Images of Old Hawaiʻi

by Peter T Young Leave a Comment

Forest Birds

“When the birds disappear, so do their Hawaiian names. This means that as bird sounds are silenced, the chants that transmitted their names and associated stories also disappear.”  (Sault)

Around six million years ago, a small ancient species of finch found its way to the most remote archipelago in the world. Over 2,000 miles from the nearest major land source, and uninhabited by humans or any other mammals, the small islands of Hawaii were a blank canvas just waiting to be filled with a brand new family of birds – the Hawaiian Honeycreepers. (FWS)

For millions of years, the birds thrived on the tiny islands in the Pacific. There were no mammals, no humans, few other species to compete with, and a great diversity of habitats. The first Honeycreepers arrived on ancient islands that have since eroded away.

As each new island in the chain rose from the sea and cooled the tiny birds colonized it, splitting off into dozens of new subspecies along the way. Each split in the family tree yielded more complexity and novel ways to find food, attract a mate, and fill an ecological niche. (FWS)

Unfortunately, all of this diversity can also be a limitation if the habitat or the environment changes.  “A lot of the very specialized birds that had the most unique characteristics were the first to go extinct once the habitat started changing,” said Steve Kendall, Wildlife Biologist for Hakalau Forest National Wildlife Refuge. (FWS)

In the early 1800s naturalists describe flocks of ‘i‘iwi flying up and down the mountain slopes of the Hawaiian Islands foraging on nectar and insects. Their long curved bill matches the size and shape of the flowers of the lobeliad family.

Lobeliads were once found all over the islands, but like so many of Hawaii’s native species, those plants have become scarce. To survive, the ‘i’iwi has had to turn to another iconic Hawaiian species for their survival – the ʻōhiʻa lehua. (FWS)

But habitat change was not their only threat.

“The beautiful red birds, iiwi and akakani (apapani), and the birds of glorious yellow feathers, the oo and the mamo, were a joy to both eye and ear and found high places in Hawaiian legend and story, and all gave their most beautiful feathers for the cloaks and helmets of the chiefs.” (Westerfelt)

When Cook anchored off Waimea, Kauai, in 1778, he and his officers at once noticed the feather robes and helmets.  The account is as follows:

“Amongst the articles which they brought to barter this day (January 21, 1778) we could not help taking notice of a particular sort of cloak and cap, which, even in countries where dress is more particularly attended to, might be reckoned elegant.”

“The first are nearly of the size and shape of the short cloaks worn by the women in England, and by the men of Spain, reaching to the middle of the back and tied loosely before.”

“The ground of them is a net-work, upon which the most beautiful red and yellow feathers are so closely fixed, that the surface might be compared to the thickest and richest velvet, which they resemble, both as to feel and glossy appearance.”

“The manner of varying the mixture is very different, some having triangular spaces of red and yellow alternately; others a kind of crescent, and some that were entirely red, had a yellow border which made them appear, at some distance, exactly like a scarlet cloak edged with gold lace.”

“The brilliant colours of the feathers, in those that happened to be new, added not a little to their fine appearance, and we found that they were in high estimation with their owners, for they would not, at first part with one of them for anything we offered, asking no less a price than a musket.”

“However some were afterward purchased for very large nails. Some of them as were of the best sort, were scarce, and it would seem that they are only used on the occasion of some particular ceremony or diversion, for the people who had them always made some gesticulations which we had seen used before by those who sung.”

“We were at a loss to guess from whence they could get such a quantity of these beautiful feathers; but were soon informed as to one sort for they afterward brought great numbers of skins of small red birds (i‘iwi) for sale, which were often tied up in bunches of twenty or more, or had a small wooden skewer run through their nostrils.”  (Cook, 1778; Brigham)

“‘Kamehameha I is said to have reproved his bird-catchers for taking the life of the birds. “The feathers belong to me, but the birds themselves belong to my heirs,” said the considerate monarch.’” (Emerson, Perez)  However, “[i]t is believed that most birds were killed after being plucked”. (Perez)

“[I]t is believed that native Hawaiian avifauna was affected by several interdependent factors … the extensively documented bird overkill by humans must have played a crucial role in their decline. … Numerous historical sources leave little doubt about the fate of most birds, regardless of the original reason for hunting them.” (Perez)

“Overhunting did not help many other bird species, which ended up adorning the garments of the Hawaiian nobility, or filling the bellies of the common people. Most birds victimized by Hawaiians are now either extinct or endangered; many are simply unknown to us, and their names have faded from Hawaiian memory.” (Perez)

In the modern age, ‘scientific collectors’ further decimated the Hawaiian forest birds.  “The tragedy for many Hawaiian birds was that they were not only distinctive, desirable and rare – a dangerous combination in the best of circumstances – but also often heartbreakingly easy to take.”  (Brown)

“The greater koa finch, an innocuous member of the honeycreeper family, lurked shyly in the canopies of koa trees, but if someone imitated its song it would abandon its cover at once and fly down in a show of welcome.”

“The last of the species vanished in 1896, killed by Rothschild’s ace collector Harry Palmer, five years after the disappearance of its cousin the lesser koa finch, a bird so sublimely rare that only one has ever been seen: the one shot for [Baron Lionel Walter] Rothschild’s collection.” (Brown)

Since 1800, five bird species have become extinct in North America; two additional species are presumed extinct and two sub-species have disappeared. Overall, bird extinctions in North America are a rare event.

In contrast, in Hawaii, a minimum of 31 bird species have become extinct since 1800 including 10 in the last 50 years. Further, 14 of 24 endemic forest birds are endangered. (NFWF)

“Rothschild was by no means alone in his zeal to capture birds at more or less any cost. Others in fact were more ruthless. In 1907, when a well-known collector named Alanson Bryan realized that he had shot the last three specimens of black mamos, a species of forest bird that had only been discovered the previous decade, he noted that the news filled him with ‘joy.’” (Brown)

© 2023 Ho‘okuleana LLC

by Peter T Young Leave a Comment

Keahuolū

The area of North Kona between Kailua Bay and Keauhou Bay to the south is generally recognized as containing the population core and the most fertile agricultural area of North Kona (Kona Kai ʻOpua “Kona of the distant horizon clouds above the ocean”.)  (Maly)

To the north of Kailua Bay, beginning at Honokōhau, is the relatively dry Kekaha district of North Kona, with its barren lava inlands and coastal fishponds (Kekaha-wai-ʻole-nā-Kona (the waterless place of Kona, it’s described as “a dry, sun-baked land.”)

Keahuolū is situated in the transition zone between these two contrasting environmental districts, and is immediately north of Kailua Bay, a center of both political and economic activities since before Western contact.

Keahuolū has been translated in a couple ways, “Ke-ahu-o-Lū” (the ahu (or alter) of Lū) and “Keʻohuʻolu” (the refreshing mists) – similar to the neighboring (to the south) Lanihau ahupuaʻa (cool heaven.)

A hill at Keahuolū and adjoining Kealakehe (to the north) is associated with mists.  “The settling of mists upon Puʻu O Kaloa was a sign of pending rains; thus the traditional farmers of this area would prepare their fields.”  (This notes the importance of rain in this relatively dry area.)  (Cultural Surveys)

Several general settlement pattern models have been generated by researchers that generally divide up the region into five basic environmental zones: the Shoreline, Kula, Kaluʻulu, ʻApaʻa and ʻAmaʻu.

Habitation was concentrated along the shoreline and lowland slopes, and informal fields were probably situated in the Kula and higher elevations, areas with higher rainfall.

The Shoreline zone extends, typically, from the high-tide line inland a few hundred feet. In Kailua this is the area from the shore to approximately Aliʻi Drive.  In this zone, permanent settlement began in Kona c. AD 1000-1200.

Several large and densely populated royal centers were situated at several locations along the shoreline between Kailua and Honaunau.

Several heiau were noted along the coast. Stokes described three coastal heiau sites in Keahuolū: Halepuʻa, Kawaluna and Palihiolo. Halepuʻa was described by Stokes as a koʻa, or fishing shrine, near the shore in a coconut grove.

Kawaluna Heiau was described by Stokes as a rebuilt enclosure located on the beach at Pāwai Bay. Heiau of Palihiolo was at or near the Keahuolū/Lanihau boundary, King Kalākaua had it rebuilt prior to his departure from Hawaiʻi.  (Rosendahl)

The Kula zone (the plain or open country) consisted primarily of dry and open land with few trees and considerable grass cover.

With limited soil, and lots of rock, this land was planted primarily in scattered sweet potato patches.  (This area was around the 500-foot elevation mark, and may extend further, to approximately the 600-800-foot elevation.)

The Kaluʻulu is zone is referred to as the breadfruit zone. Early explorers described this zone as breadfruit with sweet potatoes and wauke (paper mulberry) underneath; it may have been perhaps one-half mile wide. Here walled fields occur at the 600-800-foot elevation, which may be start of this breadfruit zone in this area.

The ʻApaʻa zone is described as a dryland taro and sweet potato zone (1,000-foot elevation and extended to the 2,500-foot elevation.) In historic accounts it is described as an area divided by low stone and earth walls into cleared rectangular fields in which sweet potato and dryland taro were planted. On the edges of the walls, sugarcane and ti were planted.

The ʻAmaʻu zone is the banana zone, which may extend from the 2,000-foot elevation to 3,000-feet, and is characterized by bananas and plantains being grown in cleared forest areas.  (Rosendahl)

William Ellis (1822) noted, “The houses which are neat, are generally erected on the sea-shore, shaded with cocoanut and kou trees, which greatly enliven the scene.”

“The environs were cultivated to a considerable extent; small gardens were seen among the barren rocks on which the houses are built, wherever soil could be found sufficient to nourish the sweet potato, the watermelon, or even a few plants of tobacco, and in many places these seemed to be growing literally in the fragments of lava, collected in small heaps around their roots.”

King Kalākaua later (1869) noted, “Keahuolu runs clear up to the mountains and includes a portion of nearly half of Hualalai mountains.  On the mountains the koa, kukui and ohia abounds in vast quantities.  The upper land or inland is arable, and suitable for growing coffee, oranges, taro, potatoes, bananas &c.”

” Breadfruit trees grow wild as well as Koli (castor-oil) oil seed.  The lower land is adopted for grazing cattle, sheep, goats &c.  The fishery is very extensive and a fine grove of cocoanut trees of about 200 to 300 grows on the beach.”

A sisal plantation was planted in Keahuolu in the late-1890s, a mill was constructed nearby; sisal was used to make rope and other fibers.  Operating until 1924, the McWayne sisal tract included about 1,000-acres of sisal fields in Keahuolu and adjoining Kealakehe.  (You can still see sisal plants, remnants of the sisal plantation, as you drive up Palani Road.)

A fishing village with a canoe landing was at Pāwai Bay.  Makaʻeo (later (July 10, 1949) developed into the Kailua Airport (commercial aviation ended there July 1, 1970)) had a large cocoanut grove, with a coastal trail running through it connecting Kailua Village to the Māmalahoa Trail.

The Kuakini Wall (1830-1844,) built to keep the free-ranging livestock out of the coastal settlements and gardens, extends from Kahaluʻu Bay to the southern portion of Keahuolu (with an average distance of about 1 ½ miles from the coastline.)  It goes to, but not through, Keahuolū at its northern terminus.

The ahupuaʻa of Keahuolū was awarded to Analeʻa Keohokālole ((c. 1816-1869) mother of King Kalākaua and Queen Liliʻuokalani) during the Māhele of 1848. Two walled houselots in Keahuolū had been held by Keohokālole’s ancestors “from very ancient times”.

Keohokālole was a great-granddaughter of both Kameʻeiamoku and Keaweaheulu two of the important chiefs who supported Kamehameha I in his rise to power.

Kameʻeleihiwa states, “Keohokālole was regarded by the Kamehameha clan as an Aliʻi Nui in honor of the great courage and loyalty proffered by her ancestors in their support of Kamehameha.”

As Aliʻi Nui, Keohokālole held the fifth largest number of ʻāina after the Māhele with 50 parcels.  She relinquished 48% of her original 96 ʻāina to the Mōʻī (King) retaining 23-parcels on Hawaiʻi, 25 on Maui and two on Oʻahu. Of her lands on the island of Hawaiʻi, two-thirds were located in the Kona District.  (Wong-Smith)

Keohokālole sold portions of her 15,000-20,000-acre grant to the government and other parties, with the balance being transferred to her heir, Liliʻuokalani.

In her Deed of Trust dated December 2, 1909, which was later amended in 1911, Queen Lili‘uokalani entrusted her estate to provide for orphan and destitute children in the Hawaiian Islands, with preference for Hawaiian children. Her legacy is perpetuated through the Queen Liliʻuokalani Children’s Center.

© 2023 Hoʻokuleana LLC

 

by Peter T Young 2 Comments

Shaka

“Shaka” is not a Hawaiian word (it’s not clear when or how it came into use) – but it is believed it started as a Hawaiian hand gesture and has grown to universal acceptance.

It has many meanings

Originally it means to “hang loose”, or to chill and be laid back. It can be used as a positive reinforcement. If somebody did something good, cool, or righteous, you can give them a shaka as a sign of approval or praise. It can also be used as a welcome/goodbye sign.

Most people would give the shaka as a sign of howzit, wassup or hello, use it as a way of saying goodbye, and even use it as a thank you.  (UrbanDictionary)

Most point to Hamana Kalili (June 18, 1882 – December 17, 1958) as its originator.

In 1985, 550 people signed a petition giving credit to Hamana Kalili, a big man on Lāʻie beach and in the Mormon Church during the 1920s and 1930s. Kalili was a folk hero — fisherman, tug of war champion and hukilau organizer of the community.  (Krauss)

Beatrice Ayer Patton (Mrs. George S Patton – Patton was stationed on Oʻahu during the mid-1920s) described Kalili as “a magnificent example of the pure Hawaiian. A man in his sixties, with white hair and a deeply carven face, he had the body and reactions of a teenager.”

“He lived and fished on the windward side of the island. … We went to several luaus … they were the real thing”.  (Patton-Totten)

When fellow Mormons in Lāʻie planned a hukilau to raise funds to replace their chapel that had burned down, they turned to Kalili, a renowned fisherman, for help; Kalili supplied the nets for fishing.  He also portrayed King Kamehameha during the entertainment portion of the hukilau.

To make a simple Shaka: make a fist (not a tight fist;) extend both your pinky and your thumb and lightly shake your hand.  (The Shaka sign resembles the American Sign Language letter for Y.)  There are multiple variations on the finger extension, speed of shake, etc.

Kalili’s Shaka didn’t start this way.

Prior to 1937, Hamana Kalili had lost his second, third and fourth fingers of one hand in an accident. 

Kalili’s grandnephew Vonn Logan explained that Kalili’s job was to feed sugar cane into the rollers at the sugar mill, which would squeeze out the juice. He lost his fingers when his hand got caught in the rollers.  (Star-Bulletin)

“..he had lost three fingers on his hand.  So, you know since we were making fun of him, but we would wave to him … (gestures waving with three middle fingers folded down) And we folded our fingers on our hand to show what his hand look like.”

“And we would wave to him, and he would wave back at us.  And we would laugh, because he would wave back to us without his fingers. … he was always like a father to us in the community.”  (Roland Maʻiola “Ahi” Logan; Kepa Maly)

“One of his jobs was to keep all the kids off the train.  All the kids would try to jump the train to ride from town to town. So they started signaling each other. Since (Kalili) lost his fingers, the perfect signal was what we have now as the ‘shaka sign.’ That’s how you signaled the way was clear.”  (Logan; Star-Bulletin)

In the late 60s. we put a lot of effort, and was able to convince Mayor Fasi and other people about the ‘shaka’ sign.  And Mayor Fasi took it upon himself to declare that Hamana Kalili was the originator.  And we were all in the Mayor Fasi’s office to take credit for my granduncle.”  (Logan; Maly)

A local car salesman, David “Lippy” Espinda, picked up on the Shaka sign and used it and his pidgin language in his TV commercials.   He emceed his own show, “Lippy’s Lanai Theater.”

Much sought after as a benefit auctioneer and banquet speaker, he appeared in “Hawaii Five-O” and “Brady Bunch” segments and had minor parts in some movies.

“Shaka, Brah,” was his trademark and he popularized the “Shaka” sign.  (Star-Bulletin)

Politicians used the “Shaka,” as well.  Frank Fasi used it while campaigning for Mayor of Honolulu in the mid-seventies.

In a 1999 Star-Bulletin interview, Fasi credited the late Bill Pacheco with using the sign and saying “shaka brother.”  “I think he meant shake it up, buddy. How’s it going? Aloha. Have a good day. All those good meanings. It just meant a world of goodness”.

© 2023 Hoʻokuleana LLC

by Peter T Young Leave a Comment

Waikīkī’s Construction Evolution

The present Waikīkī has a land area of approximately 500-acres; it once was a vast marshland whose boundaries encompassed more than 2,000-acres.  Consistent with the character of the watered wetland of ancient Waikīkī, where water from the upland valleys would gush forth from underground, the name Waikīkī, which means “water spurting from many sources.”

Three main valleys Makiki, Mānoa and Pālolo are mauka of Waikīkī and through them their respective streams (and springs in Mānoa (Punahou and Kānewai)) watered the marshland below.

Since Maʻilikūkahi founded Waikīkī as a Royal Center of Oʻahu in the 1400s, Waikīkī served as the site of the royal residence and center of governance until 1809 (when Kamehameha I moved the government to Honolulu Harbor.)

Subsequent Kings and Queens visited and stayed in royal beach cottages in Waikīkī.  Mid- and late-19th century Hawaiian royalty were prominent among the first of the new wave to permanently settle in Waikīkī.  It was a place to escape to, as well as a pleasant location to entertain.

In 1877, Kapiʻolani Park was dedicated; its initial intent, through a 30-year lease, was to make available a limited number of beachfront cottage sites and a race track as an attraction.

In 1896, the Honolulu Park Commission took over management of the park and began to operate the park land and “permanently set (it) aside as a free public park and recreation ground forever.”  (In 1913, the City and County of Honolulu took over the management and operation of the park.)

In the 1890s, Waikīkī drew the elite who constructed Victorian mansions.  Starting with James Campbell, Frank Hustace and WC Peacock, larger mansions began to be constructed in Waikīkī.

The later homes of William Irwin (1899) and James Campbell (“Kainalu,” in 1899) epitomized the extravagance of luxury living.  The wealthy discovered the ultimate destination of Waikīkī.

Starting on a small scale, Waikīkī had a number of small residential tracks.  In February 1895 a small subdivision (13-lots, each approximately 5,000-square feet in size) was developed makai of Waikīkī Road (Kalākaua Avenue) and mauka of the John ‘Ena Road intersection.

Then, in 1897, a subdivision map for the Kekio tract was recorded.  The Kekio Tract, shaped somewhat like a triangle, was bounded by Lili‘uokalani Avenue, Waikīkī Road (Kalākaua Avenue), Makee Road (Kapahulu Avenue) and the lands of Kāneloa (Thomas Jefferson Elementary School).

As time went on, the royal estates were sold and subdivided on the dry areas of Waikīkī.

In 1921 the former estates of James Campbell and George Beckley were offered to perspective buyers by developer Waterhouse Trust Company.  With this subdivision the last of the large, readily-developable landholdings in Waikīkī had been broken up.

Further residential development would have to wait for the drainage of the area by the Ala Wai Canal.  Then, they started “land reclamation” projects on the coastal wetlands.

Back then, nearly 85% of present Waikīkī was in wetland.  The Army began the transformation of Waikīkī from wetlands to solid ground at Fort DeRussy and it served as a model that others followed (1909.)

The Waikīkī wetlands were characterized as, “stretched useless, unsightly, offensive swamps, perpetually breeding mosquitoes and always a menace to public health and welfare”.

The Territory saw the opportunity to drain and fill the land that “was valueless” to be “available for the growth of the business district of the city” and attain “a valuation greatly in excess of the cost of the filling and draining.”

During the 1920s, the Waikīkī landscape would be transformed when the construction of the Ala Wai Drainage Canal, begun in 1921 and completed in 1928, resulted in the draining and filling in of the remaining ponds and irrigated fields of Waikīkī.  (By 1924, all of the streams were diverted into the canal and stopped flowing through Waikīkī.)

Walter Dillingham’s Hawaiian Dredging Company dredged the canal and sold the material he had dredged to create the canal to build up the newly created land.  (The canal is still routinely dredged.)

With construction of the Ala Wai Canal, 625-acres of wetland were drained and filled and runoff was diverted away from Waikīkī beach.

The completion of the Ala Wai Canal not only created the opportunity for the development of Waikīkī as Hawai‘i’s primary visitor destination, but also expanded the district’s potential for residential use.

Before reclamation, assessed values for property were at about $500-per acre and the same property was reclaimed at ten cents per square foot, making a total cost of $4,350-per acre.  The selling price after reclamation, $6,500 to $7,000-per acre, showed the financial benefit of the reclamation efforts.

In 1924, the first post-canal residential venture, the McCarthy Subdivision, owned by and named for the Territory’s Governor McCarthy, was makai of what would become Ala Wai Boulevard.  The property, roughly triangular in shape and widest on the Diamond Head side, was bisected by Lili‘uokalani, ‘Ōhua and Paoakalani Avenues.

The mid- and late-1920s saw more and more of Waikīkī being subdivided into residential lots until most of the area was gridded into residential plots.  Before and during this time of residential development, there were hotels.

Hawai‘i’s first accommodations for transients were established sometime after 1810, when Don Francisco de Paula Marin “opened his home and table to visitors on a commercial basis … Closely arranged around the Marin home were the grass houses of his workers and the ‘guest houses’ of the ship captains who boarded with him while their vessels were in port.”

By 1820, Anthony D Allen (a former slave from the continent) owned a dozen houses, “within the enclosure were his dwelling, eating and cooking houses, with many more for a numerous train of dependents. There was also a well, a garden containing principally squashes, and in one part, a sheepfold in which was one cow, several sheep, and three hundred goats.”  (Sybil Bingham Journal)

Reverend Charles Stewart notes of Allen’s place in his journal, “… it is a favourite resort of the more respectable of the seamen who visit Honoruru. …”

While these were part of the first hotel uses in the islands, as time went on, downtown Honolulu had the core of the hotel supply, and Waikīkī, two-miles away by foot over dirt roads, was not considered in the accommodation business.

But that changed.

Sans Souci Hotel, a Waikīkī beachfront resort that opened in 1884 and offered private cottages and bathing facilities, turned it into an internationally-known resort after it hosted writer Robert Louis Stevenson, who wrote about staying there for five weeks in 1893.

In the late-1890s, with additional steamships to Honolulu, the visitor arrivals to Oʻahu were increasing.  When Hawaiʻi became a US territory (June 14, 1900,) it was drawing cruise ship travelers to the islands; they needed a place to stay.

Hotels blossomed, including Waikīkī’s oldest surviving hotel, the Moana Hotel. Often called the “First Lady of Waikīkī,” the Moana Hotel has been a Hawaiʻi icon since its opening opened on March 11, 1901.

By 1918, Hawai‘i had 8,000 visitors annually, and by the 1920s Matson Navigation Company ships were bringing an increasing number of wealthy visitors.  This prompted a massive addition to the Moana.  In 1918, two floors were added along with concrete wings on each side, doubling the size of the hotel.

On February 1, 1927, the Royal Hawaiian (nicknamed The Pink Palace) was officially opened with the gala event of the decade.  Over 1,200-guests were invited for the celebration that started at 6:30 pm and lasted until 2 am.  Over the subsequent decades, promotional efforts grew and so did the number of visitors.

1955 saw the first of a new wave of hotel construction.  Three high-rise hotels opened in Waikīkī that year: the Princess Kaʻiulani, the Reef Hotel and the Waikīkī Biltmore (which itself became a victim of progress and was imploded to make room for what is now the Hyatt Regency Waikīkī.)

Another hotel – Henry Kaiser’s Hawaiian Village, which was not yet a high-rise, opened its first 70-rooms.

Between 1950 and 1974, domestic and international visitor numbers shot up to more than 2-million from less than 50,000.  Statehood and the arrival of jet-liner air travel brought unprecedented expansion and construction, in Waikīkī and across the Islands.

Construction’s dominant role in the state’s economy dates back to Statehood in 1959, which focused tremendous investment interest, as well as visitor interest, in Hawai‘i. Construction activity accelerated in the mid-1960s, and accounted for 8.2% of the State’s Gross State Product in 1970.

The driving force in this increase in construction was the post-statehood tourism boom and related investment activity.  The industry hit post-statehood peaks in 1960, 1970, 1975, 1980, and 1992. (DBEDT)

The image shows locations and dates of Waikīkī construction evolution (over Google Earth.)

© 2023 Hoʻokuleana LLC

by Peter T Young Leave a Comment

Ka Iwi

The winds will turn before you and find you,
You’ll be overwhelmed, O deaf aliʻi,
The winds will gather,
The naʻenaʻe leaves will bend,
You’ll be swept ashore at Awāwamalu.
Caught in the fishing net of the head fisherman,
Your thigh bone and upper-arm bone
Will be made into fishhooks,
To catch the paoʻo and the ʻopakapaka,
Your flesh will be without bones,
The black crab, the shearwater will eat your remains,
The life from the parents will be broken off.
Here I am, the ʻaumakua kanaka,
Listen to my life-giving words,
Keawenuiaʻumi, come ashore, a storm is coming,
When you sailed yesterday, it was calm.
(Excerpt from The Wind Gourd of Laʻamaomao – (hawaii-edu))

Wāwāmalu or Awāwamalu (“Shady Gulch or Valley” – referenced above,) was on the Waimānalo side of the Ka Iwi Coastline, (known today as “Sandy Beach.”)  Corpses of fisherman and sailors who drowned in the Kaiwi channel were swept ashore by the currents there and at other spots along the southeast coast of Oʻahu, like Hanauma Bay.  (Ka Poʻe Kahiko 76; hawaii-edu)

The meanings of the two core words are: ka (the) and iwi (bone.) This is the literal meaning of the word iwi, but we can be sure that there is also a deeper meaning, for bones of ancestors were very sacred; it was in the bones that mana (supernatural power) was believed to have been stored and that it remained in the bones even after death.  (Marion Kelly)

This coastline is called Ka Iwi; it fronts Ka Iwi Channel.  It may have been named for the bones of lost travelers who failed to make the crossing between Molokai and Oʻahu.

Others suggest it may be because the raw, wild, volcanic landscape of the area, rising from the sea, reminded the ancients of the exposed bones of the earth.

The ancient Hawaiians paddled the channel waters in their canoes for food, recreation, trade, communication and military purposes. The rich history of the islands is full of accounts of mythical demigods and real-life heroes testing their skills on the oceans. Control of Hawaiʻi’s channel waterways was an important part of Hawaiian society. This importance is reflected today in modern Hawaiʻi’s claim to state ownership of interisland waters (Hawaiʻi State Constitution, Article XV).  (NOAA)

Control of the interisland waterways was an extension of domination of the land by the aliʻi. The “nature of the dominion exercised over a channel lying between two portions of a multi-island unit was based on Polynesian rather than Western concepts.” The Polynesians view the surrounding waters as part of the land. Control of the ocean by Hawaiians was implicit in the control of the islands themselves.  (NOAA)

Kaiwi is known for the Kualau or Kuakualau – the strong wind and the rain out in the ocean.  It is customary for it to blow in the evening and in the morning but sometimes blow at all times.  “Where are you, O Kualau, Your rain goes about at sea.” (McGregor)

Wind speeds decrease in the lee of each island; whereas winds in the channel increase in strength. The area out in the channel is subject to heavy, gusty trade winds.

These winds had an effect on the waters in the channel; “… the ship turned toward Lae-o-ka-laau.  As we went on the Kualau breeze of Kaiwi blew wildly, and many people were bent over with seasickness”.  (Ku Okoa, 1922; Maly)

In Hawaiian tradition, Lāʻau Point on Molokai represents a point of no return. For those traveling by canoe from Oʻahu to Molokai across the Kaiwi Channel, once Lāʻau Point is sighted, there is no turning back to Oʻahu.

More commonly known today as the Molokai Channel, the Kaiwi Channel separates the islands of Molokai and Oʻahu; it has the reputation as one of the world’s most treacherous bodies of water.

The channel is about the length of a marathon (26.2-miles) but it’s a body of water; annually, swimmers, paddlers and others seek to cross its span as an individual achievement, or the glory of participating/winning a race.

In 1939, William K Pai is reportedly the first person to swim the Kaiwi Channel, from ʻIlio Point on Molokai to the Blowhole near Oʻahu’s Sandy Beach (because he first paddled a little offshore before swimming, it was ‘uncertified.’)  Since then, several others have tried and succeeded.

On October 12, 1952, three Koa outrigger canoes launched from Molokai’s west side; nearly nine hours later, Kukui O Lanikaula landed on the beach at Waikīkī in front of the Moana Hotel. Thus began the world’s most prestigious outrigger canoe race, the Molokaʻi Hoe.  Two years later, the women’s Na Wahine O Ke Kai, Molokai to Oʻahu Canoe Race, was inaugurated.

We are reminded of the hazards and risks crossing Kaiwi Channel, when on March 16, 1978, Hokuleʻa left Ala Wai Harbor in Honolulu on a voyage to Tahiti.  According to the Coast Guard report, the canoe left O‘ahu in 30-knot trade winds, with clear skies, 6-8 foot seas from the NNE, and 8-10 foot swells from the NE.  (PVS)

“Swells were high, but the canoe had ridden out such seas before. However, this time it was heavily laden with food and supplies for a month’s journey. The added weight put unusual stress on the canoe, making it difficult to handle.”

“Turning off-wind eased the strain but it also caused the sea to wash in over the gunwales, filling the starboard compartments and depressing the lee hull. Winds pushing on the sails rotated the lighter windward hull around the submerged lee hull, now dead in the water.”

“Five hours after leaving Ala Wai Harbor, Hokule‘a was upside-down in the sea between O‘ahu and Molokai.”  (Will Kyselka, An Ocean in Mind; PVS)

“All that night (sixteen crew members) clung to the hulls of the stricken vessel, huddling to protect themselves as best they could from wind and wave. Daylight came. Airplanes flew overhead but no one saw Hokuleʻa. …. Most alarming, though, was the fact that the canoe was drifting away from airline routes, decreasing its chance of being spotted.”  (Will Kyselka, An Ocean in Mind; PVS)

“Eddie Aikau wanted to go for help.”

“An expert waterman, he had saved the lives of many swimmers in trouble in the powerful surf of Waimea Bay on the north shore of O‘ahu. … Eddie would go alone.”

“The crew, clinging to the overturned hulls, watch(ed) in silence as he rode the waves into a fate not unknown to many of the people of old who sailed toward distant lands.”  (Will Kyselka, An Ocean in Mind; PVS)

In the early morning of March 18, 1978, the Coast Guard arrived to assist the Hokuleʻa; later that day, they sighted Aikau’s surfboard.  Eddie was never seen again.

© 2022 Hoʻokuleana LLC