Economy | Page 224 | Images of Old Hawaiʻi

June 17, 2016 by Peter T Young Leave a Comment

Maui Grand Hotel

“Those Honeymoon Isles are getting all sorts of publicity these days, says last Sunday’s Bystander … ‘The Valley Isle’ and Wailuku city of 30,000, a hundred miles or a half-day by boat from O‘ahu Island, and the gateway to the colossus extinct crater, ‘Haleakala,’ will step into the tourist limelight this season with the lure of the new Grand Hotel …”

“… a Wailuku Clift – snow white, solid and beautiful, with every San Francisco fad and fancy of comfort, convenience and service, and a capacity for 100 patrons.”

“General manager AJ de Souza of the Grand Hotel Company has just returned to the Maui Wailuku following a month at the Fielding, San Francisco, buying the equipment, engaging a manager Frederick McDonald and “planting” the Pacific Slope with patronage publicity.” (Maui News, October 6, 1916)

“General manager de Souza said that the new Grand will be the Maui ‘Mecca’ this season with its California high-type hotel accommodations, the want of which has until now decimated tourist travel to the deep and dead Vesuvius, whose dimensions are incomprehensible and its depth bottomless and unknown.”

“Thus Maui, Wailuku, the new Grand Hotel and the bottomless Haleakala will this season and henceforth vie and rank with Oahu, Honolulu.”

“Waikiki Beach and their horde of hotels in the eye and appetite of the rich and multiplying America winter and summer tourist, indefinitely barred out of Europe.”

“The Maui ‘Mecca’ Wailuku and the new Grand will soon bid Western Hotels and Travel fans to the added development of the ‘Hawaiian’ paradise.” (Maui News, October 6, 1916) Folks also learned, “The Grand hotel is going to work in conjunction with the St Francis of San Francisco.” (Star Bulletin, September 23, 1916)

The early hype helped, but shortly after, the hotel was in bankruptcy proceedings, “it is quite true that the Grand Hotel company is involved and unable to pay its debts”. (Star Bulletin, July 21, 1917)

Associated litigation suggested “Rumors are flying thick and fast as to the nature of the probable adjustment of the case. One theory is to the effect that the Grand will be purchased and turned into a Japanese hospital. This is more or less of an old story, but is probably one of the plans upon which those interested are working.” (Maui News, September 28, 1917)

The hotel, the largest hotel on Maui until after World War II, later ended up under the operation of William H Field and his Maui Hotel Company. “Mr. Field built and opened the Maui Hotel 21 years ago which at that time was considered far in advance of Maul’s needs for years to come.”

“Later he built additions and enlarged the Maui into the present building. Three years ago he formed the idea of securing a string of hotels on Maui and leased from George Freeland the Pioneer Hotel at Lahaina, the West Maui port being considered the main gateway to Maui for tourists and traveling men, and he conducted the two hotels under his one management.”

“To these he added the Grand Hotel two years ago and conducted the three under one management. Finding it unnecessary to conduct two dining rooms he closed the one in the Maui Hotel and used that building as an annex or for room accommodations only for guests who took their meals at the Grand.” (Maui News, January 6, 1922)

Later, EJ Walsh owned the Maui Grand Hotel. Walsh was “one of the big wheels for Kahului Railroad”. He also “ran the observation station in Haleakala.” Back then (the 1930s and 40s,) Haleakala was not a national park. It was run privately. (Haleakala National Park was established in 1961.) (Kaneshiro)

Walsh began furnishing meals and other services for visitors at Haleakala in 1936, becoming the first concessioner in this section of the park. (NPS)

One famous Grand guest was Georgia O’Keeffe; she was in the Islands to submit two paintings for a Dole Pineapple ad campaign. More than six months after her arrival in Hawaiʻi, O’Keeffe had produced 20-paintings, not one included a pineapple and she subsequently “submitted depictions of a papaya tree and the spiky blossom of a lobster’s claw heliconia” for the Dole ads.

“This little hotel is very good – the Japanese boy carries my things up and down stairs for me – There is a Danish man (Harold Stein) who has charge of recreational work for the island who treats me as if I am his own special guest – It makes things easy”. (Georgia O’Keeffe, March 25, 1939; Saville)

The large two-story wooden structure stood on Wailuku’s Main Street; cars drove into the hotel’s semi-circle driveway and it was the center of social life and fine dining into the 1960s. (Tsuchiyama) In 1961, The Maui Grand Hotel closed and was demolished for a service station (the site of the Chevron at Main and Church.)

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Maui Grand Hotel-PP-41-8-039-1937

Grand Hotel-Wailuku

Maui Grand Hotel

June 16, 2016 by Peter T Young 4 Comments

Simon Peter Kalama

Lahainaluna Seminary (now Lahainaluna High School) was founded on September 5, 1831 by the American Board of Commissioners of Foreign Missions “to instruct young men of piety and promising talents”.

In December, 1833, a printing press was delivered to Lahainaluna from Honolulu. It was housed in a temporary office building and in January, 1834, the first book printed off the press was Worcester’s Scripture Geography.

Besides the publication of newspapers, pamphlets and books, another important facet of activity off the press was engraving. A checklist made in 1927 records thirty-three maps and fifty-seven sketches of houses and landscapes, only one of which is of a non-Hawaiian subject.

“It was stated last year that some incipient efforts had been made towards engraving. These efforts have been continued. It should be remembered that both teacher & pupils have groped their way in the dark to arrive even at the commencement of the business.”

“A set of copy slips for writing was the first effort of importance; next a map of the Hawaiian islands. For some time past a Hawaiian Atlas has been in hand & is nearly finished, containing the following maps Viz. the Globes, North America, South America, the United States, Europe, Africa, Asia, the Hawaiian islands & the Pacific.”

“It is evident that if the business is to be carried on so as to be of any benefit to schools generally, some considerable expense must be incurred for fitting up a shop for engraving & a room for printing. Hithertoo, everything has been done at the greatest disadvantage. Some means for prosecuting the business have lately been received from the Board.” (Andrews et al to Anderson, November 16, 1836)

Andrews was fortunate to have real talent in his artisans. Simon Peter Kalama was one of the best. Nineteen when he became a scholar, Kalama arrived at Lahainaluna with a recognized skill in drafting.

Kalama compiled the first map of Hawaiʻi published in Hawaiʻi and executed most of the “views,” which are the only record we have of the true island landscape of that time.

Since they were intended for the use of the Hawaiian students, the place names were given either in the Hawaiian form of the name, or in a modified transcription in which vowels were added so the foreign words could be pronounced in the Hawaiian style. (Fitzpatrick)

Ho‘okano, an assistant to Dr Gerrit P Judd, was assigned in the 1830s to interview kahuna lapa‘au to gain information about their practice which Judd incorporated in treating his own patients.

When Ho‘okano died in 1840, his notes were transcribed by Kalama and published in Ka Hae Hawaii in 1858 – 1859. The serialization has been translated by Malcolm Chun as Hawaiian Medicine Book: He Buke La‘au Lapa‘au and is the best source of information on traditional kahuna lapa‘au that exists today. (Mission Houses)

During the Wilkes expedition on Hawai‘i Island, on January 16, 1841, Kalama saved Judd from death in the crater of the volcano Kilauea. (Twain)

“Dr. Judd volunteered to head a party to go in search of some specimens of gases, with the apparatus we had provided, and also to dip up some liquid lava from the burning pool.” (Wilkes)

“I went down into Kilauea on the 16th to collect gases, taking a frying pan, in hopes of dipping up some liquid lava. Kalama went with me to measure the black ledge, and I had five natives to carry apparatus and specimens.” (Judd)

“While thus advancing, he saw and heard a slight movement in the lava, about fifty feet from him, which was twice repeated; curiosity led him to turn to approach the place where the motion occurred.”

“(T)he crust was broken asunder by a terrific heave, and a jet of molten lava, full fifteen feet in diameter, rose to the height of about forty-five feet … He instantly turned for the purpose of escaping, but found he was now under a projecting ledge, which opposed his ascent, and that the place where he descended was some feet distant.” (Wilkes)

Although he considered his life as lost, he prayed God for deliverance, “and shouted to the natives to come and take my hand, which I could extend over the ledge so as to be seen. … Kalama heard me and came to the brink, but the intense heat drove him back. ‘Do not forsake me and let me perish,’ I said.” (Judd)

“(He) saw the friendly hand of Kalumo (Kalama,) who, on this fearful occasion, had not abandoned his spiritual guide and friend, extended towards him. … seizing Dr. Judd’s with a giant’s grasp, their joint efforts placed him on the ledge. Another moment, and all aid would have been unavailing to save Dr. Judd from perishing in the fiery deluge.” (Wilkes)

A few years later, as the Western concept of landownership began to alter the Hawaiian landscape, Kalama enjoyed a lucrative career as a surveyor. He served as konohiki (overseer) of the Kalihi Kai district on O‘ahu, as a member of the House of Representatives and eventually as privy councilor to two kings. (Wood)

“The Hon SP Kalama, a member of the Privy Council, died on the 2nd inst at his residence at Liliha Street, having been ill for some months.”

“Mr Kalama was formerly a Government Surveyor, had served several terms in the Legislature as a Representative, and was a member of the Privy Council under Kamehameha V, Lunalilo and his present Majesty (Kalākaua.) He was about 60 years of age.” (Pacific Commercial Advertiser, December 4, 1875)

Here is a video of Moses Goods portraying Kalama (it was part of a Mission Houses event:)

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Na Mokupuni O Hawaii Nei-Kalama 1837

Mission_Houses,_Honolulu-Drawn_by_Wheeler_and_engraved_by_Kalama-_ca._1837

Maui from the anchorage of Lahaina-engraved by Kalama

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Kilauea-Wilkes-Expedition-1845

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June 15, 2016 by Peter T Young Leave a Comment

Percy Martyn Pond

“‘I could not do office work,’ he said, ‘and so I had to get out of door occupation. And I thought that I would try and see whether the land right here close to town would not yield results.’” (He had a farm “around the shoulder of Diamond Head.”)

“Mr. Pond has made the land give results, too, in produce, in eggs, in chickens, in taro, in small fruits in all those things that the people who will frankly admit possibilities know can be made to come from the soil here.”

Percy Pond studied the situation here, and thought that his first show for profit was to devote the major portion of his attention to dairy farming. And the Jersey dairy farm, which is the name of his place, is a dairy conducted on strictly scientific principles.” (Advertiser, June 4, 1905)

In 1914, Pond started the Kemoo Farm for the conservation of table refuse from Schofield Barracks by the production of pork and eggs, producing more than a million pounds of pork during the war. He also served on the Territorial district draft board during the war period. (Nellist)

“The Kemo‘o farm, located near Schofield Barracks, Oahu, has a swine herd numbering 1,460 animals, 250 of which are brood sows of high grade and 10 are pure-bred Duroc-Jersey and Berkshire boars. Each sow on this farm farrows, on the average, 3 litters in two years and raises 5 or 6 pigs per annum.”

“Eighty cans containing about 300 pounds of garbage each are daily hauled from the military posts to the Kemo’o farm. In 1915 the Kemo‘o farm sold 365 garbage-fed hogs … In 1918 the sales increased to 1,686 head …”

“Kemo‘o farm, where swine raising constitutes the main and a highly specialized line of farming, with dairying and poultry raising ranking next in importance.” (CTAHR, 1923)

But farming is not what Pond is generally known for – Percy Martyn Pond, was born on Feb. 2, 1870, in Medina, Medina County, Ohio, the son of Reverend Chauncey Pond and Harriet Permelia Perkins Pond. He graduated from Oberlin College (Ohio) in 1892.

Coming to Hawaii in 1896, Pond was a luna at Ewa plantation until 1897, when he joined Castle & Cooke, Ltd., as merchandise cashier.

He was bookkeeper and clerk for the S. N. Castle Estate in 1899 and 1900, and in the latter year entered the real estate business, when the firm of McClellon & Pond was formed.

Pond married Edith O Eldredge, November 26, 1900, in Chicago. They had two sons, Eldredge B and Richard C Pond.

In conjunction with Castle & Lansdale, Pond opened up the College Hills tract, lower Manoa Valley. From 1903 to 1904 Pond was affiliated with the Waterhouse Trust Co., Ltd., leaving there to start his dairy, which he conducted until 1914, when the retail business was disposed of and the enterprise was combined with the Honolulu Dairymen’s Association.

Pond was one of the first men in Honolulu to engage in real estate promotions on a big scale. He realized years ago that the city was to have a future then foreseen by few residents, and that room for expansion was a vital necessity.

Acting on this conviction, in 1911 he bought land in Kālia, Waikiki and filled in the ponds and wetlands there. He subdivided the property makai of Kalākaua Avenue and between Lewers Street and Saratoga Road and called it Beach Walk.

Many small homes were built in the area, some of which were rented out as vacation cottages. The tenants, who generally arrived for long stays on a Matson steamer, had close access to Waikiki Beach by means of the foot right-of-way that still exists on the Diamond Head side of the Outrigger Reef Hotel. (Kelley)

Pond later purchased and developed the Royal Grove tract, in the Waikiki district, where values have also greatly increased. The Clark tract at Wahiawa, Dewey Court tract and ʻĀinahau tract were also promoted by Pond. In 1923, he financed Prospect Terrace, and in 1924 he opened the Castle tract in Honolulu.

Real estate development, however, is only one of a number of business ventures financed and promoted by Mr. Pond.

In 1916 Smoot & Steinhauser was formed; Pond became Vice President (the firm later became Pond Co., Ltd., an automobile sales agency, (Story of Hawaii and Its Builders, Nellist)).

A new building was built by the company on Beretania street in 1921, and in 1924 Pond organized the Hawaiian Finance Co., Ltd., a corporation dealing in installment automobile paper, of which he was president.

The 1940 census noted Pond’s occupation as ‘Realatar.’ Pond returned to the mainland at the outbreak of the war after disposing of his property in Hawai‘i.

Percy Pond died on July 3, 1945, in Orlando, Florida, after an illness of more than two years. (Overlin) (Lots of information here is from Nellist)

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Percy Pond-MidPacificMag-1916

Vats for steaming garbage at Kemoo Farms-CTAHR-1923

Pond Farm-Milking Shed-Diamond Head-Adv-June 4, 1905

Pond Cows in kiawe pasture-Diamond Head-Adv-June 4, 1905

Pond Cows going for milking-Diamond Head-Adv-June 4, 1905

Garbage-fed pigs at Kemoo Farms-CTAHR-1923

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Beach_Walk_Subdivision-1914

June 13, 2016 by Peter T Young 1 Comment

Objets d’art

Honolulu’s first neon sign flickered to life on February 19, 1929, with the opening of Gump’s Waikiki an antiques and home furnishing store. (Honolulu) The third oldest structure in Waikiki, Gump’s was one of the first retail shops in Waikiki.

S & G Gump was founded in San Francisco in 1861 as a mirror and frame shop by Solomon Gump and his brother, Gustav. It later sold mouldings, gilded cornices and European artwork to those recently made wealthy from the California Gold Rush.

With the beginning of a new century, the Gump brothers handed over the reins to Solomon’s son, Alfred Livingston Gump. Soon thereafter, the San Francisco earthquake of 1906 forced AL, as he was known, to rebuild and restock the store.

He looked to the Far East for new inspiration, sending buyers to Japan and China to find exotic rugs, porcelain, silks, bronzes and jade. Among the most prized acquisitions, a Ch’ing Dynasty gilded wood Buddha, still gazes serenely over the first floor of Gump’s. It remains the largest of its kind outside of a museum.

By the 1920s, San Francisco was roaring right along with the rest. Gump’s and The City had become intertwined – the store synonymous with San Francisco in its elegance, worldly style and maverick spirit. (Gumps)

Back in the Islands, as tourism began to develop in the 1920s and 30s, people saw commercial possibilities for Waikiki. One of the most endearing was the Honolulu branch of S&G Gump Company of San Francisco.

Asian design elements were beginning to influence architecture in Hawai‘i, and the merging of these motifs and Western forms became visible in the Gump Building, as well as the Alexander & Baldwin Building on Bishop Street in Downtown Honolulu and the Honolulu Museum of Art.

In 1927, Hawai’i architect Hart Wood was commissioned to design this new outpost perfectly located between the Far East and the West.

The store opened in 1929, across the street from the recently completed Royal Hawaiian Hotel, to cater to the affluent traveler and Honolulu elite. It carried an aura of class and provided products from around the world to Hawai’i’s doorstep, presenting tourists and residents with an ornately appointed atmosphere filled with ancient and modern objet d’art. (Oahu Publications)

In Mr. Wood’s work there is a notable lack of the garishness, over-ornamentation and ‘weirdness’ too often loosely associated with Oriental architecture. His roofs curve, it is true, but only slightly; colored tiles are used, but in a restrained manner.

“The insertion of a grill of plaster in a plain stucco wall, the design and size being in walls are of stucco, quite plain, the roofs of tile, the whole effect one of substantial simplicity. The only difference lies in the details of ornamentation, mostly about the doors and windows.”

“One of the more noticeable of these decorative details is found in the designs of iron grill work, leaded windows, balcony railings and like places. Chinese designs are geometrical, mostly coordinated squares keeping with the medium, offers one of the most charming forms of decoration imaginable.”

“The introduction of color by the use of tiles is interesting also, not only in tiling for the roof, but inset in the walls as decoration. Where wood is used, natural teak is preferred, and the pillars are simply slender round columns with a characteristic cross bar treatment at the top.”

“An outstanding example of such a building is the branch shop at Waikiki of the S & G Gump Company of San Francisco. It is of two story, concrete construction of pleasing design.”

“The walls are of white stucco, the gutters, leaders and leader heads are of antique copper verde, and the plaster grills as mentioned before, it proves a particularly effective way to use this form of decoration.”

“Gateway openings in the walls are of quaint and unusual design, one of them being a ‘moon gate’ which is shown in one of the illustrations. The circle motif appears again in one of the slightly curving roof of imperial blue tiles.”

“This brilliant blue is a favorite roof color in China and one that blends well with the blue of the sub-tropical sky. No other colors than this blue, jade and white appeal in the building, except the dark teakwood pillars of the entrance and railings of the several balconies.”

“A white plaster wall incloses three courtyards, and these walls are pierced by windows of the shop. All the windows show the geometrical design in the shape of the panes or in grills. Balcony railings are also geometrical.” (The Architect & Engineer, October 1929)

Back then, it was a two-story white building standing virtually alone on Kalākaua Avenue. It is an example of the architecture of Hawai‘i’s pre-War territorial period, 1898-1941, when the sugar and pineapple industries were operating at full tilt.

A number of distinctive buildings were constructed during those years, adapting features of Asian, Mediterranean or European styles that suited Hawai‘i’s tropical climate, including large openings to catch the trade winds, wide eaves and often a double-pitched hipped roof.

The first commercial perfume successfully made in Hawaiʻi from local island flowers (pikake, pink plumeria and fern lei – each sold in hand-carved wooden bottles) was introduced in January 1935 at the Gump’s store in Waikiki. (Schmitt)

If the Gump family had a vision of the potential for shopping along Kalākaua Avenue, they were decades ahead of their time. Even in the 1950s and early 1960s, Kalākaua Avenue was not a center of high-end retail sales.

February 24, 1951 Gump’s announced it will close its Waikiki store after 25 years of business in Honolulu. The store was closed to settle the estate of AL Gump.

It was not until the 1980s, with the arrival of waves of visitors from Japan, that a significant number of other high-end shops, comparable to Gump’s, sprang up in Waikīkī.

In fact, the Gump building in Waikīkī was converted into a McDonald’s restaurant (in the 1970s or 1980s.) With the boom that began in the late-1980s, it was sold in 1991 to a corporate affiliate of high-end retailer Louis Vuitton Malletier of Paris, refurbished and, in 1992, rededicated to retail. (Kelley)

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Waikiki-Royal_Hawaiian-Moana-Gumps in background-1930-Smithsonian

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June 11, 2016 by Peter T Young 3 Comments

La Ho‘o-mana‘o O Kamehameha I

Kamehameha Day was first proclaimed by Kamehameha V as a day to honor his grandfather, Kamehameha I, and was first celebrated on December 11, 1871 (Kamehameha V’s birthday.) It later changed to June 11.

“The celebration of Kamehameha Day on June 11 came about in the following way.”

“On December 11, 1871, the birthday of Kamehameha V who was at that time ruling king, a public celebration was held with horse-riding and other sports.”

“It was agreed to make this celebration an annual event, but because of the uncertain weather in December to change the date to June.”

“Kamehameha V died soon after, and the holiday remained as a ‘Day in Commemoration of Kamehameha I,’ (La Ho‘o-mana‘o o Kamehameha I.)” (Kamakau)

So, while linked to Kamehameha V’s birth date, it boils down to having a celebration when the weather is better (6-months from King Kamehameha V’s birthday.) The date does not have any direct connection to Kamehameha I.

The 1896 legislature of the Republic of Hawaiʻi declared it a national holiday.

“Kamehameha Day was generally observed by the people. Elaborate preparations were made for the celebration of the day, with sumptuous feasts and sports, and every effort was brought to bear in order to insure the success of the occasion.”

“It might well be said that, in the language of the poet, its observance was usually attended with:
‘The boast of heraldry, the pomp of power,
And all that beaut’, all that wealth e’er gave.’”

“The celebration itself was characterized by a cheerful spirit and good-fellowshlp. ‘Aloha,’ the watchword that opened every heart and brightened every soul, was greeted on every side, and hospitality, unalloyed and unbounded, was displayed at every door. There was no distinction in race, color or creed.” (John C Lane, Mayor, 1916)

In 1939, Hawaiʻi Revised Statutes under the Territorial Legislature of Hawai‘i created the King Kamehameha Celebration Commission – that law remains in effect, today.

State law notes: §8-5 King Kamehameha celebration commission … “The commission shall have charge of all arrangements for the celebration each year generally observed throughout Hawai‘i Nei on June 11, to commemorate the memory of the great Polynesian Hawaiian warrior and statesman King Kamehameha I, who united the Hawaiian Islands into the Kingdom of Hawai‘i”. In 1978 the legislature renamed this holiday King Kamehameha I Day.

Almost from its first observance this day was celebrated chiefly by horse races in Kapi‘olani Park; but the races eventually gave way to today’s parades of floats and pāʻū riders.

On February 14, 1883, the Kamehameha statue was unveiled at Aliʻiōlani Hale during the coronation ceremonies for King Kalākaua.

The stance of the statue, with spear in left hand and right outstretched with open palm, showed the “successful warrior inviting the people … to accept the peace and order he had secured.”

At the request of the monument committee, statue designer Thomas R Gould modified the features to make the king seem about 45-years old. The intent was a bronze statue of ‘heroic size’ (about eight-and-a-half-feet tall.)

‘Boston Evening Transcript’ of September 28, 1878, noted “It has been thought fitting that Boston, which first sent Christian teachers and ships of commerce to the Islands, should have the honor of furnishing this commemorative monument.”

While Gould was a Bostonian, he was studying in Italy, where he designed the statue; ultimately, the statue was cast in bronze in Paris.

It was shipped on August 21, 1880, by the bark ‘GF Haendel,’ and was expected about mid-December. On February 22, 1881, came word that the Haendel had gone down November 15, 1880, off the Falkland Islands. All the cargo had been lost.

About the time it was lost, King Kalākaua was on a royal tour of the island of Hawai‘i. He made a speech in front of the Kohala Post Office.

There, the King was reminded the Kamehameha Statue was destined for Honolulu, yet Kohala, the birthplace of Kamehameha, was overlooked as a place for his statue. Kohala residents then raised funds and a replica was ordered.

It turns out, however, that the original statue had been recovered and was in fair condition. The right hand was broken off near the wrist, the spear was broken and the feather cape had a hole in it. It was taken to a shed at Aliʻiolani Hale to be repaired.

Meanwhile, on January 31, 1883, the replica ordered by Kohala arrived. On February 14, 1883, the replica statue was unveiled at Aliʻiolani Hale during the coronation ceremonies for King Kalākaua.

As for the original statue (which had been repaired,) it was dedicated on May 8, 1883 (the anniversary of Kamehameha’s death) and is in Kapaʻau, North Kohala outside Kohala’s community/senior center.

There are now four different statues of similar design of Kamehameha:
• The first replica stands prominently in front of Aliʻiolani Hale in Honolulu
• The original (repaired) casting of the statue is at Kapaʻau, North Kohala
• Another replica is in US Capitol’s visitor center in Washington DC
• Another statue is at the Wailoa River State Recreation Area in Hilo

The customary draping of the Kamehameha Statue with lei dates back to 1901. As far as the parade goes, in 1903, the Territory of Hawaiʻi, Chamber of Commerce and Merchants’ Association created the Hawaiʻi Promotion Committee (forerunner to the Hawaiʻi Visitors and Convention Bureau.) Supported by a legislative appropriation, it was mandated to provide better publicity to encourage tourism to Hawaiʻi.

The early years of the Territorial era saw the creation of a series of public celebrations. Beginning with the Mid-Pacific Carnival in 1904, a series of multiethnic public celebrations and parades were created to attract tourists and showcase Hawaiʻi’s multi-ethnic culture.

The Mid-Pacific Carnival, held in February as a celebration in honor of Washington’s birthday, had spectacular and historic pageants and military parades featured. During the winter season, the Mid-Pacific Carnival was at ʻAʻala Park in downtown Honolulu. Circus acts, sideshows and hula dancers entertained the public.

The carnival had an annual Floral Parade. By the early-1900s, the automobile made its appearance and soon reduced the need and use of horses. Then, a group of women made a society to keep the culture going and Pāʻū clubs were formed.

The Hawaiian Star, February 22, 1906, headlined the “Floral Parade a Great Success.” “It was a great day for Honolulu. The Promotion Committee’s inauguration of what is intended to be an annual event in celebration of Washington’s birthday, could have asked no better day, no greater success …”

“… no more wide spread interest in all classes of the population, no greater enthusiasm among those who participated In the parade, and no more unique, striking, or picturesque a feature to individualize the celebration in Honolulu, and make it separate, and apart from the pageant of other places than the Pa-u riders.”

“The Pa-u riders, of course, were the magnet and center of attraction. This revival of an old custom, picturesque and under the conditions that gave rise to it, strikingly useful, was a happy thought of the Promotion Committee.”

“It appealed to dormant but when aroused, pleasing associations, among the older residents, especially the Hawaiians. It appealed to the love of oddity and the striking costume in the younger generation.” (The Hawaiian Star, February 22, 1906)

In 1916, Mid-Pacific Carnival merged into the Kamehameha Day Parade.

Next time you are at the original or replicas of the Kamehameha Statue, look closely at Kamehameha’s sash; there is an error in the arrangement of the sash. Traditionally, a sash is worn by first draping the sash over the left shoulder to where it falls between the knees.

Then the remaining length is wrapped around the waist and over the front flap of the sash to around the back, fed behind the part over the shoulder, and the remaining hangs down in the back (at knee length.) (San Nicolas) After that, you put the cape on over it all.

“In the statue the cordon passes from the pendent end up behind the portion used as a waist-band, over the left shoulder, outside the cloak, instead of returning down the back to form the belt as it should have done with the end tucked in to tighten the band, it leaves this belt as an independent member and passes down over the cloak to trail on the ground!” (Brigham)

“The final arrangement must be based on esthetic rather than historical grounds. In fact, the decorated end of the sash drags on the ground behind the figure. The other end has had to be supplemented with a fictitious terminal band to be presentable in front.”

“If you look closely, the final arrangement is impossible without two sashes: a long one from malo front over the shoulder and down to the ground, and a short, separate belt.” (Later noted by Charlot.)

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