1823. They came at the request of Queen Mother Keōpūolani, who moved to live in Lāhainā that year.

The great event of 1823 was the death of Keōpūolani at Lāhainā. Within an hour before “joining the Great Majority” she had been baptized as a Christian, an occurrence which proved a great stimulus to increasing the influence of the missionaries. King Kaumuali’i of Kauai, at his special request, was buried beside Keōpūolani in 1824. (NPS)

In 1831, classes at the new Mission Seminary at Lahainaluna (later known as Lahainaluna (Upper Lahaina)) began. The school was established by the American Board of Commissioners of Foreign Missions “to instruct young men of piety and promising talents” (training preachers and teachers.) It is the oldest high school west of the Mississippi River.

Per the requests of the chiefs, the American Protestant missionaries began teaching the makaʻāinana (commoners.) Literacy levels exploded.

From 1820 to 1832, in which Hawaiian literacy grew by 91 percent, the literacy rate on the US continent grew by only 6 percent and did not exceed the 90 percent level until 1902 – three hundred years after the first settlers landed in Jamestown – overall European literacy rates in 1850 had not been much above 50 percent.

Centuries ago, the early Polynesian settlers to Hawaiʻi brought sugar cane with them and demonstrated that it could be grown successfully.

It was not until 1823 that several members of the West Maui Mission Station began to process sugar from native sugarcanes for their tables. By the 1840s, efforts were underway in West Maui to develop a means for making sugar as a commodity.

Starting in the 1850s, when the Hawaiian Legislature passed “An Act for the Governance of Masters and Servants,” a section of which provided the legal basis for a contract-labor system, labor shortages were eased by bringing in contract workers from Asia, Europe and North America.

It is not likely anyone then foresaw the impact this would have on the cultural and social structure of the islands. The sugar industry is at the center of Hawaiʻi’s modern diversity of races and ethnic cultures. Of the nearly 385,000-workers that came, many thousands stayed to become a part of Hawai‘i’s unique ethnic mix. Hawai‘i continues to be one of the most culturally-diverse and racially-integrated places.

Pioneer Mill Company was one of the earliest plantations to use a steam tramway for transporting harvested cane from the fields to the mill. Cane from about 1000‐acres was flumed directly to the mill cane carrier with the rest coming to the mill by rail. (The Sugar Cane Train is a remnant of that system.)

In 1859, an oil well was discovered and developed in Titusville, Pennsylvania; within a few years this new type of oil replaced whale oil for lamps and many other uses – spelling the end of the whaling industry.

By 1862, the whaling industry was in a definite and permanent decline. The effect of West Maui was striking. Prosperity ended, prices fell, cattle and crops were a drag on the market, and ship chandleries and retail stores began to wither.

Historically Maui’s second largest industry, pineapple cultivation has also played a large role in forming Maui’s modern day landscape. The pineapple industry began on Maui in 1890 with Dwight D. Baldwin’s Haiku Fruit and Packing Company on the northeast side of the island.

West Maui’s roots in the historic pineapple industry began in 1912, when of Honolua Ranch manager, David Fleming began growing pineapple there; almost overnight the pineapple industry boomed.

The ranch was soon renamed Baldwin Packers; at one time they were the largest producer of private label pineapple and pineapple juice in the nation.

One of the first hotels in West Maui was the Pioneer Hotel – founded in 1901. George Freeland arrived in the Lāhainā roadstead on a ship that had just come from a long voyage through the south seas; he noted a need for a hotel.

It remained the only place for visitors to stay on Maui’s west side until the early-1960s. Tourism exploded; West Maui is a full-fledged tourist destination second only to Waikīkī.

Lāhainā’s Front Street, offering an incredible oceanfront setting, people of diverse cultures, architecture and incredible stories of Hawaiʻi’s past, was recognized as one of the American Planning Association’s 2011 “Great Streets in America.”

The following link is to a larger discussion on West Maui – it was prepared a few years ago, before the fires.

Click HERE to view/download for more information on West Maui’s place in the Islands and world.

To see and read about the many structures that were lost in the Lahaina fire, I encourage you to download an App developed by the Lahaina Restoration Foundation that was put together as a ‘Walking Tour’ through Lahaina (you will see images and information on the pre-fire structures):

https://lahainarestoration.org/lahaina-historic-trail/

The tragic fire in Lahaina destroyed many of the physical structures of the community. Some of the historic buildings may be rebuilt; something else will take the place of others.

But the fires did not take away the memory we share of this area. Do what you can to help those that have been impacted and share your memories of West Maui and Lahaina. Maui No Ka Oi (Maui is the best).

Humpback_Whale-Maui-(Stan_Butler-NOAA)-WC

Olowalu-Petroglyphs

Bathing scene, Lahaina, Maui, watercolor, by James Gay Sawkins-1855

Port-of-Lahaina-Maui-1848

Whale-ships at Lahaina-(vintagehawaii)-1848

Edward_T._Perkins,_Rear_View_of_Lahaina,_1854

Whales from McGregor Point-(cphamrah)

Pioneer Mill

McGregor_Point-Norwegian-Monument

Lahaina_from_offshore_in-1885

Lahaina_Boat_Landing

Lahaina,_West_Maui,_Sandwich_Islands2,_watercolor_and_pencil,_by_James_Gay_Sawkins-1855

Lahaina,_Maui,_c._1831

Lahaina, Front Street 1942

Lahaina Tunnel Dedication (1951)

Lahaina Roads

Lahaina Harbor before harbor perimeter retaining wall built-ca 1940

Lahaina Courthouse-fronting beach-(now Lahaina Small Boat Harbor)

Banyan Tree located in courthouse square in the center of Lahaina

Baldwin Packers Cannery (kapalua)

1837 Map of the Islands; made by students at Lahainaluna School (Mission Houses)

September 25, 2023 by Peter T Young Leave a Comment

Walter Murray Gibson

Walter Murray Gibson was born at sea, the son of English emigrants, en route to the United States (March 6, 1822.) His early years were spent in New York, New Jersey and South Carolina; and his youthful imagination was kindled into a flame of romantic ambition by tales of the East Indies. (Kuykendall)

While still a young man, he had been imprisoned by the Dutch in Java for more than a year, found guilty of plotting to stir up a rebellion against their rule. From that time in 1850-51 he had carried a dream of becoming the savior of the island races of Oceania, of gaining power to rescue them from the misrule of their white masters. (Adler – Kamins)

In 1861, he came to Hawaiʻi after joining the Mormon Church the year before; he was to serve as a missionary and envoy of the Mormon Church to the peoples of the Pacific Ocean. He landed in Lānaʻi and eventually created the title “Chief President of the Church of Jesus Christ of Latter-day Saints in the Islands of the Sea.” He more regularly went by the name Kipikona.

The experience with the Church was relatively short-lived; in 1864, he was excommunicated for selling priesthood offices, defrauding the Hawaiian members and misusing his ecclesiastical authority (in part, he was using church funds to buy land in his name.)

By the 1870s, Gibson focused his interests in ranching in the area called Koele, situated in a sheltered valley in the uplands of Kamoku Ahupuaʻa. As the ranch operation was developed, Koele was transformed from an area of traditional residency and sustainable agriculture to the ranch headquarters. (Lānaʻi Culture and Heritage Center)

Herds of sheep were managed from Koele, and during shipping season, wool and mutton for the meat markets in Honolulu, were shipped from the coastal village of Awalua, at the northern end of the island. (Lānaʻi Culture and Heritage Center)

In 1872, Gibson moved from Lānaʻi to Lāhainā and then to Honolulu.

He established a small bilingual newspaper, Ka Nuhou (News,) and wrote, edited and ran it for 14-months (1873-1874.) It grew in circulation to about 5,000, double the size of any other Hawaiian language periodical to and for the Hawaiian people. Its slogan was – Hawaiʻi for the Hawaiians.

Not everyone enjoyed its content. “The Nuhou is scurrilous and diverting, and appears ‘run’ with a special object, which I have not as yet succeeded in unraveling from its pungent but not always intelligible pages.” (Isabella Bird)

He denounced, as enemies of the kingdom, those who favored ceding Pearl Harbor to the US as an inducement to enter into the reciprocity treaty with Hawaiʻi so eagerly sought by the sugar planters to gain access to the American market. (Adler – Kamins)

He used the newspaper to support, first, Lunalilo, then, King Kalākaua in their election campaigns.

Following that, he ran for political office and served in the House of Representatives, representing Maui (the only haole in the 27-member Legislative Assembly – 1878-1882.)

He made his way to become as Finance Committee Chairman and under his leadership allocations of public funds showed his concern for the national pride of Hawaiians: $500 to Henri Berger, leader of the Hawaiian Band, for composing the music for Hawaii Ponoʻi, the new national anthem; $10,000 for a bronze statue of Kamehameha I; and $50,000 to begin construction of a new ʻIolani Palace, to house King Kalākaua and Queen Kapiʻolani, and all their successors. (Adler – Kamins)

Public service did not stop there. He was later Member of Privy Council and Board of Health (1880, Health President 1882;) Commissioner of Crown Lands (1882;) Board of Education, President (1883;) Attorney General (1883;) House of Nobles (1882-1886;) Secretary of War & Navy (1886;) Premier and Minister of the Interior (1886) and Minister of Foreign Affairs (1882-1887.)

In his new capacities, Gibson’s first notable accomplishment was his development of a new monetary system for the island nation. The new money was printed in San Francisco and the bills featured Kalākaua. This was followed by the creation of a postal system; Gibson himself designed and printed the postage stamps for the Hawaiian kingdom. (Lowe)

Then, the good times ended. “A conspiracy against the peace of the Hawaiian Kingdom had been taking shape since early spring.” (Liliʻuokalani) In 1887, the struggle for control of Hawaiʻi was at its height as David Kalākaua was elected to the throne. But the businessmen were distrustful of him.

“So the mercantile element, as embodied in the Chamber of Commerce, the sugar planters, and the proprietors of the “missionary” stores, formed a distinct political party, called the “down-town” party, whose purpose was to minimize or entirely subvert other interests, and especially the prerogatives of the crown, which, based upon ancient custom and the authority of the island chiefs, were the sole guaranty of our nationality.” (Liliʻuokalani)

The Hawaiian League (aka Committee of Thirteen, Committee of Public Safety & Annexation Club) were unhappy with the rule of Kalākaua and used threats to force the king to adopt a new constitution. The Hawaiian League came into control of the Honolulu Rifles (made of about 200 armed men.) The Hawaiian League used the Rifles to force King Kalākaua to enact the Bayonet Constitution. (Kukendall)

On July 1, Kalākaua asked his entire cabinet to resign. Gibson, a strong and vocal supporter of the King was also an early target. He was captured by the Honolulu Rifles and almost lynched; instead, he was banished from the Islands.

He left Honolulu on July 12, 1887 on the sugar freighter JD Spreckels and arriving in San Francisco on August 6, 1887. He spent the following five months in and out of St Mary’s Hospital and died January 21, 1888 of tuberculosis of the lungs.

When his body was returned to Honolulu, he lay in state and thousands lined up to view his remains through a windowed coffin. “The place has been thronged with visitors, many of whom were natives, who expressed a kindly aloha for the departed Premier.” (Daily Bulletin, February 18, 1888)

September 17, 2023 by Peter T Young Leave a Comment

United in a Song of Praise

The Prudential Committee of the American Board of Commissioners for Foreign Missions (ABCFM) in giving instructions to the pioneer missionaries of 1819 said:

“Your mission is a mission of mercy, and your work is to be wholly a labor of love. … Your views are not to be limited to a low, narrow scale, but you are to open your hearts wide, and set your marks high. You are to aim at nothing short of covering these islands with fruitful fields, and pleasant dwellings and schools and churches, and of Christian civilization.” (ABCFM)

Their message was simple, “As ambassadors of the King of Heaven, having the most important message to communicate, which he could receive, we made to him the offer of the Gospel of eternal life, and proposed to teach him and his people the written, life-giving Word of the God of Heaven.” (Bingham)

One of the first things Bingham and his fellow missionaries did was begin to learn the Hawaiian language and create an alphabet for a written format of the language. Their emphasis was on teaching and preaching.

These missionaries taught their lessons in Hawaiian, rather than English. In part, the mission did not want to create a separate caste and portion of the community as English-speaking Hawaiians. In later years, the instruction, ultimately, was in English.

The arrival of the first company of American missionaries in Hawaiʻi marked the beginning of Hawaiʻi’s phenomenal rise to literacy. The chiefs became proponents for education and edicts were enacted by the King and the council of chiefs to stimulate the people to reading and writing.

Within five years of the missionaries’ arrival, a dozen chiefs had sought Christian baptism and church membership, including the king’s regent Kaʻahumanu. The Hawaiian people followed their native leaders, accepting the missionaries as their new priestly class. The process culminated in Hawaiian King Kamehameha III’s adoption of Christianity and a Biblically-based constitution in 1840. (Schulz)

The missionaries left many other lasting legacies in the Islands, including their songs. Some songs were translations of Western songs into Hawaiian. Some were original verse and melody.

Oli (chant) and mele (song) were already a part of the Hawaiian tradition.

“As the Hawaiian songs were unwritten, and adapted to chanting rather than metrical music, a line was measured by the breath; their hopuna, answering to our line, was as many words as could be easily cantilated at one breath.” (Bingham)

Missionaries used songs as a part of the celebration, as well as learning process. “At this period, the same style of sermons, prayers, songs, interrogations, and exhortations, which proves effectual in promoting revivals of religion, conversion, or growth in grace among a plain people in the United States, was undoubtedly adapted to be useful at the Sandwich Islands. … some of the people who sat in darkness were beginning to turn their eyes to the light”. (Bingham)

“The king (Kamehameha III) being desirous to use his good voice in singing, we sang together at my house, not war songs, but sacred songs of praise to the God of peace.” (Bingham)

One of the unique verses (sung to an old melody) was Hoʻonani Hope – Hoʻonani I Ka Makua Mau. Bingham translated it to Hawaiian and people sang it to a western melody that dates back to the 1600s.

The melody may sound familiar to many – it was originally called ‘Old 100th‘ and is attributed to Louis Bourgeois (he penned the melody in the mid-1500s.)

It was later attached to a verse of Thomas Hen’s ‘All People That On Earth Do Dwell,’ written in about 1674. It had many verses (I have been able to find a version that has 11-verses; some versions had fewer.)

While most people may not recall the initial verses, what appears as his last is likely widely remembered. Many people suggest that Bingham’s verse is merely a translation of Hen’s last verse. It appears that is not the case.

I had the opportunity to attend the Hawaiian Mission Houses’ program “Ke Ala O Ka Hua Mele” – a four-part discussion and musical series on the evolution of Hawaiian music. One part focused on Himeni (Hawaiian Hymns.)

We were in Kawaiahaʻo Church, the Church choir sang several hymns; one was Hoʻonani Hope (Ka Buke Himeni – Bingham’s translation.) This was waaay cool.

A handout given by the Church shows Hoʻonani Hope – the Hawaiian was Bingham’s translation and the English verse was printed next to it.

Here is Bingham’s Hoʻonani Hope:
Hoʻonani i ka Makua mau
Ke Keiki me ke ka ʻUhane nō
Ke Akua mau, hoʻomaikaʻi pū
Ko kēia ao ko kēlā ao
ʻĀmene

This translates to:
Let us give praise to the eternal Father
To the Son and to the Holy Ghost
To God everlasting, let there ring praise
Both in this world as well as the kingdom beyond
Amen

“In his first efforts at translation, while still groping in the darkness of Polynesian thought patterns so foreign to his own, his mind must have fastened upon one of the shorter forms of the 100th Psalm which cannot have been very different from those used in the Bethel Chapel by the foreign congregation and appearing in 1840 in probably the earliest hymnal printed in English at the American mission press in Honolulu.” (The Friend, May 1935)

Bingham’s Hoʻonani Hope is also referred to as the ‘Hawaiian Doxology.’

Here is a rendition of Hoʻonani Hope – Hoʻonani I Ka Makua Mau, the Hawaiian Doxology:
https://www.youtube.com/watch?v=_eUFK03l8MI

(It was the only rehearsal this ‘combined school choir’ had – Aaron Mahi conductor. They were students from schools associated with the Mission – Punahou, Lahainaluna, Mid-Pacific Institute and Kamehameha Schools.)

The words of the ‘traditional’ Doxology are:
Praise God from whom all blessings flow;
Praise him, all creatures here below;
Praise him above, ye heav’nly hosts;
Praise Father, Son and Holy Ghost
Amen

Bingham did not translate the ‘Doxology’ verse we are accustomed to. (He may have even made up some or all of the English verse, in addition to the translation into Hawaiian.) (A second verse written by Haunani Bernadino was added in 2005.