Oahu | Page 34 | Images of Old Hawaiʻi

July 23, 2022 by Peter T Young Leave a Comment

Music Hall – Opera House

Opera was born circa 1600 from the desire of Renaissance Italians to recreate Greek drama, pointing to various less-elevated national theatrical traditions as important contributors to the art form. (Abbate)

Although Hawai‘i is hardly known as an international opera powerhouse, a number of native Hawaiians have been among the art form’s stars. Most notable was tenor Tandy Ka‘ohu MacKenzie, who was born in Hāna in 1892 and went on to become a star of the international opera stage star after he was discovered by an Irish singer who happened to drop in on a performance by MacKenzie’s Kamehameha School glee club. (Ferrar)

In 1881, a Music Hall was built across the street from ʻIolani Palace, where Ali‘i regularly joined the audiences at performances. Queen Lili‘uokalani is even said to have written her own opera. (Ferrar) It was built by the Hawaiian Music Hall Association.

The Wells troupe from California opened the music hall. “Since then many companies and individual artists from abroad have trod its boards, and given more or less delight to the inhabitants.” (Daily Bulletin, February 12, 1895)

The building was first called the Music Hall, but shortly after its transfer to new owners, the name was changed to the Royal Hawaiian Opera House. (Daily Bulletin, February 12, 1895)

Despite its name, the Opera House was not primarily a venue for classical entertainment. Many of its bookings were melodramas and minstrel shows, two very popular forms of theater at the time. Then, it was the first house to show moving pictures in Hawaiʻi.

The building was of brick 120 by 60 feet on the ground floor and walls forty feet high and twenty inches thick. The front door was ten feet wide, opening into a vestibule 16 by 27 feet. The seating capacity of the house was 671 persons. The stage was forty feet deep and provided with a complete set of scenery, traps and all necessary paraphernalia. (Hawaiian Star, February 12, 1895)

On July 28, 1883, the property was sold at auction to satisfy a claim. It was purchased by Mr. WG Irwin for $21,000, John D Spreckels being a partner in the deal. (Hawaiian Star, February 12, 1895)

“Originally there were two (private) boxes. One on the right of the stage looking out was regarded as the property of the late King Kalākaua, who had subscribed liberally to the stock of the Association. The box on the opposite side was owned by the present proprietors, Messrs. Irwin & Spreckels. About two years ago two boxes wore opened above those mentioned for letting to whomever first applied for thorn on any occasion.” (Daily Bulletin, February 12, 1895)

The Music Hall played a role in the Wilcox Rebellion, when it was occupied by Government sharpshooters in suppressing the insurrection of Robert Wilcox in 1889. (Daily Bulletin, February 12, 1895)

“Wilcox and I then marched towards the gate and came by Boyd’s cannon; he told us to get out of the way he wanted to fire then, because he saw some one in the Music Hall pulling down a window; Wilcox stopped him; we walked on toward the gate when a gun fired from the Music Hall.” (Kauhane, Hawaiian Gazette, October 29, 1889)

“Wilcox sung out to Music Hall to “stop firing! stop firing!” three or four more shots were fired from there and then Wilcox gave order to fire; cannons were then fired; think Wilcox knew that Government were gathering forces to drive us out; not my place to surrender.” (Kauhane, Hawaiian Gazette, October 29, 1889)

It later hosted the complimentary farewell reception and ball for Captain Wiltse, commander of the USS Boston in 1893, under the auspices of the provisional Government.

The Music Hall’s “exterior was built of red brick and the facade on King street was of a modest but presentable and harmonious style. Internally it was fitted and furnished in modern fashion, with seats on a sloping floor in semi-circular rows. There were a balcony and a gallery in the second story.” (Daily Bulletin, February 12, 1895)

Fire nearly destroyed the building. Irwin, owner of the property, surveyed the sodden, smoking ashes from his curtained carriage. “I have had enough of music halls,” he told a questioning newsman.

He was later persuaded to rebuild, however, when it was pointed out that the only other theatrical accommodations in the city were inadequate facilities at the YMCA and the hall in Independence Park.

A commission was appointed to inquire into the strength of the walls left standing. After a careful inspection, it was decided that three of the walls were in sound condition, and could be built upon with perfect safety. The rear wall had to be rebuilt. The work began.

The opening of the New Hawaiian Opera House tonight begins another epoch in the history of Honolulu and the public finds that through the action of William G. Irwin of this city and John D. and Adolph Spreckels, of San Francisco, it has a theater equal to the leading places of amusement in the United States. (Hawaiian Gazette, November 10, 1896)

The seating capacity of the New Hawaiian was about 900, but the seats were placed so far apart, in order to make it more comfortable for the patrons, that if it were necessary, two or three hundred more chairs could be placed in the auditorium without crowding. In the rear of the orchestra are two loges, each containing six chairs. (Hawaiian Gazette, November 10, 1896)

On February 5, 1897, the Opera House displayed Edison’s Veriscope which promised to be one of the most interesting sights ever seen in Honolulu. One of the first projections was of a fire department response to a fire. “The crowds gather, people run hither and thither, teams pass, some block the way, the police appear, and there are seen all the usual incidents of a street lire drill.”

“It is a wonderful advance in the stereoscopic art. It projects pictures upon a white screen, in which all the figures are in motion with life-like detail. … The exhibition of the wonderful veriscope is alone worth the evening’s attendance.” (Hawaiian Star, February 4, 1897)

The building was demolished in 1917 to make way for the Federal Building. One of the many eulogies for the building said: “It is historical. It is ugly. It is like a box with a few touches of ornament to make it look unlike a box. So much for the outside. On the inside, it is as cozy and comfortable as anyone could desire.” (Gereben)

July 19, 2022 by Peter T Young Leave a Comment

Charles Reed Bishop

Born January 25, 1822 in Glens Falls, New York, Charles Reed Bishop was an orphan at an early age and went to live with his grandparents on their 120-acre farm learning to care for sheep, cattle and horses and repairing wagons, buggies and stage coaches. Academically, he only attended the 7th and 8th grades at Glens Falls Academy, his only years of formal schooling.

After leaving school, he becomes a clerk for Nelson J. Warren, the largest business in Warrensburgh, New York. He learned bartering, bookkeeping, taking inventory, maintenance and janitorial duties. Bishop became an expert in barter, and ran the post office, lumber yard and farm. He becomes a capable businessman.

By January 1846, Bishop was ready to broaden his horizons. He and a friend, William Little Lee, planned to travel to the Oregon territory, Lee to practice law and Bishop to survey land. They sailed aboard the ‘Henry’ from Newburyport, Massachusetts, around Cape Horn on the way to Oregon.

The vessel made a stop in Honolulu on October 12, 1846; both decided to stay. (Lee later became the first Chief Justice of the Supreme Court for the Kingdom of Hawaiʻi.)

Bishop soon found work, first at Ladd and Company, a mercantile and trading establishment, then at the US Consulate in Honolulu. In 1849, Bishop signed an oath to “support the Constitution and Laws of the Hawaiian Islands” and was appointed collector of customs for the kingdom.

Bishop met Bernice Pauahi while she was still a student at the Chiefs’ Children’s School (they probably met during the early half of 1847,) and despite the opposition of Pauahi’s parents who wanted her to marry Lot Kapuāiwa (later, Kamehameha V,) Bishop courted and married Pauahi in 1850. (His letters that mention Pauahi reveal a deep respect and affection for his wife and suggest she was a major source of his happiness throughout their 34-year marriage.)

Their home, Haleakala, became the “greatest centre of hospitality in Honolulu.” They graciously hosted royalty, visiting dignitaries, friends and neighbors as well as engaged in civic activities such as organizing aid to the sick and destitute and providing clothing for the poor.

Bishop was primarily a banker (he has been referred to as “Hawaiʻi’s First Banker.”) An astute financial businessman, he became one of the wealthiest men in the kingdom from banking, agriculture, real estate and other investments.

However, his industrious nature and good counsel in many fields were also highly valued by Hawaiian and foreign residents alike. He was made a lifetime member of the House of Nobles and appointed to the Privy Council. He served Kings Kamehameha IV, Kamehameha V, Lunalilo and Kalākaua in a variety of positions such as: foreign minister; president of the board of education; and chairman of the legislative finance committee.

Bishop believed in the transforming power of education and supported a number of schools: Punahou, Mills Institute (now known as Mid–Pacific Institute), St Andrews Priory and Sacred Hearts Academy. He not only contributed money to his causes, he provided sound advice and financial expertise.

He even sent presents of food or clothing to schools like Kawaiahaʻo Seminary at Christmas, “It is my wish that Mr. Raupp should send them plenty of mutton…also that they should have two turkeys or some ducks, some oranges and cakes…”

Next to her royal lineage, no other aspect of Pauahi’s life was as important to her fulfillment as a woman – and as the founder of the Kamehameha Schools – as her marriage to Charles Reed Bishop. He brought her the love and esteem she needed as a woman and the organizational and financial acumen she needed to ensure the successful founding of her estate. (Kanahele)

Soon after Pauahi’s death in 1884 he wrote: “I know you all loved her, for nobody could know her at all well and not love her. For myself I will only say that I am trying to bear my loss and my loneliness as reasonably as I can looking forward hopefully to the time when I shall find my loved one again.”

Immediately after Pauahi’s death, Bishop, as one of first five trustees she selected to manage her estate and co-executor of her will, set in motion the process that resulted in the establishment of the Kamehameha Schools in 1887. (The other initial trustees were Charles Montague, Samuel Mills Damon, Charles McEwen Hyde and William Owen Smith.)

Because Pauahi’s estate was basically land rich and cash poor, Bishop contributed his own funds for the construction of several of the schools’ initial buildings on the original Kalihi campus: the Preparatory Department facilities (1888,) Bishop Hall (1891) and Bernice Pauahi Bishop Memorial Chapel (1897.)

Bishop is best known for his generous contributions to his wife’s legacy, the Kamehameha Schools (when he died, he left most of his estate to hers,) and the founding of the Bernice Pauahi Bishop Museum (1889.)

In a letter to Samuel Damon, 1911, he noted, “Being interested in her plans…I decided to carry out her wishes regarding the schools and promised to do something toward a museum of Hawaiian and other Polynesian objects…in order to accomplish something quickly … I soon reconveyed to her estate the life interests given by her will and added a considerable amount of my own property…”

In 1894, Bishop left Hawai`i to make a new life in San Francisco, California. Until he died, he continued, through correspondence with the schools’ trustees, to guide the fiscal and educational policy-making of the institution in directions that reinforced Pauahi’s vision of a perpetual educational institution that would assist scholars to become “good and industrious men and women.” (Bernice Pauahi Bishop’s Will, 1883)

In 1895, Bishop established the Charles Reed Bishop Trust. The beneficiaries of the Trust consist of 8-designated entities: Bernice Pauahi Bishop Museum, Maunaʻala, Central Union Church, Kaumakapili Church, Kawaiahaʻo Church, Kamehameha Schools, Mid-Pacific Institute (his original beneficiaries, Kawaiahaʻo Female Seminary and Mills Institute merged in 1907 to form Mid-Pac) and Lunalilo Trust.

By the time Pauahi died in 1884, Maunaʻala, the Royal Mausoleum in Nuʻuanu was crowded with caskets. Bishop built an underground vault for Pauahi and members of the Kamehameha dynasty.

Charles Reed Bishop died June 7, 1915; his remains rest beside his wife in the Kamehameha Tomb. A separate monument to Charles Reed Bishop was built at Maunaʻala in 1916. (Lots of information here is from KSBE.)

July 12, 2022 by Peter T Young 1 Comment

Fort Street Mall

In 1815, Kamehameha I granted Russian representatives permission to build a storehouse near Honolulu Harbor. But, instead, directed by the German adventurer Georg Schaffer (1779-1836,) they began building a fort and raised the Russian flag.

They built their blockhouse near the harbor, against the ancient heiau of Pākākā and close to the King’s complex. There are reports that the Russians used stones from Pākākā in building their facility. (Pākākā was the site of Kaua‘i’s King Kaumuali‘i’s negotiations relinquishing power to Kamehameha I, instead of going to war, and pledged allegiance to Kamehameha, a few years earlier in 1810.)

When Kamehameha discovered the Russians were building a fort (rather than storehouses) and had raised the Russian flag, he sent several chiefs (including Kalanimōku and John Young (his advisor,)) to remove the Russians from Oʻahu by force, if necessary.

The Russian personnel judiciously chose to sail for Kaua‘i instead of risking bloodshed. On Kaua‘i, there they were given land by Kaua‘i’s King Kaumuali‘i; the Russian Fort Elizabeth was built soon after on Kaua‘i.

The partially built blockhouse at Honolulu was finished by Hawaiians under the direction of John Young and mounted guns protected the fort. Its original purpose was to protect Honolulu by keeping enemy or otherwise undesirable ships out. But, it was also used to keep things in (it also served as a prison.)

By 1830, the fort had 40 guns mounted on the parapets all of various calibers (6, 8, 12 and probably a few 32 pounders.) Fort Kekuanohu literally means ‘the back of the scorpion fish,’ as in ‘thorny back,’ because of the rising guns on the walls. In 1838 there were 52 guns reported.

Fort Street is named after this fort; it is one of the oldest streets in Honolulu. Today, the site of the old fort is the open space called Walker Park, a small park at the corner of Queen and Fort streets (also fronting Ala Moana/Nimitz.)

Fort Street gradually became the retail and business center of the Island throughout the 1800s and into the 1950s; it hosted several of the largest department stores in Hawaii including Kress, Liberty House and Woolworth’s. Other stores were located along its streets.

However, by the 1940s, some foresaw the decline of downtown. Traffic congestion, inadequate parking and competition from suburban shopping centers drained business from downtown.

In 1949, the Hawaiʻi Chapter of the American Institute of Architects made the first proposal to close Fort Street to vehicular traffic. Nothing happened; then, with the announcement of the planned Ala Moana Shopping Center, many feared a mass exodus from downtown.

In response, the Downtown Improvement Association was formed in 1958. It developed a master plan for downtown. Little happened, for another 6-years. Then, a pilot project closed Fort Street, in conjunction with the Golden Harvest Celebration.

While downtown business declined with the opening of Ala Moana Center, more studies and plans were prepared, until, finally, the City Planning Commission hired Gruen to develop a plan.

The plan called for downtown super blocks, with a system of pedestrian malls. In January 1968, the City Council approved Gruen mall plan, after 75% of adjoining owners indicated their consent.

Fort Street Mall is 5-blocks in length (1,738-feet,) extending from Queen Street up to Beretania Street. Construction began in June 1968 and was completed in February 1969, at a cost of $27-millon.

The architect of the Mall was Victor Gruen Associates. The project was funded by the City & County (55%,) private owners (44%) and Board of Water Supply (1%.)

Its average width is 50-feet, at the King Street Plaza it widens to 83-feet and at Father Damien Plaza on Beretania Street it becomes 93-feet. There are cross streets at Merchant, King and Hotel with a pedestrian underpass (and Satellite City Hall) on King Street.

Today, the Fort Street Mall Business Improvement District Association, a nonprofit corporation consisting of property owners and ground lessees adjacent to the Mall, manages the Mall by supplementing the services (primarily maintenance and security) currently provided by the City and County of Honolulu.

Like most urban settings, Fort Street Mall’s character changes block by block. As you walk along the Mall, the businesses and the patrons indicate changes in the Mall’s identity.

Across from the Cathedral of Our Lady of Peace at the mauka end of the Mall, the Hawaii Pacific University presence gives the Mall a college feel. Students periodically fill the Mall when classes let out and they stroll to one of the many buildings that HPU occupies on the Mall.

(Information here if from Pedestrian Malls, Streetscapes, and Urban Spaces, Harvey M. Rubenstein and The Fort Street Mall Business Improvement District Association.)

July 3, 2022 by Peter T Young Leave a Comment

“The sound of the waves on the beach at Waikiki”

Webley Edwards was born November 11, 1902 in Corvallis, Oregon. He attended Oregon Agricultural College (OAC – it was later named Oregon State University) where he became the first student manager of campus radio, KOAC.

As an OAC student, Webley “made good grades, was a popular athlete, and became the best ukulele player on campus, in an era when skill with the instrument was considered a sure way to a woman’s heart.” (Corvallis Gazette-Times)

After graduating from OAC in 1927, Webley moved to Hawaiʻi in 1928 to work as a car salesman and play semi-pro football. Fascinated with the local music, in 1935, he arranged for a two-week trial run for a radio show of “authentic” Hawaiian music.

On July 3, 1935, Edwards created and first aired a radio program called “Hawaiʻi Calls” featuring Hawaiian music and entertainment.

The first show reached the West Coast of the continental US through shortwave radio. Although the program enjoyed a growing popularity on the mainland, Edwards initially had a hard time making ends meet and solicited support from the Hawaiʻi Tourist Bureau.

Hawaiʻi was calling, he seemed to suggest, and to the home-bound listener freezing through an Iowa or Montana winter, making a vow to one day visit the Islands became irresistible.

From about 40,000 visitors annually in the 1930s, the number had grown to 500,000 by the time the show ended its run more than 35 years later. (Corvallis Gazette-Times)

Except for an apparent break during World War II, the radio program aired continuously since its inception.

Edwards was the first to broadcast news of the Japanese attack on Pearl Harbor. In his own words, “the real McCoy. All army, navy and marine personnel report to duty.” (Corvallis Gazette-Times)

During the war, Edwards worked as a reporter for CBS Radio and landed exclusives including an interview with Colonel Paul W Tibbetts (the pilot of the B-29 Superfortress Enola Gay, who dropped the atomic bomb over Hiroshima.)

He had been chosen by lottery to be the chief announcer for the shipboard ceremony that ended hostilities between the United States and Japan and aboard the USS Missouri reported on the surrender ceremony that brought the conflict to its close. (Ankeny)

“Attention, peoples of the world! World War II is about to come to its official closing, three years, eight months and 25 days since the attack on Pearl Harbor. The Japanese delegation has just arrived.”

“Lined up before us are officers and men with high-ranking stars and gold braid. The deck of the Missouri stretches out before us … its great guns pointed skyward to allow for more room …” (Corvallis Gazette-Times)

From the time of inception until January of 1972, Webley Edwards was Hawaiʻi Calls’ announcer and leading personality.

Each show opened with the sounds of the pounding surf and the enthusiastic bounding voice of Webley Edwards proclaiming “The sound of the waves on the beach at Waikiki.”

Usually that radio program was broadcast to the Mainland at about sundown. The announcer always described the beautiful sunset including the words, “and now the beautiful sun is a ball of fire, sinking, sinking, ever so slowly over the edge of the ocean–there it goes.” (Green)

The weekly program was typically taped before a live audience at the Moana Hotel in Waikiki. Periodically, they took the show on the road and broadcast from a neighbor island.

In its heyday, the show was heard on over 600 radio stations in North America and scores of others in Australia, New Zealand, Mexico, South America, Africa and the Far East. It was also heard on the Voice of Freedom (the predecessor to the Voice of America) and on Armed Forces Radio throughout the world. (Hula Records)

Throughout the 1950s, Edwards compiled and produced a series of Hawaiian music collections for Capitol Records. He even wrote songs under a pseudonym, John Kalapana.

In all, Hawaiʻi Calls spanned 40-years, along the way popularizing tunes including “Lovely Hula Hands,” “Beyond the Reef,” “Little Brown Gal” and “The Hawaiian Wedding Song.”

“Sweet Leilani,” which Edwards debuted in 1936, won an Academy Award after Bing Crosby’s powerful, yet gentle, rendition from the movie ‘Waikiki Wedding’ thrilled people throughout the world. (Hula Records)

In addition, he helped promote local performers, including Alfred Apaka, George Kainapau, Haleloke, and Simeon and Andy Bright. (Ankeny) In addition, Al Jolson and Arthur Godfrey were among the many guests featured on the program.

After Edwards left the program, Danny Kaleikini, a well-known Hawaiʻi entertainer and singer, was the announcer and a performer for the program. (US District Court Records) The program ended August 16, 1975.

Late in his career, Edwards made a successful run at politics, serving for more than 14-years in Hawaiʻi’s territorial legislature and then the state legislature.

Spending his last few months in a Honolulu assisted-living facility, he died October 5, 1977, after suffering a heart attack.

On October 3, 1992 there was a temporary return of Hawaiʻi Calls, taped at the Hilton Hawaiian Village’s beachside Tropics Showroom, then transmitted via satellite to affiliates. It ran for about a year, but it failed to attract enough financial support to continue.

June 30, 2022 by Peter T Young Leave a Comment

Kapaeloa

The literal translation for the moku (district) of Waialua is “two” (lua) “water(s)” (wai), which may be a reference to the pair of major streams that empty into its two main bays (Waialua and Kaiaka.) An alternative interpretations of the meaning of Waialua suggest a particular lo‘i (irrigated taro patch,) a specific place called Kemo‘o and a cruel ancient chief named Waia.

Others suggest, “Waia, grandson of Wākea was said to be a cruel chief. He cared nothing of the gods or of doing good. He had men and women killed for the fun of killing them. When he saw a maiden with shapely legs, he ordered them cut off and if a man or a woman had beautiful tatooing he was put to death. … Waia lived and practised evil deeds at Waialua – as such, the place was named for him Waia-lua (Doubly disgraceful.)” (Handy & Pukui)

“For the 28 generations from Hulihonua (the first man in the ancient Hawaiian past) to Wākea, no man was made chief over another. During the 25 generations from Wākea to Kapawa, various noted deeds are mentioned in the traditions and well-known stories. Kapawa was the first chief to be set up as a ruling chief. This was at Waialua, Oʻahu; and from then on, the group of Hawaiian Islands became established as chief-ruled kingdoms”. (Kamakau)

Historic evidence indicates a fishing village, or a scattering of small fishing villages, extending from the west side of Waimea Bay back towards Waialua. This area along the coast and inland was known as Kāpaeloa (it’s in Waialua, and shares a boundary with Waimea ahupuaʻa that is in the moku of Koʻolauloa.)

In times past, Kāpaeloa may have been an ahupuaʻa; however, in later references (ie LCAs) Kāpaeloa is considered an ‘ili (land division smaller than an ahupua‘a) of either Kawailoa or (in the early-nineteenth century) Kamananui ahupua‘a.

The area is a relatively dry place, generally unsuitable for wet-taro cultivation, but ideal for its access to marine resources and deep-sea fisheries. Any cultivation would have been limited to small gardens – families likely exchanged marine resources for other foodstuffs, such as taro, with farmers from nearby areas.

Here and in close proximity are four significant sites: Kūpopolo, a large heiau (temple;) Keahuohāpu’u, a fish-attracting shrine on a rocky point; Kaʻahakiʻi a tongue-shaped stone marking the ahupua‘a boundary between Waimea and Kawailoa; and Pu‘u o Mahuka Heiau at Pūpūkea.

This area, and some of the sites above are associated with Kaʻōpulupulu the last O‘ahu born Kahuna Nui (supreme spiritual leader) of the island.

In 1773, a leadership change was decided on Oʻahu where Kahahana would replace Kūmahana; this was the second chief to be elected (rather than conquest or heredity) to succeed to the leadership of Oʻahu, the first being Māʻilikūkahi who was his ancestor. Kaʻōpulupulu was Waimea’s presiding priest and served Kahahana.

A story says Kahahana asked Kaʻōpulupulu to determine whether the gods approved of him, and whether the island of Kaua‘i would surrender if he invaded its shores. Kaʻōpulupulu requested that a temple be built where he could “speak to the great chief Kekaulike (of Kaua‘i) through the thoughts of the great akua Mahuka.”

At first, Heiau Kūpopolo was built on the beach of Waimea Bay; however, when Kaʻōpulupulu used it, he received no answer from Kaua‘i. It was thought the temple was in the wrong location.

Off shore of this area is Wānanapaoa, a small group of islets. Several believe they were so named (Wānanapaoa literally translates to “unsuccessful prophecy”) because Kūpopolo heiau there did not live up to its intended function.

Because the kahuna believed that “thoughts are little gods, or kupua, that travel in space, above the earth … they fly freely as soaring birds,” he had another heiau, Puʻu O Mahuka built high on the cliffs. From there, Kaʻōpulupulu sent out thought waves, and the answer quickly returned – Kaua‘i wished for peace. (Johnson; OHA)

“At that time, Kahekili was plotting for the downfall of Kahahana and the seizure of Oʻahu and Molokaʻi, and the queen of Kauaʻi was disposed to assist him in these enterprises.” (Kalākaua)

Kahekili deceived Kahahana by having him believe Kaʻōpulupulu had offered the government and throne of Oʻahu to him (Kahekili), but that out of affection for his nephew he had refused; and he intimated strongly that Kaʻōpulupulu was a traitor to Kahahana.

Kahahana believed the falsehoods and it subsequently caused friction between Kahahana and Kaʻōpulupulu and the Oʻahu King turned a deaf ear to his kahuna’s advice and by the later part of 1782 or beginning of 1783, he arranged to have Kaʻōpulupulu killed.

Kahahana, who dispatched his best runners and trusted warriors to kill Kaʻōpulupulu and his son, Kahulupue … On the eve of the expected arrival of the messengers of death, Kaʻōpulupulu warned his son of their doom, saying: “I see in the sudden rise of dust that death will be here anon.”…Hardly had he given utterance to those words, when father and son were dragged out and speared.

Weakened, Kaʻōpulupulu commanded his wounded son, who had gained a point where a few steps would have placed him at the mercy of the angry sea: “E nui ke aho e kuʻu keiki a pa ke kino I ka ili kai a na ke kai ka ua ʻāina la” – Spend not your strength my son until your body strikes the surface of the ocean, for the land belongs to the sea.” This cryptic message culminated in the invasion of Oʻahu by Kahekili, aliʻi nui of Maui. (Nui; Cultural Surveys)

Back to the sites of Kāpaeloa, Keahuohāpuʻu is believed to be either a koʻa (although fishing koʻa are characterized with coral, this one does not have coral in its construction) or a kūʻula associated with the fish (or shark) god Kāneʻaukai. (The hāpuʻu is a kind of grouper fish.)

Kaʻahakiʻi was a “tongue-shaped stones, with only the tip protruding above the ground.” It could still be seen in 1930s; when road construction occurred here, the workers worked abound the stone.

Another stone “in the vicinity” was blasted by railroad builders “apparently causing the death of three workmen.” A local Hawaiian referred to this stone as a kupua, “which he defined as a stone belonging to a particular region”. (McAllister; Cultural Surveys)

During the Māhele in 1848, nearly the entire ahupua‘a of Kawailoa was awarded to Victoria Kamāmalu (LCA 7713.) During the second half of the nineteenth century, following the death of Kamāmalu in 1866, Kawailoa Ahupuaʻa was passed on to successive members of the aliʻi (chiefs) eventually to Bishop Estate.

Today, Kūpopolo Heiau is used as an outdoor classroom for archaeological field training for the North Shore Field School (a cooperative effort of Kamehameha Schools and UH.) Students and community volunteers learn how to identify, document and investigate archaeological artifacts, features and other cultural landscapes. (Lots of information here from Cultural Surveys)