Economy | Page 38 | Images of Old Hawaiʻi

May 31, 2024 by Peter T Young Leave a Comment

Lānai Airport

Aviation history for Lānai began with the creation of an emergency landing strip, there, in 1919. Aviation use was on-again, off-again in different areas of the island for the next few decades.

In its 1928 Annual Report, the Territorial Aeronautical Commission reported the excellent cooperation of the Hawaiian Pineapple Company, in making a suitable field available for emergency airplane landings on the Island of Lānai. The field was at Leinukalahua, Kaʻa.

Things got official in 1928, when Inter-Island Airways (now Hawaiian Airlines) began operations to Lānai with Sikorsky S-38 eight-passenger amphibious planes. The landing field was owned by the Hawaiian Pineapple Company.

In July 1930, the Territorial Aeronautics Commission wrote to Hawaiian Pineapple Company asking if they wished to apply for a license for their field. There was no response.

During 1935, Inter-Island Airways started to replace its 8-passenger planes with 16-passenger planes, which were later (1941) replaced by 24-passenger Douglas DC-3s.

The Lanai field was not big enough to accommodate this type of aircraft and once the last of the S-38s were put out of service (shortly after the start of World War II,) air service to Lānai came to a halt.

In 1944, the Post War Planning Division of the Territorial Department of Public Works proposed to construct a new 5,000-foot runway and airport 4-miles southwest of Lānai City (Hawaiian Pineapple Company, Ltd was looking to about 220-acres for the new facility.)

“The existing airport is too small for two-engine planes, and the Civil Aeronautics Administration has advised that it is willing to consider an application for a major airport,” the Public Works report stated.

“The dependence of the population upon air service justifies the proposed project. The part of the Lānai pineapple plantation in the Territory’s economy is very great. The present airport, although in operation, is unpaved and is in great need of adequate paving to prevent erosion from severe winds and relatively high rainfall.”

A new airport site for Lānai was chosen and on September 18, 1946, Hawaiian Airlines resumed service there using its DC-3s. The unpaved sod strip field was practically unusable in wet weather and almost untenable due to dust and dirt in dry weather. In view of these conditions, air service was not reliable and it was therefore decided to pave the runway and taxiway.

A Master Plan was prepared (1946) that called for a single 4,200-foot runway. The Territorial Legislature appropriated one-third of the funds, with the rest matched by Civil Aeronautics Administration funds. In 1947, Lānai Airport management was put under the Hawaii Aeronautics Commission.

The 3,700 feet long runway and related facilities, the first field constructed by the Hawaiian Aeronautics Commission, was officially dedicated on July 12, 1948.

By 1950, the airport was served regularly by Hawaiian Airlines with twice daily passenger service in two directions and twice weekly freight service. Air mail service was supplied.

Over the years, additions were made to the facility. In 1960, the Maui County Board of Supervisors requested both the State and Hawaiian Airlines to use larger more modern aircraft to provide passenger air service to Lānai. (Hawaiian had changed its fleet from DC-3s to Convairs.)

A new Master Plan called for extension of the runway to a total of 5,000-feet, as wells as new terminal facilities to match the requirements of the newer planes. The new projects were completed and dedicated on October 16, 1966.

On October 1, 1979, the Civil Aeronautics Board Order 79-10-3, the Bureau of Domestic Aviation, defined essential air service for Lānai as follows: “Lānai: A minimum of two daily round trip flights to Honolulu and Kahului providing a total of at least 80 seats in each direction per day.”

After minor upgrades, the airport went through another expansion phase. Dedicated April 19, 1994, the new single-story 15,000-square foot terminal was five times larger than the existing and included space for a gift shop and food and beverage concessions and counter space for six airlines.

The Lanai Airport Master Plan Update was published in June 1999. Phase I of the proposed improvements (2000-2010) called for improvements to the airfield, terminal complex, and design, planning, project management and contingency costs.

Larry Ellison bought about 98 percent of the island of Lānai in June 2012; Ellison announced plans to extend the runway by 500 feet so larger planes could land there. (Lots of information from hawaii-gov.)

May 26, 2024 by Peter T Young Leave a Comment

Local Land Use Planning

I’ve been in the private sector for about 45-years, 2-years in County Administration and 4½-years in State Administration. I firmly believe that issues are best dealt with at the level closest to the people affected – I am a ‘home rule’ kind of guy.

And, with respect to land use planning – let’s face it, the State doesn’t plan, it regulates.

Almost 120 years ago – 1905 – the State legislature passed “The County Act” (Act 39.) Contrary to the suggestion in the name, State government retained many traditional county government functions and over the next many decades took on even more, making Hawai‘i the most centralized state government.

This included Act 187, the Land Use Law, enacted in 1961 and Act 100, the Hawaii State Plan in 1978.

The 1961 Land Use Law created the Land Use Commission (LUC) and gave over-arching land use control to the State – in part, because the Counties did not have the resources or authority to deal with controlling the post-statehood building boom.

However, we need to remember; in 1961, Counties were under the heavy hand of the state and were not authorized self-governance. Essentially, with the strong, centralized state government, Counties weren’t allowed to do much of anything.

It wasn’t until 1968 – when the State Constitution was amended – when the Counties were given the power to adopt charters of self-governance.

The Counties have grown up over the past 50+years – it’s time the State backs-off and gives the Counties the opportunity for true self-governance.

Sure, we tried planning at the State level, but we have obviously moved from the context of “planning” (as a policy function) to permitting (a move strictly toward regulatory activity.)

Even the LUC website notes: “The Commission acts on petitions for boundary changes submitted by private landowners, developers and State and county agencies.”

In addition, even though the law requires the state to review classifications and districting of all lands every five years, it hasn’t done so since 1992 (over 30-years ago.)

The Land Use Commission process is a reactionary, regulatory process, not a visionary (i.e. planning) process.

And, the Land Use Commission is quasi-judicial – it’s like a courtroom with lawyers and witnesses that are subject to cross-examination – making it legalistic and confrontational.

Most agree that Planning requires community involvement and input.

Given this, who is in the better position to engage the public in genuine and meaningful land use planning discussions? I think it is the Counties and evidence confirms this.

Think back … when was the last time the State asked you what you thought about land use or planning matters?

On the other hand, Counties are constantly including the community in their planning functions. Simply recall the numerous island-wide public forums on creation and updates to General Plans, Sustainable Community Plans, Community Development Plans and other localized plans across each of the Counties.

How could (does) the State possibly match this level of community participation? What more could a few Honolulu bureaucrats and consultants possibly add by holding a couple more meetings per island to discuss that Island’s or community’s land use concerns?

And, why should we impose Honolulu bias on the neighbor islands? Let’s leave land use matters at the on-the-ground level – in each respective County, by each County.

May 20, 2024 by Peter T Young Leave a Comment

Crossing Anahulu Stream

When the Reverend John Emerson and his wife Ursula arrived in Hawai‘i in 1832, they were assigned to establish an American Protestant missionary station in Waialua. (Clark)

“[T]wo new houses are building which we shall occupy as soon as they are finished. Only a few rods from them is a fine spring of running water, which feeds a small river large enough for canoes.”

“This is the Anahulu which, bending and broadening, empties about a third of a mile away into Waialua Bay, where the ocean waves roll in upon a sandy beach.” “The home was known thereafter as ‘Waipuolo,’ ‘The Bubbling Spring.’” (Emerson)

“The Anahulu river (cave of the hulu – a kind of fish) is a narrow estuary averaging forty feet wide, which makes up from Waialua Bay a mile or more to the mouth of the Kawailoa stream.”

“On its opposite banks were two homes facing each other. On one side were the Gulicks, and on the other the Emersons. In each family there were seven boys and a younger sister, the Gulicks ranging three or four years older than the Emersons.” (Emerson)

Later it was found that a “need of the Waialua farmers was easier access to the Honolulu market, which could only be reached by a horse-trail leading through deep gulches and streams, or by small coasters that had to contend with currents and baffling winds.”

“Accordingly, after much urging, it was decided by the Government to develop the horse-trail into a road and bridge the streams. Of course this work required supervision. The only man at hand who could plan it and handle both native and white workmen, was my father, so he was asked to add to his other duties that of being the road supervisor of the district.”

“During the two years my father held this office, the road up and down the sides of five gulches was graded and made fit for carriages and oxcarts, and over the streams five bridges were built. Eighteen miles of roadway were constructed to connect with the road already built from Honolulu to Ewa.”

“Some of the time my father had a gang of fifty or more natives under him making the road, and several white carpenters at work building the bridges. When all was finished, business in Waialua began to boom.” (Emerson)

Later, “the law declares that vehicles weighing more than 15 tons shall not cross public bridges or traverse public roads … (Star Bulletin, July 22, 1915) The bridge crossing Anahulu Stream in Haleiwa was designed to carry horse-drawn carriages. (Griffin)

Then, “traffic was stopped … when the Anahulu bridge between Waialua and Waialee collapsed under the weight of a twenty two ton plow tractor owned by the Waialua plantation.” (Hawaiian Gazette, July 20, 1915)

Around-the-island traffic stopped, “The Anahulu bridge, over the Anahulu stream at Waialua on the main road between Haleiwa and Kahuku; will be closed to traffic until further notice.” (Star Bulletin, July 20, 1915)

Then a new reinforced concrete bridge was planned across Anahulu Stream. George E Marshall was given a $62,000 contract to build the double arched span (each 80 feet long). (Advertiser, Aug 26, 1920)

During construction, the bridge was almost lost. “Working in the pouring rain from 9 o’clock Thursday night to 2 o’clock Friday morning, a gang of workmen directed by George e Marshall saved the new Haleiwa bridge, for which Marshall is the contractor, from probable destruction.”

“[T]he stream, usually low, became a raging torrent due to the kona storm, and was fully 100 yards wide and 10 feet deep. Masses of sugar cane, wooden flumes, boards and debris of various kinds were buried against the bridge by the storm waters and desperate work was necessary to keep the debris from backing up the flood.” (Star Bulletin, Dec 27, 1920)

The bridge later faced a different threat, “The old bridge channels through itself all the life around it. Spanning the Anahulu River, it pulls together the banks of Haleiwa.”

“It remembers the old and sees the new. Its too-narrow arches funnel the tide of progress filtering through the town. ‘Slow down’ it says ‘look at me.’ Built in 1921 when Haleiwa was a sleepy town, the bridge tries to lessen the pace of the traffic it channels through the still sleepy town.”

“The bridge still hears the plop of boots through the taro patches and the lap of waves against the orange and white sampans. The shrill whistle of the cane train is gone, and the clanking rumble of the Tournahauler is fading.”

“The bridge heard the Big-City folk call its neighboring buildings ‘delapidated’ but only scoffed. ‘Old things are good things,’ it said. ‘They allow the old to remember and the young to learn.’

“The bridge feels the surge of the tide below and the stain of red mud on its once-white arches. It feels the weight of small boys jeering the long tour cars or quietly fishing.”

“As the new small boat harbor was carved into the earth at its side, the bridge watched in wonder. Man diverted its river. Man cut off a chunk of the ocean for quiet waters. Man could easily have blown up the too-narrow bridge. Fortunately he didn’t.”

“Beautification once meant to the bridge a new coat of white paint. Now it may mean survival to the matron of Haleiwa, the guardian of the rotting buildings.”

“Like all structures the bridge once faced destruction in the face of bigger and more modern thoroughfares. But plans were changed. The new highway that will bring new faces in search of recreation will pass through Haleiwa nearer the mountains.”

“The old Kamehameha Highway will become a scenic route, a roadway of the past, if the young people of Haleiwa have their way.”

“The rebuilding and new construction in Haleiwa will take on a theme, so have decided the young men who once fished from the bridge. The most dominant scene will be the harbor, the sampans, the fishing village. The other scene, further up the river, will be the taro patches, the small riverside vegetable farms.”

“The new life that grows up along the shores of the river and beaches will share the laziness and quiet of the old life. And standing as a guardian between the two scenes will be the bridge, listening, seeing, feeling.” (Star Bulletin, Feb 14, 1967)

Due to its shape, it earned the name ‘Rainbow Bridge’ – a little more appealing that its technical name, ‘Kamehameha Highway Bridge #603.’ It is one of the most recognized symbols of Hale‘iwa. (Historic Hawai‘i Foundation)

May 19, 2024 by Peter T Young Leave a Comment

First Lady Lawyer

“Foreign missionary Harvey Rexford Hitchcock married Rebecca Howard. They sailed for the Hawaiian Islands on the whaleship Averick, arriving in Honolulu 17 May 1832, after a voyage of 173 days. His sister Elizabeth later came to Hawai’i to join them.”

Harvey and Rebecca Hitchcock; they had four children, David Howard, Harvey Rexford Jr, Edward Griffin, and Sarah Diana (who died very young).

“The boys were educated at home until it was time for them to attend O’ahu College (now Punahou). After his Island schooling, David went to Massachusetts, where he entered Williams College as a sophomore in 1853. He returned to Molokai in 1855 where he read law with one of the best lawyers in the Islands.”

“David remembered a young lady school teacher whom he had met in his days back East and sent Almeda Eliza Widger of Otselic, New York, a proposal of marriage, adding that if he did not hear from her, he would consider it a refusal.”

“The letter did not reach her at once on its arrival and she saw it listed in the list of advertised letters. She wrote him that she would come and sailed from Boston on board the Raduga which after a long voyage around Cape Horn arrived finally at Honolulu considerably overdue.”

“Rev. Mr. Armstrong accompanied David on board the Raduga, and he married Almeda on 13 March 1857; thus, she arrived in Honolulu as Mrs. Hitchcock.” (June Hitchcock Humme, grandniece of Almeda Eliza Hitchcock)

“Their first child, Ella Marian, arrived before the new home was completed. Born in this home were Cora Etta, David Howard Jr, Almeda Eliza, and Charles Henry Wetmore Hitchcock.”

“The last daughter, Almeda Eliza, was born Saturday, 5 December 1863. Her father, writing to his brother Edward on 15 January 1864, had this to say about her: ‘… baby grows like a weed. We call her ‘Alme’ or ‘Kitty’, mostly the latter, as she is so good to lie still.’”

Alme was taught at home until age 15, when she and her sister Cora went to O’ahu College (Punahou) as boarders in Honolulu. In 1880 there were 112 students in the school, many of them boarders.

“In a family letter of 15, June 1881, Alme’s aunt Mary Castle Hitchcock states: ‘Cora will be through with her course and David and Almeda have decided that Alme is not to go back to school next year, on account of her health, which has never been as good since she had a fall in Hilo, four or five years ago, which hurt her back.’” (Humme)

That leads us to another child of David and Almeda, David Howard (Howard) Hitchcock.

“His brothers and sisters were not such problems to their father. Cora graduated from Punahou, married an educator and became a teacher herself. Alme, (Almeda) went on to college at Anne Arbor.”

“The oldest daughter, Ella, married Albert Loebenstein, a businessman, and Charles the younger son worked for the new telephone company, and for the railroad, as tax assessor and court clerk, all practical and normal jobs.”

David Hitchcock wanted his son to be a lawyer … Howard Hitchcock wanted to be an artist.

Before his formal training abroad, D Howard Hitchcock was inspired by other Volcano School painters and was encouraged by Jules Tavernier to endeavor life as an artist. Hitchcock admits to following Tavernier and Joseph Strong around, ‘like a parasite.’ (NPS HAVO)

“One family legend says that when Howard insisted on painting, his father sent him up to his Puakala ranch to hunt beef, where he presumably would be cut off from art for lack of supplies. But he found some house paint and made a charming study of akala berries on a door, which still survives.” (Shipman info sheet at Haena)

“But it was another event which may have turned the key for Howard’s complete release into the world of art. The Hawaiian Gazette for November 6, 1888 has a story titled ‘A Lady Lawyer … Miss Hitchcock Admitted to the Hawaiian Bar – The Pioneer of Her Sex.’” (Shipman) (Her brother, D Howard Hitchcock, became a famous Hawai‘i artist.)

Almeda Hitchcock was admitted to the bar in Michigan on December 27, 1887, before her graduation, “under honors – as she is class prophet.” (She was apparently the only woman among the 143 graduates in the law class.) (Matsuda)

Then, “Miss Almeda E. Hitchcock, daughter of Hon. D.H. Hitchcock, of Hilo, was on October 29th admitted to practice in the Courts of this Kingdom. She submitted to the Judges of the Supreme Court her diploma as Bachelor of Laws from Ann Arbor University, Michigan, also her license to practice law in the Circuit and Supreme Courts of that state.” (Hawaiian Gazette, Nov 6, 1888)

“Miss Alme E Hitchcock … will doubtless be the first woman to be admitted to the bar outside of the United States’. She indicated that she felt there would be no reluctance on the part of men attorneys in her country …”

“… pointing out that ‘there are at present no women practicing law, but there are quite a number of practicing [women] Physicians. The popular feeling is for rather than against women in the professions.” (Matsuda)

David Hitchcock made his daughter his partner at once, and the law firm of Hitchcock and Hitchcock presented its first case … the next day.” (Almeda made and won her first motion – the court dismissed the case.) (Matsuda)

“Although her career was short, lasting only five years before her marriage [on May 24, 1892, Hitchcock married American physician William Levi Moore] and early death [she died May 9, 1895, at the age of 31], Almeda Hitchcock led the way for women as the first lawyer and law partner in Hawai‘i.” (Case)

“She was possessed of many pleasant qualities, which made her an always welcome guest and her loss keenly felt. She received an education in the Law school of the University of Michigan and has shown an unusual aptitude for the profession. Hers was a life of bright promises.” (Hawaiian Gazette, Humme)

May 18, 2024 by Peter T Young Leave a Comment

Poi Boys

On May 9, 1959, the call letters of the existing AM station begun in 1946 were changed from KHON-AM to KPOI-AM and the format was changed to full-time rock-and-roll.

On May 18, 1959, KPOI Radio 1380 AM signed on the air (one of the first stations to use a name, not the series of call letters issued by the FCC). K-POI was the focal point of rock-and-roll in the Hawaiian Islands in the early years of Statehood. (Territorial Airwaves)

Originally on-air from 6am until midnight; after a few ratings KPOI went 24 hours. The ratings then were Hoopers. K-POI rocketed to #1 — with shares in the high teens and sometimes 20’s — by October. (Jacobs, ReelRadio)

The K-POI studio and tower were located at 1701 Ala Wai Boulevard between Kalakaua Ave and John Ena Road. The tower was located along the Ala Wai Canal, across from the old Aloha Motors location (across the Ala Wai from where the Convention Center is situated).

A crew of young broadcast vets known as the ‘Poi Boys’ came on and played the Top 40 hits mixed in with outrageous fun and games.

The original Poi Boys included ‘Uncle’ Tom Moffatt, Bob ‘The Beard’ Lowrie, ‘Jumpin’’ George West, Sam Sanford and ‘Whodaguy’ Ron Jacobs. “They ranged from merely extroverted to outright nuts.” (Jacobs) Moffatt stayed with the station for 14 years, eventually becoming vice president and general manager. Other Poi Boys came and went.

“We had a lot of creative minds at KPOI and that’s where I learned a lot,” says Mofatt. “It was the first 24-hour-a-day, all-rock station and that’s where we started putting our minds together and developing marathon hits, bowl-a-thons, hula-thons and every kind of ‘thon’ you could imagine.”

“The first, and greatest, [Thon] was when Tom Rounds, our News Director, stayed awake in a funky department store’s window for 8 1/2 days (!!!) thus breaking the record in the Guinness Book when few people even knew of that volume.”

“K-POI jocks hung from cars suspended from cranes, broadcast underwater from a glamorous Waikiki pool, and competed in Drum-A-Thons, Pool-A-Thons, Insult-A-Thons, donkey basketball games and endless stuff that caught the fancy of the kids turning on to Elvis, Frankie, Ricky, Fabian, etc.”

“We ran our own board, answered the phones, filled out two logs, flipped two-minute records, watched the news wire and made our own coffee. There was no such thing as a ‘post’ to ‘hit,’ children. You just felt it man.” (Jacobs, ReelRadio)

“In June 1960, Dave Donnelly, recently discharged from the Navy and studying drama at UH, joined KPOI as the weekend newsman. He replaced Larry Cott, who left to write political commentary full time. Within a year Donnelly was reading the news on the ‘Ron Jacobs Show.’”

“Every morning for three hours we peered at each other through a soundproof window. [Jacobs] played records by ‘Ricky’ Nelson, the Five Satins, Connie Francis — all the golden oldies of the future.”

“Donnelly reported on Hawaii newsmakers like Gov. William Quinn, Mayor Neal Blaisdell and new U.S. Sen. Hiram Fong. International headlines, which included named like Gagarin, Eichmann, Gromyko and DeGaulle, seemed to be coming from another worlds.”

“It was 20 years before CNN began … Rounds nicknamed Donnelly ‘The Moose’ because ‘he was big and hulking — like a moose.’”

“Later, when Donnelly morphed into a Poi Boy, he was issued a goofy jingle that ended with the words, ‘Moose, Moose, Moose.’ Donnelly pretty much despised the moniker.”

“If [Jacobs] called him the ‘Moose’ off the air, he would shut [him] up by calling [him] ‘Ronnie,’ which he knew [Jacobs] hated since elementary school.” (Jacobs, SB)

In the late 1970s, K-POI AM ceased operations, the property on 1701 Ala Wai Blvd sold and the AM tower dismantled. But the KPOI Poi Boys had changed Hawaii’s radio landscape forever. (Territorial Airwaves)