Images of Old Hawaiʻi

by Peter T Young Leave a Comment

Adherent Planters

When we think of the prior sugar industry, we often only think of the large corporate entities – the Big Five (C. Brewer & Co, 1826; Theo H. Davies & Co, 1845; Amfac, 1849; Castle & Cooke, 1851 and Alexander & Baldwin, 1870).

These were the ‘factors’ who served as agents (and many times bankers) for thirty-six of the thirty-eight sugar plantations,;the Big Five openly monopolized the sugar trade.

But these and the companies they represented were not the only sugar planters.  Hawai‘i also had adherent planters.  These farmers, many of whom worked certain periods for the plantation, sold their cane to the plantation on a contractual basis.

Because of the topography of Hawaii, it often happens that small areas of land suitable for growing sugarcane are isolated by deep ravines or small rivers from the main body of the plantation land.

When, for these or other reasons, it was not practicable to put a piece of land under the direct management of the plantation, it was the usual practice to provide for the cultivation of such land under what was known as “ the adherent-planter system.”

In 1939, there were approximately 3,500 such adherent planters in the Territory, cultivating about 13 percent of the total cane area on more than 5,000 separate parcels of land, and producing about 10 percent of the total sugar cane grown in Hawaii. (US Bureau of Labor, 1939)

Around statehood (1959) approximately 100,000 tons of sugar was produced annually, principally on the unirrigated plantations on the island of Hawaii under the so-called adherent planter system.

This adherent planter system was an outgrowth of the Hawaiian plantation system over the prior 50 years and was unique in the American sugar-producing areas.

The small sugar growers had two types of agreements with the plantations: as adherent planters or as independent growers.

The adherent system originated when adherent planter agreements were offered by already established and operating sugar plantations to employees as a convenient arrangement to grow sugarcane on a portion of lands under cultivation by the plantation.

The plantation financed the venture, made available the use of mules, plows, fertilizer, heavy equipment, and labor at the time of harvest and transported the sugarcane crop after harvest to the plantation mill.

As a payment for the contribution of the adherent planter for labor performed, the plantation producer settled with the adherent planter by purchasing the sugarcane at a price tied to the price of raw sugar at market.

Direct contributions by way of finances, the loan of equipment, men, and advance of materials and services such as transportation, were a charge against the adherent planter.

Indirect contributions such as technical assistance in agricultural practices, certain types of supervision, scientific research and development, and the general costs that go into operating a large-scale plantation were charged to the adherent planter’s account.

Thus the Hawaiian sugar plantations early entered into a cooperative project of sugarcane production with certain selected employees under the adherent planter system.

This was in contrast to the so-called independent planters of Louisiana, Puerto Rico, and the Philippine Islands. In those areas, for the most part, the sugar centrals came into already independently developed farming areas where sugarcane was already in existence, and placed a mill among the growers for the purpose of processing sugarcane.

The sugar processors in the independent-planter areas never were in a joint enterprise in the growing of sugarcane with their planters, as were the plantation producers of Hawaii under the adherent planter system.

The adherent planter system on the Hawaiian sugar plantations was an outgrowth of the earlier development. There are many different types of adherent planter agreements on various sugar plantations, and, in some instances on the same plantation.

But, the basic relationship which was an outgrowth of the past was essentially the same in all. For the most part, adherent planters were employees of the plantations who have been granted small parcels of land for the cultivation of sugarcane either in their spare time or during portions of the year which they devote exclusively to these adherent planter plots.

These same employees spend the bulk of the year on the plantation pay rolls in various capacities such as harvesters, cultivators, millmen, or in similar employment. As a rule an adherent planter has two parcels of land, one for each crop year. This was because sugar cane in Hawaii was grown in a 2-year crop cycle and it was financially more convenient for adherent planters to receive a settlement once a year instead of once in 2 years.

The adherent planter was charged with the responsibility of planting, bringing to maturity, and harvesting the crop of sugarcane on the land allocated to him by the plantation producer.

The skilled operators of the plantation producer run the equipment, and the planter was given the full advantage of scientific mechanization in sugarcane cultivation.

Plantation agriculturalists under the terms of the adherent planter agreements determined the varieties of cane to be planted and the agricultural practices to be followed by the adherent planter and gave the adherent planters early advantage of newest developments at the Hawaiian Sugar Planters’ Association experiment station.

These and other developments in the industry station have been brought about at industry expense and made available to the adherent planters without charge.

At the time of the harvest, in most instances, the sugarcane was taken off by the heavy equipment of the plantation producer or by gangs of plantation men. The sugarcane was delivered to the mill in the plantation system of transportation.

The adherent planter was generally paid for his sugarcane on the basis of the average New York price of 90° sugar, for the month in which the sugarcane was harvested.

The various adherent planter plots are quite frequently found interspersed among the administration fields and are always physically located within the confines of the farming unit of the plantation.

The entire operation was essentially a joint one between the adherent planter and the plantation producer.  The passage of the Jones-Costigan amendment to the Agricultural Adjustment Act in 1934 resulted in the scrutiny of this system by the Department of Agriculture.

After a thorough investigation and public hearings in the Territory of Hawaii in December 1934, at which were present the representatives of the bulk of adherent planters in the Hawaiian sugar industry, the various plantation producers and the Secretary of Agriculture entered into the so-called production adjustment agreement.

These agreements set up the terms and conditions under which the Hawaiian sugar producers participated in the program for the production of sugar cane under the Agricultural Adjustment Administration. In these agreements, the peculiar status of the adherent planters of Hawaii was given recognition by the Secretary of Agriculture.

The so-called benefit payments of $10 per ton on sugar produced from adherent planter sugarcane were divided between the plantation producers and the adherent planters on the basis as though these payments were an increase in the market price of sugar; thus recognizing the joint nature of the venture under the adherent planter system.  (Most here is from the Congressional Record)

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by Peter T Young Leave a Comment

Evolution of the Volcano House

All the known Hawaiian eruptions since 1778 have been at Mauna Loa and Kilauea Volcanoes, except for the 1800–1801 eruption of Hualālai Volcano on the west coast of Hawai‘i Island.

For the past 200 years, Mauna Loa and Kilauea have tended to erupt on average every two or three years, placing them among the most frequently active volcanoes of the world.

The individual Kilauea eruptions recorded historically are in addition to the nearly continuous eruptive activity within or near Halema‘uma‘u Crater, extending throughout the 19th century and into the early 20th century.

Simultaneous eruption of both volcanoes has been rare except at times when Kilauea was continuously active before 1924. The only post-1924 occurrence of simultaneous eruption was in March 1984, when activity at both volcanoes overlapped for one day.

Between 1934 and 1952, only Mauna Loa was active and, between 1952 and 1974, only Kilauea was. (Tilling)  Since July 1950, Hawaiian eruptive activity has been dominated by frequent and sometimes prolonged eruptions at Kilauea, while only a couple short lived eruptions have occurred at Mauna Loa (July 1975 and March-April 1984).

Except for the nearly continuous eruptive activity at Halema‘uma‘u for a century before 1924, and at Mauna Loa summit between 1872 and 1877, the Pu‘u ‘O‘o eruption became the longest lasting single Hawaiian eruption in recorded history.

“The wonderful volcano of Kīlauea, on the island of Hawaii, is the great attractive of visitors.  It is the only crater in the world that is constantly in action, and that can be safely approached at all times to the very edge of the precipice which encloses the boiling lava.”

“To reach Kīlauea necessitates a passage of thirty hours from Honolulu in a fine steamer to Hilo or Punalu‘u, then a ride of thirty miles in coaches takes visitors to a fine hotel, which overlooks the molten lava lake. It is a sight that will repay the effort and expense incurred ten times over, and one that will never be forgotten.” (Whitney)

The earliest structure associated with Volcano House can be traced back all the way to 1846 when Benjamin Pitman constructed a four walled thatched shelter “in the native style.” It was a simple, one-room 12-by-18-foot shelter made of grass and native ohia wood poles is built and later dubbed “Volcano House.” The name stuck.  (NPS)

The NPS records include a Volcano House Register, essentially a Guest Book; this started at Pitman’s Volcano House. Orramel H Gulick donated the first blank volume of the Volcano House Register. Gulick noted in the preface,

“Travelers and passersby are requested by the donor of this book to record their names in it and to note all, or any, volcanic phenomena that may come under their notice during their stay or at the time of their visit.  By so doing, this record may become of great value, some years hence, to the scientific world.”

The first entry of Volume 1 is dated February 8, 1864; here JB Swain starts, “Having been located in this vicinity for the year last past I have noticed that the volcano has been in greater activity the last month than at any time throughout the last year. Within the last few days jets of lava could be seen from the Volcano House during the day, a circumstance not before observed.”

Later (1866), a four-room wood frame, thatched-roof Volcano House replaced the original building. One of its early guests was Samuel Clemens (Mark Twain).

Mark Twain recounts his Volcano House stay in a November 16, 1866 Sacramento Daily Union article, “Neat, roomy, well furnished and a well kept hotel … The surprise of finding a good hotel at such an outlandish spot startled me, considerably more than the volcano did.”

Royal Geographical Society traveler Isabella Bird visited in 1872. Bird remarked “The inn is a grass and bamboo house, very beautifully constructed without nails.”

“It is a longish building with a steep roof divided inside by partitions which run up to the height of the walls. There is no ceiling. The joists which run across are concealed by wreaths of evergreens, from among which peep out here and there stars on a blue ground.”

In 1877, William Lentz, a carpenter from Baltimore, built a more permanent western-style Volcano House hotel; it was located on the flat area fronting the present Volcano Art Center.  King Kalākaua, Louis Pasteur and Robert Louis Stevenson are among its guests.

By 1891, the popularity of Volcano House hotel was booming. The hotel had traded hands again, this time to Lorrin A Thurston, a Honolulu businessman and controversial historic figure. Thurston formed the “Volcano House Company” in partnership with the steamship companies that operated in Hawaiʻi at the time.

In 1891, this partnership increased capacity of the hotel with a 2-story Victorian-style addition to the Ka‘ū side of the building. Even with the addition, space in the hotel was barely enough for demand. At times, the lodge was so crowded that the billiard table in the parlor would be used as a bed.

In 1912, Thomas Jaggar built the Hawaiian Volcano Observatory, which he located on edge of the crater (at the site of the existing Volcano House). The concrete vault of the observatory Jaggar was called the Whitney Laboratory of Seismology (named after Edward and Caroline Whitney, whose estate subscribed $25,000 for research into the science of volcanoes).

In 1921 the Volcano House grew again; in addition, the 1877 section of the building was removed from the 1891 Victorian addition and moved behind the new structure, back to where it currently is (the Volcano Art Center building).  A two-story wing was then added to the Victorian addition, bringing the number of rooms from 25 to 104.

A lack of tourism due to the Great Depression forced the company to sell the hotel at a sheriff’s auction.  George Lycurgus, sole bidder and a previous manager of the hotel, purchased the building for $300.

“Uncle George”, as he later became known, would go on to manage the hotel until his death in 1959. Lycurgus hosted celebrities such as Princess Victoria Ka‘iulani, President Franklin Delano Roosevelt and Amelia Earhart,

On February 7, 1940, tragedy struck; the Volcano House burnt to the ground. A kitchen fire raged out of control and claimed the entire building. The next day, Volcano House was open for business as the smaller 1877 building was pressed back into service to accommodate guests.

In 1941, NPS paid for the construction of a new 24-room wood-and-stone hotel; it is designed by noted architect Charles W Dickey.  The hotel was also relocated about 200 yards from its former site, across Crater Rim Drive on the caldera’s edge. (The 1941 Volcano House having been constructed over it.)

On November 8, 1941, the new hotel opened for business.  Over the years, the list of guests included Dwight D Eisenhower, Harry S. Truman, Dr. Charles W. Mayo, John F. Kennedy and Richard M. Nixon as well as many others.

The Park Headquarters (Administration Building) was built in June 1932; in 1949 it was turned over to the Volcano House Hotel. At that time, Lycurgus renamed the building the Ohia Wing and converted the interior into 10-guestrooms with private baths. In 1953, an eight-room wing was added to the main hotel building.

The legacy of this historic hotel continues. Today, the Volcano House Hotel has 33-guest rooms; in addition, the hotel manages 10 cabins and 16 campsites located at Nāmakanipaio Campground about 3-miles from the hotel.

As they have done for over centuries, people flock to Kīlauea to experience the wonder of nature at work. As it has always done, Volcano House Hotel provides a good meal and warm hearth to those that make the journey.

(In 1935, Ripley’s Believe It Or Not stated that the “fire in the fireplace in the Volcano House has been burning continuously for 61 years”; and, it continued to do so for many more years.  However, “the fabled fireplace was allowed to go out New Year’s Day 2010.” (Hawaii Magazine)) (Information here is from various documents of the NPS.)

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by Peter T Young Leave a Comment

Nāhiku Rubber Company

Nāhiku comes from “Na Ehiku” meaning “the Seven” and it relates to the seven stars of the constellation Pleiades, or the Seven Sisters – suggesting seven lands.  This area is just outside of Hāna.

Nāhiku is a fertile ahupuaʻa that was cleared and terraced with irrigated taro cultivation by the Hawaiians. To the east of Nāhiku out to Hamoa, the land slopes gently down to the ocean. No large gulches or streams run through the ahupua’a, although there is plenty of rain.

Along the shore there was a hala forest that extended from ʻUlaʻino to Hāna. The forests above Nāhiku were traditionally forested with native trees such as koa, ʻōhiʻa lehua and sandalwood. Many plants that were used for native medicine also grew there.

 In modern times, when Hāna was without a road, and the coastal steamer arrived on a weekly schedule, Hāna-bound travelers unwilling to wait for the boat drove their car to the road’s end at Kailua, rode horseback to Kaumahina ridge, then walked down the switchback into Honomanu Valley. Friends carried them on flatbed taro trucks across the Keʻanae peninsula to Wailua cove. (Wenkam, NPS)

By outrigger canoe it was a short ride beyond Wailua to Nāhiku landing where they could borrow a car for the rest of the involved trip to Hāna. Sometimes the itinerary could be completed in a day. Bad weather could make it last a week.  (Wenkam, NPS)

Today, Nāhiku is located off Hāna Highway (360) on Nāhiku Road between Wailua and Hāna.  Just past the 25-mile marker, you head makai on Nāhiku Road about three miles down to the bay. Nearby is the Pua’a Ka’a State Wayside for picnicking, as well as the Kopilula and Waikani Falls. The lower Hanawi Falls is located in Nāhiku.

Nāhiku is the site of an attempt to create a rubber plantation on Maui. The need for automobile tires made rubber a valuable product in the late-1800s.  In 1898, Mr. Hugh Howell, of Nāhiku, obtained some seeds of the Manihot glaziovii (Brazilian) and planted them in Nāhiku. These seem to be the first trees of any commercial species that have been tried.

After some initial experimentation in producing rubber, the company was not started until it was definitely ascertained that rubber trees of the best quality would grow at Nāhiku, and the yield of rubber from these trees was sufficient to make it a profitable investment. A number of trees of the Ceara variety have been growing at Nāhiku for six years, and when these were tapped it was found that the rubber obtained was equal to the best.  (Thrum)

The first Hawai’i rubber company incorporated in 1905 and on February 4, 1907, the Nāhiku Rubber Plantation was officially established. It was the first rubber plantation on American soil.

There are many thousands of acres of land on the Islands where it is rainy and not too windy, where rubber will thrive, and if this first rubber company proves a success, it is hoped that many other rubber companies will be started.

As this is the first rubber plantation ever started on American soil the officials of the Department of Agriculture at Washington arc greatly interested in its success, and are doing everything they can to help it along. (Thrum, 1905)

According to ‘Rubber World’ 7 (1913,) rubber was steadily becoming an important Hawaiian product.  On the island of Maui many trees have been planted and these are tapped in large numbers.  Steady efforts are being made to improve the methods of preparation in order to increase the marketable value: 35,000-trees were tapped during 1912, and altogether some 8,000-pounds of rubber were produced, most of which was exported.  For 1913, an output of 20,000-pounds is anticipated.  (Journal of Industrial and Engineering Chemistry, 1913)

Attention has been directed to an indigenous rubber tree (Euphorbia lorifolia) which grows in several localities; one place in particular on the Island of Hawaiʻi has 6,000-trees averaging 75-trees to the acre, whose product is 14-17 per cent of rubber and 60 per cent resin (chicle.)  It is reported that the latex contains 42 per cent of solid material and that one man can collect 16-30 pounds of crude product per day.  (Journal of Industrial and Engineering Chemistry, 1913)

Others followed the Nāhiku Rubber Company, each were in the area around Nāhiku:
Company………………Founded…Acres
Nāhiku Rubber Co……..1905…….480
Hawaii-American Co…..1903…… 245
Koʻolau Rubber Co…….1906……..275
Nāhiku Sugar Co……….1906……..250
Pacific Development…1907……..250
(Journal of Industrial and Engineering Chemistry, 1913)

Cultivation grew with companies and individuals controlling nearly 5,600-acres of land on Maui, Kauai, Oahu and the Big Island.

At the height of the rubber production, Nāhiku had a Chinese grocery and post office, a plantation general store; Protestant, Mormon and Catholic churches and a schoolhouse attended by twenty children. One visitor to the area in 1910 said, “Every place has its peculiarities and characteristics; so with Nāhiku. It is rubber, first, last and all the time there.”

However, the quality and quantity of rubber produced by these plantations, despite the hard work of the laborers (who were paid 50 cents for a ten-hour day with a 30-minute lunch break) was not good enough to make a substantial profit for the investors. The companies began to phase out production as early as 1912. The oldest of the rubber companies, the Nāhiku Rubber Plantation, closed on January 20, 1915.

After the rubber plantations closed, some residents moved out of Nāhiku. Those who stayed resumed cultivating bananas and taro for food. Some tried growing bananas as a cash crop and when this didn’t work began growing roselle for jelly. Eventually these attempts also failed. The exodus out of Nāhiku to the “outside” continued.

 According to U.S. Census Bureau statistics, in 1930 there were only 182 people living in Nāhiku. Of them, 101 were Hawaiian. By 1941 only fifteen families and two non-Hawaiian families lived there, clustered around a one-room school and the churches.

In December, 1942, Territorial Governor Ingram Stainback tried to help the World War II effort by sending 40 prisoners from Oʻahu Prison to the Keanae Prison Camp (now the YMCA camp) to revive the old Nāhiku rubber plantation. The plan was to produce 20,000 to 50,000 pounds of crude rubber annually. The plan did not work.  Now, rubber trees left over from that time line the roads of Nāhiku.

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by Peter T Young Leave a Comment

Daguerreotype

Prior to photography, portraits were painted. A first connection to Hawai‘i in this was through the son of Jedidiah Morse (Jedidiah was an abolitionist New England preacher who some consider “the father of American geography” – he compiled and published the first American geography book).

His son Samuel showed enough artistic promise for Jedidiah to send Samuel abroad to study painting after he graduated from Yale University in 1810.

Painting provided Samuel with pocket money to help pay his term bills at Yale. He became one of the small handful of important American painters in his generation, and many famous depictions of notable Americans are his work.

The portrait of Noah Webster at the front of many Webster dictionaries is his, as are the most familiar portraits of Benjamin Silliman, Eli Whitney, and General Lafayette.  (Fisher)

Prior to the departure of the first missionaries to Hawai‘i, a portrait of each of the company had been painted by Samuel Morse; engravings from these paintings of the four native “helpers” were later published as fund-raisers for the Sandwich Islands Mission and thereby offer a glimpse of the “Owhyhean Youths” on the eve of their Grand Experiment.  (Bell)

The portrait of Noah Webster at the front of many Webster dictionaries is his, as are the most familiar portraits of Benjamin Silliman, Eli Whitney, and General Lafayette.  (Fisher)

Morse showed great promise as a painter, but he offered Americans grand paintings with historical themes, when all his paying patrons really wanted were portraits of themselves.  Eventually Morse accepted many portrait commissions, but even they did not bring the steady income he needed to support himself and his family.

Oh, one more thing about Samuel Morse, while he did not invent the telegraph, he made key improvements to its design, and his work would transform communications worldwide. First invented in 1774, the telegraph was a bulky and impractical machine that was designed to transmit over twenty-six electrical wires. Morse reduced that unwieldy bundle of wires into a single one.

Along with the single-wire telegraph, Morse developed his “Morse” code. He would refine it to employ a short signal (the dot) and a long one (the dash) in combinations to spell out messages.

Morse the artist also became known as “the Father of American photography.” He was one of the first in the US to experiment with a camera, and he trained many of the nation’s earliest photographers.  (Fisher)

While doing art and developing code, Morse was also deeply involved in trying to make a go of his newfound vocation as a daguerreotypist. Morse enthusiastically embraced this new technology and became one of the first to practice photography in America.  (LOC)

Daguerreotype was the first successful form of photography; it was named for Louis-Jacques-Mandé Daguerre of France, who invented the technique in collaboration with Nicéphore Niépce in the 1830s.

Daguerre and Niépce found that if a copper plate coated with silver iodide was exposed to light in a camera, then fumed with mercury vapour and fixed (made permanent) by a solution of common salt, a permanent image would be formed. (Britannica)

The daguerreian era in Hawai’i began in the summer of 1845 when Theophilus Metcalf, an engineer and French scholar living in Honolulu, advertised that he was prepared to ‘take likenesses by the daguerreotype’.

The first surviving portraits, however, were made in January 1847, when an artist who called himself Senor Lebleu arrived from Peru and set up a studio.

Daguerreians continued to arrive and practice their art until approximately 1860. During this period there were almost a dozen artists working in the islands, for periods varying from one month to several years.

The most prolific Hawai‘i daguerreian whose work can be fairly well documented was Hugo Stangenwald (1829–99). He operated a studio in Honolulu from 1853 to 1858.

Dr. Hugo Stangenwald, the “student revolutionist, Austrian émigré, able practicing physician, and recognized early-day daguerreotype artist,” left Austria in March 1845. After living in California, he arrived in Honolulu in 1853. He married the former Mary Dimond in 1854. (HABS)

He opened a shop in late-1854 in a one-story frame structure on the site of the present Stangenwald building. His advertisement was well-known: “To send to them that precious boon, And have your picture taken soon, And quick their weeping eyes they’ll wipe To smile upon your daguerreotype.” (HABS)

His competitor for a year and a half (from 1855 to 1856) was Benajah Jay Antrim. Antrim left a memoir that, in a somewhat rambling and self-promoting fashion, recorded his success in the art in the Hawaiian Islands. (Davis & Forbes)

Before heading West, Antrim was a professional maker of mathematical instruments in Philadelphia, Pennsylvania.  In the 1830s he apprenticed under Edmund Draper. (Complete Surveyor)

Antrim was one of the forty men of the Camargo Company who went to California via Mexico on January 1849, after the successful termination of the War with Mexico.  From 1852 to 1854 Antrim was noted in Sierra County, California.

From 1855 to 1856 he operated in Honolulu, Hawaii.  He operated under his own name, B. Jay Antrim, as well as Role Lane Gallery (based on its location on Rose Lane) and Excelsior Gallery.  (Polynesian, Nov 17, 1855)

He ran an advertisement noting, “Prices Reduced at the Excelsior Gallery, located on Rose Lane, east side of King-street opposite the Bethel Church. Thankful for past favors, the undersigned takes this method of soliciting for a limited time, the patronage of the citizens and visitors of Honolulu …”

“… assuring them that strict application has been made to every new feature of the Art, calculated to finish first class Portraits, Miniatures, and Views for all who may desire them, by the latest and most satisfactory mode of operating in the United States.”

“Gallery open from 8 AM to 4 PM.  Cloudy weather no detriment.  Call and examine the specimens of Rose Lane Gallery.  B Jay Antrim” (Polynesian, Dec 22, 1855)

Then Antrim announced a change in his business, “To the Citizens of Honolulu. This is to inform the citizens Honolulu, that Mr. Benson, will continue the Daguerrean Art on Rose Lane, after April 14th, 1856.  We would return our sincere thanks to our patrons, and recommend Mr. B, as worthy of their patronage.  B. Jay Antrim” (Polynesian, April 5 & 12, 1856)

Antrim went back to California and set up shop there; he advertised, “Three Pictures for $3.00! B. Jay Antrim & Co would respectfully intimate to the residents of North San Juan and vicinity their intention of closing their Photographic operations in this town in a short time.”

“Hence all persons who may be desirous of securing a cheap and elegant picture for transmission to their friends in the Atlantic States, will see the necessity of an early visit to their Gallery, adjoining the Sierra Nevada Hotel. They have just completed the necessary arrangements for taking the new style of Canvas Pictures!”

“These Pictures possess a soft and elegant tone, and can be mailed with little additional postage. North San Juan, Oct. 1.” (Hydraulic Press, Oct 16, 1858)

The newspaper reported, “Mr. Antrim, the Ambrotypist, is now prepared to take portraits on canvas, having so far perfected his invention that he is willing to make it public. These pictures have an exquisite softness of color, a fine, clear relief, and are protected from the injurious effects of moisture by a trans parent varnish of the artist’s own invention.”

“They can be rolled up as easily as velvet, and forwarded in letters a great distance without detriment. They can be taken as large as life – this is no fiction – and are as free from any blinding lustre as ordinary engravings.”

“Mr. Antrim is a man of great ingenuity. He has devoted much time and money to the perfection of this new style of sun-portraits, and offers them at such a low price that it is an object to every person to patronize him. His invention is destined to be talked about and to become popular.”  (Hydraulic Press, Oct 2, 1958)

(Ambrotype images are taken upon fine plate glass, over which is placed a corresponding glass,—the two being cemented together, so that the picture is just as permanent as the glass on which it is taken.  They are far superior, in many respects, to the best Daguerreotypes.) (Pioneer American Photographers)

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by Peter T Young 1 Comment

Wahiawā

During ancient times, various land divisions were used to divide and identify areas of control. Islands were divided into moku (districts;) moku were divided into ahupuaʻa. A common feature in each ahupuaʻa was water, typically in the form of a stream or spring.

The Island of Oʻahu has six Moku: Kona, Koʻolaupoko, Koʻolauloa, Waialua, Waiʻanae and ʻEwa. The Waiʻanae ahupuaʻa, within the moku has an un-typical shape – it is sometimes referred to in two parts: Waiʻanae Kai, on its western side, runs from the ocean to the Waiʻanae Mountains (like a typical ahupuaʻa – this portion of Waiʻanae runs from the mountain to the sea.)

From there, however, the section referred to as Waiʻanae Uka continues across Oʻahu’s central plain and extends up into the Koʻolau Mountains – extending approximately 15-miles from the Waianae Mountains to the Koʻolau Mountains and ends up overlooking the windward coastline. (Each section is within the same ahupuaʻa.)

Wahiawā, situated in Waiʻanae Uka, was from very ancient times, identified with the ruling aliʻi of Oʻahu. The name breaks down to Wahi (place), a (belonging to), wa (noise.) (Handy)

Perhaps the name goes back to the time when Hiʻiaka was in this general area and could see waves dashing against the coast afar off and hear the ocean’s ceaseless roar… (Handy)

The chiefs of Līhuʻe, Wahiawā, and Halemano on Oʻahu were called Lo chiefs, poʻe Lo Aliʻi (”people from whom to obtain a chief”,) because they preserved their chiefly kapus…

They lived in the mountains (i kuahiwi); and if the kingdom was without a chief, there in the mountains could be found a high chief (aliʻi nui) for the kingdom. Or if a chief was without a wife, there one could be found – one from chiefly ancestors. (Kamakau)

A “sizable population” filled the Wahiawā area in traditional Hawaiian times, based on the “various areas of loʻi northwest of the present town of Wahiawā. … There were extensive terraces that drew water from Wahiawā Stream, both above and below the present town.”

“There were many small terrace areas along the sides of the valleys of all the streams of this general area. … The peculiarity of this area, apart from distance from the sea, is that it is the only extensive level area on (Oʻahu.)” (Handy)

In more modern times, at the height of the sandalwood boom, Kamehameha was buying foreign ships, including six vessels between 1816 and 1818, to transport his own wood to the Orient. (Kuykendall) According to Kamakau, Wahiawā was a prime source for the valuable wood; the largest trees were from Wahiawā.

Over the remainder of the decade, the population fluctuated. Things changed at the end of the decade. Following the overthrow of the Hawaiian monarchy, western military and agricultural interests would transform the Wahiawā landscape.

Land that had previously been leased to Oʻahu businessman James Robinson for cattle grazing was designated Wahiawā homestead land by The Land Act of 1895 (as homestead land, including water rights from the Kaukonahua Stream (not DHHL homestead, this was for general homesteading.))

Then, in 1897, Californian, Byron Clark, became the Hawaiian Republic’s commissioner of agriculture. In looking for land for him to settle on, he learned of the availability of land at Wahiawā.

Clark organized a group of other Californians (as well as others) to join him in settling the whole tract of thirteen hundred acres — which became known as the Wahiawā Colony Tract. Having formed an agricultural cooperative called the Hawaiian Fruit and Plant Company, the homesteaders began formalizing and refining the physical organization of their Wahiawā settlement.

To reach Wahiawa, the homesteaders forded the north and south forks of Kaukonahua Stream which surrounds Wahiawa, making it an island within an island. Life was hard but they cleared the land and planted their required fruit trees and crops.

They built a one-lane bridge, constructed homes, laid out roads, obtained water rights, built a store and post office, and saw to it their children were educated. In a very short time the homesteaders had a community and started the pineapple industry.

Clark found some discarded pineapple slips which he shared with Alfred W Eames and in 1900 they harvested their first crop in the community. Clark experimented in his home kitchen to can the fruit in glass jars.

Eames founded the Hawaiian Island Packing Company and built his first cannery in the Wahiawā heights area in 1902. This company was later known as Del Monte Fresh Produce (Hawaii) Inc.

Another homesteader and planter, Will P Thomas, operated under the Thomas Pineapple Company, which in 1917 following his death, became Libby McNeill & Libby of Honolulu.

Initially each settler lived in a house on his five-acre parcel in the town site and farmed his other land in the surrounding area. It was soon discovered, however, that each settler preferred to reside on his own farmstead, holding his town lot in reserve.

The homesteaders abandoned the village plan and agreed that one man, Thomas Holloway, would live on their 145-acre central lot site.

On August 27, 1902 a trust deed, referred to as the Holloway Trust, formally set aside the central town lots for the use and benefit of the Settlement Association of Wahiawā resident landowners. Within a few years, Wahiawā Town was underway.

Some of the town’s streets would be named for the early homesteaders – including Clark, Kellogg, Thomas and Eames streets (initial mapping shows California Avenue as the first, and main, road.)

Another notable change at this time was the result of a presidential order of July 20, 1899 setting aside Waianae Uka lands as the military reservation. Ten years later, in 1909, these lands would become the site of Schofield Barracks, named after Lt. General John M. Schofield.

Another homesteader to the area was James D Dole, who moved to Wahiawā in 1900 to attempt farming on 61-acres. Dole described Wahiawā at the beginning of the 20th century as “a park-like stretch of some 1,400-acres of third-class pasture land, dotted with shacks of 13 hopeful homesteaders for whom (the) general sentiment was merely pity.”

Dole founded Hawaiian Pineapple Company in 1901. He built a cannery next to his pineapple fields in Wahiawā and packed his first cans in 1903. By 1904, Wahiawā was known as “The City of Pines” and was considered the “hub” of the pineapple industry in the world.

Within a few years pineapple production at Wahiawā had increased that Dole planned a cannery at Iwilei, near the shipping facilities of Honolulu Harbor. Today his Hawaiian Pineapple Company (HAPCO) is known as Dole Food Company, Hawaii.

In order to transport the pineapple from Wahiawā to Honolulu, Dole persuaded the Oʻahu Railway & Land Company to extend its rail line to Wahiawā. The line to Wahiawā was constructed in 1906.

Another change occurred on January 23, 1906 when the Wailua Agricultural Company, later known as Waialua Sugar Company, constructed the Wahiawā Dam and Reservoir, a 2.5-billion-gallon capacity reservoir (the largest in Hawaiʻi;) it is generally known as Lake Wilson, today.

Another “story that has never been told in Hawaii” were the events of December 7, 1941 in Wahiawā. While the incident is usually called “the bombing of Pearl Harbor,” other areas on O‘ahu were also shelled. In Wahiawā two civilians died, 22 were injured, and two houses were burned down.

Sixty-seven-year-old Soon Chip Kim was sitting in a Wahiawa plantation cafeteria when the town was fired upon. The bullets went through the roof, killing Kim.

Richard Masaru Soma, 22, was waiting at a bus stop on Kamehameha Highway for a ride to go fishing with a friend when Wahiawā town was strafed by enemy fire. Soma was injured and died five days later. (Napoleon)

In addition to the two civilian casualties, 22 people were injured in Wahiawā. Dr. Merton Mack, who Purnell said was the only physician in town at the time, treated the injured at his clinic on the corner of California Avenue and Kamehameha Highway.

The enemy also suffered casualties in Wahiawa. According to Purnell, a Japanese plane, engaged in a dogfight with an American plane, was hit and crashed into the Hawaiian Electric substation on Neal Avenue, killing the pilot and co-pilot. On its way down, the plane clipped a house, setting it ablaze. The fire spread to a neighboring home, destroying both buildings.

The start of World War II further helped to accelerate developments within Wahiawā to accommodate the needs of the growing military population. Wahiawā Elementary School, which started in 1899 to educate children of farmers who were brought in from California, closed their doors in the 1940s to become the new Wahiawā General Hospital.

At the end of World War II, the facility continued to remain in operation under the leaders of the Wahiawā Hospital Association. The 72-bed acute care facility was dedicated in 1958, under the official name, Wahiawā General Hospital.

Post World War II, the old Wahiawā Hotel had been used as living quarters for area school teachers. By the 1960s, Wahiawā teachers, who had been quartered at the teachers’ cottages (as they referred to them), were forced to relocate as plans for the new Wahiawā Branch Library were underway; the library opened on July 19, 1965. (Lots of information here from Cultural Surveys and Wahiawā Historical Society.)

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