Images of Old Hawaiʻi

by Peter T Young Leave a Comment

Hui Panalāʻau

Part of the equatorial “Line Islands” and “Pacific Remote Islands,” Baker, Howland and Jarvis Islands were first formed as fringing reefs around islands formed by volcanoes (approximately 120-75 million years ago). As the volcanoes subsided, the coral reefs grew upward forming low coral islands.

Howland Island lies 1,650 sea miles to the southwest of Honolulu, and 48 miles north of the equator. It and Baker Island, which lies about 35 miles to the south and a little east, are located northwest of the Phoenix group, and are 1,000 miles west of Jarvis.

There is evidence to suggest that Howland Island was the site of prehistoric settlement, probably in the form of a single community utilizing several adjacent islands. Archaeological sites have been discovered on Manra and Orona, which suggest two distinct groups of settlers, one from eastern Polynesia and one from Micronesia.

US whaling ships first sighted the islands in 1822.  The islands are habitat for birds.  Alfred G Benson and Charles H Judd took formal possession of the islands (as well as Jarvis Island) in 1857 in the name of the American Guano Company of New York (consistent with the Guano Act of August 18, 1856.)

The Guano Act stated that “when any citizen of the United States discovers a guano deposit on any island, rock, or key, not within the lawful jurisdiction of any other government, and takes peaceable possession thereof, and occupies the same island, rock, or key, it appertains to the United States.”

“The Peruvian Government has monopolized the supply of Guano throughout the United States … on account of said monopoly, the Farmers of this country have hithertofore been obliged to pay for said article about $50 a ton … it is the duty of the American Government to assert its sovereignty over any and all barren and uninhabitable guano islands of the ocean which have been or hereafter may be discovered by citizens of the United States …” (American Guano Company Prospectus, 1856)

“This Company own(s) an island in the Pacific Ocean, covered with a deposit of more than two hundred million tons of ammoniated guano and have dispatched a ship, agent, and men, to maintain possession thereof.” (American Guano Company Prospectus, 1856)

Rich guano deposits were mined throughout the later part of the 19th century, however, the guano business gradually disappeared, just before the turn of the century.  Thoughts of and activities on the islands disappeared.

Then, in mid-1930s, the US Bureau of Air Commerce (later known as Department of Commerce) was looking for sites along the air route between Australia and California to support trans-Pacific flight operations (non-stop, trans-Pacific flying was not yet possible, so islands were looked to as potential sites for the construction of intermediate landing areas.)

The United States reasserted its claim to the islands in 1935 (followed by President Franklin D Roosevelt issuing Executive Order 7368 to clarify American sovereignty and jurisdiction over the islands, on May 13, 1936.)

To affirm a claim, international law required non-military occupation of all neutral islands for at least one year.  An American colony was established.

The US Bureau of Air Commerce believed that native Hawaiian men would be best suited for the role as colonizers and they turned to Kamehameha Schools graduates to fill the role.

“They looked for someone that had some Hawaiian background. And that’s why they came to Kamehameha Schools to see if they can get someone from the school to participate because of our descendance as part-Hawaiians, that we would be used to the South Pacific or wherever.”  (James Carroll, colonist)

School administration selected the participants based on various academic, citizenship and ROTC-related criteria, as well as their meeting specified requirements for the job: “The boys have to be grown-up, know how to fish in the native manner, swim excellently and handle a boat, that they be disciplined, friendly, and unattached, that they could stand the rigors of a South Seas existence.”

On March 30, 1935, the United States Coast Guard Cutter Itasca departed in secrecy from Honolulu Harbor with 6 young Hawaiians aboard (all recent graduates of Kamehameha Schools) and 12 furloughed army personnel, whose purpose was to occupy the barren islands of Baker, Howland and Jarvis for 3-months.

“Once you get there, you wish you never got there. You know, you’re on this island just all by yourself and it’s, you know, nothing there at all. Just birds, birds, millions and millions of birds. And you just don’t know what to do with yourself, you know. It takes you a while to adjust to that, but once you adjust to it, it’s fine.”  (Elvin Mattson, colonist)

The American colonists were landed from the Itasca, April 3, 1935. They have built a lighthouse, substantial dwellings and attempt to grow various plants.

Cruises by Coast Guard cutters made provisioning trips approximately every three months to refit and rotate the colonists stationed on each island. Soon plans were put into place to build airfields on the islands and permanent structures were built.

In addition to their basic duties of collecting meteorological data for the government, the colonists kept busy by building and improving their camps, clearing land, growing vegetables, attempting reforestation and collecting scientific data for the Bernice Pauahi Bishop Museum.

In their free time, they would fish, dive, swim, surf/bodysurf, lift weights, box, play football, hunt rats, experiment with bird recipes, play music, sing and find other ways of occupying themselves.

Tragedy struck twice: Carl Kahalewai, a graduate of McKinley High School, died of appendicitis while he was being rushed home for an emergency operation; and on December 8, 1941, when the islands of Howland and Baker were bombed and shelled by the Japanese, Joseph Keliʻihananui and Richard “Dickie” Whaley were killed.

Howland Island played a role in the tragic disappearance of Amelia Earhart and Fred J Noonan during their around-the-world flight in 1937. They left Lae, New Guinea and headed for Howland Island; the Itasca was at Howland Island to guide Earhart to the island once she arrived in the vicinity – they didn’t arrive and were never seen again.  A lighthouse (later a day beacon) was built on Howland Island in Earhart’s honor.

The colonists were removed, following Japanese attacks on the islands in 1942. US military personnel occupied the islands during World War II. The islands have remained unoccupied since that time, but they are visited annually by US Fish and Wildlife personnel because the islands are a National Wildlife Refuge and later part of the Pacific Remote Islands Marine National Monument.

During the 7 years of colonization (1936-1942,) more than 130 young men participated in the project, the majority of whom were Hawaiian; none of the islands were ever used for commercial aviation, but the islands eventually served military purposes.  (Pan American Airways used Canton (Kanton) Island for its trans-Pacific flight flying boat operations.)

As early as 1939, members of previous trips formed a club to “perpetuate the fellowship of Hawaiian youths who have served as colonists on American equatorial islands.” Initially they were called the “Hui Kupu ʻĀina,” which suggests the idea of sprouting, growing and increasing land.

By 1946 the group’s name had changed to “Hui Panalāʻau,” which has been variously translated as “club of settlers of the southern islands,” “holders of the land society” and “society of colonists.” (Lots of information and images here are from Bishop Museum.)  

© 2023 Hoʻokuleana LLC

by Peter T Young 3 Comments

Arakawas

Established over 100 years ago, “old” Waipahu was once a vibrant, multi-ethnic sugar plantation town whose key corporate element was the Oʻahu Sugar Company.  For over 85 years, Waipahu served as a major commercial center outside of Honolulu.    (Waipahu Community Association)

“In the early days of Waipahu, the parking lot behind Bank of Hawaiʻi was a wetland next to Kapakahi stream.  People who lived near the stream grew rice and watercress and had truck gardens.  All of us kids used to swim in the stream and fish for dojo, funa and goby.”  (Goro Arakawa, Clark)

Another Waipahu institution (unfortunately, now gone) was Arakawas.

Zempan Arakawa, patriarch of the Arakawa (born on August 7, 1885,) came to Hawaiʻi from Okinawa in 1905.  First working at the Oʻahu Sugar Plantation, “Arakawa got to know all the workers and what they needed. He ran errands for them. This understanding proved useful when he went into retail a few years later. He knew his customers.” (Purcell; Sigall)

The real legacy of the Arakawa family began in 1909, when Zempan and Tsuru (Ruth) Arakawa, opened their first store, Arakawa Shoten on Waipahu Street. (Okinawa Association)

In 1912 he moved the store to Depot Road, where it was in the location later taken over by Big Way market.   (Then, in 1955, he opened the 1 1/2-level store.)  (Star-Bulletin)

From humble beginnings of selling kau-kau bags and sewn tabis to Waipahu plantation workers, they expanded their business and turned Arakawas into Hawaiʻi’s best known “everything” store. If you needed to find something – you would find it at Arakawas. (Okinawa Association)

Learning from his experience working on the plantation, where Zempan took orders for sewing and mending work that he did at night, he soon recognized that the sugar workers needed functional and sturdy work clothing, at a price they could afford.  (Kawakami)

By the 1920s, palaka (typically a white plaid pattern over a dark blue background) became very popular.  The Arakawa store specialized in selling palaka fabrics to plantation workers.  They referred to palaka as gobanji, the Japanese term for a plaid or check design.  Apparently, the early immigrants used palaka only as work jackets; they did not wear palaka shirts.  (Kawakami)

When Zempan retired in 1955 his children; sons Kazuo, Takemi, Shigemi and Goro; daughters Leatrice and Joan and their husbands (Sei Kaneshiro and Horace Taba) took over the running of the store.  (In 1959, Zempan Arakawa was recognized as Father of the Year by the Honolulu Chamber of Commerce.  (Sigall))

From the 1920s to the 1960s, Arakawas was the only clothing supply and general merchandise (including food, household goods, etc) store in the area, serving the general population and Waipahu Sugar Mill workforce.  (Environet)

Eighth child, daughter Joan (who attended Wolfe Fashion Design School,) was Arakawas’ Manager of apparel and accessories. She is known for the use of palaka material and apparel that became symbolic of Arakawa.

Fourth son, Shigemi, started out as the Manager/Buyer of the Import and Gift section of Arakawas, Shigemi was often described as a “creative merchandising genius” by his siblings and wholesalers and manufacturers throughout the Pacific Rim.   (Star Advertiser)

He developed the planned chaos concept of retailing that gave the store its special ambiance and was reflected in every Arakawas’ Sunday newspaper ad.  (Star Advertiser)

Every nook and cranny was crammed with merchandise, from clothing and jewelry to hardware, food and even sporting goods.  (Star-Bulletin)

Goro Arakawa, the youngest son of Zempan and Ruth, received a marketing degree from New York University and returned home to work in the family store.  There, he wrote advertising copy that incorporated the sights and sounds of Waipahu (such as the rooster crowing radio commercials.)  (Filipino Chronicle)

Ads ended with, “Arakawa’s – located on historic Depot Road, just below the Sugar mill.”    Goro also came up with catchy slogans like “If you don’t know what you’re looking for, you’ll find it at Arakawa’s” and “Don’t say you can’t find it until you shop at Arakawa’s.”  (Filipino Chronicle)

The 1 1/2-level store was actually the third incarnation of the small plantation store first opened by Zempan. In fact, the reason for the 1 1/2 levels was the one-half level upstairs occupied by the sporting goods. Going to Arakawa’s was like stepping back in time, back to the old sugar plantation days when life in Hawaiʻi seemed simpler and more relaxed.  (Star-Bulletin)

On buying trips around the world, he displayed an uncanny eye for finding things that would catch people’s fancy and sold goods as varied as sculptor Noguchi lamps, tapa-themed dinnerware, mosquito coils, and plastic orchid leis.  (Star Advertiser)

With the gradual decline of the sugar industry, the community’s economic and social vitality slowly began to deteriorate.  The historic town core centered on Waipahu Depot Road was devastated by the closures of the sugar mill and Bigway Market in 1999.  (Waipahu Community Association)

Through the generosity to the communities they served – Arakawas became the symbol of an era in Hawaiʻi’s history that represented hard work, sincerity, honesty and generosity of spirit. (Okinawa Association)

It was a sad day when Arakawas in Waipahu (operating from 1909 to 1995) closed its doors.  Gone was the assortment of colors and sizes of palaka wear, as well as the myriad needs filled by the diversity and depth of the merchandise in the store.

© 2023 Hoʻokuleana LLC

 

by Peter T Young Leave a Comment

“Honolulu’s Tropical Jewel”

This CW Dickey-designed structure was once referred to as “Honolulu’s Tropical Jewel.” (TheatresOfHawaii)

No one man has a more central place in Hawaiʻi’s architectural history than Charles William Dickey (1871-1942.) Born of a kamaʻāina family (his maternal grandfather was missionary Rev. William P Alexander,) he grew up on Maui, graduated from MIT in 1895 and practiced architecture in Honolulu from 1895 to 1904 and from 1920 until his death twenty-two years later.  (Neil)

“Previous Waikīkī buildings had divided into two types: the palatial – such as the Moana Hotel and the Castle residence – and the small and informal – such as the beach house of Kamehameha V. … Dickey’s 1936 design for the Waikīkī Theater is an extreme contrast.”

“His problem was to design a 1930s movie palace which would be appropriate to Hawaiʻi. He used the expected art deco with such flair and taste that the theater compares favorably with any of the type … He then made the theater appropriate.”  (Charlot)

Its initial design was based on a building at Chicago’s moderne 1933 and 1934 ‘A Century of Progress International Exposition,’ but in harmony with its island location.

The final tropical moderne design featured a large garden courtyard between the street and auditorium entrance, with lush plants surrounding a large fountain.

Inside, past fresco murals on the walls and ceiling, the atmospheric auditorium was flanked by lush artificial plants with the proscenium in the form of a rainbow, and tall artificial coconut palms on each side.  (TheatresOfHawaii)

No expense was spared in its construction and furnishings.  This was intended to be owner’s (Consolidated Amusement) deluxe flagship theater.

The 1,353-seat Waikīkī Theater opened with great fanfare on August 20, 1936.  “This first-class theatre survived as a single-screen house its entire life.”  (TheatresOfHawaii)   Dickey created an environment as charming and artificial as the image on the screen.  (Charlot)

In 1939, the Waikīkī Theatre was equipped with a Robert Morton theatre organ, which had originally been installed (with a twin console) in the Hawaiʻi Theatre in 1929.  (Peterson)

“No theater in the world has a more picturesque setting than Waikīkī.  Situated on the beach at Waikīkī, it stands on the site where once Hawaiʻi’s royalty played.  The playhouse now becomes a glorious new addition to the beach made famous in song and story.  It is the new center of activity of that district which long been the mecca of travelers from the world over.”  (Honolulu Advertiser; Alder)

“The auditorium is a revelation in theatrical architecture. Spacious, cool, it is acoustically correct in every detail. Perfect hearing and vision are available from every seat of the huge auditorium.”

“One of the most unique ideas in theatre ‘atmosphere’ has been incorporated in the decorations. The ceiling, done in soft blue, becomes a replica of the heavens through special lighting effects.”

“Stars twinkle, soft, fleecy clouds float about, the planets send off their soft light. The Waikīkī theatre is one of the few in the world in which this unusual lighting feature has been installed.”

“Through this lighting the great rainbow that spans the proscenium becomes a soft, misty, fairy arch rivaling in loveliness the great rainbows that arch Hawaiʻi’s skies.”  (Honolulu Advertiser, August 20, 1936; Del Valle)

“Inside the theater, it felt as if you were in a tropical paradise. A full-colored rainbow arched over the curtains that hid the screen. Along the side walls, there were palm trees that reached from floor to ceiling and lush jungle plants, which appeared absolutely real to my child’s eyes.”

“Then, a distinguished gentleman named Ed Sawtelle would appear and sit down at a large organ console, located just below and in front of the stage, and begin a concert that filled the hall with rolling music that vibrated off the walls.”

“About that time, with the house lights dimmed, someone would flip a switch and magical images of moving clouds would be projected onto the arched, midnight-blue ceiling, completing the illusion of having landed in the middle of a tropical jungle on a remote Pacific island.”

“Finally, the curtains would part and the show would start with a short cartoon and the Fox Movietone News. The ‘news’ events shown were about four weeks old by the time they got to Hawaiʻi, but that’s how we would find out what was happening in the world in those pre-television days.”  (Richard Kelley)

After successfully celebrating its first 30+years, and as the multiplex made movie-going more competitive, in 1969 the Waikīkī Theater name was relegated to Waikīkī #3 (following the construction of the Waikīkī #1 & #2 nearby.)

Renovations in the late-60s, and remodeling a decade or so later kept the theater on life support.   An expanded concession area replaced most of the forecourt, the interior decoration was removed and the auditorium draped.

“Imagine how much half an acre on Kalākaua Avenue is worth. By then, Consolidated was paying half a million dollars per year in property taxes – you have to sell a lot of popcorn to cover that.” (Lowell Angell, Theatre Historical Society of America; Hana Hou)

Waikīkī Theater (Waikīkī #3) remained a single screen theatre until it closed in late-November 2002; Waikīkī #1 & #2 closed at the same time.  They demolished all three in 2005 (the demolition started about 9-years ago, today.)

“Over the years, the movie business has changed dramatically. …  Multiplex theaters offer a variety of features almost any time of the day or night. Cartoons are now feature films. The news of the day is seen on one’s TV, laptop or cell phone.”

“The gracious theater usherettes have long since retired and have not been replaced. The guy at the door who takes your ticket is often dressed in a baggy T-shirt and jeans and barely looks up as he says, ’Your film will be shown in theater seven, second on the right.’”  (Richard Kelley)

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by Peter T Young Leave a Comment

Teshima’s

Teishoku #3 was my mother’s favorite.

With the meal came the anticipated stop and discussion with Mrs Teshima, proprietress of the place.  Mrs Teshima is now gone, but the memory of her gracious hospitality and her ability to remember the family and life experiences of her customers will live forever.

To tell the story of Shizuko (Mary) Teshima and her restaurant, Teshima’s, we need to step back a few years … a lot of years.

In the early-1900s her father, Goichi Hanato, emigrated from Hiroshima, along with her mother, Kiku Morishima, in a picture bride marriage (1905.)  Shizuko (Mary) was born June 24, 1907 in a Kona coffee field, not far from where Teshima’s restaurant is today.

Her father was an industrious man who tried his hand at many jobs; among other things, milked cows and made butter. He got a farm in Honalo and opened a store. He and his wife made tofu at home and delivered it by horse and wagon to their customers.  (Kona Historical Society)

A few years after arriving in Hawaiʻi, Goichi Hanato opened a general store, tofu factory and taxi service.

During World War I, Shizuko attended Konawaena Elementary School.   As a teenager having only an eighth grade education, Shizuko worked at her father’s general store.  It was there that she met Fumio (Harry) Teshima, an islander who worked as a mechanic for the Captain Cook Coffee Company.

Shizuko’s father wrote to his family back in Hiroshima Japan to ask about fiancée Fumio’s farmer family/reputation – the response was favorable, so Fumio was allowed to marry Shizuko.  (Narimatsu)  In 1926 they were married, and in 1929 the couple opened a store and called it F Teshima Store.

While her husband worked at Captain Cook Coffee Company and earned a cash salary, Shizuko worked in the store and started raising their family of five children.  She did sewing at night with a gas lamp to make extra cash, earning a dollar for trousers and seventy-five cents a shirt.

“To begin with I had the store. It was kinda boring, and I wanted to do something to keep me real busy. So, I decided …to run up to the church (when) they had classes in cooking.  So, I said, oh, I must like this work. I started with an ice cream parlor at first ‘cause I had general merchandise.”

“People, when they came to buy something, wanted to eat, and that’s how I got into food, too. I had two tables, one dozen ice cream spoons, one bamboo ice cream scoop, and the glasses….We made our own ice cream. Our ice used to come from Hilo.”

“We bought 100 lbs. and we packed it in the coffee skins, in the box, and we made ice cream the night before after we closed the store. In the morning it was ready and we packed it in ice with salt, but there was no electricity anyway, so we did it the hard way.”  (Kona Historical Society)

Around 1940, Mary purchased a fountain so Kona kids could have ice cream sodas, as well.  When World War II started, life changed.

The store became a popular saimin stand before serving libations and food to soldiers stationed nearby.  The store expanded into a hamburger stand, before it was launched a Japanese family restaurant.

Suddenly, Kona was filled with hungry, thirsty US servicemen who showed up at F Teshima Store with money in their pockets, looking for drinks at the horse shoe bar and hot off the stove hamburgers.

“Homesick boys, only 18 or 19,” she said, “but they were all very nice.”  These WWII soldiers, who couldn’t pronounce her name, gave her the name Mary.  (Winther)  (Relatives and good friends called her Grandma; we, always, respectfully, called her Mrs Teshima.)

When the war was over, the family made a smart decision in 1957 to tear down the old store and build a restaurant.  (Kona Historical Society) What was the general store evolved into a 230-seat restaurant.  (Her husband Fumio (Harry) Teshima died April 20, 1997.)

In 2009, Shizuko “Mary” Teshima was recipient of the Women’s Hall of Fame award, given by the Hawaiʻi County Committee on the Status of Women.

On October 22, 2013, “Mary” “Grandma” “Mrs Teshima” died at the age of 106 (she worked for 83-years at her Honalo landmark.)  She had five children, 17 grandchildren, 27 great grandchildren and 16 great-great grandchildren.

© 2023 Hoʻokuleana LLC

 

by Peter T Young Leave a Comment

Waikīkī’s Construction Evolution

The present Waikīkī has a land area of approximately 500-acres; it once was a vast marshland whose boundaries encompassed more than 2,000-acres.  Consistent with the character of the watered wetland of ancient Waikīkī, where water from the upland valleys would gush forth from underground, the name Waikīkī, which means “water spurting from many sources.”

Three main valleys Makiki, Mānoa and Pālolo are mauka of Waikīkī and through them their respective streams (and springs in Mānoa (Punahou and Kānewai)) watered the marshland below.

Since Maʻilikūkahi founded Waikīkī as a Royal Center of Oʻahu in the 1400s, Waikīkī served as the site of the royal residence and center of governance until 1809 (when Kamehameha I moved the government to Honolulu Harbor.)

Subsequent Kings and Queens visited and stayed in royal beach cottages in Waikīkī.  Mid- and late-19th century Hawaiian royalty were prominent among the first of the new wave to permanently settle in Waikīkī.  It was a place to escape to, as well as a pleasant location to entertain.

In 1877, Kapiʻolani Park was dedicated; its initial intent, through a 30-year lease, was to make available a limited number of beachfront cottage sites and a race track as an attraction.

In 1896, the Honolulu Park Commission took over management of the park and began to operate the park land and “permanently set (it) aside as a free public park and recreation ground forever.”  (In 1913, the City and County of Honolulu took over the management and operation of the park.)

In the 1890s, Waikīkī drew the elite who constructed Victorian mansions.  Starting with James Campbell, Frank Hustace and WC Peacock, larger mansions began to be constructed in Waikīkī.

The later homes of William Irwin (1899) and James Campbell (“Kainalu,” in 1899) epitomized the extravagance of luxury living.  The wealthy discovered the ultimate destination of Waikīkī.

Starting on a small scale, Waikīkī had a number of small residential tracks.  In February 1895 a small subdivision (13-lots, each approximately 5,000-square feet in size) was developed makai of Waikīkī Road (Kalākaua Avenue) and mauka of the John ‘Ena Road intersection.

Then, in 1897, a subdivision map for the Kekio tract was recorded.  The Kekio Tract, shaped somewhat like a triangle, was bounded by Lili‘uokalani Avenue, Waikīkī Road (Kalākaua Avenue), Makee Road (Kapahulu Avenue) and the lands of Kāneloa (Thomas Jefferson Elementary School).

As time went on, the royal estates were sold and subdivided on the dry areas of Waikīkī.

In 1921 the former estates of James Campbell and George Beckley were offered to perspective buyers by developer Waterhouse Trust Company.  With this subdivision the last of the large, readily-developable landholdings in Waikīkī had been broken up.

Further residential development would have to wait for the drainage of the area by the Ala Wai Canal.  Then, they started “land reclamation” projects on the coastal wetlands.

Back then, nearly 85% of present Waikīkī was in wetland.  The Army began the transformation of Waikīkī from wetlands to solid ground at Fort DeRussy and it served as a model that others followed (1909.)

The Waikīkī wetlands were characterized as, “stretched useless, unsightly, offensive swamps, perpetually breeding mosquitoes and always a menace to public health and welfare”.

The Territory saw the opportunity to drain and fill the land that “was valueless” to be “available for the growth of the business district of the city” and attain “a valuation greatly in excess of the cost of the filling and draining.”

During the 1920s, the Waikīkī landscape would be transformed when the construction of the Ala Wai Drainage Canal, begun in 1921 and completed in 1928, resulted in the draining and filling in of the remaining ponds and irrigated fields of Waikīkī.  (By 1924, all of the streams were diverted into the canal and stopped flowing through Waikīkī.)

Walter Dillingham’s Hawaiian Dredging Company dredged the canal and sold the material he had dredged to create the canal to build up the newly created land.  (The canal is still routinely dredged.)

With construction of the Ala Wai Canal, 625-acres of wetland were drained and filled and runoff was diverted away from Waikīkī beach.

The completion of the Ala Wai Canal not only created the opportunity for the development of Waikīkī as Hawai‘i’s primary visitor destination, but also expanded the district’s potential for residential use.

Before reclamation, assessed values for property were at about $500-per acre and the same property was reclaimed at ten cents per square foot, making a total cost of $4,350-per acre.  The selling price after reclamation, $6,500 to $7,000-per acre, showed the financial benefit of the reclamation efforts.

In 1924, the first post-canal residential venture, the McCarthy Subdivision, owned by and named for the Territory’s Governor McCarthy, was makai of what would become Ala Wai Boulevard.  The property, roughly triangular in shape and widest on the Diamond Head side, was bisected by Lili‘uokalani, ‘Ōhua and Paoakalani Avenues.

The mid- and late-1920s saw more and more of Waikīkī being subdivided into residential lots until most of the area was gridded into residential plots.  Before and during this time of residential development, there were hotels.

Hawai‘i’s first accommodations for transients were established sometime after 1810, when Don Francisco de Paula Marin “opened his home and table to visitors on a commercial basis … Closely arranged around the Marin home were the grass houses of his workers and the ‘guest houses’ of the ship captains who boarded with him while their vessels were in port.”

By 1820, Anthony D Allen (a former slave from the continent) owned a dozen houses, “within the enclosure were his dwelling, eating and cooking houses, with many more for a numerous train of dependents. There was also a well, a garden containing principally squashes, and in one part, a sheepfold in which was one cow, several sheep, and three hundred goats.”  (Sybil Bingham Journal)

Reverend Charles Stewart notes of Allen’s place in his journal, “… it is a favourite resort of the more respectable of the seamen who visit Honoruru. …”

While these were part of the first hotel uses in the islands, as time went on, downtown Honolulu had the core of the hotel supply, and Waikīkī, two-miles away by foot over dirt roads, was not considered in the accommodation business.

But that changed.

Sans Souci Hotel, a Waikīkī beachfront resort that opened in 1884 and offered private cottages and bathing facilities, turned it into an internationally-known resort after it hosted writer Robert Louis Stevenson, who wrote about staying there for five weeks in 1893.

In the late-1890s, with additional steamships to Honolulu, the visitor arrivals to Oʻahu were increasing.  When Hawaiʻi became a US territory (June 14, 1900,) it was drawing cruise ship travelers to the islands; they needed a place to stay.

Hotels blossomed, including Waikīkī’s oldest surviving hotel, the Moana Hotel. Often called the “First Lady of Waikīkī,” the Moana Hotel has been a Hawaiʻi icon since its opening opened on March 11, 1901.

By 1918, Hawai‘i had 8,000 visitors annually, and by the 1920s Matson Navigation Company ships were bringing an increasing number of wealthy visitors.  This prompted a massive addition to the Moana.  In 1918, two floors were added along with concrete wings on each side, doubling the size of the hotel.

On February 1, 1927, the Royal Hawaiian (nicknamed The Pink Palace) was officially opened with the gala event of the decade.  Over 1,200-guests were invited for the celebration that started at 6:30 pm and lasted until 2 am.  Over the subsequent decades, promotional efforts grew and so did the number of visitors.

1955 saw the first of a new wave of hotel construction.  Three high-rise hotels opened in Waikīkī that year: the Princess Kaʻiulani, the Reef Hotel and the Waikīkī Biltmore (which itself became a victim of progress and was imploded to make room for what is now the Hyatt Regency Waikīkī.)

Another hotel – Henry Kaiser’s Hawaiian Village, which was not yet a high-rise, opened its first 70-rooms.

Between 1950 and 1974, domestic and international visitor numbers shot up to more than 2-million from less than 50,000.  Statehood and the arrival of jet-liner air travel brought unprecedented expansion and construction, in Waikīkī and across the Islands.

Construction’s dominant role in the state’s economy dates back to Statehood in 1959, which focused tremendous investment interest, as well as visitor interest, in Hawai‘i. Construction activity accelerated in the mid-1960s, and accounted for 8.2% of the State’s Gross State Product in 1970.

The driving force in this increase in construction was the post-statehood tourism boom and related investment activity.  The industry hit post-statehood peaks in 1960, 1970, 1975, 1980, and 1992. (DBEDT)

The image shows locations and dates of Waikīkī construction evolution (over Google Earth.)

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