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March 25, 2017 by Peter T Young 2 Comments

‘Biggest Single Gate in the History of Show Business in Hawai‘i’

“The ultimate completion of the USS Arizona Memorial will be a constant reminder of the heroes’ deeds performed by our armed forces on Dec. 7, 1941.” (Rear Adm Roy S Benson, Cincinnati Enquirer, Dec 8, 1960)

President Dwight D Eisenhower had approved the creation of Arizona Memorial in 1958. $500,000 was needed for its construction. (Ho‘okele)

The public law stipulated that the monument would be built without federal funding. Several organizations and individuals helped in the effort to raise the required amount. In 1958, the Territory of Hawaii contributed the initial $50,000.

On December 3, 1958 the popular television series, ‘This is Your Life’ hosted by Ralph Edwards kicked off the public fundraising campaign. The program featured Samuel Fuqua, Medal of Honor recipient and the senior surviving officer from the USS Arizona.

Over $95,000 was raised for the new permanent structure. However, within a couple of years, donations slowed and the memorial fund was in dire need of cash. USS Arizona Memorial historian Dan Martinez credits newspapers for keeping the memorial concept alive.

“Editors of daily newspapers across the country were connected in their profession, that was how they kept the story going. … The total already raised at that time was $250,000, which was only half of what they needed.” (Martinez; Star Bulletin)

George Chaplin of the Honolulu Advertiser mailed something like 1,500 letters, asking for articles or editorials about the Arizona Memorial. (Star Bulletin)

The Los Angeles Examiner responded with an editorial on December 4, 1960 … “and a very fine gentleman read an editorial in one of the California newspapers.”

“That man (Colonel Tom Parker) called George Chaplin and said: ‘I know a young man whose services can be a big help.’” (Advertiser, March 26, 1961)

Parker, Elvis Presley’s manager, thought this would be a good publicity for the new film ‘Waikiki Beach Boy’ (later renamed to ‘Blue Hawai‘i’ that was filmed in Hawai‘i.)

Parker offered a benefit concert with Elvis. Parker came to Hawai‘i and set up the show and stipulated that every cent would go toward the War Memorial fund.

“‘Forty eight hours ago we met in this very room and we were $10,000 short,’ said H Tucker Gratz  chairman of the memorial fund commission. “We made an agreement with Parker that he and Elvis would raise $5,000 if the War Memorial Commission would raise the other $5,000…” (Advertiser, March 26, 1961)

Rear Adm. Robert L Campbell introduced Elvis, saying, “He is a fine American. He has had many starring roles, not the least of these has been as a soldier in the US Army.”

(Elvis was drafted into the Army at Memphis, Tennessee, on March 24, 1958; his overseas service took place in Germany from October 1, 1958, until March 2, 1960, as a member of the 1st Medium Tank Battalion. He left active duty at Fort Dix, New Jersey, on March 5, 1960.) (Army)

March 25, 1961, during his hour on stage, Elvis sang 15 songs: ‘Heartbreak Hotel,’ ‘All Shook Up,’ ‘A Fool Such As I,’ ‘I Got a Woman,’ ‘Love Me,’ ‘Such a Night,’ ‘Reconsider Baby,’ ‘I Need Your Love Tonight,’ ‘That’s All Right,’ ‘Don’t Be Cruel,’ ‘One Night,’ ‘Are You Lonesome Tonight,’ ‘It’s Now or Never,’ ‘Swing Down Sweet Chariot’ and ‘Hound Dog.’

The show was “fastpaced and slick. It jumped. When Elvis came on the teenagers screamed for 2 ½ minutes without let-up. Elvis was wearing his famous gold jacket with silvery glints like sequins, dark blue trousers and a white shirt and a blue string tie.” (Advertiser, Ho‘olele)

Appearing along with Elvis were Minnie Pearl, The Jordanaires and DJ Fontana and Scotty Moore, two members of Elvis’ original backing band. Sterling Mossman, a local Hawaiian comedian, also served as master of ceremonies and performed.

“It was a crackjack show, a sellout, and the biggest single gate in the history of show business in Hawai‘i.” (Advertiser, March 26, 1961)

All receipts, $54,678.73, were donated to the construction of the Arizona Memorial. The concert accounted for more than ten percent of the $515,728 cost of constructing the memorial. (HABS)

This Bloch Arena performance was Elvis’ last live concert until June 27, 1968 when he recorded two shows in front of a live audience at NBC’s Burbank studios.

The day after the concert, filming began on O‘ahu for the motion picture ‘Blue Hawai‘I,’ starring Elvis and Joan Blackman. (HABS)

In 1960 the construction of the Arizona Memorial began; it was dedicated Memorial Day, May 30, 1962 just over a year after Elvis’s charity concert.

It marks the resting place of 1,102 of the 1,177 Sailors and Marines killed on the USS Arizona during the attack on Pearl Harbor on December 7, 1941. (Ho‘okele)

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Elvis at Bloch Arena March 25, 1961
Elvis at Bloch Arena March 25, 1961
Elvis and The Jordanaires
Elvis and The Jordanaires
Elvis at Bloch Arena-March 25, 1961
Elvis at Bloch Arena-March 25, 1961
Elvis arriving at HNL airport
Elvis arriving at HNL airport
1961-march-25-hawaii-uss-arizona-benefit-concert
1961-march-25-hawaii-uss-arizona-benefit-concert
Elvis at Bloch Arena Poster March 25, 1961
Elvis at Bloch Arena Poster March 25, 1961
USS_Arizona_(BB-39)_wreck_in_the_1950s
USS_Arizona_(BB-39)_wreck_in_the_1950s
Arizona Memorial-under construction
Arizona Memorial-under construction
Arizona Memorial under construction
Arizona Memorial under construction
Blueprint-Arizona Memorial
Blueprint-Arizona Memorial
Arizona Memorial-Missouri
Arizona Memorial-Missouri

Filed Under: General, Buildings, Prominent People, Economy Tagged With: Elvis, Hawaii, Pearl Harbor, Arizona Memorial, Bloch Arena

March 22, 2017 by Peter T Young 1 Comment

Honolulu Harry’s Waikiki

Starting in 1934, Ernest Raymond Beaumont Gantt – aka Donn Beach – opened the first Polynesian motif bar in Los Angeles, just off Hollywood Boulevard.

Named “Don the Beachcomber,” his bar seated about two dozen customers and he scattered a few tables in the remaining space. The place was decorated with faux South Pacific décor, along with old nets and parts of wrecked boats he scavenged from the oceanfront.

Not to be out-done, Victor Jules Bergeron – aka Trader Vic – in 1936 converted his Oakland “Hinky Dink’s” pub into a South Seas tropical retreat with tiki carvings, bamboo and outrigger canoes and rechristened it “Trader Vic’s.”

The Polynesian Pop revival was underway.

The Polynesian restaurant is one of the first, and perhaps most successful, of the theme restaurants in the middle 20th-century.

Much of the success of Polynesian restaurants rests in the recreation of outdoor landscapes that are responsible for bringing the magic of the Polynesia to life in the restaurants. Inscape is prevalent and incredibly intricate, with a high level of detail and realism.

The most successful Polynesian restaurants make use of water features, live plants, rocks, and even special effects to recreate lush, paradisiac environments. The use of Inscape strongly suggests the fostering of a sense of place by anchoring the theme restaurant in a particular time and place. (Cornell)

Historically the thematic construct for Polynesian restaurants is intended as a total immersion in another cultural context, so much so that its effect is to disassociate people from their familiar surroundings.

Polynesian restaurants provide an escape from routine. “Women in particular like to ‘get away from it all’ by dining in a romantic, exotic room with a ‘faraway look in its eyes.'”

One trade source states that “the ways in which mats and thatch are used beneath the ceiling stimulated the shutting out of (the city’s) heat and glare.” (Cornell)

In the 1950s and 60s, an epidemic of island fever swept the US. Tiki-themed structures spread like jungle vines. (Flaherty) The Polynesian restaurant boom produced from 100 to 200 restaurants.

One consequence of the disjunction from reality means that Polynesian restaurants are adaptable for any American city. Consequently, they were built across the country in seemingly unlikely places.

Once such made its way to uptown in the Windy City.

From its opening in 1949, Honolulu Harry’s Waikiki on Wilson Avenue in Chicago, provides “entertainment direct from Hawaii” and “dancing under Hawaiian skies.”

By 1959, its owner escalated the restaurant to an “authentic Hawaiian theatre restaurant.”

It stood on the corner of Clarendon and Wilson in uptown Chicago. “There were fresh pineapples on the tables, paper leis and ti leaves hanging all around”. (Campbell, 1954)

“So many clubs have come and gone,” said veteran entertainer Gwen Kennedy, owner of The Barefoot Hawaiian, who performed in many of the vanished places, doing the hula on stage at Honolulu Harry’s beginning at age 3. (Daily Herald)

Although Polynesian restaurants remained fashionable in the 1960s, other theme dining establishments start to appear with different themes. (Cornell)

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Honolulu Harrys Waikiki
Honolulu Harrys Waikiki
Chicago - Honolulu Harry's Waikiki - 4541 Broadway - Interior - 1950
Chicago – Honolulu Harry’s Waikiki – 4541 Broadway – Interior – 1950
Chicago-honolulu-harrys-waikiki-theatre-restaurant-c1960
Chicago-honolulu-harrys-waikiki-theatre-restaurant-c1960
Chicago-Clarendon-and-Wilson-Honolulu-Harrys-Restaurant-1956
Chicago-Clarendon-and-Wilson-Honolulu-Harrys-Restaurant-1956
Chicago-honolulu-harrys-waikiki
Chicago-honolulu-harrys-waikiki
Honolulu Harry's audience participation
Honolulu Harry’s audience participation
Honolulu Harry's Waikiki Restaurant, Chicago, IL (restaurant) -Tiki Central Menu
Honolulu Harry’s Waikiki Restaurant, Chicago, IL (restaurant) -Tiki Central Menu
Honolulu Harry's Waikiki Dancers
Honolulu Harry’s Waikiki Dancers
Chicago - Honolulu Harry's Waikiki - Photo Holder
Chicago – Honolulu Harry’s Waikiki – Photo Holder
Chicago - Honolulu Harry's Waikiki - Children
Chicago – Honolulu Harry’s Waikiki – Children
Chicago - Honolulu Harry's Waikiki - Business Card
Chicago – Honolulu Harry’s Waikiki – Business Card
Honolulu Harry's Waikiki-mailer
Honolulu Harry’s Waikiki-mailer

Filed Under: General, Buildings, Prominent People, Economy Tagged With: Ernest Raymond Beaumont Gantt, Donn Beach, Victor Jules Bergeron, Hawaii, Trader Vic's, Don the Beachcomber, Polynesian Pop

March 21, 2017 by Peter T Young Leave a Comment

Timeline Tuesday … 1910s

Today’s ‘Timeline Tuesday’ takes us through the 1910s – Duke Kahanamoku is Hawai‘i’s first Olympic Champion, Outdoor Circle formed, Hawai‘i National Park is formed and Lili‘uokalani dies. We look at what was happening in Hawai‘i during this time period and what else was happening around the rest of the world.

A Comparative Timeline illustrates the events with images and short phrases. This helps us to get a better context on what was happening in Hawai‘i versus the rest of the world. I prepared these a few years ago for a planning project. (Ultimately, they never got used for the project, but I thought they might be on interest to others.)

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Timeline-1910s

Filed Under: Place Names, Prominent People, General, Ali'i / Chiefs / Governance, Buildings, Economy, Hawaiian Traditions Tagged With: Timeline Tuesday, Outdoor Circle, Hawaii, Liliuokalani, Library, Duke Kahanamoku, Halekulani, Olympics, Hawaii National Park, Panama-Pacific International Exposition

March 20, 2017 by Peter T Young Leave a Comment

Partners in Change

The American Board of Commissioners for Foreign Missions (ABCFM) was organized under Calvinist ecumenical auspices at Bradford, Massachusetts by the General Association of Massachusetts, on the June 29, 1810.

ABCFM had its origin in the desire of several young men in the Andover Theological Seminary to preach the gospel in the heathen world. (The term ‘heathen’ (without the knowledge of Jesus Christ and God) was a term in use at the time (200-years ago.))

The Missionaries to Hawai‘i were sent out in ‘Companies,’ the first leaving Boston on the ‘Thaddeus’ on October 23, 1819. The Missionaries included ordained ministers of the Gospel, physicians, teachers, secular agents, printers, a bookbinder and a farmer.

Most of them were young people, still in their twenties, full of life and enthusiasm. All were pious and accustomed to ‘lead meetings.’ Some were scholars able, when the native language had been mastered, to put into Hawaiian the Scriptures from the original Hebrew and Greek.

All were pioneers and versatile as pioneers are forced to be. The ministers had to carpenter, the doctors had to plow, the printers had to preach.

The women of the mission taught school or rather classes of native adults and later of children, in all manner of subjects, besides managing their own households, entertaining guests, taking care of their children, and ministering to the sick.

First known as ‘Portraits of American Protestant Missionaries to Hawaii’ (1901), then, ‘Missionary Album Sesquicentennial Edition’ (1969), these earlier books were listings of the respective Companies of Missionaries that came to Hawai‘i, illustrations and images of each, and brief biographical information.

As part of the preparation for the bicentennial of the arrival of the Pioneer Company of American protestant missionaries, another update and re-visioning will be published (the present working title is ‘Partners in Change: A Biography of ABCFM Missionaries to Hawai‘i’).

‘Partners’ will contain an introduction that stresses the collaboration and positive working relationship between missionaries and ali‘i. The body will consist of approximately 190 individual biographies averaging about two pages each, which is much longer than the two to four paragraphs, or sometimes three sentences given for each in the prior volumes.

The biographies will include information about the individual missionary: some background history about the individual, their reasons for becoming a missionary, times of service, stations served, specific contributions, if they stayed or returned, if and when they became citizens of Hawai‘i, and what they did after they returned or stayed.

The present ‘Partners’ draft also consists of about 150 pages that focus on the Hawaiians and Tahitians significantly involved with the mission’s work (which are left out of the prior publications).

The book will be a scholarly book with complete citations, but written for a popular audience; it will help illustrate the collaboration between Hawaiians, Tahitians and New England missionaries.

Hawaiian Mission Houses recognizes the Hawaiians and Tahitians as major players in the achieving the goals of the mission.

Click HERE to view/download Background Information on Partners in Change

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Portraits-Album
Portraits-Album

Filed Under: Economy, General, Ali'i / Chiefs / Governance, Missionaries / Churches / Religious Buildings, Prominent People Tagged With: American Board of Commissioners of Foreign Missions, ABCFM, London Missionary Society, Partners in Change, Portraits of American Protestant Missionaries to Hawaii, Missionary Album Sesquicentennial Edition, Hawaii, Missionaries

March 16, 2017 by Peter T Young Leave a Comment

Pā‘ani Pepa

Kalākaua’s penchant for “dances, picnics, suppers and other types of amusement” is legendary.

“Above all, he liked to play poker, and he usually lost. Then one day having four kings in his hand he was certain of winning the game.”

“Unluckily enough, his opponent had four aces. Kalākaua, not to be outdone, quickly hit upon the idea of including himself in his hand and said, ‘I have five kings-four in my hand and myself.’” (Ka Leo O Hawaii)

Pā‘ani pepa (card games) seem to have been introduced in Hawai‘i by foreign seamen in the 1790s or early 1800s. Gavan Daws notes that Islanders were enthusiastic gamblers and took up card games with avidity, soon becoming quite skillful.

“(T)he only card game the people and chiefs had known before was ‘Nu‘uanu.’” (Kamakau) It seems the game had already filtered into the society, from ali‘i to makaʻāinana, by the early 19th century when ‘I‘i served Liholiho (Kamehameha II) and the high chiefs in the royal court.” (Chiba)

“Card playing was especially popular among members of royalty. Agents of the Hudson’s Bay Company, visiting Kamehameha and his son Liholiho in 1816, taught the future king how to play whist, then new to Hawai‘i.” (Schmitt) (Whist is a trick-taking card game involving trump cards.)

Missionaries note the regular card playing by ali‘i. “Part of the morning was spent in calling upon the queen (Ka‘ahumanu,) chiefesses, and I took with me one garment which we had completed for Kamamaloo.”

“I did not find her as when we called last Saturday. She was engaged, with a party, under a small booth, by the king’s door at a game of whist.” (Sybil Bingham, March 14, 1822)

(The game of whist is substantially the product of English soil, and its gradual development during more than two centuries, until it has all but arrived at maturity, is mainly due to British talent.”)

(“From England it was carried about a hundred and sixty years ago into the centres of Parisian life, and the diplomatists and financiers from other countries who resorted to that capital became subject to its influence, and introduced it into the cities of their own lands.”) (English Whist, 1894)

Back to Ka‘ahumanu … “Money was spread upon the mats upon which the company were seated. Cards engrossed their attention, while the nod of cold civility was all they could bestow upon us.”

“My long walk in the sun had caused some fatigue; but too many attendants surrounded to admit our having a seat under cover. Seeing that little prospect but that of standing as idle spectators of a vain amusement, we, without any formality, took our leave.”

“As I stood and looked upon the sable group of ignorant, unconcerned, yet precious immortals, thought of their indifference to the message of eternal mercy, and their entire devotions, not only to vain feat to sensual delights, my spirit seemed to faint within me.” (Sybil Bingham, March 14, 1822)

Sybil’s husband, Hiram Bingham, noted of Kaʻahumanu, “sometimes, a full length portrait of her dignity might have presented her stretched out prostrate on the same floor on which a large, black, pet hog was allowed, unmolested, to walk or lie and grunt, for the annoyance or amusement of the inmates.”

“She would amuse herself for hours at cards … Mrs B and myself called at her habitation, in the centre of Honolulu. She and several women of rank were stretched upon the mats, playing at cards, which were introduced before letters.”

“It was not uncommon for such groups to sit like tailors, or to lie full length with the face to the ground, the head a little elevated, the breast resting on a cylindrical pillow, the hands grasping and moving the cards, while their naked feet and toes extended in diverging lines towards the different sides or extremities of the room.”

“Being invited to enter the house, we took our seats without the accommodation of chairs, and waited till the game of cards was disposed of, when the wish was expressed to have us seated by her.”

“We gave her ladyship one of the little books, and drew her attention to the alphabet, neatly printed, in large and small Roman characters.” (Bingham)

Thus, Western card games such as whist, poker games, or so appear to have been already imported into Hawai‘i with other Western materials and goods probably by sailors by early 1800s just after the 1778 British landfall or Cook’s arrival, which was the Hawai’i’s first step into the evolving capitalistic economy. (Chiba)

“Pe-pa-ha-kau: Cards.—Foreign playing-cards are used. Poker is a favorite game. Five cards are dealt around and the highest hand wins. A player not getting a pair is out of the game. Pe-pa, ‘cards,’ is the English ‘paper.’ Ha-kau means ‘fighting.’” (Culin, 1899)

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Wall Nichols Card Set ca 1901
Wall Nichols Card Set ca 1901

Filed Under: Economy, General, Ali'i / Chiefs / Governance, Prominent People Tagged With: Hawaii, Games, Cards

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Images of Old Hawaiʻi

People, places, and events in Hawaiʻi’s past come alive through text and media in “Images of Old Hawaiʻi.” These posts are informal historic summaries presented for personal, non-commercial, and educational purposes.

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