Peter T Young

March 3, 2016 by Peter T Young 1 Comment

Hole Hole Bushi

“Kane wa kachiken
Washa horehoreyo
Ase to namida no
Tomokasegi”

“My husband cuts the cane stalks
And I trim the leaves
With sweat and tears we both work
For our means.”

Japanese laborers quickly comprised the majority of Hawaiian sugar plantation workers after their large-scale importation as contract workers in 1885. (Oxford Press)

Their folk songs provide good examples of the intersection between local work/life and the global connection which the workers clearly perceived after arriving.

While many are songs of lamentation, others reflect a rapid adaptation to a new society in which other ethnic groups were arranged in untidy hierarchical order–the origins of a unique multicultural social order dominated by an oligarchy of white planters. (Oxford Press)

From 1885-1924, about 200,000 Japanese came to Hawai‘i to work on the sugar plantations. (Kim) By 1900, the Japanese population, about 40% of the total, was the largest ethnic group in Hawai‘i. (Densho)

Many of those Issei women, first generation of Japanese immigrants, came as picture brides and found themselves working long hours in the canefields.

The men cut the cane; the women’s work was to strip the leaves from sugar cane stalks so that it produces more juice while providing fertilizer for the growing plant.

These women sang songs about work and the dilemmas of plantation life. The songs, called Hole Hole Bushi, used old Japanese folk tunes, and mixed Hawaiian and Japanese words for dramatic lyrics. (Kim)

Hole Hole Bushi is a hybrid term that combines the Japanese word for tune (bushi) with a Hawaiian term describing the stripping the leaves off of sugar cane (hole.) Issei women composed and sung a repertoire of these songs, set to familiar Japanese melodies, which expressed their hardships, disappointments, and hopes. (Kim)

Hole Hole Bushi is a folk song which Issei (first-generation Japanese overseas emigrants) who immigrated to Hawai‘i at the end of the 19th century, sang at their work in the sugarcane fields. (Nakahara)

Folk songs are short stories from the souls of common people. Some, like Mexican corridos or Scottish ballads, reworked in the Appalachias, are stories of tragic or heroic episodes. Others, like the African American blues, reach from a difficult present back into slavery and forward into a troubled future. (Oxford Press)

Japanese workers in Hawaii’s plantations created their own versions, in form more like their traditional tanka or haiku poetry.

These Holehole Bushi describe the experiences of one particular group caught in the global movements of capital, empire, and labor during the late nineteenth and early twentieth centuries. (Oxford Press)

The name “Hole Hole Bushi,” first appears in Saishin Hawai Annai (The Latest Hawai‘i Guide) by Namitarō Murasaki (1920.) “Hole-hole Bushi” is described as one of Hawai‘i’s specialties to see, as in the following:

“Honolulu is a song-less town. One rarely hears singing except through a phonograph or overhearing a spree coming out of a restaurant. Of course, new popular songs are imported every time Japanese ships come into port. But these songs are sung only at tea houses for the time being, and mostly disappear before they spread outside.”

“Nevertheless, if you go to the countryside, you can still hear the loud singing of a tune saturated with a sorrowful mood. That is “Hole-hole Bushi”—a distinctive feature in Hawai‘i.” (Nakahara)

The lyrics are mostly in Japanese with Hawaiian and English words mixed in, and follow a poetic form with lines of 7+7+7+5 syllables. The texts cover a wide range of topics, from the hardships of field labor and uncertainty in life to the relationships between men and women, name-calling and gossip.

Around 1930, the lives of the Issei improved, and many moved to cities. The Hole Hole Bushi which had been sung in the field disappeared, and, in its place, lively-sounding versions of Hole Hole Bushi were performed in Japanese tea houses.

During the Second World War, the government banned Japanese cultural activities. After the war, however, the great success of the Nisei troops in the fight received admiration. However, Hole Hole Bushi was never performed; for the Issei, Hole Hole Bushi had become an embarrassment. (Nakahara)

Hole Hole Bushi performed by Allison Arakawa at Japanese American National Museum:

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Japanese sugar plantation workers in Hawaii around 1910 (BishopMuseum)

Japanese sugar plantation laborers at Kau, Hawaii Island-(HSA)-PP-46-4-010-1890

March 2, 2016 by Peter T Young 2 Comments

Insane Asylum

The first hospital service for mentally afflicted persons in America was established at the Pennsylvania Hospital in Philadelphia in the year 1752. (Kimmich)

Later, across the US, interest was growing in caring for the mentally ill; asylums are opened in East Coast US cities. Kamehameha V expanded his interest in medical facilities.

The 1863 law passed by the Hawaiian legislature states: “A building is to be erected for the reception of insane persons. This facility will furnish restraint till the person becomes of sane mind or is discharged.”

“There shall be in Honolulu, at such places as the superintendent of public works shall direct, a suitable building for the reception of all insane persons, to be styled an insane asylum … The board of health shall have the management and control of the insane asylum.” (1862, Revised Laws, 1915)

“It shall be the duty of (the) district magistrate or circuit judge to examine all persons brought before them on said warrants as to their sanity.”

It was difficult to obtain the funds for this purpose, however, and the hospital was not constructed until 1866. Its first location was at the corner of School and Lanakila Streets.

The hospital was completed in 1866, and the first six patients were transferred to the hospital from the jails at which the mentally ill had previously been kept. By 1867, there were 62 patients. (Cultural Surveys)

The annual report of 1867 mentions a total of 62 admissions, an average age of 40 years, and goes on to state that 17 of the 62 admissions were discharged as “recovered.” (Kimmich)

The patients, with the exception of those most violent, were allowed to wander about the extensive grounds, assisting in the care of the lawns and flowers, and in light manual labor of various kinds.

The Hawaiians have ample allowances of their much loved poi, likewise, there were large luau, held there once or twice during each year.

These were attended by many of the residents and visitors to Honolulu, who chose these occasions to satisfy their curiosities. The inmates of the Hospital are of all nationalities, the aggregate number, in proportion of the Islands, being small. (Ellsworth)

The Legislature increased the Maintenance Appropriation from $40,000.00 to $45,000.00 under the title “Insane Asylum And Infirmary” in response to the representations of the President of the Board relative to the necessity of a place of detention and care of those whose cases properly require observation before a charge of insanity should be lodged against them.

“Many of these cases are the result of indulgence in liquor and drugs and in short time their normal mental balance becomes restored.”

“We have already taken steps to erect a building that will shelter forty patients and so relieve the buildings at the entrance of the grounds: they can be turned into the Infirmary and accommodate some twenty patients.”

“A visit to the Insane Asylum will show many improvements. Nothing is more conducive to the bodily health and mental condition of the physically able insane than employment to a moderate degree.”

“During the past twelve months the inmates have quarried stone, made curbing and macadam, filled in ground where necessary and generally improved the Asylum grounds. They practically rebuilt one building for men, repaired several cottages, and have done general renovating and painting.”

“They have built quite a large addition to the woman’s building and are now completing a cottage of four special rooms with a separate lanai for each, that patients may be isolated where the case requires, or friends desire by special arrangement.” (Report of President of the Board of Health, 1907)

“All inmates, if physically able, are taken out of doors every day … .During the year the female employees and patients made a considerable amount of clothing for use in the institution.”

“The principal articles for food were bread, beef, fresh fish, salmon, codfish, beans, poi, rice, potatoes, cabbages, carrots, prunes, canned fruits, eggs, milk, ham, bacon, fresh vegetables, tea and coffee, and fresh milk.” (Report of Governor of Hawaii, 1921)

“No institution extant is better, more cleanly and more orderly kept, resources considered, than the Oahu Insane Asylum. The Asylum is regularly, professionally and officially inspected each two weeks by the two medical members of the Board of Health. The President of the Board visits the Insane Asylum at least once each week.” (Report of President of the Board of Health, 1907)

From 1903 to 1928, a new site was looked for, a final decision on the present location in Kāneʻohe being made in late 1928. (Kimmich)

In 1930, all 549 patients in the then-named Territorial Hospital were transferred to the new Territorial Hospital in Kāne‘ohe, O‘ahu.

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Insane Asylum – 1893 map over Google Earth-zoom

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Insane Asylum – 1893 map over Google Earth

March 1, 2016 by Peter T Young Leave a Comment

Fire Department

Formal fire prevention and firefighting date back to Roman times. During the middle ages many towns and cities simply burned down because of ineffective firefighting arrangements and because of the building materials used at the time, mainly wood.

Following some spectacular losses, some parishes organized basic firefighting, but no regulations or standards were in force. The Great Fire of London, in 1666, changed things and helped to standardize urban firefighting. (Fireservice UK)

Following a public outcry during the aftermath of that, probably the most famous fire ever, a property developer named Nicholas Barbon introduced the first kind of insurance against fire.

Soon after the formation of this insurance company, and in a bid to help reduce the cost and number of claims, he formed his own Fire Brigade. Other similar companies soon followed his lead and this was how property was protected until the early 1800s.

Policy holders were given a badge, or fire mark, to affix to their building. If a fire started, the Fire Brigade was called. They looked for the fire mark and, provided it was the right one, the fire would be dealt with. (Not the right mark; folks let it burn.)

Many of these insurance companies were to merge, including those of London, which merged in 1833 to form The London Fire Engine Establishment. (Fireservice UK)

No organized fire protection system existed in Honolulu until November 6, 1850, when the city’s first volunteer fire brigade was formed.

WC Parke formed Honolulu’s first Volunteer Fire Brigade (the same day a fire broke out and eleven homes were destroyed.) Reportedly, King Kamehameha III took an immense interest in the department. When the alarm went off, the reigning monarch shed his coat, rolled up his sleeves and helped right alongside the other volunteers.

The Privy Council authorized the procurement of “sixty buckets, painted and marked ‘FB Engine No. 1.’ and place the same at the disposal of the Foreman of Fire Engine to No.1, until the organization of the Fire department …”

“… when they shall go into the custody of the officer to be designated to have charge of the Fire Apparatus of Honolulu, and that the Minister of Finance pay the cost of the same out of the public Exchequer.” (Privy Council Minutes, December 9, 1850)

Shortly thereafter, “the Minister of the Interior (is) hereby required to confer with the forman of the First fire Company of Honolulu as to the necessary building required for the protection of the fire apparatus of the Government and for the meetings of the fire Company …”

“… should it be found necessary that a new building be erected for the purpose aforesaid, that the Minister of the Interior is hereby instructed to cause the same to be erect a suitable lot, at cost not exceeding $1000, and in case a lot is not now owned by the Government, to purchase or lease such an one as may be required.” (Privy Council Minutes, December 27, 1850)

Thus, on December 27, 1850, Kamehameha III established the Honolulu Volunteer Fire Department, and the 1851 legislature enacted the ordinance into law.

In August 1851, a second-hand fire engine was purchased through public subscription and became the property of Engine Company No. 1. Within ten years, the city had four engine companies, including No. 4, which was composed exclusively of Hawaiians.

Kings Kamehameha III, Kamehameha IV, Kamehameha V and Kalakaua were all active members of Company No. 4, with Kamehameha V, as Prince Lot, playing an instrumental role in its foundation and Kalakaua served as the company’s secretary.

Thus, the Honolulu Fire Department is perhaps the only fire department in the world to have the distinction of including monarchs as active members. In 1878, Engine Company No. 5, a Chinese company, was formed.

The volunteer fire companies, each with their fifty plus membership, were active and influential factors in various municipal activities, including politics. One of the first acts of the Provisional government was the disbanding of the volunteer fire companies and the creation of a full-time paid fire department.

The Fire Department was to “consist of a Board of Commissioners, consisting of three members, who shall be appointed by the Minister of the Interior with the consent of the Executive Council, and who shall serve without pay ; a Chief Engineer, who shall be appointed by the Board of Commissioners.”

“There shall be three or more fire companies under pay, in the discretion of the Board of Commissioners, and such other volunteer companies as the Commissioners shall deem fit. The general care and supervision of the department shall be under the direction of the Board of Commissioners, who shall also have power to issue such general rules and regulations for the government of the department as they shall deem necessary.” (Pacific Commercial Advertiser, February 28, 1893)

Each volunteer company had its own fire house and held regular meetings. The most substantial of the early firehouses was Engine Company No. 5’s brick station on Maunakea Street. Erected in 1886, it replaced a frame building destroyed in the first Chinatown fire. Subsequently, the brick station was consumed in the Chinatown fire of 1900.

Due to the expansion of the city and the need for more adequate quarters, as the volunteer stations were not designed to stable horses or serve as dormitories for the men on twenty- four hour duty, new stations replaced the earlier ones.

In 1897, the original Central Fire Station was erected on Beretania and Fort Streets, consolidating Engine Companies 1 and 2, and in 1899, a frame station was constructed on “the plains of Makiki” for Engine Company No. 3.

In 1901, the Palama Station was built to replace the Maunakea Street Station. With the development of Kaimuki as a suburb, a frame station was built there in 1913. (NPS) (Lots of information here from NPS ands Nucciarone.)

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Fire tower and Engine House No. 2-PPWD-8-8-011

February 29, 2016 by Peter T Young Leave a Comment

Pele’s Hair

“In the afternoon, Messrs. Thurston and Bishop walked out in a NW direction, till they reached the point that forms the northern boundary or the bay, on the eastern side of which Kairua (Kailua) is situated. It runs three or four miles into the sea; is composed entirely of lava …”

“… and was formed by an eruption from one of the large craters on the top of Mouna Huararai, (Hualālai,) which, about twenty-three years ago, inundated several villages, destroyed a number of plantations and extensive fish-ponds, filled up a deep bay twenty miles in length, and formed the present coast.”

“An Englishman, who has resided thirty-eight years in the islands, and who witnessed the above eruption, has frequently, told us he was astonished at the irresistible impetuosity of the torrent. Stone walls, trees, and houses, all gave way before it ….”

“Numerous offerings were presented, and many hogs, thrown alive into the stream, to appease the anger of the gods, by whom they supposed it was directed, and to stay its devastating course. All seemed unavailing, until one day the king Tamehameha (Kamehameha) … as the most valuable offering he could make, cut off part of his own hair, which was always considered sacred, and threw it into the torrent.”

“A day or two after, the lava ceased to flow. The gods, it was thought, were satisfied; and the king acquired no small degree of influence over the minds of the people, who, from this circumstance, attributed their escape from threatened destruction to his supposed interest with the deities of the volcanoes.” (Ellis, 1823)

Others did the same in offering hair to Pele. “This volcano, which has the name of Peli (Pele) from the goddess supposed to inhabit it, is also called by the natives, Kairauea Nui (Kilauea,) or the greater, and the extinguished crater, Kairauea in, or the little …”

“Night increased the magnificence, perhaps the horror, of the scene. The volcano caused … ‘a terrible light in the air.’ The roar occasioned by the escape of the pent up elements, and the fearful character of the surrounding scenery, suited with that light; and all impressed us with the sense of the present Deity …”

“No wonder, then, that the uninstructed natives had long worshipped, in this place, the mysterious powers of nature. Here it was that they supposed the gods of the Island had their favourite abodes, and that, from this centre of their power, they often shook the land, when it pleased them to pass under ground to visit the sea, and take delight in open places.”

“The first pair who arrived at the Island, with the animals and fruits necessary for their subsistence, met the fire gods, say they, on their first landing, and propitiated them by offerings of part of their provisions. …

“Hence no ohelo berry was eaten on Peli, till some had been offered to the goddess of the same name: the sandal-wood was not cut, nor the fern roots dug, without propitiating her by locks of hair, and often more precious things.”

“Frequently the hog and the dog were sacrificed to procure her favour; and never was the ground disturbed or any thing carried away from Kairauea.” (Byron, 1825)

But these offerings of hair to Pele are not the focus of this summary; this is about Pele’s Hair – a volcanic phenomenon that internationally carries the name of ‘Pele.’

Missionary Titus Coan describes Pele’s Hair: “All at once the scene changes, the central portion begins to swell and rise into a grayish dome, until it bursts like a gigantic bubble, and out rushes a sea of crimson fusion …”

“… which pours down to the surrounding wall with an awful seething and roaring, striking this mural barrier with fury, and with such force that its sanguinary jets are thrown back like a repulsed charge upon a battle-field, or tossed into the air fifty to a hundred feet high, to fall upon the upper rim of the pit in a hail-storm of fire.”

“This makes the filamentous vitrifaction called ‘Pele’s hair.’”

“The sudden sundering of the fusion into thousands of particles, by the force that thus ejects the igneous masses upward, and their separation when in this fused state, spins out vitreous threads like spun glass.”

“These threads are light, and when taken up by brisk winds, are often kept floating and gyrating in the atmosphere, until they come into a calmer stratum of air …”

“… when they fall over the surrounding regions, sometimes in masses in quiet and sheltered places. They are sometimes carried a hundred miles, as is proved by their dropping on ships at sea.”

“This ‘hair’ takes the color of the lava of which it is formed. Some of it is a dark gray, some auburn, or it may be yellow, or red, or of a brick color.” (Titus Coan)

Scientists say Pele’s hair is “volcanic glass that has been stretched into thin strands by the physical pulling apart of molten material during eruptions. Most commonly it forms during fire fountain activity.” (Batiza)

Thin strands of volcanic glass drawn out from molten lava have long been called Pele’s hair, named for Pele, the Hawaiian goddess of volcanoes.

A single strand, with a diameter of less than 0.5 mm, may be as long as 2 m. The strands are formed by the stretching or blowing-out of molten basaltic glass from lava, usually from lava fountains, lava cascades, and vigorous lava flows (for example, as pāhoehoe lava plunges over a small cliff and at the front of an ‘a‘a flow.)

Pele’s hair is often carried high into the air during fountaining, and wind can blow the glass threads several tens of kilometers from a vent. (USGS)

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Pele’s Hair, auch Pele-Haar, feinste vulkanische Glasfasern aus der aktuellen Kilauea Eruption, Volcanoes National Park, Big Island of Hawaii, USA

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February 28, 2016 by Peter T Young Leave a Comment

Kaname Yonamine

A shy young man, he was Nisei (second generation) born on June 24, 1925, in Olowalu, Maui, where his father Matsusai, an Okinawan, had moved to find work in the sugar cane fields and met his mother Kikue, whose family was from Hiroshima. He is considered one of the greatest athletes to come out of Hawaii. (Weber)

He starred at Lahainaluna before he attracted the attention of Honolulu’s football coaches and transferred to Farrington, starring on the baseball and football teams – and led the Governors to their first football championship in 1944.

It was there when Kaname Yonamine changed his first name to Wallace – he was then known as Wally.

Yonamine graduated from Farrington in 1945 and was drafted into the US Army the next morning. Stationed at Schofield Barracks, he was supposed to be shipped to Europe to support the 442nd Regimental Combat Team. However, within two months, World War II was over. (Hawai‘i Tribune Herald)

He never went to college, though he turned down at least one football scholarship, to Ohio State. In the period after the war, Yonamine remained at Schofield, where he joined the Lei-Alumns, a football team comprised of former Leilehua High School players.

During a fateful game against Portland University, he scored several touchdowns and caught the eye of a San Francisco 49ers scout, who was there to evaluate Portland’s quarterback.

In 1947, Yonamine signed with the San Francisco 49ers of the All-America Football Conference, a post-World War II rival to the National Football League. This was the 49ers’ second season, three years before the team joined the NFL. Yonamine inked a two-year deal worth $14,000. (AP)

He was the first Asian-American to play professional football. This was at a time in San Francisco when emotions were still raw as thousands of Japanese – most of them American citizens – who had been rounded up and forced from their homes and businesses in The City’s thriving Japantown returned from desolate internment camps. (Chapman)

Therefore, Yonamine’s signing with the 49ers took on special significance in the Asian American community. In 12 games (three starts), he rushed for 74 yards on 19 carries, caught three passes for 40 yards and recorded one interception for a 20-yard return. (49ers)

Yonamine’s football career was cut short after fracturing his wrist playing baseball in 1948. He then turned his sole focus to baseball. (49ers)

His baseball talents were immediately noticed by the legendary Lefty O’Doul, a former National League batting champion, who had been instrumental in promoting the professional game in Japan. He signed Yonamine and sent him to the Salt Lake City Bees, where Wally did well.

One of O’Doul’s contacts was Matsutaro Shoriki, owner of the Yomiuri Giants, the premier professional franchise in Japan. A deal was worked out, and, in 1951, Wally Yonamine found himself the starting center fielder of the Giants (or, “Kyojin,” as they are called in Japan.) (Gillespie)

In 1951, he arrived in Japan as the first American to play baseball after World War II. At first he was met with much adversity for being American, but also for his hard hitting style of baseball. This proved to be the introduction of a new style of baseball in Japan. (Fitts)

In his debut for the Giants, he bunted for a hit in his first at-bat, a show of daredevilry that became his trademark. To the orderly and respectful game as the Japanese played it, Yonamine brought what was considered bad behavior: beating out a sacrifice bunt, sliding hard to take out the pivot man on a double play, expressing outrage at the umpire. (Weber)

Without speaking the language, he helped introduce a hustling style of base running, shaking up the game for both Japanese players and fans. Along the way, Yonamine endured insults, dodged rocks thrown by fans, initiated riots, and was threatened by yakuza (the Japanese mafia). (Fitts)

Yonamine was a gifted athlete. He was a great left-handed contact hitter and was a Gold Glove-level defender, and a very aggressive base runner. In fact, Yonamine changed Japanese pro baseball forever, when he started thrilling crowds by stealing third base and home.

Before Wally, this was not a part of the Japanese style of play. Yonamine stole home 11 times in his career, a record for Japan’s major leagues. (Gillespie)

He also won batting titles, was named the 1957 MVP, coached and managed for twenty-five years, and was honored by the emperor of Japan. Overcoming bigotry and hardship on and off the field, Yonamine became a true national hero and a member of Japan’s Baseball Hall of Fame. (Fitts)

In 1957 he received the MVP award and led the Tokyo Giants to the Japan World Series title. Today, he still holds the highest batting average ever for a Giant.

Wally went on to play for and manage the Chunichi Dragons, and succeeded as the first foreign manager to win the Central League title (beating the Giants.) (Yonamine Pearls)

Yonamine went on to coach or manage various professional teams in Japan for 26 years. He was inducted into the Japanese Baseball Hall of Fame in 1994.

In 2002, the San Francisco 49ers honored Yonamine’s football legacy during an exhibition game on August 3 at Japan’s Osaka Dome. Serving as an honorary team captain, Yonamine was greeted with a standing ovation. (49ers) Wally Yonamine died February 28, 2011.

Here’s a short video on Wally Yonamine: